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Social Classes Collection

"Exploring the Dynamics of Social Classes: A Glimpse into History" In this captivating collection of artworks, we delve into the intricate tapestry throughout history

Background imageSocial Classes Collection: Work, 1852-65 (oil on canvas) (see also 3927271 and 324488)

Work, 1852-65 (oil on canvas) (see also 3927271 and 324488)
MAN198054 Work, 1852-65 (oil on canvas) (see also 3927271 and 324488) by Brown, Ford Madox (1821-93); 137x197.3 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageSocial Classes Collection: 3673479

3673479

Background imageSocial Classes Collection: Work, 1852-65 (oil on canvas) (see also 198054 and 324488)

Work, 1852-65 (oil on canvas) (see also 198054 and 324488)
3927271 Work, 1852-65 (oil on canvas) (see also 198054 and 324488) by Brown, Ford Madox (1821-93); 137x197.3 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageSocial Classes Collection: Work, 1852-65 (oil on canvas) (see also 3927271 and 198054)

Work, 1852-65 (oil on canvas) (see also 3927271 and 198054)
MAN324488 Work, 1852-65 (oil on canvas) (see also 3927271 and 198054) by Brown, Ford Madox (1821-93); 137x197.3 cm; Manchester Art Gallery

Background imageSocial Classes Collection: Work: Workman with Carnation in his Mouth, 1852-65 (oil on canvas) (see also 198054 & 100701)

Work: Workman with Carnation in his Mouth, 1852-65 (oil on canvas) (see also 198054 & 100701)
MAN63030 Work: Workman with Carnation in his Mouth, 1852-65 (oil on canvas) (see also 198054 & 100701) by Brown, Ford Madox (1821-93); Manchester Art Gallery, UK; (add.info.: Navvies laying a drain)

Background imageSocial Classes Collection: The Weekend away from the Front: British officers and men on short leave from the trenches

The Weekend away from the Front: British officers and men on short leave from the trenches arriving at Victoria
STC312636 The Weekend away from the Front: British officers and men on short leave from the trenches arriving at Victoria, from The Illustrated War News, 1915 (litho) by Michael, Arthur C

Background imageSocial Classes Collection: Title page from 1847 first edition of Wuthering Heights

Title page from 1847 first edition of Wuthering Heights
5615773 Title page from 1847 first edition of Wuthering Heights by Emily BrontA (1818-1848) published under her pseudonym Ellis Bell by publisher Thomas Cautley Newby, London

Background imageSocial Classes Collection: Universal Suffrage, 10th December 1848, election of Louis Napoleon Bonaparte (1808-73)

Universal Suffrage, 10th December 1848, election of Louis Napoleon Bonaparte (1808-73)
CHT164162 Universal Suffrage, 10th December 1848, election of Louis Napoleon Bonaparte (1808-73), 1848-49 (colour litho) by Sorrieu, Frederic (1807-c.1861); Bibliotheque Nationale, Paris

Background imageSocial Classes Collection: View of Piazza Duomo in Milan, 1819-28 (oil on canvas)

View of Piazza Duomo in Milan, 1819-28 (oil on canvas)
3497556 View of Piazza Duomo in Milan, 1819-28 (oil on canvas) by Migliara, Giovanni (1785-1837); Fondazione Cariplo, Milan, Lombardy

Background imageSocial Classes Collection: French elections of 23rd April 1848 in Paris, 1848 (engraving) (b / w photo)

French elections of 23rd April 1848 in Paris, 1848 (engraving) (b / w photo)
CHT253049 French elections of 23rd April 1848 in Paris, 1848 (engraving) (b/w photo) by French School, (19th century); Private Collection; (add.info)

Background imageSocial Classes Collection: La Feria de Madrid, 1778 (oil on canvas)

La Feria de Madrid, 1778 (oil on canvas)
897497 La Feria de Madrid, 1778 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 258x218 cm; Prado, Madrid, Spain; (add.info.: The Madrid Fair.); Spanish, out of copyright

Background imageSocial Classes Collection: Monument to Alexandre Dumas Pere, the readers, 1883 (detail) (stone & bronze) (see also 98561)

Monument to Alexandre Dumas Pere, the readers, 1883 (detail) (stone & bronze) (see also 98561)
XIR287762 Monument to Alexandre Dumas Pere, the readers, 1883 (detail) (stone & bronze) (see also 98561, 287761, 287763, 287764) (b/w photo) by Dore, Gustave (1832-83); Place Malesherbes, Paris

Background imageSocial Classes Collection: Monument to Alexandre Dumas Pere, 1883 (stone & bronze) (see also 98561, 287762 to 287764)

Monument to Alexandre Dumas Pere, 1883 (stone & bronze) (see also 98561, 287762 to 287764)
XIR287761 Monument to Alexandre Dumas Pere, 1883 (stone & bronze) (see also 98561, 287762 to 287764) (b/w photo) by Dore, Gustave (1832-83); Place Malesherbes, Paris

Background imageSocial Classes Collection: On the Omnibus, 1880 (oil on canvas)

On the Omnibus, 1880 (oil on canvas)
XIR177196 On the Omnibus, 1880 (oil on canvas) by Delondre, Maurice (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; French, out of copyright


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"Exploring the Dynamics of Social Classes: A Glimpse into History" In this captivating collection of artworks, we delve into the intricate tapestry throughout history. From the years 1852-65, an oil on canvas masterpiece takes us back in time to witness the diverse spectrum of society during that era (see also 198054 and 324488). The artist skillfully portrays the stark contrast between different strata, shedding light on their distinct experiences and struggles. One particular painting titled "Workman with Carnation in his Mouth" captures a poignant moment from this period. The laborer's face reflects determination amidst adversity as he carries out his duties (see also 198054 & 100701). It serves as a reminder that work was not merely a means to survive but also an expression of identity and pride. Moving forward to 1915, we encounter another thought-provoking image depicting British officers and men arriving at Victoria station after being granted short leave from the trenches (litho) (3673479). This snapshot reveals how even amid war, social hierarchies persisted. The juxtaposition between those who fought on the front lines and those who awaited them at home highlights societal divisions that were prevalent during times of conflict. Stepping further back into history, we stumble upon a title page from the first edition of Emily Brontë's timeless novel "Wuthering Heights, " published in 1847. Within its pages lies a tale woven with themes surrounding class struggle and forbidden love (Title page from 1847 first edition of Wuthering Heights). Examining political landscapes brings us to December 10th, 1848 – Universal Suffrage day – when Louis Napoleon Bonaparte was elected through democratic processes (Universal Suffrage, 10th December 1848, election of Louis Napoleon Bonaparte). This event marked a significant milestone towards equal representation, yet it also underscores the ongoing battle for social equality.