Street Trading Collection
"Captivating Scenes of Street Trading
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"Captivating Scenes of Street Trading: A Glimpse into the Past" Step back in time to witness the vibrant street trading scenes that once adorned the bustling streets of London. In 1901 (1951), Piccadilly Circus was transformed into a floral paradise as flower sellers filled the air with their fragrant offerings. The colors and aromas created an enchanting atmosphere, captivating all who passed by. Travel even further back to the early 1780s, where a charlatan mesmerized onlookers with his cunning tricks and deceitful charm. Philibert Louis Debucourt's artwork immortalizes this intriguing character, reminding us of the allure and deception that often accompanied street trading. The ever-changing weather in Paris is beautifully captured in "Storm in Paris, " showcasing how street traders persevered through rain or shine to make a living. Their resilience and determination are commendable, as they braved adverse conditions for their trade. Mardi-Gras comes alive through Le Pele-Mele's illustration from 1902 (colour litho). Street traders added vibrancy to this festive occasion, offering various delights that enhanced the celebrations. Their colorful stalls became an integral part of Mardi-Gras traditions. Not all aspects were joyous; some postcards depicted resistance against free trade policies. An anti-free trade postcard serves as a reminder that not everyone welcomed these changes, highlighting societal divisions during times of economic transformation. Henri Merke's series "Cries of London" provides insight into specific tradespeople who roamed London's streets centuries ago. From rat-trap sellers to old clothes peddlers, each cry represented a unique facet of daily life at that time. These illustrations offer glimpses into historical occupations now lost but forever etched in our collective memory. Lastly, an engraving titled "Chairs to Mend. " reminds us how artisans plied their trade on the streets, offering their skills and services to passersby.