Fraud Blocker Skip to main content

Shakespearean Collection (page 7)

"Exploring the Shakespearean World: From Bees to Theatres" "Delve into the enchanting world of Shakespeare with 'Shakespeares Bees' by Pauline Baynes

Background imageShakespearean Collection: Through the house give glimmering light, By the dead and drowsy fire

Through the house give glimmering light, By the dead and drowsy fire
STC418768 Through the house give glimmering light, By the dead and drowsy fire, illustration from Midsummer Nights Dream by William Shakespeare, 1908 (colour litho) by Rackham

Background imageShakespearean Collection: Are you sure, That we are awake? It seems to me That yet we sleep, we dream

Are you sure, That we are awake? It seems to me That yet we sleep, we dream
STC418766..Are you sure, That we are awake? It seems to me That yet we sleep, we dream, illustration from Midsummer Nights Dream by William Shakespeare, 1908 (colour litho) by Rackham

Background imageShakespearean Collection: And her fairy sent To bear him to my bower in fairy land

And her fairy sent To bear him to my bower in fairy land
STC418764..And her fairy sent To bear him to my bower in fairy land, illustration from Midsummer Nights Dream by William Shakespeare, 1908 (colour litho) by Rackham

Background imageShakespearean Collection: Enter Peasebottom, Cobweb, Moth, and Mustardseed, illustration from

Enter Peasebottom, Cobweb, Moth, and Mustardseed, illustration from
STC418753 Enter Peasebottom, Cobweb, Moth, and Mustardseed, illustration from Midsummer Nights Dream by William Shakespeare, 1908 (colour litho) by Rackham

Background imageShakespearean Collection: O monstrous! O strange! we are haunted. Pray, masters! fly, masters! Help

O monstrous! O strange! we are haunted. Pray, masters! fly, masters! Help
STC418749 O monstrous! O strange! we are haunted. Pray, masters! fly, masters! Help!, illustration from Midsummer Nights Dream by William Shakespeare, 1908 (colour litho) by Rackham

Background imageShakespearean Collection: And now they never meet in grove or green, By fountain clear or spangled starlight sheen

And now they never meet in grove or green, By fountain clear or spangled starlight sheen
STC418735 And now they never meet in grove or green, By fountain clear or spangled starlight sheen. But they do square, illustration from Midsummer Nights Dream by William Shakespeare

Background imageShakespearean Collection: The Dukes Oak, illustration from Midsummer Nights Dream

The Dukes Oak, illustration from Midsummer Nights Dream
STC418731 The Dukes Oak, illustration from Midsummer Nights Dream by William Shakespeare, 1908 (litho) by Rackham, Arthur (1867-1939) (after); Private Collection; The Stapleton Collection; English

Background imageShakespearean Collection: Let me play the lion too, illustration from Midsummer Nights Dream

Let me play the lion too, illustration from Midsummer Nights Dream
STC418730 Let me play the lion too, illustration from Midsummer Nights Dream by William Shakespeare, 1908 (colour litho) by Rackham

Background imageShakespearean Collection: Hermia, illustration from Midsummer Nights Dream by William Shakespeare

Hermia, illustration from Midsummer Nights Dream by William Shakespeare
STC418727 Hermia, illustration from Midsummer Nights Dream by William Shakespeare, 1908 (colour litho) by Rackham, Arthur (1867-1939) (after); Private Collection; The Stapleton Collection; English

Background imageShakespearean Collection: Who builds stronger than a mason, a shipwright, or a carpenter

Who builds stronger than a mason, a shipwright, or a carpenter
IL433758 Who builds stronger than a mason, a shipwright, or a carpenter?, 1910 (colour litho) by Simmonds, W. G. (20th Century); Private Collection; (add.info)

Background imageShakespearean Collection: Scene from As You Like It, c. 1798-1819 (w / c on paper)

Scene from As You Like It, c. 1798-1819 (w / c on paper)
451607 Scene from As You Like It, c.1798-1819 (w/c on paper) by Bird, Edward (1772-1819); 15.9x10.2 cm; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; English

Background imageShakespearean Collection: Twelfth Night, Act II, Scene IV (oil on canvas)

Twelfth Night, Act II, Scene IV (oil on canvas)
CH349986 Twelfth Night, Act II, Scene IV (oil on canvas) by Deverell, Walter Howell (1827-54); 101.6x132.1 cm; Private Collection; (add.info.: Orsino, Duke of Illyria)

Background imageShakespearean Collection: Taming of the Shrew, Katharine and Petruchio, The Modern Quixotte or what you will

Taming of the Shrew, Katharine and Petruchio, The Modern Quixotte or what you will
2562145 Taming of the Shrew, Katharine and Petruchio, The Modern Quixotte or what you will, 1791 (hand-coloured etching) by Gillray

Background imageShakespearean Collection: Friar Laurence marrying Romeo and Juliet (chromolitho)

Friar Laurence marrying Romeo and Juliet (chromolitho)
2783015 Friar Laurence marrying Romeo and Juliet (chromolitho) by European School, (19th century); Private Collection; (add.info.: Friar Laurence marrying Romeo and Juliet)

Background imageShakespearean Collection: Juliet faints on her way to the altar to marry Paris (chromolitho)

Juliet faints on her way to the altar to marry Paris (chromolitho)
2783012 Juliet faints on her way to the altar to marry Paris (chromolitho) by European School, (19th century); Private Collection; (add.info.: Juliet faints on her way to the altar to marry Paris)

Background imageShakespearean Collection: Hamlet, 1899 (colour litho)

Hamlet, 1899 (colour litho)
5642665 Hamlet, 1899 (colour litho) by Mucha, Alphonse Marie (1860-1939); 196.53 x 67.31 cm; Los Angeles County Museum of Art, CA, USA; Czech, out of copyright

Background imageShakespearean Collection: Laertes bids farewell to his sister Ophelia, from Hamlet by William Shakespeare

Laertes bids farewell to his sister Ophelia, from Hamlet by William Shakespeare
IL388113 Laertes bids farewell to his sister Ophelia, from Hamlet by William Shakespeare, edition published by Hodder & Stoughton in 1915 (colour litho) by Simmonds, W. G

Background imageShakespearean Collection: Ophelias Death, 1843 (litho in black on white wove paper)

Ophelias Death, 1843 (litho in black on white wove paper)
2972369 Ophelias Death, 1843 (litho in black on white wove paper) by Delacroix, Ferdinand Victor Eugene (1798-1863); 15.8x25.7 cm; The Art Institute of Chicago, IL

Background imageShakespearean Collection: Taming of the Shrew: Katherine & Petruchio;The Modern Quixotte, or what you will, pub

Taming of the Shrew: Katherine & Petruchio;The Modern Quixotte, or what you will, pub
2962479 Taming of the Shrew: Katherine & Petruchio; The Modern Quixotte, or what you will, pub. 1791 (hand coloured engraving) by Gillray

Background imageShakespearean Collection: Sylvia and the Outlaws: A Scene from Shakespeares Two Gentlemen of Verona

Sylvia and the Outlaws: A Scene from Shakespeares Two Gentlemen of Verona
5983980 Sylvia and the Outlaws: A Scene from Shakespeares Two Gentlemen of Verona (oil on canvas) by Stothard, Thomas (1755-1834); 69.9 x 52.4 cm; Private Collection; English, out of copyright

Background imageShakespearean Collection: Advertisement For George Rignold as Henry V (colour litho)

Advertisement For George Rignold as Henry V (colour litho)
SNG127199 Advertisement For George Rignold as Henry V (colour litho) by American School, (19th century); Private Collection; Photo eBarbara Singer; American, out of copyright

Background imageShakespearean Collection: Advertisement for Louis James As Othello (colour litho)

Advertisement for Louis James As Othello (colour litho)
SNG127194 Advertisement for Louis James As Othello (colour litho) by American School, (19th century); Private Collection; Photo eBarbara Singer; American, out of copyright

Background imageShakespearean Collection: Advertisement for Romeo And Juliet, at the Opera House (engraving)

Advertisement for Romeo And Juliet, at the Opera House (engraving)
SNG127186 Advertisement for Romeo And Juliet, at the Opera House (engraving) by English School, (19th century); Private Collection; Photo eBarbara Singer; English, out of copyright

Background imageShakespearean Collection: Advertisement for Louis James as Richard III (colour litho)

Advertisement for Louis James as Richard III (colour litho)
SNG127742 Advertisement for Louis James as Richard III (colour litho) by American School, (19th century); Private Collection; Photo eBarbara Singer; American, out of copyright

Background imageShakespearean Collection: The First Appearance of William Shakespeare (1564-1616) on the Stage of the Globe with

The First Appearance of William Shakespeare (1564-1616) on the Stage of the Globe with
XYC142096 The First Appearance of William Shakespeare (1564-1616) on the Stage of the Globe with Part of his Dramatic Company in 1564, 1864-65 (oil on canvas) by Cruikshank

Background imageShakespearean Collection: Titlepage of The Merchant of Venice by William Shakespeare, 1637

Titlepage of The Merchant of Venice by William Shakespeare, 1637
2653541 Titlepage of The Merchant of Venice by William Shakespeare, 1637 by English School, (17th century); Private Collection; English, out of copyright

Background imageShakespearean Collection: Titlepage of The Merry Wives of Windsor by William Shakespeare

Titlepage of The Merry Wives of Windsor by William Shakespeare
2653531 Titlepage of The Merry Wives of Windsor by William Shakespeare by English School, (17th century); Private Collection; English, out of copyright

Background imageShakespearean Collection: Pages 416-417 Jog on, jog on, the footpath way

Pages 416-417 Jog on, jog on, the footpath way
2613456 Pages 416-417 Jog on, jog on, the footpath way, musical score for The Winters Tale (ink on paper) by English School, (17th century); Fitzwilliam Museum, University of Cambridge

Background imageShakespearean Collection: Shakespeare Performs for Queen Elizabeth I, 1947 (screen print)

Shakespeare Performs for Queen Elizabeth I, 1947 (screen print)
2622355 Shakespeare Performs for Queen Elizabeth I, 1947 (screen print) by American School, (20th century); Private Collection; (add.info)

Background imageShakespearean Collection: Romeo and Juliet Kissing Passionately on a Balcony, 1926 (colour litho)

Romeo and Juliet Kissing Passionately on a Balcony, 1926 (colour litho)
2630016 Romeo and Juliet Kissing Passionately on a Balcony, 1926 (colour litho) by American School, (20th century); Private Collection; Photo eGraphicaArtis; American, out of copyright

Background imageShakespearean Collection: John Philip Kemble as Coriolanus, 1802 (oil on canvas)

John Philip Kemble as Coriolanus, 1802 (oil on canvas)
3858245 John Philip Kemble as Coriolanus, 1802 (oil on canvas) by Lawrence, Thomas (1769-1830); Victoria & Albert Museum, London

Background imageShakespearean Collection: Ursula, c. 1789 (oil on canvas)

Ursula, c. 1789 (oil on canvas)
3959957 Ursula, c.1789 (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 26.3 x 24.8 cm; Kunstmuseum, Basel

Background imageShakespearean Collection: Falstaff (litho)

Falstaff (litho)
979105 Falstaff (litho) by Konewka, Paul (1841-71); Private Collection; (add.info.: Falstaff. From The Merry Wives of Windsor, by William Shakespeare)

Background imageShakespearean Collection: Mr Ford and Mr Page (litho)

Mr Ford and Mr Page (litho)
979097 Mr Ford and Mr Page (litho) by Konewka, Paul (1841-71); Private Collection; (add.info.: Mr Ford and Mr Page. From The Merry Wives of Windsor, by William Shakespeare)

Background imageShakespearean Collection: Bardolph (litho)

Bardolph (litho)
979088 Bardolph (litho) by Konewka, Paul (1841-71); Private Collection; (add.info.: Bardolph. From Henry IV Part I, by William Shakespeare)

Background imageShakespearean Collection: Othello Suite, No. 9 (Act 4, Scene 3), 1900 (etching on chine colle)

Othello Suite, No. 9 (Act 4, Scene 3), 1900 (etching on chine colle)
877263 Othello Suite, No. 9 (Act 4, Scene 3), 1900 (etching on chine colle) by Chasseriau, Theodore (1819-56); 61.8x42.5 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Background imageShakespearean Collection: Shylock after the Trial (engraving)

Shylock after the Trial (engraving)
3622627 Shylock after the Trial (engraving) by Gilbert, John (1817-97) (after); Private Collection; (add.info.: Shylock after the Trial)

Background imageShakespearean Collection: Pyramus and Thisbe, c. 1513-14 (mixed media on canvas)

Pyramus and Thisbe, c. 1513-14 (mixed media on canvas)
3588554 Pyramus and Thisbe, c.1513-14 (mixed media on canvas) by Deutsch, Niklaus Manuel (1484-1530); 151.5x161 cm; Kunstmuseum, Basel, Switzerland; (add.info.: In Ovids Metamorphoses)

Background imageShakespearean Collection: Christmas greetings card with glove and flowers (chromolitho)

Christmas greetings card with glove and flowers (chromolitho)
731698 Christmas greetings card with glove and flowers (chromolitho) by English School, (19th century); Private Collection; (add.info.: Christmas greetings card with glove and flowers)

Background imageShakespearean Collection: Hamlet (aquatint)

Hamlet (aquatint)
2775109 Hamlet (aquatint) by Metz, Conrad Martin (1745/49-1827) (after); Private Collection; (add.info.: Hamlet.); Look and Learn / Valerie Jackson Harris Collection

Background imageShakespearean Collection: The Casket Scene (engraving)

The Casket Scene (engraving)
729591 The Casket Scene (engraving) by English School, (19th century); Private Collection; (add.info.: The Casket Scene - Merchant of Venice. Engraving by W Hollidge from the picture by F Barth)

Background imageShakespearean Collection: The death of Romeo and Juliet (chromolitho)

The death of Romeo and Juliet (chromolitho)
2783013 The death of Romeo and Juliet (chromolitho) by European School, (19th century); Private Collection; (add.info.: The death of Romeo and Juliet)

Background imageShakespearean Collection: Entrance of Lord Capulet and his daughter Juliet to the ball (chromolitho)

Entrance of Lord Capulet and his daughter Juliet to the ball (chromolitho)
2783011 Entrance of Lord Capulet and his daughter Juliet to the ball (chromolitho) by European School, (19th century); Private Collection; (add.info)

Background imageShakespearean Collection: Hamlet contemplating the skull of Yorick (chromolitho)

Hamlet contemplating the skull of Yorick (chromolitho)
2782937 Hamlet contemplating the skull of Yorick (chromolitho) by European School, (19th century); Private Collection; (add.info.: Hamlet contemplating the skull of Yorick)

Background imageShakespearean Collection: Too Many Shylocks, 1901 (colour litho)

Too Many Shylocks, 1901 (colour litho)
694057 Too Many Shylocks, 1901 (colour litho) by Pughe, John S. (1870-1909); Private Collection; © Look and Learn

Background imageShakespearean Collection: Theatrical Characters 1: Falstaff, c. 1825 (pen & ink on paper)

Theatrical Characters 1: Falstaff, c. 1825 (pen & ink on paper)
3108997 Theatrical Characters 1: Falstaff, c.1825 (pen & ink on paper) by English School, (19th century); 34.3x21 cm; Private Collection; (add.info.: I would you had but the wit)

Background imageShakespearean Collection: M. William Shakespeare, his true chronicle history of the life and death of King Lear

M. William Shakespeare, his true chronicle history of the life and death of King Lear
2653532 M.William Shakespeare, his true chronicle history of the life and death of King Lear and his three daughters, 1608 by English School

Background imageShakespearean Collection: Othello, 1872 (bronze and white marble on onyx socle)

Othello, 1872 (bronze and white marble on onyx socle)
PNH350875 Othello, 1872 (bronze and white marble on onyx socle) by Calvi, Pietro (1833-84); height: 90 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; Italian



All Professionally Made to Order for Quick Shipping

"Exploring the Shakespearean World: From Bees to Theatres" "Delve into the enchanting world of Shakespeare with 'Shakespeares Bees' by Pauline Baynes, a captivating illustration that unveils the hidden wonders within his works. " "Step back in time with a handbill advertising a performance of Hamlet at the Theatre, Leeds, transporting you to an era where Shakespeare's words echoed through grand halls. " "A heartfelt message adorned with a Shakespeare quotation on a greetings card captures the timeless beauty and profound impact of his words on our lives. " "Immerse yourself in history as Falstaff enacts Henry IV in this stunning oil painting by c. 1834, capturing both the essence of Shakespeare's character and the artist's skillful brushstrokes. " "Anthony Hopkins mesmerizes audiences as he takes on Antony and Cleopatra at London's National Theatre in 1987, bringing to life one of Shakespeare's most passionate love stories. " "Luke Fildes' masterpiece 'Jessica' beautifully portrays one of Shakespeare's beloved characters from The Merchant of Venice, showcasing her strength and complexity through artistry. " "Even during Christmas festivities, William Shakespeare continues to inspire us with his presence on greeting cards, reminding us that his legacy transcends time and seasons. " "'A Midsummer Night's Dream, ' Act 4 Scene 1 comes alive in November 1857 through an exquisite portrayal that transports viewers into the magical realm created by Shakespeare himself. " "Henry James Townsend captures Ariel from 'The Tempest' in this remarkable artwork from c1870, allowing us to glimpse into the ethereal world inhabited by spirits under Prospero’s command. " "Intriguing cartoon featuring Henry Irving and F B Chatterton brings humor while paying homage to two legendary figures who brought countless Shakespearian characters to life. "