Stage Set Collection (page 4)

La Legende de Joseph, Scene du IIe acte, pub. 1914 (pochoir print)
3444338 La Legende de Joseph, Scene du IIe acte, pub. 1914 (pochoir print) by Martin, Charles (1848-1934); Private Collection; The Stapleton Collection; French, out of copyright

Production of the ballet Monsieur Polichinelle at the Theatre du Chatelet, Paris (colour litho)
2795893 Production of the ballet Monsieur Polichinelle at the Theatre du Chatelet, Paris (colour litho) by French School, (20th century); Private Collection; (add.info)

Don Juan and the Commendatore, illustration from Act IV Scene 12 of Don Juan
CHT287236 Don Juan and the Commendatore, illustration from Act IV Scene 12 of Don Juan, or Le Festin de Pierre by Moliere

Scenery design for a performance of Hernani by Victor Hugo (1802-85)
CHT163161 Scenery design for a performance of Hernani by Victor Hugo (1802-85), 1867 (pen and ink on paper) by French School

La Legende de Joseph. Scene du IIeme acte from La Gazette du Bon Ton, pub
5902958 La Legende de Joseph. ScAne du IIAme acte from La Gazette du Bon Ton, pub. 1914 (Pochoir Print) by Martin, Charles (1848-1934); Private Collection; The Stapleton Collection; French

The Teatro Olimpico ("Olympic Theatre") in Vicenza, northern Italy (engraving)
3647906 The Teatro Olimpico (" Olympic Theatre" ) in Vicenza, northern Italy (engraving) by German School, (19th century); Private Collection; (add.info)

Production of Around the World in Eighty Days at the Theatre du Chatelet (colour litho)
2818851 Production of Around the World in Eighty Days at the Theatre du Chatelet (colour litho) by French School, (19th century); Private Collection; (add.info)

Production of the operetta Les Sept Chateaux du Diable at the Theatre du Chatelet (colour litho)
2818733 Production of the operetta Les Sept Chateaux du Diable at the Theatre du Chatelet (colour litho) by French School

Recreation of Niagara Falls in a performance of Le Pays d Or at the Theatre de la Gaite (colour litho)
2818264 Recreation of Niagara Falls in a performance of Le Pays d Or at the Theatre de la Gaite (colour litho) by Meyer, Henri (1841-99) (after); Private Collection; (add.info)

Production of Thermidor at the Theatre de la Porte-Saint-Martin (colour litho)
2818729 Production of Thermidor at the Theatre de la Porte-Saint-Martin (colour litho) by Meaulle, Fortune Louis (1844-1901); Private Collection; (add.info)

Frontispiece illustration from Monsieur de Pourceaugnac by Moliere, c
CHT279769 Frontispiece illustration from Monsieur de Pourceaugnac by Moliere, c.1669 (engraving) (b/w photo) by French School

Frontispiece illustration from Les Fourberies de Scapin by Moliere
CHT279766 Frontispiece illustration from Les Fourberies de Scapin by Moliere, engraved by Jean Sauve (fl.1660-91) c.1671 (engraving) (b/w photo) by Brissart

Queenie Lawrence on the Stage at Gatti s, c. 1888 (oil on canvas)
653083 Queenie Lawrence on the Stage at Gatti s, c. 1888 (oil on canvas) by Sickert, Walter Richard (1860-1942); 61x61 cm; Private Collection; (add.info.: Queenie Lawrence on the Stage at Gatti s)

Production of La Poupee (The Doll) at the Theatre de la Gaite (colour litho)
2818813 Production of La Poupee (The Doll) at the Theatre de la Gaite (colour litho) by Meyer, Henri (1841-99) (after); Private Collection; (add.info)

Grand ballet of the snowflakes (colour litho)
2818281 Grand ballet of the snowflakes (colour litho) by French School, (19th century); Private Collection; (add.info.: Grand ballet of the snowflakes)

Theatre scene (pastel)
BCC17265 Theatre scene (pastel) by Degas, Edgar (1834-1917); Private Collection; French, out of copyright

Frontispiece illustration from Le Mariage force by Moliere
CHT279768 Frontispiece illustration from Le Mariage force by Moliere, engraved by Jean Sauve (fl.1660-91) c.1664 (engraving) (b/w photo) by Brissart

Don Juan and the Commendatore, frontispiece illustration from Don Juan
CHT279764 Don Juan and the Commendatore, frontispiece illustration from Don Juan, or Le Festin de Pierre by Moliere, engraved by Jean Sauve (fl.1660-91) edition 1682 (engraving) (b/w photo)

Divan (Couch) 1912-14 (w / c & pencil on paper)
FFA273087 Divan (Couch) 1912-14 (w/c & pencil on paper) by Kirchner, Ernst Ludwig (1880-1938); 59x45.7 cm; Private Collection; (add.info.: relates to the performance of a pantomime by W.S)

A Scene from Description Of A City Shower by Jonathan Swift (1667-1745
CH142202 A Scene from Description Of A City Shower by Jonathan Swift (1667-1745) 1764 (oil on canvas) by Penny, Edward (1714-91); 76.5x64 cm; Private Collection; (add.info)

Set design for Ruy Blas (1838) by Victor Hugo (1802-85)
CHT164056 Set design for Ruy Blas (1838) by Victor Hugo (1802-85), revival atdthe Comedie Francaise in 1879 (w/c on paper) (b/w photo) by Devred, A

Le Ballet (colour litho)
3099071 Le Ballet (colour litho) by La Touche, Gaston de (1854-1913); Private Collection; (add.info.: Le Ballet. Illustration from Le Figaro Illustre, 1903.); © Look and Learn

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Step into the enchanting world of stage sets, where imagination and creativity collide to bring stories to life. From Italy to Germany, these captivating illustrations transport us to a realm of theatrical wonder. In Italy, we find ourselves amidst the tragic tale of Desdemona and Othello, as well as the cunning Iago. Giuseppe Verdi's opera Otello (1887) comes alive through an exquisite oleograph that captures the essence of this timeless masterpiece. Moving on to Germany, we are transported to Berlin for a performance of The Magic Flute. Set design unveils the majestic presence of the Queen of the Night, her ethereal beauty casting a spell over all who witness her magnificence. Bayreuth beckons us next with Richard Wagner's epic The Ring of the Nibelungs. A sketch for scenic design reveals the mesmerizing Rhine-daughters in all their aquatic splendor while another set design showcases the awe-inspiring Temple of the Holy Grail from Parsifal's first act. Stepping away from classical works, we delve into Tennessee Williams' evocative plays. His words come alive on stage as vibrant backdrops create an atmospheric backdrop for his characters' emotional journeys. Music takes center stage at Capital Radio Jazz Festival in London (1979), where legendary B. B. King captivates audiences with his soulful melodies. The grandeur of Alexandra Palace serves as a fitting backdrop for this unforgettable performance. Returning to Germany once more, Karl Friedrich Schinkel's illustration transports us deep into The Magic Flute's mystical world. We find ourselves standing before The Temple of Isis and Osiris - an architectural marvel that embodies both mystery and enchantment. The historical allure continues with Mathaus Küsel’s set designs from Il Pomo D'Oro (1668). As we peer into Il Fuoco Eterno (1674), our gaze falls upon Rome's Roman curia, guarded and regal.