Seymour Lucas Collection

The Armada in sight, Plymouth hoe, 1880, (1911). Artist: John Seymour Lucas
The Armada in sight, Plymouth hoe, 1880, (1911). A depiction of the apocryphal story that Sir Francis Drake (c1540-1596) played a game of bowls in Plymouth Hoe in 1588 while waiting for the tide to

Down to the Dregs, 1880 (c1902)
Down to the Dregs, 1880, (c1902). Artist, John Seymour Lucas. A man in 17th century dress drains a tankard of beer. From The Nations Pictures

19th century illustration by Seymour Lucas showing a medieval knight
3521051 19th century illustration by Seymour Lucas showing a medieval knight; (add.info.: 19th century illustration by Seymour Lucas showing a medieval knight.); Universal History Archive/UIG.

Though Lost to Sight to Memory Dear, 1879. Artist: John Seymour Lucas
Though Lost to Sight to Memory Dear, 1879. A print from The Graphic, 1879

The First Attack; After Seymour Lucas, A. R. A, R. I. 1888. Creator: Unknown
The First Attack; After Seymour Lucas, A.R.A, R.I. 1888. From, The Graphic. An Illustrated Weekly Newspaper Volume 38. July to December, 1888

The Members of the Institute of Painters in Water-Colours (engraving)
1044259 The Members of the Institute of Painters in Water-Colours (engraving) by Wilson, Thomas Walter (1851-1912); Private Collection; (add.info)

Oak Chest, property of Seymour Lucas; Oak Inlaid Nonesuch Chest (chromolitho)
958439 Oak Chest, property of Seymour Lucas; Oak Inlaid Nonesuch Chest (chromolitho) by Slocombe, Shirley Charles Llewellyn (fl.1887-1916); Private Collection; (add.info.: Oak Chest)

Portrait of Seymour Lucas (photo)
604610 Portrait of Seymour Lucas (photo) by English Photographer, (20th century); Private Collection; (add.info.: Portrait of artist Seymour Lucas in his studio in New Place, Woodchurch Road)

A Whip for Van Tromp, the Admiralty, 1883, (c1902). Creator: Unknown
A Whip for Van Tromp, the Admiralty, 1883, (c1902). Painting in the New Walk Museum & Art Gallery, Leicester. Another version of the picture is entitled A New Whip for the Dutch

William I granting the charter to the citizens of London, 1899. William I was the king of England in the 11th century

Royal Exchange (3rd) interior, London, 1899
Depiction of a mural painting in the Royal Exchange, London, 1899 by J. Seymour Lucas, of William I granting the charter to the citizens of London

The Standard Bearer, 1903. Artist: John Seymour Lucas
The Standard Bearer, 1903. Genre scene showing a royalist standard bearer from the Civil War period (1642-1648). The man sits, arm on drum, reading a letter

A Spy in the Camp, c1890, (c1915). Artist: John Seymour Lucas
A Spy in the Camp, c1890, (c1915). From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

King Charles II Visiting Wren During The Building of St. Pauls Cathedral, 1888, (1912). Artist: John Seymour Lucas
King Charles II Visiting Wren During The Building of St. Pauls Cathedral, 1888, (1912). Charles II visiting Sir Christopher Wren during the building of St Pauls Cathedral, London

The Gordon Riots, London, 1780 (1905). The most destructive riots in Londons history, the Gordon Riots began as an anti-Catholic protest against the Papists Act of 1778 led by Lord George Gordon

After Culloden: Rebel Hunting, 1905. From Cassells History of England, Vol. IV, [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1905]

George Frederick Ernest Albert (King George V), 1910. Artist: John Seymour Lucas
George Frederick Ernest Albert (King George V), 1910. George succeeded his father, Edward VII, as king on 6th May 1910. A print from The Graphic, 14th May 1910

A Study for The Gordon Riots, 1879 (1899). A print from The Magazine of Art, Cassell and Company, Limited, 1899

William I granting a charter to the City of London, 1075, (c1920). Artist: John Seymour Lucas
William I granting a charter to the City of London, 1075, (c1920). Illustration from Story of the British Nation, Volume I, by Walter Hutchinson, (London, c1920s)

The Favourite, 1882. A print from The Magazine of Art Vol V, Cassell, Peter, Galpin and Company, Limited, 1882

Charles II visiting Sir Christopher Wren during the building of St Pauls Cathedral, London, 1909. Illustration taken from the Harmsworth History of the World. (London, 1909)

Flirtation, 1885, (1912). Artist: John Seymour Lucas
Flirtation, 1885, (1912). A colour print from Famous Paintings with an introduction by Gilbert Chesterton, (Cassell and Company, London, New York, Toronto, 1912)

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Seymour Lucas, a renowned artist of the late 19th and early 20th centuries, left an indelible mark on the art world with his captivating works. From "Down to the Dregs" in 1880 to "The Armada in sight, Plymouth hoe" in 1880, Lucas showcased his talent for capturing historical events with remarkable detail. In "Though Lost to Sight to Memory Dear" from 1879, he tugged at our heartstrings by depicting sentimental moments frozen in time. Lucas's versatility as an artist is evident through pieces like "The First Attack, " where he collaborated with unknown creators to create a powerful image that resonates even today. His contributions extended beyond painting; he was also recognized as a member of the Institute of Painters in Water-Colours and owned exquisite items such as the Oak Chest and Oak Inlaid Nonesuch Chest. A glimpse into Seymour Lucas's life can be seen through various portraits captured over time. One such photograph showcases him personally, revealing a man dedicated to his craft. His passion for history shines through works like "A Whip for Van Tromp, " which depicts an intense moment at Admiralty. Not limited to historical scenes alone, Lucas ventured into other subjects too. He beautifully illustrated significant moments like William I granting charter to London citizens and provided glimpses into architectural marvels such as Royal Exchange (3rd) interior. As years went by, Lucas continued honing his skills and creating masterpieces that would stand the test of time. In "The Standard Bearer" from 1903, he depicted strength and valor while exploring themes of patriotism. And finally, in "Silenced" from 1908, we witness his ability to evoke emotions through poignant imagery. Seymour Lucas's artistic legacy remains alive today due to his dedication towards capturing history's essence on canvas.