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Stencilled Collection

"Unveiling the Art of Stencilled History: From Argentina's Cave of the Hands to Birmingham's Middlemore Homes Emigration Party" Step into a world frozen in time

Background imageStencilled Collection: Cave of the hands, Argentina

Cave of the hands, Argentina
Olympus Digital Camera

Background imageStencilled Collection: Cueva de las Manos (Cave of Hands), UNESCO World Heritage Site, a cave or series

Cueva de las Manos (Cave of Hands), UNESCO World Heritage Site, a cave or series of caves located in the province of Santa Cruz, 163 km south of the town of Perito Moreno, Patagonia, Argentina

Background imageStencilled Collection: Birmingham Middlemore Homes Emigration Party

Birmingham Middlemore Homes Emigration Party
A party of boys from Birminghams Middlemore Homes begin their journey to a new life in Canada. Each carries a large bag stencilled with their name in which their clothes

Background imageStencilled Collection: Stencilled Floor, c. 1940. Creator: Michael Lauretano

Stencilled Floor, c. 1940. Creator: Michael Lauretano
Stencilled Floor, c. 1940

Background imageStencilled Collection: Stencilled Floor, c. 1940. Creator: Michael Lauretano

Stencilled Floor, c. 1940. Creator: Michael Lauretano
Stencilled Floor, c. 1940

Background imageStencilled Collection: Stencilled Wall, c. 1940. Creator: Michael Lauretano

Stencilled Wall, c. 1940. Creator: Michael Lauretano
Stencilled Wall, c. 1940

Background imageStencilled Collection: Stencilled Floor, c. 1938. Creator: Jerome Hoxie

Stencilled Floor, c. 1938. Creator: Jerome Hoxie
Stencilled Floor, c. 1938

Background imageStencilled Collection: Stencilled Floor, c. 1938. Creator: Jerome Hoxie

Stencilled Floor, c. 1938. Creator: Jerome Hoxie
Stencilled Floor, c. 1938

Background imageStencilled Collection: A Condolence Card, c. 1830. Creator: Emily Wilcox

A Condolence Card, c. 1830. Creator: Emily Wilcox
A Condolence Card, c. 1830

Background imageStencilled Collection: A Condolence Card, c. 1830. Creator: Emily Wilcox

A Condolence Card, c. 1830. Creator: Emily Wilcox
A Condolence Card, c. 1830

Background imageStencilled Collection: Stencilled Wall, 1935/1942. Creator: Mildred E Bent

Stencilled Wall, 1935/1942. Creator: Mildred E Bent
Stencilled Wall, 1935/1942

Background imageStencilled Collection: Red Lion Square Settle

Red Lion Square Settle
A photograph of a white painted settle designed by William Morris, potentially constructed by Henry Price. The furniture was adapted for installation at Red House, the home of William Morris

Background imageStencilled Collection: White Star Line, RMS Olympic - oak column section

White Star Line, RMS Olympic - oak column section from Cabin 62, stencilled on reverse port side and impressed fore end starboard side. 23.5 inches. Date: 20th century

Background imageStencilled Collection: Cunard Line - emigrants tin trunk, stencilled G King

Cunard Line - emigrants tin trunk, stencilled G King
Cunard Line - emigrants tin trunk with Cunard/Jones Brothers, Wolverhampton on the lock, and the name G. King stencilled on the front. 24 x 14 x 14 inches. (1 of 2) Date: 20th century

Background imageStencilled Collection: RMS Titanic film, life jacket and baseball cap

RMS Titanic film, life jacket and baseball cap
RMS Titanic, Movie Memorabilia - souvenir life jacket issued to crew on the James Cameron movie Titanic. This example is hand signed by a number of the crew and was presented to Dave Coldham

Background imageStencilled Collection: Stencilled Floor, c. 1938. Creator: Edward DiGennero

Stencilled Floor, c. 1938. Creator: Edward DiGennero
Stencilled Floor, c. 1938

Background imageStencilled Collection: Arms of the Counts of Botenlauben, 1480-1500. 1480-1500. Creator: Anon

Arms of the Counts of Botenlauben, 1480-1500. 1480-1500. Creator: Anon
Arms of the Counts of Botenlauben, 1480-1500

Background imageStencilled Collection: Celui qui Monte le Cheval Noir, c. 1917-1920 (pochoir)

Celui qui Monte le Cheval Noir, c. 1917-1920 (pochoir)
985566 Celui qui Monte le Cheval Noir, c.1917-1920 (pochoir) by Barbier, Georges (1882-1932); 29.5x28.5 cm; Private Collection; (add.info.: Celui qui Monte le Cheval Noir. One of a pair of pochoirs)

Background imageStencilled Collection: La Cheval Blanc, c. 1917-1920 (pochoir)

La Cheval Blanc, c. 1917-1920 (pochoir)
985565 La Cheval Blanc, c.1917-1920 (pochoir) by Barbier, Georges (1882-1932); 29.5x28.5 cm; Private Collection; (add.info.: La Cheval Blanc. One of a pair of pochoirs. Georges Barbier (1882-1932)

Background imageStencilled Collection: The Lesson Well Learned, 1919 (coloured pochoir plates)

The Lesson Well Learned, 1919 (coloured pochoir plates)
985560 The Lesson Well Learned, 1919 (coloured pochoir plates) by Barbier, Georges (1882-1932); Private Collection; (add.info.: The Lesson Well Learned; La Lecon Bien Apprise)

Background imageStencilled Collection: Picture (Velvet), 18th / 19th century. Creator: Unknown

Picture (Velvet), 18th / 19th century. Creator: Unknown
Picture (Velvet), 18th/19th century

Background imageStencilled Collection: Panel, United States, 19th century. Creator: Unknown

Panel, United States, 19th century. Creator: Unknown
Panel, United States, 19th century

Background imageStencilled Collection: Soldiers of clay... poem from the Case d Armons poetry anthology

Soldiers of clay... poem from the Case d Armons poetry anthology
CHT177867 Soldiers of clay... poem from the Case d Armons poetry anthology, 1915 (stencil and ink on paper) by Apollinaire, Guillaume (1880-1918); Bibliotheque Litteraire Jacques Doucet, Paris

Background imageStencilled Collection: A ceiling panel, with repeating abstract foliate design in olive green, ochre

A ceiling panel, with repeating abstract foliate design in olive green, ochre
1195212 A ceiling panel, with repeating abstract foliate design in olive green, ochre, red and yellow, c.1893 (stencilled painting) by Adler, Dankmar (1844-1900) & Sullivan

Background imageStencilled Collection: Fashion design by Schiaparelli, London

Fashion design by Schiaparelli, London, showing a satin Empire coat over an Etruscan dress of stencilled crepe. 1936

Background imageStencilled Collection: Rattanakosin style door panel with image of a deity, c. 1860 (painted wood)

Rattanakosin style door panel with image of a deity, c. 1860 (painted wood)
LIT389874 Rattanakosin style door panel with image of a deity, c.1860 (painted wood) by Thai School, (19th century); Wat Thong Thammachat, Bangkok

Background imageStencilled Collection: A pair of leaded glass windows, c. 1890 (leaded glass windows)

A pair of leaded glass windows, c. 1890 (leaded glass windows)
1195105 A pair of leaded glass windows, c.1890 (leaded glass windows) by American School, (19th century); 194.3x176.5 cm; Private Collection; Photo eChristies Images; American, out of copyright

Background imageStencilled Collection: Palm tree and ostrich pattern

Palm tree and ostrich pattern
A stencilled hanging featuring palm trees and ostrich. 1922

Background imageStencilled Collection: Frenchwoman at her door, Bouchain, France, WW1

Frenchwoman at her door, Bouchain, France, WW1
A Frenchwoman speaks with a British soldier at her front door in Bouchain, northern France, during the First World War. The German words painted on her door say No lodging for troops. 25 October 1918

Background imageStencilled Collection: Aboriginal rock art, stencil art and carvings dated circa 2000 years old

Aboriginal rock art, stencil art and carvings dated circa 2000 years old, showing depictions of hands, emu feet and eggs, Art Gallery, Carnarvon Gorge, Carnarvon N.P. Queensland, Australia

Background imageStencilled Collection: Aboriginal rock art, stencil art dated circa 2000 years old, showing depictions of hands, boomerangs

Aboriginal rock art, stencil art dated circa 2000 years old, showing depictions of hands, boomerangs, rock wallaby bones and emu feet, Art Gallery, Carnarvon Gorge, Carnarvon N.P

Background imageStencilled Collection: Contemporary gold leaf stencil work in anteroom to

Contemporary gold leaf stencil work in anteroom to the Grand Durbar Hall, Devi Garh Fort Palace Hotel, near Udaipur, Rajasthan state, India, Asia

Background imageStencilled Collection: Example of traditional Zardozi gold embroidery work

Example of traditional Zardozi gold embroidery work and stenciled wall decoration, Lutyens style bungalow, New Delhi, India, Asia


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"Unveiling the Art of Stencilled History: From Argentina's Cave of the Hands to Birmingham's Middlemore Homes Emigration Party" Step into a world frozen in time, as we explore the captivating artistry of stencilling across various historical landmarks and artifacts. Our journey begins at the mesmerizing UNESCO World Heritage Site, Cueva de las Manos (Cave of Hands) in Argentina. Adorned with ancient handprints dating back thousands of years, this cave offers a glimpse into humanity's artistic expression. Moving forward, we find ourselves amidst the excitement of Birmingham's Middlemore Homes Emigration Party. As families bid farewell to their homeland, tin trunks bearing stencilled initials like "G King" symbolize both hope and nostalgia for new beginnings. Intriguingly, even grand structures such as Red Lion Square Settle and oak column sections from RMS Olympic bear evidence craftsmanship. These intricate designs tell tales of skilled artisans leaving their mark on everyday objects that have stood the test of time. Our exploration takes an unexpected turn towards tragedy with remnants from RMS Titanic film - a life jacket and baseball cap adorned with stencils. These haunting artifacts remind us not only of Hollywood's portrayal but also pay homage to those who lost their lives during that fateful voyage. Delving deeper into history, Berger's Matone Advertisement showcases how stencil art transcended mere utility by transforming mundane advertisements into visually striking masterpieces. The journey concludes with Edward DiGennero's Stencilled Floor from 1938; an exquisite example where practicality meets creativity. This artwork demonstrates how even something as simple as flooring can become a canvas for self-expression. Finally, we encounter Anon’s Arms of the Counts Botenlauben tapestry from 1480-1500 and Celui qui Monte le Cheval Noir pochoir from c.