Shepherd Collection (page 21)

Entrance Porch, Glen Mervyn, Randwick
A photograph showing an entrance porch with numerous pillar columns at Glen Mervyn, Randwick, the property of James Shepherd. Waterhouse & Lake, Architects. Date: circa 1922

The Gate of the West
Etching of a shepherd holding a crook rested on his shoulder, leading a herd of sheep up a country path. Date: circa 1930

Quietly resigned to his fate, the Bishop is lead away by Death.. Handcolored engraving by Chretien de Mechel from Hans Holbein's The Triumph of Death

Shepherds at North Uist, Outer Hebrides, Scotland, with horses and carts, two live sheep, and what appears to be a pile of four dead sheep

SOLDIER'S DOG MOURNS
A German Shepherd Dog lies above the grave of its master, a casualty of World War One. Date: 1916

ENGLAND/SHERWOOD FOREST
A shepherd leads his flock along a track Date: circa 1860

Polyptych of Conversano, detail of the Nativity, 1475 (tempera on panel)
7413361 Polyptych of Conversano, detail of the Nativity, 1475 (tempera on panel) by Vivarini, Bartolomeo (1432-99) (and workshop); Rijksmuseum, Amsterdam

3671389

Adoration of the Shepherds, c. 1480-1500 (oil on wood)
XOS5887422 Adoration of the Shepherds, c. 1480-1500 (oil on wood) by Italian School, (15th century); 36x34.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: Italy, 15th century)

Adoration of the Shepherds, c. 1500 (oil on wood)
XOS5887421 Adoration of the Shepherds, c. 1500 (oil on wood) by Italian school, (15th-16th century); 63x51 cm; Cleveland Museum of Art, OH, USA; (add.info.: Northern Italy)

The Ford Crossing, c. 1703-70 (oil on canvas)
7415869 The Ford Crossing, c.1703-70 (oil on canvas) by Boucher, Francois (1703-70) (and studio); Private Collection; (add.info.: Original title)

Mille fleurs tapestry fragment depicting shepherd and shepherdess or lady and youth (wool & silk)
3576189 Mille fleurs tapestry fragment depicting shepherd and shepherdess or lady and youth (wool & silk) by European School, (15th century); 95.2x128.2 cm; Burrell Collection, Glasgow

Mercury and Argus, c. 1659 (oil on canvas)
7413338 Mercury and Argus, c.1659 (oil on canvas) by Velazquez, Diego Rodriguez de Silva y (1599-1660); 83x248 cm; Prado, Madrid

Relishing the taste
Trevor Cole

Landscape with Sheep (oil on canvas)
MAN143702 Landscape with Sheep (oil on canvas) by Gainsborough, Thomas (1727-88); 30.1x35.2 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Edmund Spenser, c. 1800-03 (tempera on canvas)
1772304 Edmund Spenser, c.1800-03 (tempera on canvas) by Blake, William (1757-1827); 42x84 cm; Manchester Art Gallery, UK; (add.info)

Thomson's Aeolian Harp, 1809 (oil on canvas)
1778563 Thomson's Aeolian Harp, 1809 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 167x306 cm; Manchester Art Gallery

Young goat herder at work
Trevor Cole

Landscape with Shepherds, c. 1660 (oil on canvas)
MAN430852 Landscape with Shepherds, c.1660 (oil on canvas) by Dughet, Gaspard Poussin (1615-75); Manchester Art Gallery, UK; © Manchester Art Gallery

The Shepherd Boy (marble)
5934322 The Shepherd Boy (marble) by Thorvaldsen, Bertel (1770-1844); 101x85x57 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

View of Sassenage 1857 (Oil on canvas)
7393506 View of Sassenage 1857 (Oil on canvas) by Guedy, Jules Jean-Baptiste (1805-1876); 90 x 143 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

A flock of sheep (oil on panel)
MAN368380 A flock of sheep (oil on panel) by Chaigneau, Jean Ferdinand (1830-1906); 23.9x33.1 cm; Manchester Art Gallery, UK

The Lost Sheep, 1864 (oil on canvas)
5242122 The Lost Sheep, 1864 (oil on canvas) by Webbe or Webb, William J. (1831-1904); 33.1x25.1 cm; Manchester Art Gallery

Erminia and the Shepherds, c. 1600 (pen & ink on paper)
2956581 Erminia and the Shepherds, c.1600 (pen & ink on paper) by Carracci, Ludovico (1555-1619); Manchester Art Gallery, UK; (add.info.: uv photo of original); © Manchester Art Gallery

Mutton - Lamb - Apples, from the series Buy New Zealand Produce [6319386] (colour litho)
MAN464466 Mutton - Lamb - Apples, from the series Buy New Zealand Produce [6319386] (colour litho) by Newbould, Frank (1887-1951); Manchester Art Gallery, UK; (add.info.: See 464467, 464466, 464522)

Only a Shower, 1869 (oil on canvas)
3268016 Only a Shower, 1869 (oil on canvas) by Mason, George Heming (1818-72); 46x92 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

The Jordan Valley, from the series Buy Jaffa Oranges (colour litho)
MAN464428 The Jordan Valley, from the series Buy Jaffa Oranges (colour litho) by Newbould, Frank (1887-1951); Manchester Art Gallery

Valle Crucis Abbey, Denbighshire, c. 1826 (w/c on paper)
495775 Valle Crucis Abbey, Denbighshire, c.1826 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 28.5x41 cm; Manchester Art Gallery

A Flock of Merino Sheep - Australia, from the series Australia's Wealth of Wheat and Wool (colour litho)
MAN464470 A Flock of Merino Sheep - Australia, from the series Australia's Wealth of Wheat and Wool (colour litho) by Webb, Archibald Bertram (1887-1944); Manchester Art Gallery

The Sun had closed the Winter Day, 1904 (oil on canvas)
MAN62944 The Sun had closed the Winter Day, 1904 (oil on canvas) by Farquharson, Joseph (1846-1935); 43.3x33.7 cm; Manchester Art Gallery

Penryn, Flushing and Falmouth Harbours (from the Old Helton Road), c. 1860-80 (coloured litho on paper)
7394199 Penryn, Flushing and Falmouth Harbours (from the Old Helton Road), c.1860-80 (coloured litho on paper) by Unknown Artist, (19th century); 23x34 cm; Ironbridge Gorge Museum Trust, Telford

Tray, 1772 (soft paste porcelain)
7394065 Tray, 1772 (soft paste porcelain) by Boucher, Francois (1703-70) (after); Ashmolean Museum, University of Oxford, UK; (add.info.: Associated person(s)

The Shepherd and his Family, 1644 (Etching)
7393383 The Shepherd and his Family, 1644 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 5 x 6, 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

The Sleeping Shepherd, 1644 (Etching)
7393382 The Sleeping Shepherd, 1644 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 7, 8 x 5, 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

The Perfect Time
Niyazi Gürgen

Herd and Light
Niyazi Gürgen

Sheepherds of The Plateau
Niyazi Gürgen

Milking my goats
Trevor Cole

Tea canister, 1768-1769 (silver)
7394049 Tea canister, 1768-1769 (silver) by British School, (18th Century); Ashmolean Museum, University of Oxford, UK; (add.info.: Associated person(s)

The Mischievous or the Flute Player, 1642 (Etching)
7393351 The Mischievous or the Flute Player, 1642 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 11, 6 x 14, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Illustration of "The Pastoral Loves of Daphnis and Chloe" by Longus (Longos), 1906 (print)
AIS5368598 Illustration of "The Pastoral Loves of Daphnis and Chloe" by Longus (Longos), 1906 (print) by Mayol, Jose Triado (1870-1929); Biblioteca de Catalunya, Barcelona

The wolf became shepherd: fable by Jean de la Fontaine illustree by Gustave Dore - The wolf turned shepherd
PCT4288737 The wolf became shepherd: fable by Jean de la Fontaine illustree by Gustave Dore - The wolf turned shepherd - by Dore

Walls of the ramparts of Grenoble on the side of Ile Verte (Oil on canvas)
7393493 Walls of the ramparts of Grenoble on the side of Ile Verte (Oil on canvas) by Pollet, Claude (1816-1883); 38 x 55 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

The Trough (oil on canvas)
885751 The Trough (oil on canvas) by Palizzi, Filippo (1818-99); Museo Civico Revoltella, Trieste, Italy; (add.info.: by Filippo Palizzi)

Pontcharra Valley or Isere Valley, Chateau Bayard 1800 1850 (Oil on canvas)
7393477 Pontcharra Valley or Isere Valley, Chateau Bayard 1800 1850 (Oil on canvas) by French School, (19th century); 58 x 94 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Wooded landscape with herdsman, cows and church tower, 1753-1757 (graphite on laid paper)
7394147 Wooded landscape with herdsman, cows and church tower, 1753-1757 (graphite on laid paper) by Gainsborough, Thomas (1727-88); 15.3x19.9 cm; Ashmolean Museum, University of Oxford

Ruins of a castle in a valley in the Alps (Beauvoir-en-Royans) c. 1830 (Oil on canvas)
7393504 Ruins of a castle in a valley in the Alps (Beauvoir-en-Royans) c.1830 (Oil on canvas) by Ricois, Francois Edme (1795-1881); 81 x 130 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Plate or stand with figures, trees, and buildings, c. 1730-1780 (earthenware)
7394047 Plate or stand with figures, trees, and buildings, c.1730-1780 (earthenware) by Italian School, (18th century); Ashmolean Museum, University of Oxford, UK; (add.info.: Display: earthenware)

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"Shepherd: Guardians of the Flock and Keepers of Tradition" In the picturesque hills of Cumbria, England, a shepherd stands tall amidst his loyal companions - the Herdwick sheep. With their distinctive grey fleece blending seamlessly into the rugged landscape, this timeless scene captures the essence of shepherding. An advert from yesteryears takes us back to Barry, Ostlere & Shepherd Ltd in Kirkcaldy. A name that resonates with trust and quality, they were known for their craftsmanship and attention to detail. Their legacy lives on as we admire their creations today. As winter blankets Soanes Farm in Petworth with a pristine layer of snow in 1932, lambs frolic playfully under the watchful eye of their shepherd. The serenity of this moment is frozen in time, reminding us of nature's beauty even during harsh seasons. At a Southdown Sheep Show, five graceful creatures showcase their rear view - an unexpected perspective that reveals both strength and vulnerability. It reminds us that shepherds not only guide but also protect these gentle beings entrusted to their care. Nicolas Poussin's masterpiece "Et in Arcadia ego" transports us to idyllic pastoral scenes where shepherds find solace amidst nature's bounty. Painted centuries ago yet still captivating today, it speaks volumes about our eternal connection with land and animals. Claude Lorrain's enchanting landscape painting beckons us into a world where sky meets earth effortlessly. As we gaze upon rolling hills dotted with grazing sheep guided by unseen hands, we are reminded that shepherds shape our perception of harmony between man and nature. Amidst chaos and destruction depicted in "Landscape with the Fall of Icarus, " one figure remains steadfast - a lone shepherd tending his flock without distraction or despair.