Shimoda Collection

Red torii gate at Shimoda beach, Shizuoka Prefecture, Japan

Shimoda, Japan town skyline in the daytime on the Izu Peninsula

Natural coastal landscape of Izu Peninsula, Shizuoka, Japan

Shimoda, Japan on the canal of Perry road at night

Shimoda, Shizuoka, Japan town skyline at twilight

Shimoda, Japan Town Skyline at twilight

Shimoda, Japan town Skyline at twilight on the Izu Peninsula

Japanese Rice Mill at Simoda Nippon, 1855 (litho)
1272388 Japanese Rice Mill at Simoda Nippon, 1855 (litho) by Kellogg, Miner Kilbourne (1814-89); Free Library of Philadelphia; (add.info.: Kellogg, M.|Ackerman, James)

Japanese Women, Simoda, 1855 (colour litho)
1272325 Japanese Women, Simoda, 1855 (colour litho) by Brown, Eliphalet (1816-86) (after); 22.875x15.25 cm; Free Library of Philadelphia; (add.info.: Brown, Eliphalet M. Jr.|Sinclair, Thomas, Phila)

Priest in Full Dress, Simoda, 1855 (colour litho)
1272324 Priest in Full Dress, Simoda, 1855 (colour litho) by Brown, Eliphalet (1816-86) (after); 22.625x15.25 cm; Free Library of Philadelphia; (add.info.: Brown, Eliphalet M)

Bridge of Cut Stone & Entrance to a Temple, Simoda, 1855 (colour litho)
1272306 Bridge of Cut Stone & Entrance to a Temple, Simoda, 1855 (colour litho) by Heine, Wilhelm Joseph (1813-39); 15x22.125 cm; Free Library of Philadelphia; (add.info.: Heine, W.|Queen, J.|P.S)

Mariners Temple at Simoda, 1855 (colour litho)
1272359 Mariners Temple at Simoda, 1855 (colour litho) by Heine, Wilhelm Joseph (1813-39); 15x22.625 cm; Free Library of Philadelphia; (add.info.: Heine, W.|Sarony & Co)

Kura-Kawa-Kahai, Prefect of Simoda, 1855 (colour litho)
1272343 Kura-Kawa-Kahai, Prefect of Simoda, 1855 (colour litho) by Brown, Eliphalet (1816-86) (after); 22.325x15 cm; Free Library of Philadelphia; (add.info.: Brown, Eliphalet M. Jr.|Sarony & Co)

Japanese Woman from Simoda, 1855 (litho)
1272317 Japanese Woman from Simoda, 1855 (litho) by Brown, Eliphalet (1816-86) (after); 21.75x15.5 cm; Free Library of Philadelphia; (add.info.: Brown, Eliphalet M. Jr.|Kramer, P.|P.S. Duval & Co)

Devotions in the Great Temple, Simoda, 1855 (litho)
1272370 Devotions in the Great Temple, Simoda, 1855 (litho) by Heine, Wilhelm Joseph (1813-39); 15x22.375 cm; Free Library of Philadelphia; (add.info.: Heine, W.|Sarony & Co)

Simoda from Vandalia Bluff, 1855 (litho)
1272356 Simoda from Vandalia Bluff, 1855 (litho) by Heine, Wilhelm Joseph (1813-39); 14.75x22.25 cm; Free Library of Philadelphia; (add.info.: Heine, W.|Sarony & Co)

Temple of Hat-Chi-Man-Ya-Chu-Ro, Simoda (Sintoo), 1855 (litho)
1272352 Temple of Hat-Chi-Man-Ya-Chu-Ro, Simoda (Sintoo), 1855 (litho) by Heine, Wilhelm Joseph (1813-39); 22.125x15 cm; Free Library of Philadelphia; (add.info.: Heine, W.|Sarony & Co)

Public Bath at Simoda, 1856 (coloured aquatint)
468810 Public Bath at Simoda, 1856 (coloured aquatint) by American School, (19th century); Private Collection; (add.info.: Shimoda, Shizuoka Prefecture)

Mother and Child (Simoda), 1855 (colour litho)
1272372 Mother and Child (Simoda), 1855 (colour litho) by Brown, Eliphalet (1816-86) (after); 22.25x15 cm; Free Library of Philadelphia; (add.info.: Brown, Eliphalet M)

Bell-House at Simoda, 1855 (litho)
1272345 Bell-House at Simoda, 1855 (litho) by Brown, Eliphalet (1816-86) (after); 22.5x15.125 cm; Free Library of Philadelphia; (add.info.: Brown, Eliphalet M. Jr.|Sarony & Co)

Bridge of Cut Stone & Entrance to a Temple, Simoda, 1855 (colour litho)
1272307 Bridge of Cut Stone & Entrance to a Temple, Simoda, 1855 (colour litho) by Heine, Wilhelm Joseph (1813-39); 15x22.75 cm; Free Library of Philadelphia; (add.info.: Heine, W.|Queen, J.|P.S)

Com. Perry Paying His Farewell Visit to the Imperial Commissioners at Simoda
1272369 Com. Perry Paying His Farewell Visit to the Imperial Commissioners at Simoda, 1855 (litho) by Heine, Wilhelm Joseph (1813-39); 14.625x22 cm; Free Library of Philadelphia; (add.info.: Heine)

Budhist Priest at Simoda, 1855 (litho)
1272315 Budhist Priest at Simoda, 1855 (litho) by Brown, Eliphalet (1816-86) (after); 21.75x15.375 cm; Free Library of Philadelphia; (add.info.: Kramer, P.|Brown, Eliphalet M. Jr.|P.S. Duval & Co)

First US diplomatic mission to Japan, 1856
Townsend Harris, first American diplomat in Japan, escorted into Shimoda, 1856. Hand-colored woodcut of a 19th-century illustration

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"Exploring the Rich Heritage of Shimoda: A Glimpse into Japan's Past" Shimoda, a coastal town located in Shizuoka Prefecture, Japan, is steeped in history and cultural significance. The iconic red torii gate at Shimoda beach stands as a symbol of tranquility and spirituality, inviting visitors to immerse themselves in its serene beauty. Delving deeper into the past, we encounter vivid lithographs from 1855 that provide glimpses into life during that era. One such scene depicts a torture scene, reminding us of the complexities and hardships faced by people during those times. The Japanese Rice Mill at Simoda Nippon showcases the ingenuity and craftsmanship of traditional rice processing techniques. This lithograph serves as a testament to the importance of rice cultivation in Japanese culture. Captured through color lithographs are images showcasing the elegance and grace of Japanese women from Simoda. Their traditional attire reflects their refined taste while offering insight into fashion trends prevalent during that period. A priest dressed in full regalia evokes an air of mystique as he represents religious practices deeply rooted within Shimoda's heritage. Meanwhile, a stone bridge leading to an enchanting temple entrance transports us back to ancient times when architectural marvels were crafted with meticulous care. Mariners Temple at Simoda stands tall against time's passage—an enduring monument where seafarers sought solace before embarking on perilous journeys across vast oceans. Kura-Kawa-Kahai, Prefect of Simoda immortalized through color lithography offers a glimpse into political figures who played pivotal roles in shaping local governance during this era. Japanese Woman from Simoda captivates viewers with her graceful demeanor—a representation not only of beauty but also resilience amidst societal changes taking place around her. Devotions in the Great Temple capture moments filled with spiritual fervor—a reminder that faith has always been an integral part of daily life in Shimoda.