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Stabbing Collection

"From Historical Tragedies to Artistic Depictions: The Dark Tale Unveiled" In the annals of history

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Stabbing Collection: French revolutionary politician Jean-Paul Marat, fatally stabbed in his bath by Charlotte Corday
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Stabbing Collection: Le Coup de Lance, 1620. Artist: Peter Paul Rubens
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Stabbing Collection: Front cover of The Toilers of the Sea by Victor Hugo (1802-85
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Stabbing Collection: Defeat of the Insurgents by Sir John Colborne at St Eustache, 25 November 1837, (1877)
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Stabbing Collection: The Welsh at Mametz Wood (oil on canvas)
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Stabbing Collection: Jedediah Smith (1799-1831) being attacked by a Grizzly bear, c. 1861 (colour litho)
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Stabbing Collection: Interior of a barn with two peasants fighting, 1658 (oil on panel)
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Stabbing Collection: 'Cossack and Russian reel'd from the sabre stroke, Shatter'd and sunder'd'
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Stabbing Collection: Cossack and Russian reel'd from the sabre stroke, illustration from Ballads of Famous Fights, c
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Stabbing Collection: The Pazzi conspiracy, assassination attempt against Lorenzo and Giuliano de Medici, Florence
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Stabbing Collection: Minerva Slaying Discord (oil on canvas)
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Stabbing Collection: Calvary, from the Orsini Polyptych (tempera on panel) (see also 471172-4)
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Stabbing Collection: The Fall of the Rebel Angels, 1554 (oil on panel)
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Stabbing Collection: Suerte X: A torero prepares to stab the bull, ca. 1850-80. ca. 1850-80. Creator: Anon
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Stabbing Collection: Suerte II: Picador on horseback about to stab a bull with a pique; two toreros behi... ca
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Stabbing Collection: Emperor Heraclius Slays the King of Persia, 1485-95 (tempera and oil on panel)
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Stabbing Collection: The Battle of Beth Horon, 1862-3 (stained glass)
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Stabbing Collection: The Death of Virginia, lunette, 1531-32 (fresco)
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Stabbing Collection: La Saint-Jean A Tarifa (Espagne) (engraving)
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Stabbing Collection: An Australian V. C. who accounted for seven turks, 1914-19 (litho)
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Stabbing Collection: Two eleven year-old boys fighting with knives over the love of a young girl (colour litho)
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Stabbing Collection: The ways of the Apaches (colour litho)
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Stabbing Collection: Deeds of the Apaches (colour litho)
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Stabbing Collection: Warrior and centaur, illustration from Greek Vase Paintings by J. E. Harrison and D. S
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Stabbing Collection: The Battle of Bunkers Hill, 1798 (engraving)
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Stabbing Collection: A Roman Holiday, combat of gladiators, illustration from The Illustrated History of the World
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Stabbing Collection: The Martyrdom of the Blessed Signoretto Alliata, c. 1794-6 (oil on canvas)
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Stabbing Collection: Tokoyo and the Sea Serpent, illustration from The Myths and Legends of Japan by F
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Stabbing Collection: The Slaying of Orpheus, 1914 (oil on canvas)


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"From Historical Tragedies to Artistic Depictions: The Dark Tale Unveiled" In the annals of history, one cannot escape the chilling accounts incidents that have left an indelible mark on our collective memory. One such event occurred on 13 July 1793 when French revolutionary politician Jean-Paul Marat met his tragic end, fatally stabbed in his bath by Charlotte Corday. Jacques Louis David's haunting oil painting captures this pivotal moment, forever etching it into our consciousness. Centuries earlier, Peter Paul Rubens masterfully portrayed "Le Coup de Lance" in 1620, a scene filled with intensity and raw emotion. This artwork serves as a reminder that violence knows no boundaries and can strike even the mightiest warriors. Literature too has delved into the realm of stabbing, as seen in Victor Hugo's novel "The Toilers of the Sea. " Its front cover depicts a world teetering on chaos and turmoil, where treachery lurks around every corner. Moving forward through time, we encounter Sir John Colborne's decisive victory over insurgents at St Eustache in 1837. The defeat is captured vividly in an evocative illustration from 1877 - a stark reminder that rebellion often meets its demise under the weight of authority. Illegal weapons seized by Cumbria Police UK serve as tangible evidence that modern society still grapples with acts borne out of aggression and malice. These objects remind us to remain vigilant against those who seek to harm others. Even within art itself lies scenes depicting human conflict; an interior barn setting showcases two peasants locked in combat during the year 1658. Their struggle symbolizes not only physical confrontation but also societal tensions simmering beneath their humble existence. Beyond political strife or personal altercations lie battles fought between nations or cultures.