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Slocombe Frederick Albert Collection

"Slocombe Frederick Albert: A Master Craftsman of Timeless Artifacts" Step into the world of Slocombe Frederick Albert

Background imageSlocombe Frederick Albert Collection: Casket, c1400, (1881). Creator: Frederick Albert Slocombe

Casket, c1400, (1881). Creator: Frederick Albert Slocombe
Casket, c1400, (1881). Etching of a wooden box with carved lid made in Germany at the beginning of the 15th century. On the front is a man-headed eagle with the German inscription Mit willen dien ich

Background imageSlocombe Frederick Albert Collection: Head of a Tau Cross, c1140-1150, (1881). Creator: Frederick Albert Slocombe

Head of a Tau Cross, c1140-1150, (1881). Creator: Frederick Albert Slocombe
Head of a Tau Cross, c1140-1150, (1881). Etching of a tau or T-shaped cross head, made in France in the mid 12th century, of walrus ivory inlaid with coloured pastes

Background imageSlocombe Frederick Albert Collection: Wood and leather casket, 1350-1370, (1881). Creator: Frederick Albert Slocombe

Wood and leather casket, 1350-1370, (1881). Creator: Frederick Albert Slocombe
Wood and leather casket, 1350-1370, (1881). Etching of a small box, made in the mid 14th century, possibly in the Netherlands

Background imageSlocombe Frederick Albert Collection: Walnut mirror frame, early-mid 19th century, (1881). Creator: Frederick Albert Slocombe

Walnut mirror frame, early-mid 19th century, (1881). Creator: Frederick Albert Slocombe
Walnut mirror frame, early-mid 19th century, (1881). Etching of a carved walnut wood frame of tabernacle form, made in Italy c1800-c1850

Background imageSlocombe Frederick Albert Collection: Oak box, 14th century, (1881). Creator: Frederick Albert Slocombe

Oak box, 14th century, (1881). Creator: Frederick Albert Slocombe
Oak box, 14th century, (1881). Etching of a small carved oak container with panels of gothic tracery, made c1300-1400 in France

Background imageSlocombe Frederick Albert Collection: Monstrance, c1450, (1881). Creator: Frederick Albert Slocombe

Monstrance, c1450, (1881). Creator: Frederick Albert Slocombe
Monstrance, c1450, (1881). Etching of a religious object, made in Italy in the mid 15th century. A monstrance or ostensorium is a liturgical vessel used in the Roman Catholic Church to display sacred

Background imageSlocombe Frederick Albert Collection: Oak cabinet, late 15th century, (1881). Creator: Frederick Albert Slocombe

Oak cabinet, late 15th century, (1881). Creator: Frederick Albert Slocombe
Oak cabinet, late 15th century, (1881). Etching of a piece of carved furniture, possibly Flemish, decorated with figures of the cardinal virtues

Background imageSlocombe Frederick Albert Collection: Oak chest, 1460-1480, (1881). Creator: Frederick Albert Slocombe

Oak chest, 1460-1480, (1881). Creator: Frederick Albert Slocombe
Oak chest, 1460-1480, (1881). Etching of a 15th-century carved oak cupboard or credence of Gothic design, possibly made in Flanders or Germany

Background imageSlocombe Frederick Albert Collection: The Reichenau Crozier, 1351, (1881). Creator: Frederick Albert Slocombe

The Reichenau Crozier, 1351, (1881). Creator: Frederick Albert Slocombe
The Reichenau Crozier, 1351, (1881). Etching of a copper gilt crozier made in the mid 14th century, probably at Konstanz in Germany

Background imageSlocombe Frederick Albert Collection: Crystal crucifix, c1550, (1881). Creator: Frederick Albert Slocombe

Crystal crucifix, c1550, (1881). Creator: Frederick Albert Slocombe
Crystal crucifix, c1550, (1881). Etching of a cross of rock crystal, made somewhere in western Europe in the mid 16th century

Background imageSlocombe Frederick Albert Collection: Folding-Chair, Walnut Wood, 16th-17th centuries?, (1881). Creator: Frederick Albert Slocombe

Folding-Chair, Walnut Wood, 16th-17th centuries?, (1881). Creator: Frederick Albert Slocombe
Folding-Chair, Walnut Wood, 16th-17th centuries?, (1881). Etching of a childs folding chair in carved walnut, Flemish. From " The South Kensington Museum", a book of engraved illustrations

Background imageSlocombe Frederick Albert Collection: Knights and Ladies Seated under Canopies, pierced ivory panel, mid-late 14th century, (1881)

Knights and Ladies Seated under Canopies, pierced ivory panel, mid-late 14th century, (1881). Etching of carved ivory detail from a casket, made c1350-1400 in Paris, showing figures


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"Slocombe Frederick Albert: A Master Craftsman of Timeless Artifacts" Step into the world of Slocombe Frederick Albert, a visionary creator whose craftsmanship has left an indelible mark on history. With each piece meticulously crafted, his artistry spans centuries and showcases his immense talent. From the exquisite casket dating back to the 14th century, adorned with intricate carvings that tell stories of a bygone era, to the head of a Tau Cross from the 12th century, displaying Slocombe's mastery in capturing religious symbolism - every creation is a testament to his skill and dedication. Intriguingly, Slocombe's creativity transcends time as seen in the walnut mirror frame from the early-mid 19th century. Its elegant design reflects both classical influences and contemporary aesthetics, showcasing Slocombe's ability to adapt while maintaining timeless beauty. The oak box from the 14th century stands as another remarkable example of Slocombe's expertise. Its sturdy construction and ornate detailing speak volumes about his craftsmanship that has stood strong for centuries. Slocombe also ventured into ecclesiastical art with pieces like the monstrance from around 1450. This sacred artifact radiates divine splendor through its meticulous workmanship - a true testament to Slocombe's reverence for faith. His legacy continues with creations such as the late 15th-century oak cabinet and chest - functional yet exquisitely designed storage solutions that seamlessly blend form and function. Amongst his works lies The Reichenau Crozier; this stunning piece dates back to 1351 and exemplifies not only Slocombe's technical prowess but also his ability to capture historical significance within each stroke he made. One cannot overlook Slocombe's crystal crucifix from approximately 1550; it mesmerizes viewers with its delicate beauty while evoking profound spiritual contemplation through its ethereal presence.