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Spinster Collection (page 3)

"Spinster: Exploring the Female Literary Types and Cultural Perceptions" In Jeanette Rubenson's 1883 illustration, we catch a glimpse of the spinster archetype

Background imageSpinster Collection: Suffragette Miss. Frumpy

Suffragette Miss. Frumpy
Stereotypical spinster figure, lectures on the topic, Should women marry. Date: circa 1910

Background imageSpinster Collection: Old Maid card game - card back design

Old Maid card game - card back design. circa 1950s

Background imageSpinster Collection: The Matchmaker - eyeing up another match with a client

The Matchmaker - eyeing up another match with a client
The Matchmaker - A stern woman in classic late Victorian garb suggesting a suitable match (passing in the back of a motor car) to her young male client... Date: 1912

Background imageSpinster Collection: Emigration / A Spinster

Emigration / A Spinster
A spinster here... Image 3 of a series on the benefits of Australia over England & encouraging emigration. Date: 1863

Background imageSpinster Collection: Old Maid Cooks for Pets

Old Maid Cooks for Pets
A spinster cooks food for her pets. Date: 1885

Background imageSpinster Collection: Medieval Spinster. Manuscript c. 1340

Medieval Spinster. Manuscript c. 1340
Medieval Spinster. Miniature in The Smithfield Decretals. Compendium c. 1340 of the decretals of Pope Gregory IX. Manuscript Ms Royal 10 E. Gothic art. Miniature Painting. UNITED KINGDOM. ENGLAND

Background imageSpinster Collection: Suffragette Ceramic Teapot

Suffragette Ceramic Teapot
A Ceramic teapot made in the Foley Intarsio ware, of a suffrage supporter or advocate of Womens Rights. The lid or cover has the face of a stereotypical, be-spectacled spinster

Background imageSpinster Collection: An Old Maids Honeymoon

An Old Maids Honeymoon - she flies away in a lemon balloon with her pet cat, crow and yellow canaries. The anchor bears the word hope. Date: 1910

Background imageSpinster Collection: RUMPELSTILTSKIN, 1891. Rumpelstiltskin and the millers daughter. Drawing, 1891, by Henry J

RUMPELSTILTSKIN, 1891. Rumpelstiltskin and the millers daughter. Drawing, 1891, by Henry J. Ford for the fairy tale by Brothers Grimm

Background imageSpinster Collection: Source Size = 3722 x 5107

Source Size = 3722 x 5107
The Spinster, from the Picture by Edwin Long, R.A

Background imageSpinster Collection: The Old Lacemaker, 1844 (panel)

The Old Lacemaker, 1844 (panel)
BAL69208 The Old Lacemaker, 1844 (panel) by Dyckmans, J.L. (Gererd Doubelge) (1811-88); 48.3x38.1 cm; Haynes Fine Art at the Bindery Galleries, Broadway; Belgian, out of copyright

Background imageSpinster Collection: Spinster, Thomas Wijck, 1626 - 1677

Spinster, Thomas Wijck, 1626 - 1677

Background imageSpinster Collection: Jeanette Rubenson, 1883

Jeanette Rubenson, 1883
BAL21647 Jeanette Rubenson, 1883 by Josephson, Ernst (1851-1906); 41x32.5 cm; Goteborgs Konstmuseum, Sweden; Swedish, out of copyright

Background imageSpinster Collection: Spinster sitting on the doorstep of a house talking to man, print maker: Adriaen

Spinster sitting on the doorstep of a house talking to man, print maker: Adriaen van Ostade, Adriaen van Ostade, 1666 - 1670

Background imageSpinster Collection: Landscape with cows and a spinner, Herman van Swanevelt, 1643 - 1655

Landscape with cows and a spinner, Herman van Swanevelt, 1643 - 1655

Background imageSpinster Collection: The Reading (oil on canvas)

The Reading (oil on canvas)
XIR162364 The Reading (oil on canvas) by Rotari, Pietro Antonio (1707-62); 88x75 cm; Tretyakov Gallery, Moscow, Russia; Italian, out of copyright

Background imageSpinster Collection: Flute Playing Shepherd and spinster, Nicolaes Pietersz. Berchem, 1652

Flute Playing Shepherd and spinster, Nicolaes Pietersz. Berchem, 1652

Background imageSpinster Collection: A spinning woman, print maker: Willem Steelink II, Nicolaes Maes, 1866 - 1928

A spinning woman, print maker: Willem Steelink II, Nicolaes Maes, 1866 - 1928

Background imageSpinster Collection: Helene Leibl, the Aunt of the Artist, 1867 (oil on canvas)

Helene Leibl, the Aunt of the Artist, 1867 (oil on canvas)
XKH149278 Helene Leibl, the Aunt of the Artist, 1867 (oil on canvas) by Leibl, Wilhelm Maria Hubertus (1844-1900); 87x66.5 cm; Hamburger Kunsthalle, Hamburg, Germany; (add.info.: Helene Leibl)

Background imageSpinster Collection: Spinster in an interior, Jan van Halbeeck, 1600 - 1630

Spinster in an interior, Jan van Halbeeck, 1600 - 1630

Background imageSpinster Collection: The Shoemaker and the spinster as schoolmasters, Pieter de Bailliu (I), Pieter van der Borcht

The Shoemaker and the spinster as schoolmasters, Pieter de Bailliu (I), Pieter van der Borcht (I), Frans van den Wijngaerde, 1623 - 1660

Background imageSpinster Collection: Standing spinster, Cornelis Visscher (II), 1638-1658

Standing spinster, Cornelis Visscher (II), 1638-1658

Background imageSpinster Collection: Elizabeth I (1533-1603) Queen of England (engraving)

Elizabeth I (1533-1603) Queen of England (engraving)
KW166416 Elizabeth I (1533-1603) Queen of England (engraving) by English School, (19th century); Private Collection; Ken Welsh; English, out of copyright

Background imageSpinster Collection: RUMPELSTILTSKIN, 1891. Rumpelstiltskin and the millers daughter. Drawing, 1891, by Henry J

RUMPELSTILTSKIN, 1891. Rumpelstiltskin and the millers daughter. Drawing, 1891, by Henry J. Ford for the fairy tale by the Brothers Grimm

Background imageSpinster Collection: WEIDITZ: HARASSED SPINSTER. The Harassed Spinster. Woodcut by Hans Weiditz, 1532

WEIDITZ: HARASSED SPINSTER. The Harassed Spinster. Woodcut by Hans Weiditz, 1532

Background imageSpinster Collection: Old soak yokel in smock claiming not to have been drinking

Old soak yokel in smock claiming not to have been drinking
The Squire Daughter - " Jerry, a little bird told me you had to much to drink yesterday!" Jerry - " Wel, my lady

Background imageSpinster Collection: Spinster Street Singer sings her tale of woe

Spinster Street Singer sings her tale of woe
Spinster Street Singer and her tale of woe, sung in tremulous tones !! Street Singer (in tremulous tones) - " An oi tell them they need not come wooin ter me." Date: 1900

Background imageSpinster Collection: ENGLAND: OLD MAID, 1880. Miss Tabitha Mockton, a fictitious Victorian spinster in an English

ENGLAND: OLD MAID, 1880. Miss Tabitha Mockton, a fictitious Victorian spinster in an English newspaper column of 1880

Background imageSpinster Collection: TEXTILES: SPINNING WHEEL. An 18th century American spinning wheel. Wood engraving, 19th century

TEXTILES: SPINNING WHEEL. An 18th century American spinning wheel. Wood engraving, 19th century

Background imageSpinster Collection: Old Maids / Postman / Mail

Old Maids / Postman / Mail
Two unmarried women of a certain age, waiting to see what the postman has for them - could it be Valentines Day? Date: circa 1910

Background imageSpinster Collection: Edwardian Spinster

Edwardian Spinster
A well-to-do Edwardian spinster dreams of what might have been

Background imageSpinster Collection: Does No One Want me ?

Does No One Want me ?
Does no one want me ? (No, we don t understand this one either...)

Background imageSpinster Collection: JOE, THE FAT BOY

JOE, THE FAT BOY
Mr. Tupman and the Spinster Aunt are startled by the appearance of Joe, the Fat Boy at the side of the garden seat



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"Spinster: Exploring the Female Literary Types and Cultural Perceptions" In Jeanette Rubenson's 1883 illustration, we catch a glimpse of the spinster archetype, a woman who defied societal norms by choosing a life of independence and intellectual pursuits. A comic postcard from the 20th century portrays a woman kneeling in bed, fervently praying for a man to enter her life. This image reflects the pressure society placed on spinsters to conform to traditional gender roles. Even Listerine advertisements from 1930 perpetuated the idea that marriage was essential for happiness, suggesting that bad breath could be an obstacle to finding love as a spinster. The Old Maid card game further reinforces cultural stereotypes surrounding unmarried women. It humorously depicts spinsters as undesirable partners through playful illustrations. Yet, hidden beneath these perceptions lies the source of our destinies. Spinsterhood allowed women like Jean de La Fontaine's "The Girl" in his fables to pursue their passions without compromise or dependence on men. Traveling across continents, we encounter sketches in New Zealand showcasing Maori civilization where strong female figures challenge conventional notions of spinsterhood with their resilience and self-sufficiency. "The Long Arm of Confidence, " depicted in litho artistry, reminds us that confidence can extend beyond societal expectations; it empowers spinsters to embrace their individuality and forge their own paths. Curiously engraved is an image titled "Why don't men propose?" which highlights how some spinsters questioned why they were overlooked by suitors despite possessing qualities worthy of love and companionship. Finally, we meet a young single girl from Schwyz, Switzerland in the 19th century. Her hat adorned with ribbons symbolizes her desire for freedom while her plaited hair tied with long ribbons signifies hope for future connections outside traditional marital bonds.