Studio Volume 52 Collection

Dunchurch Lodge, near Rugby, c1911. Dunchurch Lodge was designed by architect Gilbert Fraser (1873-1957). From The Studio Volume 52. [London Offices of the Studio, London, 1911]

House at Dorchester, c1911. A house designed by architect Percy Richard Morley Horder (1870-1944). From The Studio Volume 52. [London Offices of the Studio, London, 1911]

A Normandy Farm, c1911. Artist: George Oberteuffer
A Normandy Farm, c1911. From The Studio Volume 52. [London Offices of the Studio, London, 1911]

In The Garden, c1911. Artist: Richard Emile Miller
In The Garden, c1911. From The Studio Volume 52. [London Offices of the Studio, London, 1911]

The Rest, c1911. Artist: William Newenham Montague Orpen
The Rest, c1911. From The Studio Volume 52. [London Offices of the Studio, London, 1911]

The Jockey, c1911. Artist: William Newenham Montague Orpen
The Jockey, c1911. From The Studio Volume 52. [London Offices of the Studio, London, 1911]

Boys Bathing, c1911. Artist: Philipp Franck
Boys Bathing, c1911. From The Studio Volume 52. [London Offices of the Studio, London, 1911]

The Morning Stars (Les Etoiles du Matin), 1886. Artist: Sarah Paxton Ball Dodson
The Morning Stars (Les Etoiles du Matin), 1886. From The Studio Volume 52. [London Offices of the Studio, London, 1911]

House At Rusper, Near Horsham, Sussex, c1911. A house designed by Unsworth, Son & Triggs. From The Studio Volume 52. [London Offices of the Studio, London, 1911]

Stonehaven, c1911. Artist: Sir Ernest Albert Waterlow
Stonehaven, c1911. From The Studio Volume 52. [London Offices of the Studio, London, 1911]

Poppies, Wheat, and Natane Flowers, 17th century. Artist: Sotatsu
Poppies, Wheat, and Natane Flowers, 17th century. From The Studio Volume 52. [London Offices of the Studio, London, 1911]

Grizedale Hall, Lancashire: The South Front and Terrace, c1911. Grizedale Hall was a large country house at Grizedale, Hawkshead in the Lake District in Cumbria, England

The Morris Room at the Clarion Cafe, Manchester, c1911
The Morris Room at the Clarion Cafe, Manchester. Decorated by the St. Georges Guild of Crafts, Birmingham, c1911. The Manchester Clarion Cafe was at 50 Market Street, Manchester

Grizedale Hall, Lancashire: Archway in Tower to Porte-Cochere, c1911. Grizedale Hall was a large country house at Grizedale, Hawkshead in the Lake District in Cumbria, England

The Bridge, c1911. Artist: Edward Leslie Badham
The Bridge, c1911. From The Studio Volume 52. [London Offices of the Studio, London, 1911]

Houghton Grange, near Huntingdon, c1897. Houghton Grange was built by architect James Ransome in 1897. From The Studio Volume 52. [London Offices of the Studio, London, 1911]

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Step into the enchanting world of Studio Volume 52, where art comes alive and transports you to different eras and landscapes. Explore the captivating beauty of Dunchurch Lodge, near Rugby, in the year 1911; its grandeur preserved through time. Immerse yourself in the serenity of House at Dorchester, also from 1911, as it whispers tales of a bygone era. Marvel at A Normandy Farm, painted by George Oberteuffer in 1911; his brushstrokes capturing the rustic charm and simplicity of rural life. In The Garden, created by Richard Emile Miller in that same year, invites you to bask in nature's embrace with its vibrant colors and delicate details. William Newenham Montague Orpen's masterpieces take center stage with The Rest - a poignant portrayal that evokes introspection - and The Jockey - an exhilarating depiction of speed and adrenaline on canvas. Philipp Franck's Boys Bathing captures youthful joy amidst shimmering waters while Sarah Paxton Ball Dodson's The Morning Stars (Les Etoiles du Matin) enchants with celestial beauty from 1886. Travel back to Sussex in 1911 with House At Rusper Near Horsham; its architecture standing tall against changing times. Sir Ernest Albert Waterlow paints Stonehaven in that same year - a coastal haven where crashing waves meet rugged cliffs. Sotatsu takes us further back to the seventeenth century with Poppies, Wheat, and Natane Flowers; their vivid hues immortalized for eternity. Lastly, Grizedale Hall beckons us to Lancashire through time-traveling brushstrokes depicting its South Front and Terrace circa 1911. Studio Volume 52 is not just an exhibition but a journey through history captured on canvas – each artwork telling stories waiting to be discovered anew.