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Stephens Ducote And Collection

Stephens Ducote and the Satirical Art of John Doyle Stephens Ducote, a lover of art and history, finds himself captivated by the satirical works of John Doyle

Background imageStephens Ducote And Collection: A Fair Game, 1835. Creator: John Doyle

A Fair Game, 1835. Creator: John Doyle
A Fair Game, 1835. Politicians throwing sticks at targets surmounted by crowns. Satirical cartoon on British politics by H.B. (John Doyle). [Thomas McLean, London, 1835]

Background imageStephens Ducote And Collection: Swing Caught at Last, 1835. Creator: John Doyle

Swing Caught at Last, 1835. Creator: John Doyle
Swing Caught at Last, 1835. Former Lord Chancellor Henry Brougham stands in the dock, as Sir Robert Peel explains his crime of incendiarism to judge King William IV

Background imageStephens Ducote And Collection: A Cabinet Council, 1834. Creator: John Doyle

A Cabinet Council, 1834. Creator: John Doyle
A Cabinet Council, 1834. Prime Minister Arthur Wellesley, 1st Duke of Wellington, says How is the Kings Government to be carried on? - that is the question!

Background imageStephens Ducote And Collection: New State Omnibus, or the Man wot is Cad... 1834. Creator: John Doyle

New State Omnibus, or the Man wot is Cad... 1834. Creator: John Doyle
New State Omnibus, or the Man wot is Cad to the Man wot was Cad to the Man wot drove the Sovereign, 1834. John Bull says Time ; Arthur Wellesley, 1st Duke of Wellington

Background imageStephens Ducote And Collection: Fall of the Vaux-Hall Performer, 1834. Creator: John Doyle

Fall of the Vaux-Hall Performer, 1834. Creator: John Doyle
Fall of the Vaux-Hall Performer, 1834. Lord Brougham, 1st Baron Brougham and Vaux portrayed as a circus tightrope-walker. The play on words in the title connects his name with entertainments at

Background imageStephens Ducote And Collection: Trios Dogs, A Graphic Tale, with a Moral, for those who can find it out!, 1834. Creator

Trios Dogs, A Graphic Tale, with a Moral, for those who can find it out!, 1834. Creator
Trios Dogs, A Graphic Tale, with a Moral, for those who can find it out!, 1834. Prime minister Arthur Wellesley, 1st Duke of Wellington holding a bone labelled Power ; Governor-General of Canada John

Background imageStephens Ducote And Collection: Vaux Hunting, or the Newest Version of Tally Ho!, 1834. Creator: John Doyle

Vaux Hunting, or the Newest Version of Tally Ho!, 1834. Creator: John Doyle
Vaux Hunting, or the Newest Version of Tally Ho!, 1834. Sketched at the late meeting of the Durham Press-ton Hounds. A huntsman shouts Tallyho! Tallyho

Background imageStephens Ducote And Collection: Receiving the Fatal News!, 1834. Creator: John Doyle

Receiving the Fatal News!, 1834. Creator: John Doyle
Receiving the Fatal News!, 1834. George Eden, Earl of Auckland; John William Ponsonby, 4th Earl of Bessborough; Henry Brougham, 1st Baron Brougham and Vaux; John Hobhouse

Background imageStephens Ducote And Collection: A Family Group, framed, glazed and ready to be hung up at Brookes s, 1835. Creator: John Doyle

A Family Group, framed, glazed and ready to be hung up at Brookes s, 1835. Creator: John Doyle
A Family Group, framed, glazed and ready to be hung up at Brookes s, 1835. Lord Ebrington - British politician Hugh Fortescue

Background imageStephens Ducote And Collection: The Fall of Icarus, 1834. Creator: John Doyle

The Fall of Icarus, 1834. Creator: John Doyle
The Fall of Icarus, 1834. Lord Brougham portrayed as Icarus of Greek myth, who flew too close to the Sun with wings made of wax


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Stephens Ducote and the Satirical Art of John Doyle Stephens Ducote, a lover of art and history, finds himself captivated by the satirical works of John Doyle. As he delves into each piece, he discovers a world filled with political commentary and societal critique. "So Much out of the Fire or The Man Wots Lost His Throne" depicts a fallen leader struggling to regain his power. Ducote is intrigued by how Doyle cleverly portrays the fragility of authority. In "A Fair Game, " Doyle exposes the manipulative nature of politics. Ducote admires how the artist uses humor to shed light on deceitful tactics employed by those in power. Ducote chuckles at "Swing Caught at Last, " where Doyle captures an infamous criminal finally facing justice. The artwork serves as a reminder that no one can escape their misdeeds forever. "The Centaur or the Rape of Act" transports Ducote back to ancient mythology with a modern twist. He marvels at how Doyle merges classical themes with contemporary issues, creating thought-provoking imagery. "A Cabinet Council" showcases politicians engaged in heated debates behind closed doors. Ducote appreciates how this piece highlights both unity and discord within governing bodies. In "New State Omnibus, or the Man wot is Cad. . , " Ducote witnesses society's obsession with status and appearance. He ponders on whether true character lies beneath superficial facades portrayed in public life. "Falling Vaux-Hall Performer" captures an entertainer's downfall from grace. This resonates deeply with Ducote as it reminds him that fame can be fleeting and success should never be taken for granted. Doyle's "Trios Dogs" presents an enigmatic tale meant for interpretation. Intrigued by its moral ambiguity, Ducote contemplates its hidden message while enjoying its artistic brilliance. With "Vaux Hunting, " Duchamp experiences exhilaration as Doyle transports him to a thrilling hunt.