Stable Block Collection

Step into the picturesque world of stable blocks, where history and beauty intertwine

Moonlight In Dvergs Valley, ca 1915 (painting)
7432254 Moonlight In Dvergs Valley, ca 1915 (painting) by Astrup, Nikolai (1880-1928); 72x98 cm; (add.info.: Nikolai Astrup (1880-1928)); Photo © O. Vaering

Ratcatchers, 1821 (oil on board)
NGW185771 Ratcatchers, 1821 (oil on board) by Landseer, Edwin (1802-73); National Museum Wales; National Museums & Galleries of Wales

Nativity with St. Francis and St. Lawrence, 1609 (oil on canvas)
6334552 Nativity with St. Francis and St. Lawrence, 1609 (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610) (copy); Oratorio di San Lorenzo, Palermo, Sicily

The garden at Crowhurst Place, from The English Manor House (b/w photo)
CLF294523 The garden at Crowhurst Place, from The English Manor House (b/w photo) by English Photographer, (20th century); (add.info)

Polyptych of Conversano, detail of the Nativity, 1475 (tempera on panel)
7413361 Polyptych of Conversano, detail of the Nativity, 1475 (tempera on panel) by Vivarini, Bartolomeo (1432-99) (and workshop); Rijksmuseum, Amsterdam

The Byre (w/c on paper)
3550988 The Byre (w/c on paper) by Crawhall, Joseph (1861-1913); 34.2x32.5 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Adoration of the Shepherds, c. 1480-1500 (oil on wood)
XOS5887422 Adoration of the Shepherds, c. 1480-1500 (oil on wood) by Italian School, (15th century); 36x34.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: Italy, 15th century)

The Farmer's Boy (gouache on linen)
3550934 The Farmer's Boy (gouache on linen) by Crawhall, Joseph (1861-1913); 30.5x20.3 cm; Burrell Collection, Glasgow, Scotland; (add.info.: Rear view of a horse and jockey crossing a stream)

The Cornfield, Douglas Hall, 1919 (oil on panel)
GLS314027 The Cornfield, Douglas Hall, 1919 (oil on panel) by Peploe, Samuel John (1871-1935); 33x39.4 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Laggan farm buildings near Dalbeattie (oil on panel)
GLS314026 Laggan farm buildings near Dalbeattie (oil on panel) by Peploe, Samuel John (1871-1935); 31.8x38.1 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Farm Steading (oil on panel)
GLS314032 Farm Steading (oil on panel) by Peploe, Samuel John (1871-1935); 34.7x25.7 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Landscape With A Cottage And A Barn, 1632 (oil on panel)
6036130 Landscape With A Cottage And A Barn, 1632 (oil on panel) by Goyen, Jan Josephsz van (1596-1656); 24.7x34.6 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Le Grand If Vert, c. 1900 (oil on canvas)
496155 Le Grand If Vert, c.1900 (oil on canvas) by Rothenstein, William (1872-1945); 84x61.3 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Interior of a barn with an old woman at a distaff (oil on panel)
MAN443325 Interior of a barn with an old woman at a distaff (oil on panel) by Ostade, Isack van (1621-49); Manchester Art Gallery, UK; © Manchester Art Gallery

A Farrier's Shop (or The Farrier's Forge) 1793 (oil on canvas)
MAN276845 A Farrier's Shop (or The Farrier's Forge) 1793 (oil on canvas) by Morland, George (1763-1804); 71.1x91.5 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

The Sheepshearers, c. 1863 (w/c & bodycolour over traces of pencil on paper)
MAN276850 The Sheepshearers, c.1863 (w/c & bodycolour over traces of pencil on paper) by Palmer, Samuel (1805-81); 19.2x41.9 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Nidd Viaduct, Leeds and Thirsk Railway, near Knaresbro, c. 1850 (coloured litho on paper)
7394205 Nidd Viaduct, Leeds and Thirsk Railway, near Knaresbro, c.1850 (coloured litho on paper) by Faviell, William Frederick (1822-1902) ; 22x31 cm; Ironbridge Gorge Museum Trust, Telford

Nativity scene, c. 1450 (oil on wood)
AIS5368729 Nativity scene, c.1450 (oil on wood) by Christus, Petrus (c.1410-1475/76); National Gallery of Art, Washington DC, USA; (add.info.: Painting by Petrus Christus (1410-1475)

Adoration of the Magi, 1496, (tempera on wood)
7146518 Adoration of the Magi, 1496, (tempera on wood) by Lippi, Filippino (c.1457-1504); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Adoration of the Magi, 1496, Filippino Lippi)

Adoration of the Christ Child with saints and angels, 1455 circa, (tempera on wood)
7146277 Adoration of the Christ Child with saints and angels, 1455 circa, (tempera on wood) by Lippi, Filippo (c.1406-69); Galleria degli Uffizi, Florence, Tuscany

Nativity, 1510-20, (oil on panel)
7146617 Nativity, 1510-20, (oil on panel) by Italian School, (16th century); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Nativity, 1510-20, unknown artist, oil on panel)

Adoration of the Magi, 1487, (tempera on wood)
7146561 Adoration of the Magi, 1487, (tempera on wood) by Ghirlandaio, Domenico (Domenico Bigordi) (1449-94); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Adoration of the Magi, 1487)

The nativity and the annunciation to the shepherds, 1526-28, Michelangelo Anselmi (oil on canvas)
7064178 The nativity and the annunciation to the shepherds, 1526-28, Michelangelo Anselmi (oil on canvas) by Anselmi, Michelangelo (c.1492-1556); Museo di Capodimonte, Naples, Campania

Nativity, 1380 circa, (tempera on wood)
7146370 Nativity, 1380 circa, (tempera on wood) by Crocifissi, Simone dei (c.1330-99); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Nativity, 1380 circa, Simone di Filippo)

The nativity, 1527 circa, Michelangelo Anselmi (painting)
7064175 The nativity, 1527 circa, Michelangelo Anselmi (painting) by Anselmi, Michelangelo (c.1492-1556); Museo di Capodimonte, Naples, Campania, Italy; (add.info.: The nativity, 1527 circa)

Adoration of the shepherds, 1500-07 circa, Boccaccio Boccaccino (oil on panel)
7064201 Adoration of the shepherds, 1500-07 circa, Boccaccio Boccaccino (oil on panel) by Boccaccino, Boccaccio (c.1467-1525); Museo di Capodimonte, Naples, Campania

Adoration of the Shepherds, c. 1510 (oil on wood)
XOS5887448 Adoration of the Shepherds, c. 1510 (oil on wood) by Schaufelein, Hans Leonard (c.1480-c.1539); 86x85.5 cm; Cleveland Museum of Art, OH

Adoration of the Christ Child, 1480-90 circa, (painting)
7129139 Adoration of the Christ Child, 1480-90 circa, (painting) by Credi, Lorenzo di (1456-1536); Galleria dell'Accademia, Florence, Tuscany, Italy; (add.info.: Adoration of the Christ Child)

Adoration of the Magi, 1420 circa, (tempera on wood)
7146410 Adoration of the Magi, 1420 circa, (tempera on wood) by Monaco, Lorenzo (1370-1425); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Adoration of the Magi, the Redemeer)

A New Hampshire Sunset, c1910. After Thomas Moran (1837-1926) English-born American artist
528755 A New Hampshire Sunset, c1910. After Thomas Moran (1837-1926) English-born American artist. United States Landscape Pasture Track Farmyard Barn Cart Tree Sky Evening by Moran

The End of the Day, 1949 (oil on canvas)
701168 The End of the Day, 1949 (oil on canvas) by Mills, Reginald (1896-1952); 40.5x51 cm; Private Collection; Photo © Sarah Colegrave Fine Art

Adoration of the Magi, 1423, (tempera on wood)
7146412 Adoration of the Magi, 1423, (tempera on wood) by Fabriano, Gentile da (c.1370-1427); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Adoration of the Magi, Christ in judgement)

Adoration of the Child, 1512, Conelisz Jacob, known as Jacob van Oostsanen (oil on panel)
7064204 Adoration of the Child, 1512, Conelisz Jacob, known as Jacob van Oostsanen (oil on panel) by Oostsanen, Jacob Cornelisz van (1470-1533); Museo di Capodimonte, Naples, Campania

Adoration of the Magi, 1540-50 circa, il Garofalo and workshop (oil on panel)
7064192 Adoration of the Magi, 1540-50 circa, il Garofalo and workshop (oil on panel) by Garofalo, Benvenuto Tisi da (1481-1559); Museo di Capodimonte, Naples, Campania

Virgin of the straw, 17th century (oil on canvas)
7129572 Virgin of the straw, 17th century (oil on canvas) by Dyck, Anthony van (1599-1641); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info.: Virgin of the straw)

Conversion of St Paul, 1600 (painting)
7128856 Conversion of St Paul, 1600 (painting) by Caravaggio, Michelangelo Merisi da (1571-1610); Santa Maria del Popolo, Rome, Italy; (add.info.: Conversion of St Paul, Caravaggio, Cerasi chapel)

The Adoration of the Shepherds: A Night Piece, c. 1657 (etching on paper)
5859462 The Adoration of the Shepherds: A Night Piece, c.1657 (etching on paper) by Rembrandt Harmensz. van Rijn (1606-69); 14.8 x 19.5 cm; The Art Institute of Chicago, IL

Church Farm, Shipley (oil on canvas)
BAG46216 Church Farm, Shipley (oil on canvas) by Ginner, Charles (1878-1952); 50.8x61 cm; Bristol Museum and Art Gallery, UK; (add.info.: by Charles Ginner); © Bristol Museums

Adoration of the Shepherds, school of G. De Craeyer, 17th century (painting)
6276208 Adoration of the Shepherds, school of G. De Craeyer, 17th century (painting) by Crayer, Gaspar de (1584-1669) (after); (add.info.: Onze-Lieve-Vrouwekerk, Deinze, Oost-Vlaanderen)

The Adoration of the Shepherds: A Night Piece, c. 1657 (etching, drypoint, and burin in black on ivory laid paper)
5859806 The Adoration of the Shepherds: A Night Piece, c.1657 (etching, drypoint, and burin in black on ivory laid paper) by Rembrandt Harmensz

Adoration of the Shepherds, school of G. De Craeyer, 17th century (painting)
7142395 Adoration of the Shepherds, school of G. De Craeyer, 17th century (painting) by Crayer, Gaspar de (1584-1669) (after); (add.info.: Decanale kerk van Onze-Lieve-Vrouw, Oost-Vlaanderen)

Adoration of the Shepherds, 18th century, signed under G J Smael (?) (oil on canvas)
7242214 Adoration of the Shepherds, 18th century, signed under G J Smael (?) (oil on canvas) by Unknown artist, (18th century); (add.info.: Painting Adoration of the Shepherds, signed G J Smael ()

Cathedral. Former abbey church (Abbaye Saint-Vst). Interior. South transept. Wall painting
6269966 Cathedral. Former abbey church (Abbaye Saint-Vst). Interior. South transept. Wall painting. by Desvallieres, Georges (1861-1950); Cathedrale Notre-Dame-et-Saint-Vst d'Arras, Arras

Cathedral. Former abbey church (Abbaye Saint-Vst). Interior. South transept. Wall painting. Detail
6269969 Cathedral. Former abbey church (Abbaye Saint-Vst). Interior. South transept. Wall painting. Detail. by Desvallieres, Georges (1861-1950); Cathedrale Notre-Dame-et-Saint-Vst d'Arras

The Cattle Stable, 1907 (oil on canvas)
7332561 The Cattle Stable, 1907 (oil on canvas) by Montigny, Jenny (1875-1937); Museum voor Schone Kunsten, Ghent, Belgium; (add.info.: Jenny Montigny (1875-1937)

Preparing for Christmas (Plucking Turkeys), 1851 (oil on canvas)
7328219 Preparing for Christmas (Plucking Turkeys), 1851 (oil on canvas) by Edmonds, Francis William (1806-63); 58.4 -- 83.8 cm; Metropolitan Museum of Art, New York

Evening life in the village, early 19th century (colour litho)
CHT216764 Evening life in the village, early 19th century (colour litho) by French School, (19th century); Musee Nat. des Arts et Traditions Populaires, Paris, France; © Archives Charmet

The Peasant Wedding. after 1616 (oil on panel)
3470219 The Peasant Wedding. after 1616 (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 69.9x105.2 cm; Museum voor Schone Kunsten, Ghent

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Step into the picturesque world of stable blocks, where history and beauty intertwine. From The English Manor House's enchanting garden at Crowhurst Place to the captivating Polyptych of Conversano, these glimpses into a bygone era transport us to a time of grandeur and elegance. In the detail of the Nativity from 1475's tempera on panel masterpiece, we witness the humble beginnings within a stable block. Admiring this scene, one can almost hear angels singing as they announce the birth of Christ. The artist's skillful brushstrokes bring life to this sacred moment. Moving forward in time, we encounter The Byre captured delicately on paper with watercolors. This rustic depiction reminds us that even amidst simplicity, there is an undeniable charm found within farmsteads and their accompanying stables. The oil painting Adoration of the Shepherds transports us further back in time while still evoking a sense of awe and wonderment. Its intricate details invite us to join shepherds as they gather around baby Jesus in another humble stable setting. As we journey through artistry across different centuries, The Farmer's Boy emerges with gouache on linen medium. This piece captures not only rural life but also showcases how integral stable blocks were for farmers' daily routines – providing shelter for animals and serving as a hub for agricultural activities. Douglas Hall's 1919 oil painting titled The Cornfield takes our breath away with its idyllic landscape featuring charming farm buildings nestled amongst nature's bounty. Here lies evidence that they are not merely functional structures but also harmonious additions to their surroundings. Laggan farm buildings near Dalbeattie captivate viewers with their serene presence depicted through oil on panel technique. These structures stand tall against rolling hillsides – guardians of generations past who worked tirelessly within them. Farm Steading continues this narrative through another stunning oil-on-panel portrayal where architecture meets nature.