Simonin Collection (page 2)

19th-century mining. Historical artwork of miners in a graphite mine. Graphite is a form of carbon that is mined for a wide variety of uses, such as in pencils, and as an industrial lubricant

19th-century step mining, Prussia. Artwork of miners excavating ore using the technique of step mining. This involves extracting the mineral- containing ore by carving a series of steps out of

Heavy metal minerals. Historical artwork of some of the minerals of zinc and tin, as found in 19th- century mines. The minerals and where they were mined from are: smithsonite (containing zinc)

Miners and their wives, 19th century
Miners and their wives, 19th-century artwork. The role of women in coal mining varied over time from country to country. By 1842, women and children were banned from working in coal mines in the UK

Coal mine fire, 19th century
Coal mine fire. 19th-century artwork of a team of firefighters trying to extinguish a fire in a coal mine. They are using a fire extinguisher that is designed to use water charged under pressure with

Mining safety cage, 19th century
Mining safety cage. 19th-century artwork of the safety cage developed by Pierre-Joseph Fontaine (1810-1877) in 1849. The cage contains coal being lifted to the surface from a coal mine

Plant fossils. Historical artwork of plant fossils in a specimen of argillaceous shale. Fossils are impressions left in rock that forms around objects buried in sediments or ash

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Simonin, a name that echoes through the annals of history, is intertwined with the fascinating world of mining. From the 19th-century tin mines of Cornwall to the coal mines that dotted the landscape, Simonin's legacy spans continents and centuries. In Australia's gold rush era, Simonin's influence was felt as prospectors sought their fortunes in shimmering rivers and dusty hillsides. The allure of precious metals captivated many souls, driving them to venture into uncharted territories in search of wealth beyond imagination. But Simonin's talents extended far beyond mining alone. An engraving from 1693 or 1695 showcases his skillful craftsmanship in firearms ornamentation. His intricate designs brought life to cold steel, turning weapons into works of art. The realm of darquebuzerie also fell under Simonin's purview. In ca. 1776, he contributed to "Plusievrs Pieces et Ornements Darquebuzerie, " an extended edition filled with exquisite pieces and ornamental wonders that delighted connoisseurs around the world. As time marched on, so did technological advancements in mining techniques. A glimpse into c1868 reveals an early 19th-century coal miner diligently working a narrow seam using primitive tools and sheer determination. Meanwhile, Trigers method revolutionized mine shaft sinking in 1841 – a testament to human ingenuity overcoming challenging conditions underground. Louis Simonin immortalized miners' lives through his work "Underground Life: or Mines and Miners. " Within its pages lies a vivid depiction of miners laboring away amidst timbered levels while pit ponies patiently awaited their call for duty below ground – stalwart companions hauling loads unimaginable for mere mortals. Not limited by borders or boundaries, Simonin left his mark across Europe as well. A mining captain from Saxony donned full ceremonial dress while carrying his baton of office – symbolizing authority over operations that shaped the region's industrial landscape.