Stoop Collection

The Stoop Stadium Study 2 - Harlequins Rugby Union
Twickenham Stoop Stadium (informally referred to as The Stoop) is a sports stadium located in south-west London, England. The stadium is home to Harlequins rugby union team

Jupiter and the Ass, 1655. Creator: Dirck Stoop
Jupiter and the Ass, 1655. From Aesop's Fables, published by John Ogilby (London: 1665), no. 68

Hunters Resting, c.1650-c.1655. Creator: Dirck Stoop
Hunters Resting, c.1650-c.1655

The hunting party, 1649. Creator: Dirck Stoop
The hunting party, 1649. Our eyes are drawn to the sunlight on the buttocks of a horse which is urinating as it stands at the manger

A Horse Bound to a Post, 1651. Creator: Dirck Stoop
A Horse Bound to a Post, 1651

A Boy Taking a Horse to Drink, 1651. Creator: Dirck Stoop
A Boy Taking a Horse to Drink, 1651

A Man Holding a Horse by His Bridle, 1651. Creator: Dirck Stoop
A Man Holding a Horse by His Bridle, 1651

A Seated Man with a Pack of Dogs, 1651. Creator: Dirck Stoop
A Seated Man with a Pack of Dogs, 1651

Two Horses Drinking at a Trough, 1651. Creator: Dirck Stoop
Two Horses Drinking at a Trough, 1651

Rearing Horse near a Stable, 1651. Creator: Dirck Stoop
Rearing Horse near a Stable, 1651

Two Grazing Horses, 1651. Creator: Dirck Stoop
Two Grazing Horses, 1651

A Pissing Horse Bound to a Post, 1651. Creator: Dirck Stoop
A Pissing Horse Bound to a Post, 1651

Two Plow Horses Standing in a Field, 1651. Creator: Dirck Stoop
Two Plow Horses Standing in a Field, 1651

A Horse Bound to a Feeding Trough, 1651. Creator: Dirck Stoop
A Horse Bound to a Feeding Trough, 1651

A Horse Bound to a Post with a Reclining Dog, 1651. Creator: Dirck Stoop
A Horse Bound to a Post with a Reclining Dog, 1651

A Pissing Horse Held by a Man, 1651. Creator: Dirck Stoop
A Pissing Horse Held by a Man, 1651

Horses, Goat and a Man, n.d. Creator: Dirck Stoop
Horses, Goat and a Man, n.d

Massachusetts, Boston, beautiful blue door

A man carrying a huge roll of heavy material on his back
A man stoops almost double as he carries a huge roll of heavy material on his back. Even under the weight he moves quickly through the back streets of Istanbul, Turkey 1984

The Little Street, c1658. Artist: Jan Vermeer
The Little Street, c1658. From the collection of the Rijksmuseum, Amsterdam, Netherlands

Photograph of Rugby match, Twickenham, outdoor sporting live action portrait. Captioned, The first big Rugger match of the season: Harlequins vs Old Merchant Taylors at Twickenham'

St Nicholas Homes, Pyrford
Stoop Ward at the Waifs and Strays Society's St Nicholas Homes for physically disabled children at Pyrford, Surrey. The site later became St Nicholas Orthopaedic Hospital then the Rowley Bristow

Young Brown bear (Ursus arctos) sitting in meadow, Finland. July

Two Towers, New York, 1911 (photogravure)
2970982 Two Towers, New York, 1911 (photogravure) by Stieglitz, Alfred (1864-1946); The Art Institute of Chicago, IL, USA; Alfred Stieglitz Collection; American, out of copyright

No More Chores, Family on Vacation, c. 1935 (oil on canvas)
PNH356339 No More Chores, Family on Vacation, c.1935 (oil on canvas) by MacGilvary, Norwood (1874-1949); 101.5x91.5 cm; Private Collection; Photo © Peter Nahum at The Leicester Galleries

Georgie Stoop Great Britain Wimbledon Championship 2009 Wimbledon, London, England 24 June 2009 Date: 24 June 2009

Laura Robson & Georgie Stoop Ladies Doubles Wimbledon Championship 2009 Wimbledon, London, England 24 June 2009 Date: 24 June 2009

Laura Robson & George Stoop Ladies Doubles Wimbledon Championship 2009 Wimbledon, London, England 24 June 2009 IMBLEDON CHAMPIONSHIP 2009 THE ALL ENGLAND LAWN TENNIS CLUB, WIMBLEDON, LONDON

Georgie Stoop & Laura Robson Ladies Doubles Wimbledon Championship 2009 Wimbledon, London, England 24 June 2009 IMBLEDON CHAMPIONSHIP 2009 THE ALL ENGLAND LAWN TENNIS CLUB, WIMBLEDON, LONDON

Sun wall (oil on canvas)
3706900 Sun wall (oil on canvas) by Scheel, Signe (1860-1940); 61x50.3 cm; Private Collection; Photo © O. Vaering

The fireflies, 1898-99 (oil on canvas)
5862531 The fireflies, 1898-99 (oil on canvas) by Nomellini, Plinio (1866-1943); 85x35.5 cm; Private Collection; Luisa Ricciarini; Italian, out of copyright

Vertumnus and Pomona, c. 1630 (tapestry)
5862502 Vertumnus and Pomona, c.1630 (tapestry) by Raes, Jan II (1570-c.1637/43); 520x330 cm; Gruppo Banca Carige Collection, Genoa, Italy; (add.info.: In Roman mythology)

Plate 217. Stooping, Lifting and Carrying 30 lb Basket, 1885 (collotype on paper)
3950470 Plate 217.Stooping, Lifting and Carrying 30 lb Basket, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 17.9x42.1 cm; Addison Gallery of American Art, Phillips Academy, Andover

Plate 526. A, Lifting Ball; B, Emptying Bucket of Water, 1872-85 (collotype on paper)
3950284 Plate 526. A, Lifting Ball; B, Emptying Bucket of Water, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 31.4x23.5 cm; Addison Gallery of American Art, Phillips Academy

Plate 303. Picking Up a Ball and Throwing It, 1872-85 (collotype on paper)
3950230 Plate 303. Picking Up a Ball and Throwing It, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.4x36.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 223. Stooping and Lifting Basin, Wiping it, and Turning
3950205 Plate 223. Stooping and Lifting Basin, Wiping it, and Turning, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24x30.6 cm; Addison Gallery of American Art, Phillips Academy

Plate 201. Taking 12-lb Basket from Head, Putting it on the Ground
3950196 Plate 201. Taking 12-lb Basket from Head, Putting it on the Ground, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.2x38.7 cm; Addison Gallery of American Art

Plate 463. Reaching Up, Stooping and Turning Around, 1885 (collotype on paper)
3950413 Plate 463. Reaching Up, Stooping and Turning Around, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.6x34.3 cm; Addison Gallery of American Art, Phillips Academy, Andover

The Tents of Shem (engraving)
1055540 The Tents of Shem (engraving) by Brewtnall, Edward Frederick (1846-1902) (after); Private Collection; (add.info.: The Tents of Shem)

A porter laden (pen & ink on paper)
CTS407580 A porter laden (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

Brahmins: a Scribe and an Interpreter, 1827-35 (colour litho)
478563 Brahmins: a Scribe and an Interpreter, 1827-35 (colour litho) by Burnouf, M.E. (fl.1827-35); Private Collection; (add.info.: Brahmanes, Ecrivain & Interprte)

Gave her Daughter-in-law a Piece of her Mind (mixed media on paper)
BRN161517 Gave her Daughter-in-law a Piece of her Mind (mixed media on paper) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania

Page 7. Barita. following title in different hand 1 / 2 the natural size
5670639 Page 7. Barita. following title in different hand 1/2 the natural size. another note in a third hand, reads This bird has a very uncommon and not unpleasant note

Plate 438. Setting Down Bucket and Preparing to Scrub, 1885 (collotype on paper)
3950489 Plate 438. Setting Down Bucket and Preparing to Scrub, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 30x26 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 224. Stooping and Lifting Water Jar to Head, 1872-85 (collotype on paper)
3950206 Plate 224. Stooping and Lifting Water Jar to Head, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.7x42.9 cm; Addison Gallery of American Art, Phillips Academy, Andover

Plate 221. Stooping and Lifting 12 lb basket to Head, 1872-85 (collotype on paper)
3950203 Plate 221. Stooping and Lifting 12 lb basket to Head, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.6x34.3 cm; Addison Gallery of American Art, Phillips Academy

Plate 250. Rising from Chair, Stooping and Lifting Hand-kerchief
3950477 Plate 250. Rising from Chair, Stooping and Lifting Hand-kerchief, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 28.3x25.6 cm; Addison Gallery of American Art

Plate 211. Stooping and Lifting Hand-Kerchief; Parasol in Left Hand
3950468 Plate 211.Stooping and Lifting Hand-Kerchief; Parasol in Left Hand, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.3x35.4 cm; Addison Gallery of American Art

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Stooping to conquer: A glimpse into the world of rugby at The Stoop Stadium Study 2 - Harlequins Rugby Union. This captivating photograph captures the essence of outdoor sporting live action at Twickenham, as two formidable teams, Harlequins and Old Merchant Taylors, clash in a thrilling Rugger match. The intensity and passion on display is palpable, showcasing the true spirit of this beloved sport. But stooping isn't limited to sports arenas alone. At St Nicholas Homes in Pyrford, we witness a man carrying a massive roll of heavy material on his back. His strength and determination are admirable as he navigates through life's challenges with resilience. In Jan Vermeer's masterpiece 'The Little Street' from 1658, we see ordinary people stooping down to tend to their daily tasks. It reminds us that even in simpler times, hard work and dedication were essential for survival. However, not all instances of stooping are related to physical labor. In 'Nude Man; Nackter Man Nach Links, ' an intriguing pencil sketch by an unknown artist, we observe a figure gracefully leaning forward in contemplation or perhaps deep thought – a metaphorical representation of how sometimes we must lower ourselves mentally or emotionally to gain new perspectives. Nature also presents us with moments where creatures exhibit stooped postures. A young Brown bear sitting peacefully in a meadow in Finland shows us that even powerful animals can find tranquility when they choose to pause and rest. Moving away from natural landscapes towards urban ones, 'Two Towers' captures the iconic New York skyline in 1911 – towering structures reaching towards the sky while pedestrians below appear small and slightly hunched over amidst the bustling cityscape. It serves as a reminder that even grand architecture can make individuals feel insignificant at times. On lighter notes, 'No More Chores' depicts a family enjoying their vacation without any worries or responsibilities.