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Sinuous Collection

Sinuous is a word that perfectly captures the essence of various elements in art, nature, and culture

Background imageSinuous Collection: Ahaetulla prasina, Short-nosed vine snake

Ahaetulla prasina, Short-nosed vine snake
Hand-coloured engraving from An account of Indian Serpents collected on the coast of Coromandel. The Patrick Russell Collection 1796 Date: 1796

Background imageSinuous Collection: The White Rose and the Red Rose, 1902 (painted gesso over hessian with glass beads)

The White Rose and the Red Rose, 1902 (painted gesso over hessian with glass beads)
CH463059 The White Rose and the Red Rose, 1902 (painted gesso over hessian with glass beads) by MacDonald Mackintosh, Margaret (1865-1933)

Background imageSinuous Collection: Africa. The Congo. Congo River near Kalubu. Panoramic view

Africa. The Congo. Congo River near Kalubu. Panoramic view
History of Africa. 19th century. The Congo. Panorama of the landscape and the Congo River near Kalubu. Engraving. El Congo y la Creacion del Estado Independiente de este nombre

Background imageSinuous Collection: DDE-90038529

DDE-90038529
Amazon Jungle, Brazil, Sunsets over the Amazon river and jungle. Date: 17/05/2006

Background imageSinuous Collection: Loie Fuller, c. 1900 (bronze)

Loie Fuller, c. 1900 (bronze)
CH343565 Loie Fuller, c.1900 (bronze) by Larche, Raoul-Francois (1860-1912); Private Collection; (add.info.: Loie Fuller (1862-1928) was a pioneer of modern dance; ); Photo eChristies Images; French

Background imageSinuous Collection: Courtesan, Edo Period (ink & colour on paper)

Courtesan, Edo Period (ink & colour on paper)
1072995 Courtesan, Edo Period (ink & colour on paper) by Hokusai, Katsushika (1760-1849); width: 39.7 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageSinuous Collection: Nina Vanna in a white evening gown by Madame Yevonde

Nina Vanna in a white evening gown by Madame Yevonde
Nina Vanna (Nina Yasikova Kind Hakim Provatoroff, 1899-1953) by Madame Yevonde. She was a Russian-born British film and theatre actress

Background imageSinuous Collection: Sahary Djeli, oriental dancer

Sahary Djeli, oriental dancer
Sahary Djeli, Oriental dancer, appearing at the London Hippodrome with a dance in which she displayed particularly sinuous arm movements in what was known as the, Les Danse des Bras Date: 1911

Background imageSinuous Collection: Sahary Djeli, dancer

Sahary Djeli, dancer
Sahary Djeli, oriental dancer who was performing at the London Hippodrome in 1911. Her act was notable for the sinuous, serpentine movement of her arms. Date: 1911

Background imageSinuous Collection: The Triumph, plate two from Intimacies, 1898 (woodcut)

The Triumph, plate two from Intimacies, 1898 (woodcut)
3500290 The Triumph, plate two from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 25x32.5 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

Background imageSinuous Collection: The Lie, plate one from Intimacies, 1897 (woodcut)

The Lie, plate one from Intimacies, 1897 (woodcut)
3500287 The Lie, plate one from Intimacies, 1897 (woodcut) by Vallotton, Felix Edouard (1865-1925); 18x22.5 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

Background imageSinuous Collection: Money, plate five from Intimacies, 1898 (woodcut)

Money, plate five from Intimacies, 1898 (woodcut)
3500286 Money, plate five from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 18x22.5 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

Background imageSinuous Collection: Extreme Measure, plate six from Intimacies, 1898 (woodcut)

Extreme Measure, plate six from Intimacies, 1898 (woodcut)
3500291 Extreme Measure, plate six from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 25.4x32.5 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

Background imageSinuous Collection: The Irreparable, plate ten from Intimacies, 1898 (woodcut)

The Irreparable, plate ten from Intimacies, 1898 (woodcut)
3500283 The Irreparable, plate ten from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 17.8x22.3 cm; The Art Institute of Chicago, IL

Background imageSinuous Collection: Giant pine tree resembling a snake, Bendestorh, Hannover, Germany (chromolitho)

Giant pine tree resembling a snake, Bendestorh, Hannover, Germany (chromolitho)
2788803 Giant pine tree resembling a snake, Bendestorh, Hannover, Germany (chromolitho) by European School, (19th century); Private Collection; (add.info.: Giant pine tree resembling a snake)

Background imageSinuous Collection: Apsaras, 17th-18th century (polychrome wood)

Apsaras, 17th-18th century (polychrome wood)
874750 Apsaras, 17th-18th century (polychrome wood) by Japanese School; 50.8 x93.98 x27.94 cm; San Diego Museum of Art, USA; (add.info)

Background imageSinuous Collection: Getting Ready for a Visit, plate eight from Intimacies, 1898 (woodcut)

Getting Ready for a Visit, plate eight from Intimacies, 1898 (woodcut)
3500289 Getting Ready for a Visit, plate eight from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 25.1x32.5 cm; The Art Institute of Chicago, IL

Background imageSinuous Collection: The Cogent Reason, plate four from Intimacies, 1898 (woodcut)

The Cogent Reason, plate four from Intimacies, 1898 (woodcut)
3500288 The Cogent Reason, plate four from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 17.8x22.3 cm; The Art Institute of Chicago, IL

Background imageSinuous Collection: Five O Clock, plate seven from Intimacies, 1898 (woodcut)

Five O Clock, plate seven from Intimacies, 1898 (woodcut)
3500293 Five O Clock, plate seven from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 25.2x25.1 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

Background imageSinuous Collection: The Others Health, plate nine from Intimacies, 1898

The Others Health, plate nine from Intimacies, 1898
3500292 The Others Health, plate nine from Intimacies, 1898 by Vallotton, Felix Edouard (1865-1925); The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss, out of copyright

Background imageSinuous Collection: The Fine Pin, plate three from Intimacies, 1898 (woodcut)

The Fine Pin, plate three from Intimacies, 1898 (woodcut)
3500285 The Fine Pin, plate three from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

Background imageSinuous Collection: Stoneleigh Abbey (photo)

Stoneleigh Abbey (photo)
727551 Stoneleigh Abbey (photo) by English Photographer, (20th century); Private Collection; (add.info.: Stoneleigh Abbey)

Background imageSinuous Collection: Apsaras, 17th-18th century (polychrome wood)

Apsaras, 17th-18th century (polychrome wood)
874749 Apsaras, 17th-18th century (polychrome wood) by Japanese School; 50.8 x93.98 x27.94 cm; San Diego Museum of Art, USA; (add.info)

Background imageSinuous Collection: Near Vertical Sandstone Beds Form A Sinuous Hogs Back Of Prominent

Near Vertical Sandstone Beds Form A Sinuous Hogs Back Of Prominent, Multicolored Ridges In Toro Toro National Park; Bolivia

Background imageSinuous Collection: Spain. Terrassa. Masia Freixa

Spain. Terrassa. Masia Freixa (1907-1910). Modernist building by Lluis Muncunill (1868-1931). Exterior

Background imageSinuous Collection: Evening Dress 1899

Evening Dress 1899
Pink spotted gown (possibly a net over dress ornamented with sequins), corsage en ceour, cascade of lace from the bodice to the hem, trimmed with sinuous gold braid. Date: 1899

Background imageSinuous Collection: Lovers Beside Flowering Autumn Grasses Edo period

Lovers Beside Flowering Autumn Grasses Edo period
Artokoloro

Background imageSinuous Collection: Adult Eel (Anguilliformes) swimming, making curving shape, side view

Adult Eel (Anguilliformes) swimming, making curving shape, side view

Background imageSinuous Collection: Anemonia viridis, Green Snakelock Anemone on rock, long sinuous tentacles and sucker-like base

Anemonia viridis, Green Snakelock Anemone on rock, long sinuous tentacles and sucker-like base

Background imageSinuous Collection: The Wave rock formation, Arizona, USA

The Wave rock formation, Arizona, USA
The Wave rock formation, Paria-Vermillion Cliffs National Monument, Arizona, USA

Background imageSinuous Collection: Imlil Valley - High Atlas (Haut Atlas) mountains - Morocco - In spring

Imlil Valley - High Atlas (Haut Atlas) mountains - Morocco - In spring
ROG-13537 Imlil Valley - High Atlas (Haut Atlas) mountains Morocco - In spring Bob Gibbons Please note that prints are for personal display purposes only and may not be reproduced in anyway

Background imageSinuous Collection: The Imlil Valley in spring, The High Atlas (Haut Atlas) mountains, Morocco

The Imlil Valley in spring, The High Atlas (Haut Atlas) mountains, Morocco
ROG-13565 The Imlil Valley in spring The High Atlas (Haut Atlas) mountains, Morocco. Bob Gibbons Please note that prints are for personal display purposes only and may not be reproduced in anyway

Background imageSinuous Collection: Crosthwaite church in South Cumbria UK

Crosthwaite church in South Cumbria UK
Ashley Cooper / SpecialistStock

Background imageSinuous Collection: Franciscea Etcive Floral

Franciscea Etcive Floral
Franciscea Pohliana & Tropaeolum Brickwoodii, apparently?


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Sinuous is a word that perfectly captures the essence of various elements in art, nature, and culture. Just like the Ahaetulla prasina, commonly known as the Short-nosed vine snake, sinuous describes its graceful and winding movements through the lush greenery. In "The White Rose and the Red Rose" (1902), a mesmerizing artwork created with painted gesso over hessian and adorned with glass beads, sinuous lines bring life to delicate petals and intertwining vines. This piece transports us to Africa's enchanting landscapes along the Congo River near Kalubu, where we can almost feel the sinuous flow of water against our skin. Loie Fuller's bronze sculpture from around 1900 showcases an elegant dancer whose fluid motions create sinuous shapes that captivate audiences. Similarly, in an ink & color on paper artwork from Japan's Edo Period titled "Courtesan, " sinuous brushstrokes depict a seductive figure moving with grace. Nina Vanna exudes sophistication in her white evening gown captured by Madame Yevonde. The fabric drapes around her body in sinuous folds, enhancing her beauty and poise. Sahary Djeli takes us into another world as an oriental dancer; her every movement is filled with sensuality and a captivating sense of rhythm. Woodcuts from Intimacies series further explore different aspects of human emotions through intricate lines. In "The Triumph, " plate two depicts bodies intertwined in passionate embrace while maintaining a sinuous elegance. Conversely, "The Lie, " plate one portrays twisted figures caught up in deceitful webs formed by their own actions. Finally, "Money, " plate five reminds us how greed can corrupt even the most noble souls; here too we see tangled forms representing moral decay unfolding through sinuously carved lines.