Sir Herbert John Clifford Grierson Collection

Title Page of the Geneva Bible, 1614, (1943). Creator: Unknown
Title Page of the Geneva Bible, 1614, (1943). The " Geneva" version of the Bible is significant because it was the first mechanically printed

Lord Byron as a Boy, 1799, (1943). Creator: Thomas Lawrence
Lord Byron as a Boy, 1799, (1943). Portrait of a child, possibly British poet George Gordon Byron (1788-1824). From " The English Bible", by Sir Herbert Grierson. [Collins, London, 1943]

William Tyndale, (1943). Creator: Unknown
William Tyndale, (1943). Undated portrait of a man, previously believed to be English translator and martyr William Tyndale (c1494-1536). Tyndale set out to translate the Bible into common English

The Sluggard, 19th century, (1943). Creator: Henry Fitzcook
The Sluggard, 19th century, (1943). A scruffy man lounges against a wall. His overgrown garden is full of thistles, and the church spire in the distance is choked with ivy

John Ruskin, 1879, (1943). Creator: Hubert von Herkomer
John Ruskin, 1879, (1943). Portrait of English author and critic John Ruskin (1819-1900). Ruskin was a leading art and social critic, author, poet and artist of the Victorian period

The Just Upright Man Is Laughed To Scorn, c1825, (1943). Creator: William Blake
The Just Upright Man Is Laughed To Scorn, c1825, (1943). Biblical scene, illustration to the Book of Job: Job laments the fact that, even though he has understanding and is morally upright

Bunyans Cottage, Elstow, Bedford, 1943. Creator: Henry Stannard
Bunyans Cottage, Elstow, Bedford, 1943. House lived in by John Bunyan (1628-1688), an English nonconformist preacher and writer

John Milton, (1943). Creator: George Vertue
John Milton, (1943). Portrait of English writer and poet John Milton (1608-1674) aged 62 in 1670, according to the Latin inscription

James I, 1620, (1943). Creator: Unknown
James I, 1620, (1943). Portrait of James I and VI (1566-1625), King of England and Scotland. James sponsored the publication of the King James Version of the Bible

The Resurrection, 1483, (1943). Creator: Unknown
The Resurrection, 1483, (1943). Christ rising from his tomb after being crucified. Page from the " Golden Legend", a collection of hagiographies compiled c1260 by Jacobus de Varagine

All Professionally Made to Order for Quick Shipping

Sir Herbert John Clifford Grierson was a prominent figure in the world of literature and art. His vast knowledge and expertise spanned across various subjects, from biblical texts to renowned artists. One of his notable works includes the title page of the Geneva Bible, dating back to 1614. This masterpiece showcases Grierson's ability to appreciate and preserve historical artifacts. Grierson also had a keen eye for talent, as seen in Thomas Lawrence's portrait titled "Lord Byron as a Boy" from 1799. This painting captures the essence of young Lord Byron, foreshadowing his future brilliance as a poet. Another significant piece that caught Grierson's attention is an unknown artist's depiction of William Tyndale. This portrayal pays tribute to Tyndale's contribution in translating the Bible into English during the Reformation period. In Henry Fitzcook's artwork called "The Sluggard, " Grierson recognized an allegorical representation of laziness and its consequences. The intricate details convey a powerful message about diligence and productivity. Ford Madox Brown's painting titled "Elijah Restoring the Widow’s Son" fascinated Grierson with its emotional depth and religious symbolism. It reflects both artistic skill and spiritual significance. Hubert von Herkomer captured John Ruskin beautifully in his 1879 portrait, showcasing Ruskin’s intellectual prowess and influence on art criticism during that era—a testament to Grierson’s appreciation for influential figures within literary circles. William Blake’s work titled "The Just Upright Man Is Laughed To Scorn" intrigued Grierson due to its thought-provoking nature. Blake challenges societal norms through this illustration, questioning justice systems prevalent at that time. Grierson also admired Henry Stannard’s depiction of Bunyan’s Cottage in Elstow, Bedfordshire—an homage to John Bunyan, author of Pilgrim’s Progress—an iconic literary work celebrated by scholars worldwide.