Shawl Collection (page 44)

La Carmencita, 1890. Found in the collection of Musee d Orsay, Paris

Portrait of a Lady in a Yellow Shawl. Artist: Makovsky, Konstantin Yegorovich (1839-1915)
Portrait of a Lady in a Yellow Shawl. Private Collection

Young Woman Smiling in the Moonlight. Artist: Izquierdo y Garrido, Ramon Jose (1873-1931)
Young Woman Smiling in the Moonlight. Found in the collection of Museo Carmen Thyssen, Malaga

Young Woman with Shawl. Artist: Izquierdo y Garrido, Ramon Jose (1873-1931)
Young Woman with Shawl. Found in the collection of Museo Carmen Thyssen, Malaga

La Tirana. Artist: Goya, Francisco, de (1746-1828)
La Tirana. Found in the collection of Real Academia de Bellas Artes de San Fernando, Madrid

Mrs. Elizabeth Fry (1780-1845), c1843, (1912). Artist: George Richmond
Mrs. Elizabeth Fry (1780-1845), c1843, (1912). Elizabeth Fry (1780-1845), an English prison reformer, social reformer, Quaker, and Christian philanthropist

Mme Kapferer (1919), 1919, (1946). Artist: Edouard Vuillard
Mme Kapferer (1919), 1919, (1946). From Vuillard - His Life and Work, by Claude Roer Marx. [Paul Elek, London, 1946]

George Sand, 1923. Artists: Louis Leopold Boilly, WA Mansell & Co
George Sand, 1923. Published in The Outline of Literature, by John Drinkwater, London, 1923. (Colorised black and white print)

A Sioux woman, 1912. Artist: Robert Wilson Shufeldt
A Sioux woman, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

A Killarney peasant girl, Ireland, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

The Lost Path, 1863, (1912). Artist: Fred Walker
The Lost Path, 1863, (1912). From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

She Wore a Large Hat, With Most Beautiful Flowers On It, c1930. Artist: W Heath Robinson
She Wore a Large Hat, With Most Beautiful Flowers On It, c1930. An illustration from The Snow Queen by Hans Christian Andersen. From Hans Andersens Fairy Tales by Hans Andersen

Craven A - English Poster, c1926. Artist: Jean D ylen
Virginia Cigarettes - English Poster, c1926. From Posters & Publicity - Fine Printing and Design by Sydney R. Jones, edited by Geoffrey Holme. [The Studio, Ltd. London, 1926]

Portrait of a Lady, c1500-1520, (1903). Artist: Albrecht Durer
Portrait of a Lady, c1500-1520, (1903). From The Burlington Magazine for Connoisseurs, Volume II - June to August 1903. [The Burlington Magazine, Limited, London, 1903]

The last act of a tragedy: A photograph taken on the last boat leaving Ostend for England, 1914. From The Manchester Guardian History of the War - 1914, Vol. I.. [John Heywood Ltd, London, 1914]

An Aged Bretonne, c1913. Artist: Charles JS Makin
An Aged Bretonne, c1913. From With Pen and Camera in Three Continents by Charles J. S. Makin, F.I.C. F.C.S. [The Tribune Publishing Company, London, 1913]

Woman With Doves, 1799-1800, (c1915). Artist: Jean-Baptiste Greuze
Woman With Doves, 1799-1800, (c1915). Part of the Wallace Collection, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

A Spanish Flower Girl, 1665-1670, (c1915). Artist: Bartolome Esteban Murillo
A Spanish Flower Girl, 1665-1670, (c1915). The painting is held by the Dulwich Picture Gallery, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Madame Saint-Aubin, late 18th century, (1913). Artist: Pierre Michel Alix
Madame Saint-Aubin, 1913. Stephanie Felicite Ducrest de St-Aubin (1746-1830), French writer and musician. After Jean-Francois Garneray (1755-1837). From French Colour-Prints of the XVIII Century

The Tavern Door, 1916, (1917). Artist: Edmund Joseph Sullivan
The Tavern Door, 1916, (1917). From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

Portrait of Miss Mary Reynolds (Mrs. Houlthurst), 1809, (1922). Artist: John James Masquerier
Portrait of Miss Mary Reynolds (Mrs. Houlthurst), 1809, (1922). From Masquerier and His Circle, by R. R. M. See. [The Connoisseur, London, 1922]

Miss Mary Macintyre, 1803, (1922). Artist: John James Masquerier
Miss Mary Macintyre, 1803, (1922). The work is part of the Veil-Picard Collection. From Masquerier and His Circle, by R. R. M. See. [The Connoisseur, London, 1922]

Portrait of Giovannetta, 17th century, (1911). Artist: Justus Sustermans
Portrait of Giovannetta, 1911. Victorian Portrait Of Giovannetta by Justus Sustermans (1597-1681) a Flemish painter working in the Baroque style

Marie Antoinette, Konigin von Frankreich 1755-1793, 1934. Marie Antoinette born Maria Antonia Josepha Johanna (1755-1793), was the last Queen of France before the French Revolution

Abdullas for choice, 1943. From Punch, or the London Charivari. - February 24, 1943. [Messrs. Bradbury, Agnew & Co. Limited, London, 1943]

Abdullas for choice, c1945

Portrait of a Lady, c1855. Artist: John Absolon
Portrait of a Lady, c1855. From The Connoisseur Vol LIX, [Otto Limited, London, 1921]

Winter, c1894, (1894). Artist: Ernst Lambert
Winter, c1894, (1894). From The Studio Volume 3. [London Offices of the Studio, London, 1894]

The Flowered Shaw, c1916. Artist: George Sheringham
The Flowered Shaw, c1916. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

The Flower Girl, c1903. Artist: Karl Anton
The Flower Girl, c1903. From Penroses Pictorial Annual 1903-4, edited by William Gamble. [A. W. Penrose & Co. London, 1903-4]

The Painters Wife, 1760. Artist: Allan Ramsay
The Painters Wife, 1760. Margaret Lindsay of Evelick (1726-1782). Painting held at the National Galleries of Scotland, Edinburgh. From The Connoisseur Volume XXV. [The Connoisseur Ltd. London, 1909]

Madame Victoire, 1787. Artist: Adelaide Labille-Guiard
Madame Victoire, 1787. Marie-Louise-Therese-Victoire de France (1733?1799), known as Madame Victoire, daughter of Louis XV and Marie Leszczynska

Habit of a Merchants Wife of London in 1640, 1776. From Harrisons History of London, by Walter Harrison. [London, 1776]

A Merchants Wife - Dress of Eminent Citizens in 1640, 1807. Artist: Warren
A Merchants Wife - Dress of Eminent Citizens in 1640, 1807. [J. Stratford, London, 1807]

South Door of Matriz Church, Ponta Delgada, c1899. Artist: Henry Sandham
South Door of Matriz Church, Ponta Delgada, c1899. From The Studio Volume 27. [London Offices of the Studio, London, 1902-3]

The Red Scarf, 1935. Artist: William Newenham Montague Orpen
The Red Scarf, 1935. After the painting by Sir William Orpen, K.B.E. R.A. From Modern Masterpieces Part 9. [George Newnes Ltd, London, 1935]

Lady Lavinia Grey, c1800. Artist: Thomas Lawrence
Lady Lavinia Grey, c1800. From The Studio Volume 95. [London Offices of the Studio, London, 1928]

Leeds Market, c1913 (1935). Artist: Harold Gilman
Leeds Market, c1913 (1935). After the painting by Harold Gilman. From Modern Masterpieces Part 19. [George Newnes Ltd, London, 1935]

A Study in Colour, c1908. Artist: R Ponnett
A Study in Colour, c1908. From Penroses Pictorial Annual, Vol. XIV, edited by William Gamble. [A.W. Penrose & Co. Ltd, London, 1908-9]

Portrait of Hendrickje Stoffels with a Velvet Beret, c1654. Artist: Rembrandt Harmensz van Rijn
Portrait of Hendrickje Stoffels with a Velvet Beret, c1654. Painting held in the Louvre, Paris. From The Dutch Genius by Haldane MacFall [T. C. and E. C. Jack, London, 1911]

Hungarian Peasant Girls Singing in Church, c1932. Artist: Rudolf Balogh
Hungarian Peasant Girls Singing in Church, c1932. From The Studio Volume 103. [London Offices of the Studio, London, 1932]

Portrait of Giovanneta, 17th century. Artist: Justus Sustermans
Portrait of Giovanneta, 17th century. From The Connoisseur Volume 95, edited by Edward Wenham. [International Studio, London, 1934-35]

Lady Fawkener, c1760. Artist: Jean-Etienne Liotard
Lady Fawkener, c1760. Harriet Churchill, the wife of Sir Everard Fawkener, English Ambassador to Constantinople, from 1737 to 1746. Painting housed at Compton Verney, Warwickshire

La Repetition, 1877. Artist: Edgar Degas
La Repetition, 1877. Painting housed in The Burrell Collection, Glasgow. From The Studio Volume 128. [The Offices of the Studio, London & New York, 1908-9]

Portion of illustration for Mrs Blashfields Parlour Plays, c1901. Artist: Edwin Howland Blashfield
Portion of illustration for Mrs Blashfields Parlour Plays, c1901. From The Studio Volume 22. [The Offices of the Studio Ltd. London, 1901]

Miniature Portrait of Eliza Katherine Crawley, by Sir William Charles Ross, 19th century, (1903)
Miniature Portrait of Eliza Katherine Crawley by Sir William Charles Ross, 19th century. From The Connoisseur Vol. VII [Otto Limited, London, 1903.]

Portrait of a Girl, 17th century, (1916). Artist: Cornelis Janssens van Ceulen
Portrait of a Girl, 17th century. From The Connoisseur Vol XLIV by [Otto Limited, London, 1916.]

La Main, 1788, (1916). Artist: Philibert Louis Debucourt
La Main, 1788. From The Connoisseur Vol XLIV by [Otto Limited, London, 1916.]

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"Unveiling the Beauty of Shawls: A Multicultural Journey" Step into a world where vibrant colors and intricate patterns intertwine, as we explore the captivating allure of shawls. From the Rainbow illustration by Arthur Ferrier to Gypsy Splendour captured by Laura Knight, these timeless accessories have adorned women across cultures for centuries. In an era when suffragettes fought for equality, even cats donned hats and flags on shawls as symbols of empowerment. Welsh Girls in Traditional Costume proudly showcased their heritage through elegantly draped shawls, while Welsh women road builders defied stereotypes with determination and grace. Travel back to Decembre 1896 with Eugene Samuel Grasset's masterpiece, where a woman enveloped in a shawl exudes elegance against a wintry backdrop. Meanwhile, Two women at work in a Mexican kitchen depict everyday life through the lens of an unknown artist from c1850 – their colorful attire enhanced by intricately woven shawls. As Suffragette Lancashire Lass was arrested fighting for her rights, Zoroastrian (Parsee) Beauty from Iran showcases how culture intertwines with fashion through stunningly embroidered shawls. Ulster 1914 - Patriotic Postcard captures national pride amidst conflict, with women proudly displaying their loyalty through stylishly draped garments. Witness Princess Alice of Great Britain & Grand Duke Louis of Hesse embracing romance while wrapped in luxurious fabrics. And finally, journey to Muscat Oman where a semi-veiled woman captivates us with her mystique beneath an exquisite shawl. From artistry to activism and cultural expression to personal style choices – these glimpses into history remind us that beyond being mere accessories; they are powerful storytellers bridging continents and generations. They transcend boundaries and celebrate diversity while adding warmth and beauty to any ensemble. So next time you wrap yourself in your favorite shawl or admire one on display, remember the rich tapestry of stories it carries.