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Solis Collection

"Solis: Unveiling the Ancient Aztec Empire" Step back in time to the Battle of Otumba on July 7, 1520, where history witnessed a pivotal moment in the conquest of Mexico

Background imageSolis Collection: Antonio de Solis y Ribadeneyra, after an etching in Retratos de Los Espanoles Ilustres, Madrid

Antonio de Solis y Ribadeneyra, after an etching in Retratos de Los Espanoles Ilustres, Madrid, Spain, pub. 1791
3473245 Antonio de Solis y Ribadeneyra, after an etching in Retratos de Los Espanoles Ilustres, Madrid, Spain, pub. 1791; (add.info.: Antonio de Solis y Ribadeneyra, 1610 - 1686)

Background imageSolis Collection: The new world, the discovery of the Americas: Illustration of the death of Juan Diaz De Solis

The new world, the discovery of the Americas: Illustration of the death of Juan Diaz De Solis killed in an aggression
5313666 The new world, the discovery of the Americas: Illustration of the death of Juan Diaz De Solis killed in an aggression by the indigenous peoples.; SeM Studio/UIG.

Background imageSolis Collection: The wedding of Duke Wilhelm V of Bavaria to Renata of Lorraine on February 21, 1568, 1568

The wedding of Duke Wilhelm V of Bavaria to Renata of Lorraine on February 21, 1568, 1568. Private Collection

Background imageSolis Collection: The wedding of Duke Wilhelm V of Bavaria to Renata of Lorraine on February 21, 1568, 1568

The wedding of Duke Wilhelm V of Bavaria to Renata of Lorraine on February 21, 1568, 1568. Private Collection

Background imageSolis Collection: Battle of Otumba (7th July 7, 1520)

Battle of Otumba (7th July 7, 1520). Confrontation between the army of the Aztecs against Spanish troops led by Hernan Cortes

Background imageSolis Collection: Montezuma is allowed to be seen in public

Montezuma is allowed to be seen in public, by going out to his Temples... Historia de la Conquista de Mexico, poblacion, y progresos de la America septentrional

Background imageSolis Collection: Idol Vitzliputzli (Huitzilopochtli). Mexican idol

Idol Vitzliputzli (Huitzilopochtli). Mexican idol. Engraving. Historia de la Conquista de Mexico, poblacion, y progresos de la America septentrional

Background imageSolis Collection: The Great Aztec Temple at Tenochtitlan

The Great Aztec Temple at Tenochtitlan. Dedicated to the god of war. Built in a large square, with an ashlar wall, carved on the outside with different loops of chained snakes. Engraving

Background imageSolis Collection: Map of the territory of New Spain

Map of the territory of New Spain. Historia de la Conquista de Mexico, poblacion, y progresos de la America septentrional, conocida por el nombre de Nueva Espana (History of the Conquest of Mexico)

Background imageSolis Collection: Representation of the city of Mexico (Mexico-Tenochtitlan)

Representation of the city of Mexico (Mexico-Tenochtitlan). Divided into two neighborhoods. One called Tlatelulco (a), where most of the population lived, and the other Mexico (e)

Background imageSolis Collection: Diego Velazquez de Cuellar (1465-1524)

Diego Velazquez de Cuellar (1465-1524) had the intention of ceasing Hernan Cortes. Cortes and his fleet left Cuba in haste for the coast of Mexico

Background imageSolis Collection: History of the Conquest of Mexico

History of the Conquest of Mexico
Historia de la Conquista de Mexico, poblacion, y progresos de la America septentrional, conocida por el nombre de Nueva Espana (History of the Conquest of Mexico, population)

Background imageSolis Collection: Tufted titmouse, northern mockingbird and ovenbird

Tufted titmouse, northern mockingbird and ovenbird
Tufted titmouse, Baeolophus bicolor, northern mockingbird, Mimus polyglottos and ovenbird, Seiurus aurocapilla. Tufted titmouse 1, mocking-bird 2 and oven-bird 3

Background imageSolis Collection: Aurora (engraving)

Aurora (engraving)
874608 Aurora (engraving) by Passe, Crispin I de (c.1565-1637); 20.96 x12.07 cm; San Diego Museum of Art, USA; (add.info.: Aurora)

Background imageSolis Collection: Boats Rowed Through Inundated Ruins, ca. 1550-62. Creator: Virgil Solis

Boats Rowed Through Inundated Ruins, ca. 1550-62. Creator: Virgil Solis
Boats Rowed Through Inundated Ruins, ca. 1550-62

Background imageSolis Collection: Atalanta and Hippomenes, in the foreground Atalanta kneeling to pick up an apple an

Atalanta and Hippomenes, in the foreground Atalanta kneeling to pick up an apple and Hippomenes running with an apple in either hand, in the landscape background Atalanta running

Background imageSolis Collection: Arabesque Design on Dark Ground, 1534-1562. Creator: Virgil Solis

Arabesque Design on Dark Ground, 1534-1562. Creator: Virgil Solis
Arabesque Design on Dark Ground, 1534-1562

Background imageSolis Collection: Classical Allegory with the arms of the Ochsenfelder, mid-16th century

Classical Allegory with the arms of the Ochsenfelder, mid-16th century

Background imageSolis Collection: Philosophy Enthroned, mid-16th century. Creator: Virgil Solis

Philosophy Enthroned, mid-16th century. Creator: Virgil Solis
Philosophy Enthroned, mid-16th century

Background imageSolis Collection: Antonio de Solis y Ribadeneyra (1610-1686). Creator: Anonymous

Antonio de Solis y Ribadeneyra (1610-1686). Creator: Anonymous
Antonio de Solis y Ribadeneyra (1610-1686). Private Collection

Background imageSolis Collection: Moctezuma II (1466-1520), Aztec emperor

Moctezuma II (1466-1520), Aztec emperor

Background imageSolis Collection: Orpheus pro Eurydice supplicat Orco Iohan Posthii Germershemii

Orpheus pro Eurydice supplicat Orco Iohan Posthii Germershemii
Orpheus pro Eurydice supplicat Orco, Iohan. Posthii Germershemii Tetrasticha in Ovidii Metam. lib. XV. qvibus accesserunt Vergilij Solis figurae elegantiss

Background imageSolis Collection: Iuno ad inferos Iohan Posthii Germershemii Tetrasticha

Iuno ad inferos Iohan Posthii Germershemii Tetrasticha
Iuno ad inferos, Iohan. Posthii Germershemii Tetrasticha in Ovidii Metam. lib. XV. qvibus accesserunt Vergilij Solis figurae elegantiss

Background imageSolis Collection: Iris ad Somnum missa Iohan Posthii Germershemii

Iris ad Somnum missa Iohan Posthii Germershemii
Iris ad Somnum missa, Iohan. Posthii Germershemii Tetrasticha in Ovidii Metam. lib. XV. qvibus accesserunt Vergilij Solis figurae elegantiss

Background imageSolis Collection: Two men and a woman playing cards at a table, one man pressing his nose toward the

Two men and a woman playing cards at a table, one man pressing his nose toward the womans forehead, from a series of ten scenes of musicians and couples dancing, drinking, playing music

Background imageSolis Collection: Teatro Solis, Montevideo, Uruguay, South America

Teatro Solis, Montevideo, Uruguay, South America
Solis Hotel, Teatro Solis (theatre and cinema) and Diario del Plata (newspaper office), Montevideo, Uruguay, South America

Background imageSolis Collection: Miss Frieda Hempel and M Solito De Solis by Einar Nerman

Miss Frieda Hempel and M Solito De Solis by Einar Nerman
Einar Nermans (1888-1983). Illustration of Miss Frieda Hempel and M Solito De Solis, on stage at the Albert Hall. The cultured audience applauding

Background imageSolis Collection: Virgil Solis

Virgil Solis
VIRGIL SOLIS German engraver, depicted handling the tools of his trade. Date: 1514 - 1562

Background imageSolis Collection: Drawings Prints, Arabesque, Design, Dark, Ground, Artist, Virgil Solis, German, ?

Drawings Prints, Arabesque, Design, Dark, Ground, Artist, Virgil Solis, German, ?
Drawings and Prints, Arabesque Design on Dark Ground, Artist, Virgil Solis, German, (?) 1514-1562 Nuremberg, Solis, Virgil, 1514, 1562, 1534-1562, 1534, 1562

Background imageSolis Collection: Virgil Solis (German, 1514 - 1562), Spring, engraving

Virgil Solis (German, 1514 - 1562), Spring, engraving

Background imageSolis Collection: Virgil Solis (German, 1514 - 1562), Geometria (Geometry), engraving

Virgil Solis (German, 1514 - 1562), Geometria (Geometry), engraving

Background imageSolis Collection: Design for a Bookplate or a Glass Etching

Design for a Bookplate or a Glass Etching; Virgil Solis, German, 1514 - 1562; Germany, Europe; about 1550 - 1560; Black ink and gray wash; Diam.: 5.9 cm (Diam.: 2 5/16 in.)

Background imageSolis Collection: Design for a Frieze of Grapevines

Design for a Frieze of Grapevines; Virgil Solis, German, 1514 - 1562; Germany, Europe; 1537; Pen and black ink, horizontal stylus indentation lines above

Background imageSolis Collection: Virgil Solis (German, 1514-1562), Mvsica (Music), engraving

Virgil Solis (German, 1514-1562), Mvsica (Music), engraving

Background imageSolis Collection: BRAZIL EXPLORATION, 1509. Account of a Spanish expedition to Brazil under Juan Diaz de Solis

BRAZIL EXPLORATION, 1509. Account of a Spanish expedition to Brazil under Juan Diaz de Solis and Vicente Yanez Pinzon from a compilation by Antonio de Herrera, published at Leyden, 1509

Background imageSolis Collection: Picture No. 11073852

Picture No. 11073852
Eyed-tulip in flower in arable field Cyprus

Background imageSolis Collection: MONTEZUMA II (c1480-1520). Aztec emperor. Line engraving from Antonio de Solis y Ribadeneira

MONTEZUMA II (c1480-1520). Aztec emperor. Line engraving from Antonio de Solis y Ribadeneira, Historia de la Conquista de Mejico, 1684

Background imageSolis Collection: BATH BATHS

BATH BATHS
The Roman Baths of Aquae Solis at Bath, Avon, with the remains of the vaulted hall



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"Solis: Unveiling the Ancient Aztec Empire" Step back in time to the Battle of Otumba on July 7, 1520, where history witnessed a pivotal moment in the conquest of Mexico. Montezuma defied tradition and emerged from seclusion, captivating all with his presence. As he stood before the Great Aztec Temple at Tenochtitlan, an imposing figure caught everyone's attention - Idol Vitzliputzli, the revered Mexican deity Huitzilopochtli. The territory of New Spain sprawled across vast lands, as depicted on ancient maps that showcased its rich diversity. Amongst these territories was Mexico-Tenochtitlan itself, a city pulsating with life and culture. Diego Velazquez de Cuellar played a significant role during this era. A man of influence and ambition (1465-1524), his name echoed through history books recounting the Conquest of Mexico. The Battle of Otumba became synonymous with his bravery and strategic prowess. Intriguingly enough, it was not just one but two instances when destiny intertwined with Diego Velazquez de Cuellar's path - both marked by the Battle of Otumba (July 7th). This clash between civilizations shaped not only Mexico's fate but also left an indelible mark on world history. As we delve into the History of the Conquest of Mexico, Solis unravels tales buried beneath layers of time. Join us as we explore forgotten narratives and shed light on remarkable events that forever altered Mesoamerican civilization. Through vivid imagery and meticulous research, Solis invites you to witness Montezuma stepping into public view alongside Idol Vitzliputzli himself. Experience awe-inspiring moments at Tenochtitlan while tracing New Spain's expansive territories on ancient maps. Discover how Diego Velazquez de Cuellar etched his name in history during those fateful battles.