Strangler Collection
In the depths of Tangkoko National Park in Northern Sulawesi, Indonesia, a sinister presence lurks amidst the dense foliage
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In the depths of Tangkoko National Park in Northern Sulawesi, Indonesia, a sinister presence lurks amidst the dense foliage. The Strangler fig, with its deceptive beauty and treacherous nature, stands as a silent assassin in this tropical paradise. Picture No. 11980872 captures the eerie allure of this botanical predator. As I gaze upon this wood engraving from 1851 titled "Death as Assassin, " I am reminded of the lethal grip that these fig trees possess. Their roots entwine around their unsuspecting victims, slowly suffocating them until life fades away. Much like French serial killer Jeanne Weber's final crime depicted in vivid color litho, these strangler figs leave no trace behind. Venturing further into South East Asia's Nakhon Ratchasima province reveals another chilling encounter with a ficus sp. , aptly named for its deadly embrace. This giant sequoia tree known as Wawona towers over Mariposa Grove in California, casting an ominous shadow on all who dare to approach it. The Death of Charles Pichegru portrayed by Henri Meyer in 1891 echoes the haunting power possessed by these strangler figs. Just as Pichegru met his demise at the hands of unseen forces, so too do countless creatures fall victim to the insidious grasp of these plants. Even renowned artist Hans Holbein the Younger recognized their malevolent influence when he created letters L, D, and I – each bearing an uncanny resemblance to twisted branches reaching out to claim their next prey. Intriguing yet terrifying is this tale woven through time and continents; death personified within nature itself. The Strangler fig remains an enigma—a captivating force that reminds us how even beauty can conceal darkness beneath its surface. So tread cautiously when you encounter such flora—lest you become entangled within their deadly clasp—and remember: in the realm of the Strangler, death is always waiting to strike.