Southworth Albert Sands Collection
EDITORS COMMENTSAlbert Sands Southworth was a renowned American photographer who, along with his partner Josiah Johnson Hawes
All products are expertly crafted, using premium materials, tailored to your specifications and promptly shipped
EDITORS COMMENTS
Albert Sands Southworth was a renowned American photographer who, along with his partner Josiah Johnson Hawes, captured the essence of mid-19th century Boston through their captivating portraits and landscapes. Their work showcased the diverse subjects that shaped society during this time. In "Untitled (Rev. Daniel Sharp, Congregationalist Preacher), 1850, " Southworth's lens immortalized the charismatic preacher in a moment of deep contemplation. The photograph exudes an air of reverence and spirituality, capturing the essence of religious devotion. "Untitled (Erastus Hopkins, Free Soiler), 1852" depicts Erastus Hopkins, a prominent figure in the abolitionist movement. Through this portrait, Southworth highlights Hopkins' dedication to fighting for freedom and equality during a tumultuous era in American history. Southworth's keen eye for detail is evident in "Untitled (Boston Customs House), 1850. " This architectural masterpiece stands tall against the backdrop of bustling city life—a testament to Boston's growing prominence as a center of commerce and trade. In "Untitled (Self-Portrait of Josiah Johnson Hawes), 1865, " we catch a glimpse into the personal lives of these talented photographers. Hawes' self-portrait reveals not only his technical expertise but also his introspective nature—an artist reflecting on his own creative journey. The haunting beauty of "Untitled (Mt. Auburn Cemetery, Cambridge Massachusetts), 1850" transports us to an ethereal realm where life meets death. Southworth captures both tranquility and melancholy within this sacred space—reminding us that even in mortality lies profound serenity. A tender moment between mother and child unfolds before our eyes in "Untitled (A Woman in Bonnet and Shawl with her Seated Son), c. 1850. " This intimate portrait showcases Southworth's ability to capture raw emotions—the love shared between parent and child transcending time itself. "The Letter, c.