Stanze Di Raffaello Collection
The Stanze di Raffaello, also known as the Raphael Rooms, are a collection of stunning frescoes located in the Vatican Palace
All Professionally Made to Order for Quick Shipping
The Stanze di Raffaello, also known as the Raphael Rooms, are a collection of stunning frescoes located in the Vatican Palace. One of the most notable works is "The Triumph of Christianity, " found in the Room of Constantine. Painted around 1585, this masterpiece depicts scenes from early Christian history and showcases Raphael's mastery of composition and color. Another remarkable fresco in the same room is "The Battle of the Milvian Bridge. " Created between 1520-24, it portrays Emperor Constantine's victory over Maxentius and his conversion to Christianity after seeing a vision of a cross. The dynamic energy and attention to detail make this piece truly captivating. Moving on to another section, we find "Prudence seated next to Pope Damasus I" in black and white photography. This detailed depiction shows Prudence advising Pope Damasus I with wisdom and foresight. It offers an intimate glimpse into their relationship during that time period. In addition, there is "Eternity, " one of two allegorical figures surrounding St. Peter. This black and white photo captures Eternity personified as a serene figure holding an hourglass symbolizing infinity—a thought-provoking representation that invites contemplation about life's transience. Continuing our exploration, we encounter one of two virtues surrounding Pope Leo I the Great—Justice—in yet another striking black and white photograph. With its powerful imagery depicting scales held by Justice herself, it serves as a reminder that fairness should prevail even within religious institutions. Faith takes center stage next as one of two allegorical figures surrounding Pope Sylvester I—an inspiring portrayal captured through monochromatic photography alongside other related pieces such as Truth representing virtue itself. Religion emerges prominently too; depicted by an allegorical figure accompanying Pope Sylvester I—the artwork highlights religion's significance during that era while showcasing Raphael's artistic prowess through intricate details rendered in shades of black and white.