Sir Edward Coley Burne Jones Collection (page 3)

Mr Burne-Jones, ARA, at the New Gallery (engraving)
1603912 Mr Burne-Jones, ARA, at the New Gallery (engraving) by Burne-Jones, Edward Coley (1833-98) (after); Private Collection; (add.info.: Mr Burne-Jones, ARA, at the New Gallery)

Study of a hill fairy for Arthur in Avalon, 1885 (pencil on paper)
1199478 Study of a hill fairy for Arthur in Avalon, 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 21x14 cm; Private Collection; Photo eChristies Images; English, out of copyright

Lavinia, 1874-c. 1919 (w / c on vellum)
1195390 Lavinia, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Hero, (oil on canvas)
1199611 Hero, (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 73.7x79 cm; Private Collection; Photo eChristies Images; English, out of copyright

Portrait of Laura Lyttelton, nee Tennant, with her Eyes Downcast, 1885 (pencil
1199585 Portrait of Laura Lyttelton, nee Tennant, with her Eyes Downcast, 1885 (pencil, red and black chalk on paper) by Burne-Jones

St. Peter Sinking in the Sea of Tiberias, (gouache, watercolour
827534 St. Peter Sinking in the Sea of Tiberias, (gouache, watercolour, pen and black and brown ink, over challk) by Burne-Jones, Edward Coley (1833-98); 107.9x35.5

Study of a Ladys Head, (oil on canvas)
658335 Study of a Ladys Head, (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 36.7x40 cm; Private Collection; (add.info.: Study of a Ladys Head. Sir Edward Coley Burne-Jones (1833-1898)

Women bringing Children to Christ, (charcoal over traces of pencil
989816 Women bringing Children to Christ, (charcoal over traces of pencil, heightened with white chalk, on) by Burne-Jones

Illustration for Romeo and Juliet (engraving)
725304 Illustration for Romeo and Juliet (engraving) by Burne-Jones, Edward Coley (1833-98) (after); Private Collection; (add.info.: Illustration for Romeo and Juliet)

New Associates of the Royal Academy (engraving)
1614107 New Associates of the Royal Academy (engraving) by English School, (19th century); Private Collection; (add.info)

Sir E Burne-Joness Studio (engraving)
1627774 Sir E Burne-Joness Studio (engraving) by English School, (19th century); Private Collection; (add.info.: Sir E Burne-Joness Studio)

Love among the Ruins (litho)
1603713 Love among the Ruins (litho) by Burne-Jones, Edward Coley (1833-98) (after); Private Collection; (add.info.: Love among the Ruins)

Bertram and Helena, Alls Well that ends Well, Act II, Scene V (engraving)
727172 Bertram and Helena, Alls Well that ends Well, Act II, Scene V (engraving) by Burne-Jones, Edward Coley (1833-98) (after); Private Collection; (add.info.: Bertram and Helena)

Mr Burne-Jones, ARA, at the New Gallery (engraving)
1603914 Mr Burne-Jones, ARA, at the New Gallery (engraving) by Burne-Jones, Edward Coley (1833-98) (after); Private Collection; (add.info.: Mr Burne-Jones, ARA, at the New Gallery)

Wood Nymph, (bodycolour on brown paper)
1199588 Wood Nymph, (bodycolour on brown paper) by Burne-Jones, Edward Coley (1833-98); 62.6x62.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Sir Edward Burne-Jones, from the portrait by his Son, Sir Philip Burne-Jones (colour litho)
5227341 Sir Edward Burne-Jones, from the portrait by his Son, Sir Philip Burne-Jones (colour litho) by Burne-Jones, Philip (1861-1926) (after); Private Collection; (add.info.: Sir Edward Burne-Jones)

Portrait of Mrs. William J. Stillman, nee Marie Spartali, (oil on canvas)
828436 Portrait of Mrs. William J. Stillman, nee Marie Spartali, (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 69.2x48.3 cm; Private Collection; (add.info.: Portrait of Mrs. William J)

A Study for King Cophetua and the Beggar Maid
828412 A Study for King Cophetua and the Beggar Maid, (black chalk heightened with white on grey paper) by Burne-Jones, Edward Coley (1833-98); 35x25.4 cm; Private Collection; (add.info)

Studies of the Artists Son, Philip, as a young boy, c. 1875, c. 1875 (pencil)
827145 Studies of the Artists Son, Philip, as a young boy, c.1875, c.1875 (pencil) by Burne-Jones, Edward Coley (1833-98); 22.3x17.8 cm; Private Collection; (add.info.: Studies of the Artists Son)

17 Red Lion Square, inhabited by the artists Dante Gabriel Rossetti, William Morris and Edward Burne-Jones (b / w photo)
3637481 17 Red Lion Square, inhabited by the artists Dante Gabriel Rossetti, William Morris and Edward Burne-Jones (b/w photo) by English Photographer

The Sleeping Beauty (colour litho)
2774919 The Sleeping Beauty (colour litho) by Burne-Jones, Edward Coley (1833-98) (after); Private Collection; (add.info.: The Sleeping Beauty. Educational poster.); Look and Learn / Elgar Collection

Frontispiece and title page for The Vampire by Rudyard Kipling (litho)
974043 Frontispiece and title page for The Vampire by Rudyard Kipling (litho) by Burne-Jones, Edward Coley (1833-98) (after); Private Collection; (add.info)

The Achievement of the Holy Grail by Sir Galahad, Sir Bors and Sir Percival
659081 The Achievement of the Holy Grail by Sir Galahad, Sir Bors and Sir Percival, (high-warp tapestry in wool and silk) by Burne-Jones

Study for The Garden Court, (pencil and watercolour)
659778 Study for The Garden Court, (pencil and watercolour) by Burne-Jones, Edward Coley (1833-98); 32.4x60.3 cm; Private Collection; (add.info.: Study for The Garden Court)

Sir Edward Burne-Jones, Baronet (litho)
1604526 Sir Edward Burne-Jones, Baronet (litho) by English School, (19th century); Private Collection; (add.info.: Sir Edward Burne-Jones, Baronet)

Mr E Burne-Jones, ARA (litho)
1603893 Mr E Burne-Jones, ARA (litho) by Watts, George Frederick (1817-1904) (after); Private Collection; (add.info.: Mr E Burne-Jones, ARA)

Thisbe, 1861-62 (ceramic)
1194900 Thisbe, 1861-62 (ceramic) by Burne-Jones, Edward Coley (1833-98); 25.5 high cm; Private Collection; Photo eChristies Images; English, out of copyright

Aeneas stands beside the spoils of King Mezentius, 1874-c. 1919 (w / c on vellum)
1195393 Aeneas stands beside the spoils of King Mezentius, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English

Venus giving armour to Aeneas, 1874-c. 1919 (w / c on vellum)
1195389 Venus giving armour to Aeneas, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Dido and Cupid, 1874-c. 1919 (w / c on vellum)
1195388 Dido and Cupid, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Sir Edward Burne-Jones (engraving)
1064272 Sir Edward Burne-Jones (engraving) by English photographer, (19th century) (after); Private Collection; (add.info.: Sir Edward Burne-Jones)

Ariadne, c. 1867 (w / c & gouache with opaque white, heightened with gum Arabic on wove paper)
995885 Ariadne, c.1867 (w/c & gouache with opaque white, heightened with gum Arabic on wove paper) by Burne-Jones, Edward Coley (1833-98); 39.9x22.1 cm; Art Gallery of Ontario, Toronto

The First Day of Creation & The Third Day of Creation, (polychrome ceramic
991008 The First Day of Creation & The Third Day of Creation, (polychrome ceramic, wooden frame) by Burne-Jones, Edward Coley (1833-98); 55.5x21.5 (each) cm; Private Collection; (add.info)

Sir Edward Burne Jones (litho)
3630568 Sir Edward Burne Jones (litho) by English School, (20th century); Private Collection; (add.info.: Sir Edward Burne Jones)

Head of a Woman, 1890 (coloured chalks on terracotta coloured paper)
659768 Head of a Woman, 1890 (coloured chalks on terracotta coloured paper) by Burne-Jones, Edward Coley (1833-98); 31.4x23.5 cm; Private Collection; (add.info.: Head of a Woman)

Aeneas slays Turnus, 1874-c. 1919 (w / c on vellum)
1195392 Aeneas slays Turnus, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Cassandra Bound, 1874-c. 1919 (w / c on vellum)
1195387 Cassandra Bound, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Scene from Troilus and Criseyde, historiated initial B
1195398 Scene from Troilus and Criseyde, historiated initial B, manuscript with full page-border, 1896 (woodcut in black and red) by Morris

The Dream of Lancelot, (coloured chalks on buff paper)
1199598 The Dream of Lancelot, (coloured chalks on buff paper) by Burne-Jones, Edward Coley (1833-98); 100.5x124.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Titlepage to Lord Lyttons Last Poem (engraving)
1603845 Titlepage to Lord Lyttons Last Poem (engraving) by Burne-Jones, Edward Coley (1833-98) (after); Private Collection; (add.info.: Titlepage to Lord Lyttons Last Poem)

The Vampire by Rudyard Kipling (colour litho)
974044 The Vampire by Rudyard Kipling (colour litho) by Burne-Jones, Edward Coley (1833-98) (after); Private Collection; (add.info.: The Vampire by Rudyard Kipling)

Rottingdean, East Sussex (colour photo)
3095309 Rottingdean, East Sussex (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Rottingdean, East Sussex. Postcard, early 20th century.); © Look and Learn

The Feast of Peleus, mid-late 19th century. Creator: Sir Edward Coley Burne-Jones
The Feast of Peleus, mid-late 19th century

Troy Triptych - Study of Oblivion conquering Fame, 1875

Troy Triptych - Study of Fame overthrowing Fortune, 1875

Cupid and Psyche - Palace Green Murals - The King and other Mourners abandon Psyche to the Monster, 1881. A scene from The Earthly Paradise

Pygmalion and the Image - The Soul Attains, 1878. Creator: Sir Edward Coley Burne-Jones
Pygmalion and the Image - The Soul Attains, 1878. Four in a series of four paintings. Oil On Canvas

Cupid and Psyche - Palace Green Murals - Zephyrus Bearing Psyche to the Mountain, 1881. A scene from William Morris epic poem, The Earthly Paradise

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Sir Edward Coley Burne-Jones, a renowned British artist of the 19th century, left an indelible mark on the art world with his exquisite creations. From his early works to his later masterpieces, Burne-Jones captivated audiences with his unique style and attention to detail. One of his notable contributions is "The Green Dining-room at South Kensington Museum, " a captivating piece that showcases the grandeur and elegance of Victorian interior design. Although its creator remains unknown, this artwork reflects Burne-Jones's influence in transforming ordinary spaces into extraordinary realms. Another remarkable creation by Burne-Jones is "Sponsa De Libano. " Painted in 1891 but not released until around 1930, this masterpiece exemplifies the artist's ability to depict ethereal beauty through delicate brushstrokes. The enchanting subject matter transports viewers into a realm where love and spirituality intertwine. In addition to being an accomplished painter, Burne-Jones was also known for his collaboration with William Morris. A black-and-white photograph from 1874 captures these two visionaries deep in conversation, their minds undoubtedly brimming with ideas that would shape the future of art and design. Burne-Jones's artistic prowess extended beyond painting; he was also involved in book illustration. The title page and opening page from the Kelmscott Press edition of "Danaë" showcase his talent for combining intricate details with storytelling elements. This particular work demonstrates how he seamlessly merged visual artistry with literature. "The Angel, " an oil painting on panel by Burne-Jones, exudes a sense of serenity and divine beauty. With soft colors and meticulous brushwork, he brings forth an otherworldly presence that seems to emanate from within the canvas itself. Among Burne-Jones's most celebrated works are those inspired by classic fairy tales such as "The Sleeping Beauty.