Spontini Collection

Stage design for the Opera "Nurmahal oder das Rosenfest von Kaschmir" by Gaspare Spontini, 1822. Found in the collection of the Staatliche Museen, Berlin

Stage design for the Opera "Fernand Cortez, ou La conquête du Mexique (Hernán Cortés... 1817)
Stage design for the Opera "Fernand Cortez, ou La conquete du Mexique (Hernan Cortes, or The Conquest of Mexico)" by Gaspare Spo, 1817

Portrait of the conductor and composer Gaspare Spontini (1774-1851), 1825. Creator: Hersent, Louis (1777-1860)
Portrait of the conductor and composer Gaspare Spontini (1774-1851), 1825. Found in the collection of the Pinacoteca Civica, Jesi

Portrait of the conductor and composer Gaspare Spontini (1774-1851), 1821. Private Collection

Henri Bernard Dabadie as Telasco in Fernand Cortez
Baritone opera singer Henri Bernard Dabadie as Telasco in Fernand Cortez by Gaspare Spontini, Academie Royale de Musique. Handcoloured lithograph by F

Soprano opera singer Mlle. Grassari as Amazili in Fernand Cortez by Gaspare Spontini, Academie Royale de Musique. Handcoloured lithograph by F

Portrait of the conductor and composer Gaspare Spontini (1774-1851), 1824. Creator: Aubry-Lecomte
Portrait of the conductor and composer Gaspare Spontini (1774-1851), 1824. Private Collection

Portrait of Gaspare Spontini (1774-1851), 1810s. Found in the Collection of Eotvos Lorand Tudomanyegyetem

Portrait of Gaspare Spontini (1774-1851), ca 1820. Found in the Collection of Eotvos Lorand Tudomanyegyetem

Gasparo Spontini - 3
GASPARO LUIGI PACIFICO SPONTINI Italian musician, best known for his opera La Vestale. Date: 1774 - 1851

Gasparo Spontini - 2
GASPARO LUIGI PACIFICO SPONTINI Italian musician, best known for his opera La Vestale. Date: 1774 - 1851

PHYSIOGNOMY, 1637. Forehead of an adventurer. Woodcut, 1637, from Ciro Spontinis Metoposcopia

PHYSIOGNOMY, 1637. Forehead of an imbecile and long-lived man. Woodcut, 1637, from Ciro Spontinis Metoposcopia

PHYSIOGNOMY, 1637. Forehead of an unintelligent man. Woodcut, 1637, from Ciro Spontinis Metoposcopia

PHYSIOGNOMY, 1637. Forehead of an immoderate and sick man. Woodcut, 1637, from Ciro Spontinis Metoposcopia

GASPARO SPONTINI (1774-1851). Italian composer. Lithograph, French, 1830

Parade auf dem Opernplatz (Berlin), 1824-1830 Between brown and white horse: Alexander von Humboldt (left), Giacomo Meyerbeer (right), above the white horse, Gaspare Spontini

PHYSIOGNOMY, 1637. Forehead of a poet and musician. Woodcut, 1637, from Ciro Spontinis Metoposcopia

Gaspare Spontini
GASPARE SPONTINI Italian composer whose operas include " La Vestale" (1807), " Fernand Cortez" (1809), and " Nurmahal" (1822)

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Gaspare Spontini, a prominent conductor and composer of the 19th century, left an indelible mark on the world of opera. Born in 1774, his musical genius captivated audiences across Europe. One of his notable works was "Fernand Cortez, " featuring Henri Bernard Dabadie as Telasco. This opera showcased Spontini's ability to create powerful and dramatic compositions that resonated with listeners. Another remarkable performance came from Mlle. Grassari as Amazili in one of Spontini's operas. Her soprano voice soared through the air, enchanting all who heard it. Portraits painted during different periods depict Spontini's evolution as an artist. In one from the early 1810s, he exudes youthful passion and determination. Another portrait from around 1820 captures his mature presence and confidence. Spontini's contributions to music extended beyond his compositions; he also conducted many orchestras himself. Portraits showcasing him in this role reveal a commanding figure leading musicians with precision and flair. In 1830, Grevedon immortalized Spontini once again in a portrait that radiates wisdom gained through years of experience. The lines etched on his face tell stories of triumphs and challenges faced throughout his career. Riedel's portrayal from 1813 showcases a younger version at the height of his creative powers. His intense gaze hints at the depth behind each note he composed. Vincent captured another side in their painting from 1821: contemplative yet focused, perhaps envisioning new melodies that would soon grace stages worldwide. Massard's artwork provides yet another glimpse into the life of this extraordinary musician—a man whose talent knew no bounds but remained humble despite acclaim received throughout Europe. Gaspare Spontini may have passed away in 1851, but his legacy lives on through his timeless compositions and the influence he had on future generations of musicians.