Stable Yard Collection

The Mail Coach Changing Horses, engraved by R. Havell, 1815 (colour litho)
XCF271694 The Mail Coach Changing Horses, engraved by R. Havell, 1815 (colour litho) by Pollard, James (1797-1867) (after); Private Collection; English, out of copyright

Co Cork, Garinish Island, Beara Peninsula, Ireland

Lord Abergavennys Dark Bay Carriage Horse with a Terrier, 1785 (oil on canvas)
XYC223176 Lord Abergavennys Dark Bay Carriage Horse with a Terrier, 1785 (oil on canvas) by Gooch, Thomas (1750-1802); 62.25x74.25 cm; Yale Center for British Art, Paul Mellon Collection

View of the Palace of Versailles, 1700-1799. Creators: Anon, Jacques Rigaud
View of the Palace of Versailles, 1700-1799

Horse Training, 1788. Creator: Wilhelm von Kobell
Horse Training, 1788

'The Racing Season- Notes at Newmarket; Visitors to a Nursery, 1890. Creator: Unknown
The Racing Season- Notes at Newmarket; Visitors to a Nursery, 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 41. January to June, 1890

'The Racing Season- Notes at Newmarket; An Owners Visit to his Racing Stable, 1890. Creator: Unknown
The Racing Season- Notes at Newmarket; An Owners Visit to his Racing Stable, 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 41. January to June, 1890

Vue des Ecuries de Versailles Prise de la Seconde Grille. Creator: Jacques Rigaud
Vue des Ecuries de Versailles Prise de la Seconde Grille. View of the stables of Versailles

The Dandy Lion an Exotic lately Discovered in a Stable Yard, published December 8, 1818

Fairfax House OFH01_01_01_f06_17
FAIRFAX HOUSE, HIGH STREET, PUTNEY, WANDSWORTH, GREATER LONDON. The side and rear of Fairfax House seen from the yard

Barn Interior with Peasants making Music, 1633 (oil on panel)
7262158 Barn Interior with Peasants making Music, 1633 (oil on panel) by Ostade, Adriaen Jansz. van (1610-85); 39x33 cm; Private Collection; (add.info.: Artist)

Wary mice above a cat pretending to sleep. 1811 (etching)
7235859 Wary mice above a cat pretending to sleep. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: Wary mice above a cat pretending to sleep in a barn. Cat and the mice)

Nativity in an Initial H, 1430-40 (brush, gouache and ink on vellum)
5861872 Nativity in an Initial H, 1430-40 (brush, gouache and ink on vellum) by Zanino di Pietro (active from 1389, d. before 1448); 27.7x22.9 cm; The Art Institute of Chicago, IL

The Adoration of Shepherds (Miniature, 12th century)
LRI4670800 The Adoration of Shepherds (Miniature, 12th century) by Armenian School, (12th century); Armenian Museum, Isfahan

A Cock Fight (oil on canvas)
CH401584 A Cock Fight (oil on canvas) by Snyders, Frans (1579-1657) (follower of); Private Collection; Photo © Christies Images

The Reprimand (engraving) (b / w photo)
XIR233080 The Reprimand (engraving) (b/w photo) by Baudouin, Pierre Antoine (1723-69); Bibliotheque Nationale, Paris, France

A young colt tries to stir a mutiny in the stables. 1811 (etching)
7235871 A young colt tries to stir a mutiny in the stables. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A young colt tries to stir a mutiny in the stables. Council of horses)

A dog sleeping on hay in a barn snarls at a cow trying to eat. 1811 (etching)
7235841 A dog sleeping on hay in a barn snarls at a cow trying to eat. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A dog sleeping on hay in a barn snarls at a cow trying to eat)

Buildings, 1810-65 (Pencil)
7261639 Buildings, 1810-65 (Pencil) by Pretty, Edward (1792-1865); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Buildings)

The Seasons - Autumn (oil on canvas)
XOT362344 The Seasons - Autumn (oil on canvas) by Diziani, Antonio (1737-97); Museo Civico degli Eremitani, Padua, Italy; (add.info.: by Antonio Diziani (1737-97))

Winchester, Hampshire, 1800-65 (Watercolour)
7261586 Winchester, Hampshire, 1800-65 (Watercolour) by Pretty, Edward (1792-1865); 21.2x23.8 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Winchester, Hampshire)

Barn with goats and a boy playing the recorder, c. 1640-45 (oil on canvas)
XAM66732 Barn with goats and a boy playing the recorder, c.1640-45 (oil on canvas) by Teniers, David the Younger (1610-90); 104x74 cm; Kunsthistorisches Museum, Vienna, Austria

Selling Rabbits, 1796 (coloured mezzotint)
XYC223181 Selling Rabbits, 1796 (coloured mezzotint) by Ward, James (1769-1859) (after); 47.9x60.3 cm; Yale Center for British Art, Paul Mellon Collection

The Farm Friends (oil on canvas)
XOU212543 The Farm Friends (oil on canvas) by Lepoittevin, Eugene Modeste Edmond (1806-70); 35x42.5 cm; Musee des Beaux-Arts, Rouen, France; (add.info.: by Eugene Modeste Edmond Lepoittevin (1806-70))

The Sheep Shearer (pencil on paper)
XOU16855 The Sheep Shearer (pencil on paper) by Segantini, Giovanni (1858-99); Musee des Beaux-Arts, Rouen, France; (add.info.: by Giovanni Segantini (1858-99))

The mare of Compere Pierre. (engraving and watercolour, 1800)
FIA5379832 The mare of Compere Pierre. (engraving and watercolour, 1800) by Ramberg, Johann Heinrich (1763-1840); Private Collection; (add.info.: The mare of Compere Pierre)

The fairy-teller, Grandmothers story, 1854
7215880 The fairy-teller, Grandmothers story, 1854 by Tidemand, Adolph (1814-76); Private Collection; Photo © O. Vaering

Shepherd boy with goats, 1853
6352504 Shepherd boy with goats, 1853 by Helland, Henrik August (1827-55) ; 13x13 cm; Private Collection; Photo © O. Vaering

The Farm, (oil on board)
1195797 The Farm, (oil on board) by Sudeikin, Sergei Yurevich (1882-1946); 29.8x32.4 cm; Private Collection; Photo © Christies Images

Oxenbridge Pond, 1927-28 (oil on canvas)
BIR189249 Oxenbridge Pond, 1927-28 (oil on canvas) by Nash, Paul (1889-1946); 99.7x87.6 cm; Birmingham Museums and Art Gallery

Barn, Lake George, 1922 (gelatin silver print)
2970975 Barn, Lake George, 1922 (gelatin silver print) by Stieglitz, Alfred (1864-1946); 24.3x19.2 cm; The Art Institute of Chicago, IL, USA; Alfred Stieglitz Collection

The Mill Stream (oil on masonite)
985194 The Mill Stream (oil on masonite) by Albert, Ernest (1857-1946); 90.8x101.4 cm; Private Collection; Photo © Christies Images

Barn Next Door, (oil on canvas)
984954 Barn Next Door, (oil on canvas) by Dove, Arthur Garfield (1880-1946); 51x71.4 cm; Private Collection; (add.info.: Barn Next Door. Arthur Garfield Dove (1880-1946). Oil on canvas

A Cotswold Farm, c. 1934--35 (oil on board)
1128249 A Cotswold Farm, c.1934--35 (oil on board) by Jamieson, Robert Kirkland (1881-1950); 64x77.5 cm; Bradford Art Galleries and Museums, West Yorkshire, UK; © Bradford Museums & Galleries

The Old Cob in a Stable, c. 1839-98 (oil on board)
7240948 The Old Cob in a Stable, c.1839-98 (oil on board) by Adye, W. F. (1819-98); 30x45 cm; The Weston Park Foundation, Shropshire, UK; (add.info.: Horse, facing left, in a stable interior W. F)

A Georgian commercial traveller arriving at an inn. 1831 (engraving)
7234810 A Georgian commercial traveller arriving at an inn. 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

Ingeniosite campagnarde (colour litho)
3097808 Ingeniosite campagnarde (colour litho) by Rabier, Benjamin (1869-1939); Private Collection; (add.info.: Ingeniosite campagnarde)

The Field Byre, 1933 (oil on canvas)
TW427014 The Field Byre, 1933 (oil on canvas) by Bateman, James (1814-49); 80.3x112.5 cm; Laing Art Gallery, Newcastle-upon-Tyne

The Cornfield, 1925 (oil on canvas)
3744285 The Cornfield, 1925 (oil on canvas) by Nicholson, William (1872-1949); 33.7x41.3 cm; Nottingham City Museums and Galleries (Nottingham Castle); © Nottingham City Museums & Galleries

Spring Shower (Western Kansas Landscape), 1931 (oil on canvas)
3614123 Spring Shower (Western Kansas Landscape), 1931 (oil on canvas) by Curry, John Steuart (1897-1946); 75.9x111.4 cm; Metropolitan Museum of Art, New York, USA

Flemish tapestry. Triptych of the Birth of Christ (Triptico del Nacimiento de Jesus)
7208763 Flemish tapestry. Triptych of the Birth of Christ (Triptico del Nacimiento de Jesus). Models from Cartoonist of the circle of Rogier van der Weyden. Manufacture Southern Netherlands. Ca 1492

Flemish tapestry. Triptych of the Birth of Christ (Triptico del Nacimiento de Jesus)
7207323 Flemish tapestry. Triptych of the Birth of Christ (Triptico del Nacimiento de Jesus). Models from Cartoonist of the circle of Rogier van der Weyden. Manufacture Southern Netherlands. Ca 1492

Wenlock : A Bay Racehorse, in a loose box, c. 1881-1903 (oil on canvas)
7240745 Wenlock : A Bay Racehorse, in a loose box, c.1881-1903 (oil on canvas) by Reville, H. Whittaker (1851-1933); 49x67 cm; The Weston Park Foundation, Shropshire

Obese middle-aged man attempting to mount a horse. 1831 (engraving)
7234776 Obese middle-aged man attempting to mount a horse. 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

The Effect of Snow (oil on cardboard)
GN70644 The Effect of Snow (oil on cardboard) by Charreton, Victor (1864-1937); Galerie Nataf, Paris, France

Ancient Roman housing, barns and towers from Trajans Column
6340005 Ancient Roman housing, barns and towers from Trajans Column by Corsi (19th century); (add.info.: Ancient Roman housing, barns and towers from Trajans Column)

The Residence of Zebulon Buffett, Jericho Road, Long Island, 1870 (watercolor and graphite on paper)
7247322 The Residence of Zebulon Buffett, Jericho Road, Long Island, 1870 (watercolor and graphite on paper) by Lange, Edward (1846-1912); Private Collection; (add.info)

Old Belt, (oil on masonite)
985205 Old Belt, (oil on masonite) by Curry, John Steuart (1897-1946); 73.3x86.4 cm; Private Collection; (add.info.: Old Belt. John Steuart Curry (1897-1946). Oil on masonite

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"Exploring the Rich History of Stable Yards: From Mail Coaches to Carriage Horses" Step back in time with "The Mail Coach Changing Horses, engraved by R. Havell, 1815 (colour litho)" and witness the bustling activity of a stable yard. This captivating artwork captures the essence of a bygone era when mail coaches were an essential mode of transportation. In "Lord Abergavenny's Dark Bay Carriage Horse with a Terrier, 1785 (oil on canvas)", we catch a glimpse of aristocratic elegance as Lord Abergavenny proudly poses with his magnificent carriage horse. The bond between man and animal is beautifully depicted in this timeless painting. Traveling across continents, we find ourselves in Co Cork, Garinish Island, Beara Peninsula, Ireland. Here lies a picturesque stable yard surrounded by breathtaking landscapes that have inspired countless artists throughout history. As we delve deeper into history, "Fairfax House OFH01_01_01_f06_17" takes us inside an opulent stable yard where horses are groomed and cared for meticulously. This exquisite piece showcases the grandeur associated with these establishments during their heyday. Moving away from traditional scenes, "Coursing: Returning (oil on canvas)" transports us to the thrilling world of greyhound racing. Witness the excitement as dogs sprint towards their handlers after completing an exhilarating race – truly capturing the spirit of competition within a stable yard setting. Venturing further back in time to 1633, "Barn Interior with Peasants making Music" offers a glimpse into rural life where peasants find solace amidst their daily chores through music-making. Even humble stables became places for creativity and joyous moments shared among hardworking individuals. Shifting gears dramatically, "When the Drumcollogber (Ireland) cinema became a stake (Colour Litho)" presents an unexpected twist as it depicts the transformation of a cinema into a stable yard.