Stock Tie Collection

George Bernard Shaw, 1925 (oil on panel)
3483049 George Bernard Shaw, 1925 (oil on panel) by Lavery, Lady Hazel (1886-1935); 61x45 cm; Manchester Art Gallery, UK; (add.info.: George Bernard Shaw (26 July 1856 - 2 November 1950)

Stock Tie, 1935 / 1942. Creator: Raymond Manupelli
Stock Tie, 1935/1942

Thomas Mure of Warriston, c. 1785 (oil on canvas)
450300 Thomas Mure of Warriston, c.1785 (oil on canvas) by Raeburn, Henry (1756-1823); 74.7x62 cm; The Holburne Museum, Bath, UK; eHolburne Museum; Scottish, out of copyright

Thomas Bowlby, 1766 (oil on canvas)
450073 Thomas Bowlby, 1766 (oil on canvas) by Gainsborough, Thomas (1727-88); 76.4x63.6 cm; The Holburne Museum, Bath, UK; eHolburne Museum; English, out of copyright

John Manners, 7th Duke of Rutland (oil on canvas)
466005 John Manners, 7th Duke of Rutland (oil on canvas) by English School, (19th century); Belvoir Castle, Leicestershire, UK; (add.info.: John James Robert Manners, 7th Duke of Rutland KG, GCB)

Portrait of John Burton of Clapton
HAC41199 Portrait of John Burton of Clapton by Denny, W. (19th century); Hackney Museum, London Borough of Hackney, UK; eHackney Museum; eHackney Museum; out of copyright

Sir Joshua Reynolds (oil on canvas)
450168 Sir Joshua Reynolds (oil on canvas) by Jackson, John (1778-1831); 77.2x64.5 cm; The Holburne Museum, Bath, UK; (add.info)

John Sargent III, c. 1770 (oil on canvas)
450311 John Sargent III, c.1770 (oil on canvas) by English School, (18th century); 74.3x62.2 cm; The Holburne Museum, Bath, UK; (add.info.: John Sargent III (1750-1831)); eHolburne Museum; English

The 6th Duke of Rutland dressed for hunting, 1861 (coloured engraving)
466002 The 6th Duke of Rutland dressed for hunting, 1861 (coloured engraving) by Hunt, James B. (fl.1850-65); Belvoir Castle, Leicestershire, UK; (add.info.: Charles Cecil John Manners)

Charles Manners, Marquis of Granby (oil on canvas)
466000 Charles Manners, Marquis of Granby (oil on canvas) by Grant, Francis (1803-78); Belvoir Castle, Leicestershire, UK; (add.info.: Charles Cecil John Manners)

Admiral Lord Rodney, c. 1768 (oil on canvas)
450280 Admiral Lord Rodney, c.1768 (oil on canvas) by British School, (18th Century); 88.9x71.1 cm; The Holburne Museum, Bath, UK; (add.info.: George Brydges Rodney, 1st Baron Rodney, KB (bap)

Portrait of William W. Gilbert, c. 1795-1805 (pastel on paper)
711140 Portrait of William W. Gilbert, c.1795-1805 (pastel on paper) by Sharples, James (1751-1811) (attr. to); 23.5x16.8 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Portrait of a Seated man at a desk (oil on canvas)
704131 Portrait of a Seated man at a desk (oil on canvas) by Boilly, Louis Leopold (1761-1845); Galleria Nazionale d Arte Moderna e Contemporanea, Rome, Lazio, Italy; French, out of copyright

Louis Antoine Saint-Just (colour litho)
XEE1190792 Louis Antoine Saint-Just (colour litho) by French School, (18th century); Private Collection; (add.info.: Louis Antoine Leon de Saint-Just (25 August 1767 - 28 July 1794)

Portrait of William Holman Hunt, 1853 (pencil over grey wash with scratching)
3060054 Portrait of William Holman Hunt, 1853 (pencil over grey wash with scratching) by Rossetti, Dante Gabriel Charles (1828-82)

Stock, American, ca. 1830. Creator: Unknown
Stock, American, ca. 1830

Count Viktor Pavlovich Kochubey, 1809 (oil on canvas)
BAL884221 Count Viktor Pavlovich Kochubey, 1809 (oil on canvas) by Gerard, Francois Pascal Simon, Baron (1770-1837); State Hermitage Museum, St

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"From George Bernard Shaw to the Duke of Rutland: A Stylish Journey through Stock Ties" Step into the world of fashion and history as we explore the captivating allure of stock ties. Dating back centuries, these elegant neckpieces have adorned distinguished individuals from all walks of life. In 1925, artist George Bernard Shaw immortalized this timeless accessory in his oil on panel masterpiece, capturing its regal essence. Georges Couthon's exquisite engraving featuring a Stock Tie from 1935/1942 showcases the meticulous craftsmanship that went into creating these sartorial gems. Raymond Manupelli continued this tradition with his creation in 1935/1942, paying homage to the artistry and attention to detail required for such an intricate piece. Traveling further back in time, we encounter portraits that highlight how stock ties were favored by nobility and influential figures throughout history. The late King George IV himself can be seen sporting a dashing stock tie in a portrait dating back to 1790. Thomas Mure of Warriston's oil on canvas masterpiece from c. 1785 also captures the elegance and sophistication associated with this fashionable accessory. Thomas Bowlby's striking depiction of John Burton Clapton wearing a stock tie showcases Sir Joshua Reynolds' mastery as he expertly portrays both subject and attire on canvas. Meanwhile, John Sargent III's mesmerizing oil painting from c. 1770 transports us to an era where gentlemen donned their finest garments complete with meticulously tied stock ties. The Duke of Rutland seems particularly fond of this fashion statement as evidenced by multiple artworks depicting him dressed for hunting or simply exuding aristocratic charm while wearing his beloved stock tie. Lastly, Charles Manners, Marquis of Granby is immortalized on canvas sporting a resplendent stock tie—an emblematic symbol representing not only high society but also impeccable taste when it comes to men’s accessories.