Sun Light Collection (page 6)

Astronomical Diagrams (colour litho)
8658793 Astronomical Diagrams (colour litho) by English School, (20th century); Private Collection; (add.info.: Astronomical Diagrams)

"A Dial is the Anatomie of the Day and a Scale of Miles for the Journie of the Sun" (colour litho)
8627499 "A Dial is the Anatomie of the Day and a Scale of Miles for the Journie of the Sun" (colour litho) by Rawlings

Aphrodite and Eros (colour litho)
8626206 Aphrodite and Eros (colour litho) by Kuhn-Regnier, Joseph (1873-1940); Private Collection; (add.info.: Aphrodite and Eros)

Volvelle to show how to find the time, in hours and minutes, in which the Moon reaches one of its aspects
7340909 Volvelle to show how to find the time, in hours and minutes, in which the Moon reaches one of its aspects. The disc is fixed and is read by a wire in the centre

Solar system, 1846-60 (engraving)
7340561 Solar system, 1846-60 (engraving) by Reynolds, James (fl.c.1846-60); 29.2x23.5 cm; National Maritime Museum, London

Ceiling with allegorical subject, Hall of the Firmament, 1557-58 (fresco)
7292622 Ceiling with allegorical subject, Hall of the Firmament, 1557-58 (fresco); Museo Civico Palazzo Chiericati, Vicenza, Italy; (add.info.: Civic Museum of Chiericati Palace)

Ceiling with allegorical subject, Hall of the Firmament, 1557-58 (fresco)
7292512 Ceiling with allegorical subject, Hall of the Firmament, 1557-58 (fresco); Museo Civico Palazzo Chiericati, Vicenza, Italy; (add.info.: Civic Museum of Chiericati Palace)

ASTRONOMY Geocentric system, 13th century (engraving)
7272463 ASTRONOMY Geocentric system, 13th century (engraving); (add.info.: ASTRONOMY Geocentric system 'The Earth is immovable at the center of the Universe between the Sun)

The Sun in the church of St. Francis museum centre, Evora
7264952 The Sun in the church of St. Francis museum centre, Evora; Igreja Real de Sao Francisco, Evora, Portugal; (add.info.: Stylized image of the sun in the church of St)

Volvelle illustrating the magnitude, start time and duration of eclipses, 1540 (hand-coloured engraving)
7340904 Volvelle illustrating the magnitude, start time and duration of eclipses, 1540 (hand-coloured engraving) by Apianus, Petrus (1495-1552); National Maritime Museum, London

Volvelle giving the rules for predicting solar and lunar eclipses. One of the volvelles features a dragon with multiple
7340903 Volvelle giving the rules for predicting solar and lunar eclipses. One of the volvelles features a dragon with multiple heads and a partial solar eclipse

The sun and solar phenomena, 1846-60 (engraving)
7340557 The sun and solar phenomena, 1846-60 (engraving) by Reynolds, James (fl.c.1846-60) & Emslie, John (1813-75); 29.2x23.5 cm; National Maritime Museum, London

The central sun and the theory of the stellar universe (backlit), 1846-60 (engraving)
7340575 The central sun and the theory of the stellar universe (backlit), 1846-60 (engraving) by Reynolds, James (fl.c.1846-60); 29.2x23.5 cm; National Maritime Museum, London

Eclipses, 1846-60 (engraving)
7340565 Eclipses, 1846-60 (engraving) by Reynolds, James (fl.c.1846-60); 29.2x23.5 cm; National Maritime Museum, London, UK; (add.info.: Creator)

Seascape, late 19th century - mid 20th century (oil on paper)
7342485 Seascape, late 19th century - mid 20th century (oil on paper) by Everett, John (1876-1949); 25.2x35.5 cm; National Maritime Museum, London

Seascape (painting)
7342474 Seascape (painting) by Everett, John (1876-1949); National Maritime Museum, London, UK; (add.info.: BHC1395; Seascape); © National Maritime Museum, Greenwich, London.

Seascape, late 19th century - mid 20th century (watercolour, graphite, paper)
7342435 Seascape, late 19th century - mid 20th century (watercolour, graphite, paper) by Everett, John (1876-1949); 13.8x19 cm; National Maritime Museum, London

Seascape, early to mid 20th century (oil on paper)
7337800 Seascape, early to mid 20th century (oil on paper) by Everett, John (1876-1949); 12.2x17.8 cm; National Maritime Museum, London

Diptych sundial for 49° latitude, seen from the closed lid, in ivory, dated, c.1640-60 (ivory)
MMM5475369 Diptych sundial for 49° latitude, seen from the closed lid, in ivory, dated, c.1640-60 (ivory); National Maritime Museum, London, UK; (add.info.: Diptych sundial for 49° latitude)

Volvelle giving the rules for predicting solar and lunar eclipses, 1540 (hand-coloured engraving)
7340906 Volvelle giving the rules for predicting solar and lunar eclipses, 1540 (hand-coloured engraving) by Apianus, Petrus (1495-1552); National Maritime Museum, London

Beaune Hotel-Dieu (Hospices de Beaune). Tapestry. Mystic Lamb. 14th century (?). Detail
7209649 Beaune Hotel-Dieu (Hospices de Beaune). Tapestry. Mystic Lamb. 14th century (?). Detail.; Hotel Dieu, Beaune, France; (add.info.: Hospices de Beaune, Beaune, Bourgogne-Franche-Comte, Cote)

Beaune Hotel-Dieu (Hospices de Beaune). Tapestry. Mystic Lamb. 14th century (?). Detail
7209647 Beaune Hotel-Dieu (Hospices de Beaune). Tapestry. Mystic Lamb. 14th century (?). Detail.; Hotel Dieu, Beaune, France; (add.info.: Hospices de Beaune, Beaune, Bourgogne-Franche-Comte, Cote)

Egyptian Art (engraving)
8644761 Egyptian Art (engraving) by European School, (19th century); Private Collection; (add.info.: Egyptian Art. Illustration for Architecture, Sculpture)

King Olav the Saint breaking the Image of the God Mor, 1020 (litho)
8661105 King Olav the Saint breaking the Image of the God Mor, 1020 (litho) by Valda, John Harris (1874-1942); Private Collection; (add.info.: King Olav the Saint breaking the Image of the God Mor)

Twilight phenomena in Upper Egypt (colour litho)
8663612 Twilight phenomena in Upper Egypt (colour litho) by German School, (20th century); Private Collection; (add.info.: Twilight phenomena in Upper Egypt)

King Olav the Saint breaking the Image of the God Mor, 1020 (litho)
8661332 King Olav the Saint breaking the Image of the God Mor, 1020 (litho) by Valda, John Harris (1874-1942); Private Collection; (add.info.: King Olav the Saint breaking the Image of the God Mor)

Our Countryside, 1938: Haymaking (b/w photo)
8671506 Our Countryside, 1938: Haymaking (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Haymaking)

The Dying Year (colour litho)
8674438 The Dying Year (colour litho) by Miles, Helen J.A. (19th century); Private Collection; (add.info.: The Dying Year)

The Longest Day (colour litho)
8674332 The Longest Day (colour litho) by Miles, Helen J.A. (19th century); Private Collection; (add.info.: The Longest Day)

The Daisy (chromolitho)
8675753 The Daisy (chromolitho) by Havers, Alice (1850-90); Private Collection; (add.info.: The Daisy. Illustration from The White Swans and Other Tales by Hans Andersen)

Sherry grapes, brought in from the vineyard on donkey, mule or horseback, are laid out in the sun on mats to dry
8675653 Sherry grapes, brought in from the vineyard on donkey, mule or horseback, are laid out in the sun on mats to dry thoroughly before pressing (b/w photo) by English Photographer

Letter of the french poet Germain Nouveau to Paul Verlaine, France, Aug., 17, 1875 (engraving)
3434414 Letter of the french poet Germain Nouveau to Paul Verlaine, France, Aug., 17, 1875 (engraving); (add.info.: Literature. "Going in Marseille. Bibl)

Peru. Inca sun priest. Engraving by Labrousse in: Encyclopedie des voyages, by Jacques Grasset de Saint Sauveur, Paris
3434346 Peru. Inca sun priest. Engraving by Labrousse in: Encyclopedie des voyages, by Jacques Grasset de Saint Sauveur, Paris, 1810 (colour engraving); (add.info.: Perou. Coll. Part. Geography)

The French military using Heliostat signals, 1850
3480164 The French military using Heliostat signals, 1850; (add.info.: Illustration depicting the French military using Heliostat signals. Dated 19th Century.); Universal History Archive/UIG.

Diptych sundial (open), with magnetic compass. Ivory instrument around 1640, by Jacob Karner (?), c.1640 (ivory)
MMM5473360 Diptych sundial (open), with magnetic compass. Ivory instrument around 1640, by Jacob Karner (?), c.1640 (ivory); National Maritime Museum, London, UK; (add.info.: Diptych sundial (open)

Diptych sundial, for latitude 49 degrees, seen from the dial with open cover, in ivory, c.1640-60 (ivory)
MMM5475377 Diptych sundial, for latitude 49 degrees, seen from the dial with open cover, in ivory, c.1640-60 (ivory); National Maritime Museum, London, UK; (add.info.: Diptych sundial)

Allegory of astronomy representing an astrologer and Ptolemy studying the celestial sphere, 1515 (engraving)
FGL5461979 Allegory of astronomy representing an astrologer and Ptolemy studying the celestial sphere, 1515 (engraving); (add.info.: engraving by E. Schon 1515.).

Seascape, early to mid 20th century (oil on paper)
7337799 Seascape, early to mid 20th century (oil on paper) by Everett, John (1876-1949); 14.2x18.7 cm; National Maritime Museum, London

Gemma Frisius
3480187 Gemma Frisius; (add.info.: Engraved portrait of Gemma Frisius (1508-1555) a Dutch physician; mathematician; cartographer; philosopher; and instrument maker

Seascape from the 'Castilian', 1937-38 (painting)
7342415 Seascape from the 'Castilian', 1937-38 (painting) by Everett, John (1876-1949); 17.6x25.4 cm; National Maritime Museum, London, UK; (add.info.: Creator: Everett)

Seascape, Late 19th century to mid 20th century (painting)
7342488 Seascape, Late 19th century to mid 20th century (painting) by Everett, John (1876-1949); 13x18.9 cm; National Maritime Museum, London, UK; (add.info.: Creator: Everett)

Seascape. Dark, calm sea with gentle rollers (painting)
7342477 Seascape. Dark, calm sea with gentle rollers (painting) by Everett, John (1876-1949); National Maritime Museum, London, UK; (add.info.: PAH1146; Seascape)

Seascape, late 19th century - mid 20th century (oil on paper)
7342469 Seascape, late 19th century - mid 20th century (oil on paper) by Everett, John (1876-1949); 25.2x35.5 cm; National Maritime Museum, London

Seascape, Late 19th century - mid 20th century (oil on canvas)
7340828 Seascape, Late 19th century - mid 20th century (oil on canvas) by Everett, John (1876-1949); 32.5x45.5 cm; National Maritime Museum, London

Volvelle giving the rules for predicting solar and lunar eclipses, 1540 (hand-coloured engraving)
7340908 Volvelle giving the rules for predicting solar and lunar eclipses, 1540 (hand-coloured engraving) by Apianus, Petrus (1495-1552); National Maritime Museum, London

Seascape, Late 19th century - mid 20th century (oil on paper)
7340853 Seascape, Late 19th century - mid 20th century (oil on paper) by Everett, John (1876-1949); 34.8x50.2 cm; National Maritime Museum, London

Watching the solar eclipse, Hyde Park, London, 15 March 1858 (engraving)
8676327 Watching the solar eclipse, Hyde Park, London, 15 March 1858 (engraving) by English School, (19th century); Private Collection; (add.info.: Watching the solar eclipse, Hyde Park, London)

"Make hay while the sun shines" (engraving)
8636570 "Make hay while the sun shines" (engraving) by English School, (19th century); Private Collection; (add.info)

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"Bathing in the Golden Glow: Embracing the Sunlight's Radiance" As the sun casts its warm embrace on Another Place sculpture by Antony Gormley, a mesmerizing dance of shadows and light unfolds on the beach at Crosby, Liverpool. The ethereal glow illuminates every contour of Carta della Catena, revealing Florence in 1490 as if frozen in time. In Woburn Abbey Park, Bedfordshire, England, deer gracefully emerge from morning mist under the gentle touch of sunlight. Their silhouettes blend seamlessly with nature's canvas as they navigate through this enchanting realm. Meanwhile, in Port-au-Prince's vibrant Haitian market scene, rays of sunlight pierce through bustling stalls and colorful fabrics. The radiant beams breathe life into every corner, infusing energy and warmth into this lively atmosphere. Newstead Abbey stands proud amidst Monks Wood in Nottinghamshire; Arthur Spooner captures its majestic beauty bathed in sunlight from the North West. A testament to history and tranquility merging harmoniously under nature's spotlight. The University of Salamanca's facade basks gloriously under Spain's luminous skies. Its architectural splendor shines brightly against a backdrop of blue hues—a symbol of knowledge illuminated by the brilliance of enlightenment. John Singer Sargent immortalizes a Lady with Parasol standing elegantly beneath an azure sky. Her delicate silhouette dances with grace as she embraces life fully immersed within sunlit moments. Flamenco dancers sway passionately along Ibiza's shores—Spain’s full sunlight ignites their fiery performance against an endless horizon. Each movement is intensified by golden rays that celebrate both artistry and nature’s radiance. Segovia’s ancient aqueduct stands tall since Roman times—an architectural marvel kissed by centuries' worth of sunshine. It serves as a reminder that even stone can be transformed into something extraordinary when touched by light. Athens’ Acropolis Parthenon gazes proudly over the city, its timeless columns bathed in sunlight.