Sir Robert Ainslie Collection

Port of Latachia, 1810 (hand-coloured aquatint engraving)
985765 Port of Latachia, 1810 (hand-coloured aquatint engraving) by Mayer, Luigi (1755-1803) (after); 46.9x33 cm; Private Collection; (add.info.: Port of Latachia)

Sepulchers of the Kings of Judah. 2 Chronicles, 32. 33, 1830. Artist: J Clarke
Sepulchers of the Kings of Judah. 2 Chron, 32.33, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Tower on Mount Zion. Psalms 48. 2. 1830. Artist: J Clarke
Tower on Mount Zion. Psalms 48.2. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Fountain of Siloam. John. 9. 7. 1830. Artist: J Clarke
Fountain of Siloam. John. 9.7. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie

Samos. Acts, 20. 15, 1830. Artist: J Clarke
Samos. Acts, 20.15, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Jerusalem. Matthew. 21. 1, 1830. Artist: J Clarke
Jerusalem. Math. 21. 1, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Bethlehem. Luke, 2. 4, 1830. Artist: J Clarke
Bethlehem. Luke, 2.4, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Tomb of Joseph of Arimathea. Luke, 23. 50. 54, 1830. Artist: J Clarke
Tomb of Joseph of Arimathea. Luke, 23. 50. 54, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Cnidus. Acts. 27. 7, 1830. Artist: J Clarke
Cnidus. Acts. 27.7, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Bridge over the Brook Cedron. John, 18. 1, 1830. Artist: J Clarke
Bridge over the Brook Cedron. John, 18.1, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Sepulchre of Rachel. Genesis. 35. 20, 1830. Artist: J Clarke
Sepulchre of Rachel. Gen. 35.20, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie

City of Corinth. Acts. 18. 1, 1830. Artist: J Clarke
City of Corinth. Acts. 18.1, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Tomb in the Valley of Jehoshaphat. Joel, 3. 2. 1830. Artist: J Clarke
Tomb in the Valley of Jehoshaphat. Joel, 3.2. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Sepulchres of the Judges of Israel. Judges 8. 32. 1830. Artist: J Clarke
Sepulchres of the Judges of Israel. Judges 8.32. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Pool of Bethesda. John. 5. 2. 1830. Artist: J Clarke
Pool of Bethesda. John. 5.2. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

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Sir Robert Ainslie, a man of great curiosity and appreciation for art, was captivated by the beauty and history of the world. His travels took him to various enchanting destinations, each holding its own significance. In 1810, he found himself at the Port of Latachia, where he marveled at its bustling activity and vibrant atmosphere. The hand-coloured aquatint engraving captured his imagination as he witnessed ships from distant lands docking in this thriving hub. Ainslie's journey through time continued as he explored ancient sites such as the Sepulchers of the Kings of Judah. In 1830, artist J Clarke brought these tombs to life on canvas, reminding Ainslie of their historical importance and connecting him with generations long gone. The Tower on Mount Zion also left an indelible mark on Sir Robert Ainslie's memory. Inspired by Psalms 48:2, this majestic structure stood tall against the sky, symbolizing strength and spirituality. As Ainslie ventured further into Jerusalem's rich tapestry of culture and faith, he encountered landmarks like the Fountain of Siloam depicted in John 9:7. Its flowing waters represented healing and renewal—a testament to humanity's enduring hope. Samos beckoned Sir Robert next; Acts 20:15 guided his steps towards this Greek island known for its natural beauty. Here, amidst picturesque landscapes bathed in golden sunlight, Ainslie discovered tranquility that soothed his restless soul. Jerusalem held a special place in Sir Robert Ainslie's heart; Matthew 21:1 led him to explore its sacred streets teeming with religious fervor. Artist J Clarke masterfully portrayed this holy city—its walls echoing stories from centuries past while promising new beginnings yet to come. Bethlehem evoked a sense of wonder within Sir Robert as Luke 2:4 guided him towards humble origins.