Sorrowful Collection

Clematis, Clematis macropetala Wesselton
Clematis macropetala Wesselton flower from side view showing the lilac streaked double petals, dappled light behind

Monochrome lavender fields. Beautiful image of lavender field, artistic abstract process in black and white. Summer sunset landscape, contrasting

Old Man in Sorrow (On the Threshold of Eternity) 1890 (oil on canvas)
REV167103 Old Man in Sorrow (On the Threshold of Eternity) 1890 (oil on canvas) by Gogh, Vincent van (1853-90); 81x65 cm; Rijksmuseum Kroller-Muller, Otterlo

Poppy, Iceland poppy, Papaver nudicaule Garden gnome buds
4826 Poppy - Iceland poppy : Papaver nudicaule Garden gnome buds. 2 hairy buds closely entwined

Poppy, Welsh poppy, Meconopsis cambrica
Welsh poppy, Meconopsis cambrica, black and white of 2 flowers against a large area of solid black

Gregorio Fernandez (1576-1636). Pieta. National Sculpture Mu
Gregorio Fernandez (1576-1636). Spanish baroque sculptor. Pieta. National Sculpture Museum, Valladolid. Spain

Head of a saint from the St. Jerome altarpiece, 1441 (tempera on panel) (detail)
XAM198131 Head of a saint from the St. Jerome altarpiece, 1441 (tempera on panel) (detail) by Vivarini, Antonio (c.1415-1476/84); total:235x157 cm; Kunsthistorisches Museum, Vienna

Study for an Angel in The Sorrowful Mysteries
496897 Study for an Angel in The Sorrowful Mysteries, 1890-1916 (charcoal & stump on paper) by Sargent, John Singer (1856-1925); 62.5x47.9 cm; Corcoran Collection, National Gallery of Art

Mater Dolorosa (Sorrowing Virgin), 1480-1500 (oil on panel)
2968509 Mater Dolorosa (Sorrowing Virgin), 1480-1500 (oil on panel) by Bouts, Dieric the Elder (c.1415-75) (attr. to); 38.7x30.3 cm; The Art Institute of Chicago, IL

Christ, c. 1656 (panel)
HGM81129 Christ, c.1656 (panel) by Rembrandt Harmensz. van Rijn (1606-69); 25.5x21 cm; Haags Gemeentemuseum, The Hague, Netherlands; eKunstmuseum den Haag; Dutch, out of copyright

Physiognomical studies, from Mecanisme de la Physionomie humaine ou analyse
CHT207783 Physiognomical studies, from Mecanisme de la Physionomie humaine ou analyse electrophysiologique des passions by Duchenne de Boulogne, published 1876

Chevy Chase (oil on canvas)
SAG186614 Chevy Chase (oil on canvas) by Landseer, Edwin (1802-73); Sheffield Galleries and Museums Trust, UK; (add.info)

Physiognomical studies, from Mecanisme de la Physionomie humaine ou analyse
CHT207797 Physiognomical studies, from Mecanisme de la Physionomie humaine ou analyse electrophysiologique des passions by Duchenne de Boulogne, published 1876

Lamentation over the Dead Christ, c. 1630-50 (oil on canvas)
6200339 Lamentation over the Dead Christ, c.1630-50 (oil on canvas) by Neapolitan School, (17th century); 200.7x153.7 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Italian

The Man of Sorrows, 1509 (Burin engraving on copper)
5890589 The Man of Sorrows, 1509 (Burin engraving on copper) by DAorer or Duerer, Albrecht (1471-1528); 11.8x7.5 cm; Private Collection; Luisa Ricciarini; German, out of copyright

Little Jack Jelf... (colour litho)
2792371 Little Jack Jelf... (colour litho) by English School, (19th century); Private Collection; (add.info.: Little Jack Jelf)

The Magdalen contemplating the Nails of the Passion (oil on canvas)
CH401835 The Magdalen contemplating the Nails of the Passion (oil on canvas) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 66x56 cm; Private Collection; Photo eChristies Images; Italian

Physiognomical studies, from 22 to 28, from Mecanisme de la Physionomie humaine ou
CHT207798 Physiognomical studies, from 22 to 28, from Mecanisme de la Physionomie humaine ou analyse electrophysiologique des passions by Duchenne de Boulogne, published 1876

The Entombment, 1635-38 (oil on panel)
5938196 The Entombment, 1635-38 (oil on panel) by Vouet, Simon (1590-1649); 56.5x41.5 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French, out of copyright

The Sorrowful Heraclitus, 1746 (oil on canvas)
990347 The Sorrowful Heraclitus, 1746 (oil on canvas) by Coypel, Antoine (1661-1722); 92.4x73.7 cm; Private Collection; (add.info.: The Sorrowful Heraclitus. Charles Antoine Coypel (1694-1752)

Gethsemane (engraving)
5224114 Gethsemane (engraving) by English School, (19th century); Private Collection; (add.info.: Gethsemane. " My soul is exceeding sorrowful unto death." Illustration for The Life of)

Gerald the Great Dane seen here looking tired and emotional after losing in the village fete dog show. July 1969 Z6448

SUB_0096
Helianthus - variety not identified Sunflower Yellow subject

SK_0705
Symphytum officinale Flower Plant Daytime Outdoor Growing Close-up Closed View - Side view Orientation - Vertical orientation One Editorial Perennial Flowering season - Spring Flowering season

TH_0115
Narcissus - variety not identified Daffodil Yellow subject Blue b/g

eucharis amazonica, amazon lily
2871 Amazon lily Eucharis grandiflora

SG_F44
variety not identified Variety not identified Blue subject

SG_0058
Narcissus actaea Daffodil White subject White b/g

SK_0383
Cyclamen Alpine violet Cyclamen Pink subject Green b/g

SK_0384
Cyclamen Alpine violet Cyclamen Pink subject Green b/g

SK_0379
Alnus glutinosa Alder Red subject Green b/g

SK_0375
Viola wittrockiana Pansy Yellow subject

SK_0247
Viola wittrockiana Pansy Purple subject

SK_0568
Phragmites australis Reeds / Sedge Black subject Orange b/g

Tulip, Tulipa Estella Rijnveld
Parrot tulip, Tulipa Estella Rynveld, Red and white fringed flower hanging down from a red vase

Monkshood, Aconitum Ivorine
4827 Monkshood, Aconitum Ivorine flowers, close up

PST_0050
Hyacinthoides - variety not identified Bluebell Purple subject

PT_0256
Phragmites - variety not identified Plant Daytime Outdoor Growing Close-up View - Front view Orientation - Square orientation Several Creative Perennial Grasses - ornamental Wild Plant species Colour

PST_0161
Rosa - variety not identified Rosehip Blue subject Blue b/g

PST_0083
Heracleum sphondylium Hogweed Blue subject Blue b/g

PT_0066
Narcissus - variety not identified Daffodil Yellow subject

Anemone blanda Blue Shades Beauty in Nature
Winter windflower, Anemone blanda Blue Shades, Side view of delicate blue daisy flower fully open, its curved stem bent over so its facing downwards

Anemone, Wind flower, Anemone leveille
Wind flower, Anemone leveille back view showing lilac underside of white flowers against an out of focus green and yellow dappled background

PD_63
Rosa - variety not identified Rose

MAM_0428
Chrysanthemum - variety not identified Chrysanthemum Pink subject

MAM_0426
Chrysanthemum - variety not identified Chrysanthemum Red subject

tulipa blue spectacle, tulip, purple subject
Tulipa Blue spectacle Tulipa Tulip Purple subject

tulipa cultivar, tulip, purple subject
Tulipa cultivar Tulipa Tulip Purple subject

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In the depths of sorrow, nature weeps with us. The Clematis macropetala Wesselton, its delicate petals tinged with a somber hue, stands as a symbol of grief and longing. Nearby, the Stuart Monument rises solemnly against the sky, a testament to enduring sadness designed by the Italian Neoclassical architects in 1817-1819. Inside the National Sculpture Museum, Gregorio Fernandez's Pieta captures an eternal moment of sorrow. The intricate details on each figure's face reflect their anguish and heartache. Just as poignant is Vincent van Gogh's "Old Man in Sorrow (On the Threshold of Eternity)" painted in 1890; his brushstrokes convey raw emotion that resonates deeply within our souls. Amidst this sea of melancholy artistry, vibrant poppies emerge like fleeting moments of solace. The Iceland poppy Papaver nudicaule blooms defiantly against despair while Welsh poppy Meconopsis cambrica offers a ray of hope amidst darkness. Yet even amongst human interactions, sorrow finds its place. In "Goodbye, " a dapper gentleman breaks devastating news to his partner - their expressions etched with pain and loss. Meanwhile, an angelic presence emerges from Leonardo da Vinci's "Study for an Angel in The Sorrowful Mysteries, " offering comfort and solace to those who seek it. The Mater Dolorosa or Sorrowing Virgin gazes upon us from her oil-painted panel created between 1480-1500; her eyes filled with tears mirroring our own sorrows. Similarly evoking empathy is Christ depicted on panel circa 1656 - His suffering transcending time and space. Even physiognomical studies delve into understanding human emotions during times of distress. From Mecanisme de la Physionomie humaine ou analyse comes detailed observations capturing every nuance of sorrow etched upon faces, revealing the universality of this emotion.