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Smokestack Collection (page 5)

"Capturing the Evolution of Industry: A Glimpse into Smokestacks" Step back in time to the Industrial Revolution of the 1800s

Background imageSmokestack Collection: Illustration of Debt and Borrowing, 1937 (screen print)

Illustration of Debt and Borrowing, 1937 (screen print)
2622285 Illustration of Debt and Borrowing, 1937 (screen print) by American School, (20th century); Private Collection; (add.info.: Vintage illustration of a hand reaching for money)

Background imageSmokestack Collection: The Flemish Peasant; La Paysanne Flamande, c. 1935 (oil on board)

The Flemish Peasant; La Paysanne Flamande, c. 1935 (oil on board)
653561 The Flemish Peasant; La Paysanne Flamande, c.1935 (oil on board) by Smet, Gustave de (1877-1943); 87x58 cm; Private Collection; (add.info.: The Flemish Peasant; La Paysanne Flamande)

Background imageSmokestack Collection: A Thatched Cottage near Peaslake, Surrey (watercolour)

A Thatched Cottage near Peaslake, Surrey (watercolour)
1767282 A Thatched Cottage near Peaslake, Surrey (watercolour) by Allingham, Helen (1848-1926); 23x24.5 cm; Private Collection; (add.info.: A Thatched Cottage near Peaslake, Surrey)

Background imageSmokestack Collection: By the Old Cottage (watercolour with scratching out)

By the Old Cottage (watercolour with scratching out)
1766726 By the Old Cottage (watercolour with scratching out) by Allingham, Helen (1848-1926); Private Collection; (add.info.: By the Old Cottage. Helen Allingham (1848-1926)

Background imageSmokestack Collection: Cottage at Farringford, Isle of Wight (watercolour with scratching out)

Cottage at Farringford, Isle of Wight (watercolour with scratching out)
1766717 Cottage at Farringford, Isle of Wight (watercolour with scratching out) by Allingham, Helen (1848-1926); 34.3x23.5 cm; Private Collection; (add.info.: Cottage at Farringford, Isle of Wight)

Background imageSmokestack Collection: A Cottage near Witley, Surrey (watercolour with scratching out)

A Cottage near Witley, Surrey (watercolour with scratching out)
1766700 A Cottage near Witley, Surrey (watercolour with scratching out) by Allingham, Helen (1848-1926); 29x23.5 cm; Private Collection; (add.info.: A Cottage near Witley, Surrey)

Background imageSmokestack Collection: In the Kitchen of the Hacienda, (oil on canvas)

In the Kitchen of the Hacienda, (oil on canvas)
988166 In the Kitchen of the Hacienda, (oil on canvas) by Serrano, Manuel (fl.1865); 46.4x60.4 cm; Private Collection; (add.info.: In the Kitchen of the Hacienda; En la Cocina de la Hacienda)

Background imageSmokestack Collection: The Factory, 1898 (oil on canvas)

The Factory, 1898 (oil on canvas)
987474 The Factory, 1898 (oil on canvas) by Luce, Maximilien (1858-1941); 73.6x92 cm; Private Collection; (add.info.: The Factory; L Usine. Maximilien Luce (1858-1941). Oil on canvas

Background imageSmokestack Collection: 'Rounding a Bend'on the Mississippi - The Parting Salute

"Rounding a Bend"on the Mississippi - The Parting Salute
3710041 " Rounding a Bend" on the Mississippi - The Parting Salute, 1866 (colour lithograph) by Currier, N. (1813-88) and Ives, J.M

Background imageSmokestack Collection: The Pool of London, 1924 (pen, brush, ink, w / c & gouache on paper)

The Pool of London, 1924 (pen, brush, ink, w / c & gouache on paper)
3060501 The Pool of London, 1924 (pen, brush, ink, w/c & gouache on paper) by Walcot, William (1874-1943); 40.6x71.1 cm; Private Collection; English, out of copyright

Background imageSmokestack Collection: New York Ferry Boat, c. 1860-65 (hand-coloured lithograph)

New York Ferry Boat, c. 1860-65 (hand-coloured lithograph)
3704163 New York Ferry Boat, c.1860-65 (hand-coloured lithograph) by Currier, N. (1813-88) and Ives, J.M. (1824-95); Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageSmokestack Collection: The Thames in London, c. 1893 (oil on canvas)

The Thames in London, c. 1893 (oil on canvas)
825436 The Thames in London, c.1893 (oil on canvas) by Luce, Maximilien (1858-1941); 46x65 cm; Private Collection; (add.info.: The Thames in London; La Tamise a Londres. Maximilien Luce (1858-1941)

Background imageSmokestack Collection: Landscape (oil on canvas)

Landscape (oil on canvas)
833416 Landscape (oil on canvas) by Monet, Claude (1840-1926); Private Collection; French, out of copyright

Background imageSmokestack Collection: Grey and Silver: Old Battersea Reach, 1863 (oil on canvas)

Grey and Silver: Old Battersea Reach, 1863 (oil on canvas)
2968606 Grey and Silver: Old Battersea Reach, 1863 (oil on canvas) by Whistler, James Abbott McNeill (1834-1903); 50.8x68.6 cm; The Art Institute of Chicago, IL

Background imageSmokestack Collection: Steel Mills at Night, 1926 (oil on canvas)

Steel Mills at Night, 1926 (oil on canvas)
650846 Steel Mills at Night, 1926 (oil on canvas) by Gorson, Aaron Henry (1872-1933); 86.5x91.5 cm; Private Collection; (add.info.: Steel Mills at Night. Aaron Harry Gorson (1872-1933)

Background imageSmokestack Collection: Harbor Scene, (oil on canvas)

Harbor Scene, (oil on canvas)
651022 Harbor Scene, (oil on canvas) by Gorson, Aaron Henry (1872-1933); 40.6x50.8. cm; Private Collection; (add.info.: Harbor Scene. Aaron Harry Gorson (1872-1933). Oil on canvas

Background imageSmokestack Collection: A View of Copenhagen with the Knippelsbro, 1882 (oil on canvas)

A View of Copenhagen with the Knippelsbro, 1882 (oil on canvas)
659638 A View of Copenhagen with the Knippelsbro, 1882 (oil on canvas) by Rasmussen, J.E. Carl (1841-93); 60.4x96.9 cm; Private Collection; Photo eChristies Images; Danish, out of copyright

Background imageSmokestack Collection: The Song of the Shirt, 1854 (oil on canvas)

The Song of the Shirt, 1854 (oil on canvas)
659749 The Song of the Shirt, 1854 (oil on canvas) by Blunden, Anna E. (1830-1915); 47x39.5 cm; Private Collection; (add.info.: The Song of the Shirt. Anna Elizabeth Blunden (1830-1915)

Background imageSmokestack Collection: View of Industrial Sheffield (colour litho) from the South East by William Ibbit, 1854

View of Industrial Sheffield (colour litho) from the South East by William Ibbit, 1854
SAG263545 View of Industrial Sheffield (colour litho) from the South East by William Ibbit, 1854 by English School, (19th century); Sheffield Galleries and Museums Trust

Background imageSmokestack Collection: The Saint-Martin Canal at Moonlight; Le Canal Saint-Martin au Clair de Lune

The Saint-Martin Canal at Moonlight; Le Canal Saint-Martin au Clair de Lune
1197481 The Saint-Martin Canal at Moonlight; Le Canal Saint-Martin au Clair de Lune, (oil on canvas) by Lepine, Stanislas Victor Edouard (1835-92)

Background imageSmokestack Collection: The Factory Village, 1897 (oil on canvas)

The Factory Village, 1897 (oil on canvas)
3746273 The Factory Village, 1897 (oil on canvas) by Weir, Julian Alden (1852-1919); 73.7x96.6 cm; Metropolitan Museum of Art, New York

Background imageSmokestack Collection: Huts along the Canal du Loing, effect of sunlight, 1896 (oil on canvas)

Huts along the Canal du Loing, effect of sunlight, 1896 (oil on canvas)
989089 Huts along the Canal du Loing, effect of sunlight, 1896 (oil on canvas) by Sisley, Alfred (1839-99); 38x46 cm; Private Collection; (add.info.: Huts along the Canal du Loing)

Background imageSmokestack Collection: The Port of Rouen, 1883 (oil on canvas)

The Port of Rouen, 1883 (oil on canvas)
987365 The Port of Rouen, 1883 (oil on canvas) by Pissarro, Camille (1830-1903); 54.3x66 cm; Private Collection; (add.info.: The Port of Rouen; Le Port de Rouen. Camille Pissarro (1830-1903)

Background imageSmokestack Collection: Netley Farm, Shere, Surrey (watercolour with scratching out)

Netley Farm, Shere, Surrey (watercolour with scratching out)
1766736 Netley Farm, Shere, Surrey (watercolour with scratching out) by Allingham, Helen (1848-1926); 21x19 cm; Private Collection; (add.info.: Netley Farm, Shere, Surrey)

Background imageSmokestack Collection: At Symondsbury near Bridport, Dorset (watercolour with scratching out)

At Symondsbury near Bridport, Dorset (watercolour with scratching out)
1766690 At Symondsbury near Bridport, Dorset (watercolour with scratching out) by Allingham, Helen (1848-1926); Private Collection; (add.info.: At Symondsbury near Bridport, Dorset)

Background imageSmokestack Collection: East Hagbourne, Berkshire (watercolour with scratching out)

East Hagbourne, Berkshire (watercolour with scratching out)
1766735 East Hagbourne, Berkshire (watercolour with scratching out) by Allingham, Helen (1848-1926); 22x17.2 cm; Private Collection; (add.info.: East Hagbourne, Berkshire)

Background imageSmokestack Collection: On the Brook Road, near Witley (watercolour with scratching out)

On the Brook Road, near Witley (watercolour with scratching out)
1766724 On the Brook Road, near Witley (watercolour with scratching out) by Allingham, Helen (1848-1926); 26.2x21.5 cm; Private Collection; (add.info.: On the Brook Road, near Witley)

Background imageSmokestack Collection: L Emprunt de la Paix pub. Paris c. 1918 (colour lithograph)

L Emprunt de la Paix pub. Paris c. 1918 (colour lithograph)
992091 L Emprunt de la Paix pub. Paris c.1918 (colour lithograph) by Lebasque, Henri (1865-1937); Private Collection; The Stapleton Collection; French, out of copyright

Background imageSmokestack Collection: Powerplant

Powerplant
Steffen Ebert

Background imageSmokestack Collection: Two Smokestacks

Two Smokestacks

Background imageSmokestack Collection: Human Head with Smokestacks and Brain Working

Human Head with Smokestacks and Brain Working

Background imageSmokestack Collection: Tugboat at Sea Date: 1948

Tugboat at Sea Date: 1948

Background imageSmokestack Collection: Smokestack of Confederate Ram Merrimac at Richmond / Remains of Ironclad Ram '

Smokestack of Confederate Ram Merrimac at Richmond / Remains of Ironclad Ram "
Smokestack of Confederate Ram Merrimac at Richmond/Remains of Ironclad Ram " Virginia #2", April, 1865, 1865. Formerly attributed to Mathew B. Brady

Background imageSmokestack Collection: Colebrook Furnace, Lebanon, Pennsylvania, c1897. Creator: Unknown

Colebrook Furnace, Lebanon, Pennsylvania, c1897. Creator: Unknown
Colebrook Furnace, Lebanon, Pennsylvania, c1897. From " A Tour Through the New World America", by Prof. Geo. R. Cromwell. [C. N. Greig & Co. London, c1897]

Background imageSmokestack Collection: Oil Refinery

Oil Refinery

Background imageSmokestack Collection: Making Iron in a Modern Blast Furnace, 1935

Making Iron in a Modern Blast Furnace, 1935
Making Iron in a Modern Blast Furnace, . From The Popular Science Educator, Volume 1, edited by Charles Ray. [The Amalgamated Press, Ltd. London, ]

Background imageSmokestack Collection: The Tower of London, c1896. Artist: York & Son

The Tower of London, c1896. Artist: York & Son
The Tower of London, c1896. From Pictorial England and Wales. [Cassell and Company, Limited, London, Paris & Melbourne, c1896]

Background imageSmokestack Collection: Mitchell Main coal preparation plant, Wombwell, South Yorkshire, 1956

Mitchell Main coal preparation plant, Wombwell, South Yorkshire, 1956. A general view of the coke ovens area at the Mitchell Main plant

Background imageSmokestack Collection: Animated view of Corso del Popolo in Padova

Animated view of Corso del Popolo in Padova Padua Corso del Popolo. Date of Photograph:1920 ca

Background imageSmokestack Collection: Landschaftspark Duisburg-Nord, Meiderich Huette, Duisburg, Ruhr Basin, North Rhine-Westphalia

Landschaftspark Duisburg-Nord, Meiderich Huette, Duisburg, Ruhr Basin, North Rhine-Westphalia, Germany

Background imageSmokestack Collection: UK, England, View of Battersea Power Station from Chelsea Bridge; London

UK, England, View of Battersea Power Station from Chelsea Bridge; London

Background imageSmokestack Collection: Edson, Alberta, Canada; Silhouette Of Smoke Stacks With Steam And A Sunburst

Edson, Alberta, Canada; Silhouette Of Smoke Stacks With Steam And A Sunburst

Background imageSmokestack Collection: Pollution From Smoke Stacks

Pollution From Smoke Stacks

Background imageSmokestack Collection: A Cement Production Plant With Hay Bales In A Field In The Foreground; Lothian Scotland

A Cement Production Plant With Hay Bales In A Field In The Foreground; Lothian Scotland

Background imageSmokestack Collection: Teesside, England; A Refinery

Teesside, England; A Refinery

Background imageSmokestack Collection: PENNELL: HOMESTEAD, 1909. In the works, Homestead. Smoke billowing from steam engines

PENNELL: HOMESTEAD, 1909. In the works, Homestead. Smoke billowing from steam engines and steel mill smokestacks in Homestead, Pennsylvania. Photograph, 1909

Background imageSmokestack Collection: STEEL MILL, 1938. Steel Company, along the Ohio River, in Aliquippa, Pennsylvania

STEEL MILL, 1938. Steel Company, along the Ohio River, in Aliquippa, Pennsylvania. Photograph by Arthur Rothstein, July 1938

Background imageSmokestack Collection: The storm-tossed vessel, c. 1899 (oil on canvas) (see also 19141)

The storm-tossed vessel, c. 1899 (oil on canvas) (see also 19141)
XIR309521 The storm-tossed vessel, c.1899 (oil on canvas) (see also 19141) by Rousseau, Henri J.F. (Le Douanier) (1844-1910); 54x65 cm; Musee de l Orangerie, Paris



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"Capturing the Evolution of Industry: A Glimpse into Smokestacks" Step back in time to the Industrial Revolution of the 1800s, where towering smokestacks became symbols of progress and innovation. These colossal structures, rising high above cities and landscapes, represented a new era of industrialization that transformed societies across the globe. In an Art Deco illustration from the 1920s, we witness a luxurious cruise ship adorned with elegant smokestacks. Passengers on board revel in opulence as they embark on a journey filled with grandeur and sophistication. Moving to New York City in 1928, an oil painting showcases the iconic Ritz Tower standing tall amidst a sea of skyscrapers. Its distinctive smokestack serves as a reminder of both architectural splendor and industrial might. Meanwhile, Homestead Steel Mill in Pennsylvania takes center stage in a captivating photograph. This image captures not only its imposing smokestack but also the sheer scale and power behind this hub of production during its heyday. Across continents, William Ibbitt's watercolor transports us to Sheffield, England circa 1854. Amidst picturesque scenery lies an unmistakable smokestack piercing through billowing clouds—a testament to Sheffield's prominence as an industrial powerhouse. Aldbourne village in Wiltshire reveals another facet of these towering structures' influence. An oil painting depicts quaint farmhouses nestled beneath looming smokestacks—an intriguing juxtaposition between rural simplicity and urban progress. Venturing further into history brings us face-to-face with steel mills along Monongahela River in Clairton, Pennsylvania—captured vividly through lens and brush alike. The year is 1938; these steel mills dominate their surroundings while their mighty chimneys release plumes that signify both prosperity and environmental impact. Pittsburgh's Jones and Laughlin steel mills offer yet another glimpse into America's manufacturing prowess during this era—their commanding presence and smokestacks a testament to the city's industrial might.