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Several Persons Collection (page 9)

"Captivating Moments in Art

Background imageSeveral Persons Collection: View of the bridge leading to the Governor's Tower in the Jardin de Monseaux, 1805 (aquatint)

View of the bridge leading to the Governor's Tower in the Jardin de Monseaux, 1805 (aquatint)
XIR232874 View of the bridge leading to the Governor's Tower in the Jardin de Monseaux, 1805 (aquatint) by Mongin, Antoine Pierre (1761-1827) (after); Musee de la Ville de Paris

Background imageSeveral Persons Collection: Group of Eskimaux, Igloolik, 1823, 1824 (engraving)

Group of Eskimaux, Igloolik, 1823, 1824 (engraving)
3672025 Group of Eskimaux, Igloolik, 1823, 1824 (engraving) by Finden, Edward Francis (1791-1857); Newberry Library, Chicago, Illinois

Background imageSeveral Persons Collection: Eskimaux children dancing, Igloolik, 1823, 1824 (engraving)

Eskimaux children dancing, Igloolik, 1823, 1824 (engraving)
3672006 Eskimaux children dancing, Igloolik, 1823, 1824 (engraving) by Finden, Edward Francis (1791-1857); Newberry Library, Chicago, Illinois

Background imageSeveral Persons Collection: Geography. Japan. Mount Fuji. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido

Geography. Japan. Mount Fuji. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)
3434292 Geography. Japan. Mount Fuji. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834). Postcard, Japan, c.1900 (postcard) by Hiroshige

Background imageSeveral Persons Collection: Geography. Japan. Yui, view of Fuji, snow covered, from Satta-toge, overlooking Saruga Bay

Geography. Japan. Yui, view of Fuji, snow covered, from Satta-toge, overlooking Saruga Bay. (17th station)
3434290 Geography. Japan. Yui, view of Fuji, snow covered, from Satta-toge, overlooking Saruga Bay. (17th station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)

Background imageSeveral Persons Collection: Geography. The Morning glow at the Nihonbashi (55th station). Woodcut by Hiroshige in

Geography. The Morning glow at the Nihonbashi (55th station). Woodcut by Hiroshige in
3434287 Geography. The Morning glow at the Nihonbashi (55th station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)

Background imageSeveral Persons Collection: Portrait of Jean-Baptiste Tavernier (1605-1689) in Oriental Dress, 1681 (engraving)

Portrait of Jean-Baptiste Tavernier (1605-1689) in Oriental Dress, 1681 (engraving)
8608541 Portrait of Jean-Baptiste Tavernier (1605-1689) in Oriental Dress, 1681 (engraving) by French School, (17th century); (add.info.: Jean-Baptiste Tavernier)

Background imageSeveral Persons Collection: The interior of the Buurkerk at Utrecht, 1644 (oil on oak)

The interior of the Buurkerk at Utrecht, 1644 (oil on oak)
7294674 The interior of the Buurkerk at Utrecht, 1644 (oil on oak) by Saenredam, Pieter Jansz (1597-1665); 60.1x50.1 cm; National Gallery, London

Background imageSeveral Persons Collection: A Goldsmith Melting Down a Woman's Jewellery in the Presence of a Notary: The Alchemist, c

A Goldsmith Melting Down a Woman's Jewellery in the Presence of a Notary: The Alchemist, c. 1668-70 (oil on canvas)
7443783 A Goldsmith Melting Down a Woman's Jewellery in the Presence of a Notary: The Alchemist, c. 1668-70 (oil on canvas) by Steen, Jan Havicksz

Background imageSeveral Persons Collection: Dante Alighieri meets Beatrice, ca 1900 (postcard)

Dante Alighieri meets Beatrice, ca 1900 (postcard)
7422863 Dante Alighieri meets Beatrice, ca 1900 (postcard) by Rossetti, Dante Gabriel (1828-82) (after); (add.info.: Literature)

Background imageSeveral Persons Collection: The Dead Christ supported by Two Angels, 1470-5 (tempera on poplar)

The Dead Christ supported by Two Angels, 1470-5 (tempera on poplar)
7887047 The Dead Christ supported by Two Angels, 1470-5 (tempera on poplar) by Crivelli, Carlo (c.1430/35-1495); 72.4 -- 55.2 cm; National Gallery, London, UK; (add.info.: By Carlo Crivelli)

Background imageSeveral Persons Collection: A spear bearer from Flagellation of Christ by Federico Zuccari (pen & ink on paper)

A spear bearer from Flagellation of Christ by Federico Zuccari (pen & ink on paper)
8601588 A spear bearer from Flagellation of Christ by Federico Zuccari (pen & ink on paper) by Rubens, Peter Paul (1577-1640); The Devonshire Collections

Background imageSeveral Persons Collection: Mykerinos triad framed by 2 goddesses, 2400 BC (sculpture)

Mykerinos triad framed by 2 goddesses, 2400 BC (sculpture)
8586305 Mykerinos triad framed by 2 goddesses, 2400 BC (sculpture) by Egyptian 4th Dynasty (c.2613-2498 BC); Egyptian National Museum, Cairo, Egypt; (add.info.: Triad statue of Pharaoh Menkaura)

Background imageSeveral Persons Collection: The tale of Jenni, by Voltaire, 1858 (engraving)

The tale of Jenni, by Voltaire, 1858 (engraving)
7355526 The tale of Jenni, by Voltaire, 1858 (engraving) by Staal, Pierre Gustave Eugene (Gustave) (1817-82); Private Collection; (add.info.: The tale of Jenni, by Voltaire)

Background imageSeveral Persons Collection: Forty three drawings of Neapolitan costume, 18th century (print)

Forty three drawings of Neapolitan costume, 18th century (print)
3671874 Forty three drawings of Neapolitan costume, 18th century (print) by Castelli, Costanzo (18th century); Newberry Library, Chicago, Illinois

Background imageSeveral Persons Collection: Forty three drawings of Neapolitan costume, 18th century (print)

Forty three drawings of Neapolitan costume, 18th century (print)
3671801 Forty three drawings of Neapolitan costume, 18th century (print) by Castelli, Costanzo (18th century); Newberry Library, Chicago, Illinois

Background imageSeveral Persons Collection: View of the Pavillon de Monceau from the Entrance, engraved by Nyon Jeune, 1816 (coloured engraving)

View of the Pavillon de Monceau from the Entrance, engraved by Nyon Jeune, 1816 (coloured engraving)
XIR210376 View of the Pavillon de Monceau from the Entrance, engraved by Nyon Jeune, 1816 (coloured engraving) by Courvoisier-Voisin, Henri (1757-1830) (after); Musee de la Ville de Paris

Background imageSeveral Persons Collection: Dyeing workshop at the Gobelins, French tapestry makers, 1760 (oil on canvas)

Dyeing workshop at the Gobelins, French tapestry makers, 1760 (oil on canvas)
895999 Dyeing workshop at the Gobelins, French tapestry makers, 1760 (oil on canvas) by French School, (18th century); 37x30.5 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageSeveral Persons Collection: The Marche des Enfants Rouges, rue de Bretagne, 1907 (gouache)

The Marche des Enfants Rouges, rue de Bretagne, 1907 (gouache)
904000 The Marche des Enfants Rouges, rue de Bretagne, 1907 (gouache) by Houbron, Frederic Anatole (1851-1908); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageSeveral Persons Collection: Demolition of the church Saint-Jean-en-Greve, c.1800 (oil on canvas)

Demolition of the church Saint-Jean-en-Greve, c.1800 (oil on canvas)
905245 Demolition of the church Saint-Jean-en-Greve, c.1800 (oil on canvas) by Demachy, Pierre-Antoine (1723-1807); 52.5x63 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageSeveral Persons Collection: Journalists, novelists and writers in a literary parlour in the eighteen century, 1878 (Engraving)

Journalists, novelists and writers in a literary parlour in the eighteen century, 1878 (Engraving)
7141249 Journalists, novelists and writers in a literary parlour in the eighteen century, 1878 (Engraving) by Boitard, Louis Philippe (fl.1738-63); Private Collection; (add.info.: Journalists)

Background imageSeveral Persons Collection: The Louvre and the Pont Royal, seen from the Pont-Neuf, c.1780 (oil on canvas)

The Louvre and the Pont Royal, seen from the Pont-Neuf, c.1780 (oil on canvas)
902773 The Louvre and the Pont Royal, seen from the Pont-Neuf, c.1780 (oil on canvas) by Noel, Alexandre Jean (1752-1834); 48.5 x 75.5 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageSeveral Persons Collection: Pont Neuf and the town views from the Conti quay, c.1772 (oil on canvas)

Pont Neuf and the town views from the Conti quay, c.1772 (oil on canvas)
902392 Pont Neuf and the town views from the Conti quay, c.1772 (oil on canvas) by Raguenet, Nicolas (fl.1750-75); 46x83.5 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageSeveral Persons Collection: The Samaritaine pump, Pont-Neuf, Ile de la Cite and the Conti quay see from the Louvre quay

The Samaritaine pump, Pont-Neuf, Ile de la Cite and the Conti quay see from the Louvre quay
902390 The Samaritaine pump, Pont-Neuf, Ile de la Cite and the Conti quay see from the Louvre quay, before 1771 (oil on canvas) by Raguenet

Background imageSeveral Persons Collection: Hotel de Sens, 1839 (litho)

Hotel de Sens, 1839 (litho)
902370 Hotel de Sens, 1839 (litho) by Boys, Thomas Shotter (1803-74); 37.8x27.3 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: By Thomas Shotter Boys)

Background imageSeveral Persons Collection: Seoul seen from a distance, c.1905 (b/w photo)

Seoul seen from a distance, c.1905 (b/w photo)
2625510 Seoul seen from a distance, c.1905 (b/w photo) by Unknown photographer, (20th century); (add.info.: Myeongdong Cathedral in the distance); Universal History Archive/UIG

Background imageSeveral Persons Collection: Portrait of the members of the Joachim quartet, c. 1900 (b/w photo)

Portrait of the members of the Joachim quartet, c. 1900 (b/w photo)
LRI4725686 Portrait of the members of the Joachim quartet, c. 1900 (b/w photo) by Unknown photographer, (19th century); Museo Civico Bibliografico Musicale, Bologna

Background imageSeveral Persons Collection: The Four Disgracers, 1588 (engraving)

The Four Disgracers, 1588 (engraving)
8610374 The Four Disgracers, 1588 (engraving) by Goltzius, Hendrik (1558-1617); 33x33 cm; Private Collection; (add.info.: Engraving by Hendrik Goltzius Clockwise from top left: Tantalus, Icarus)

Background imageSeveral Persons Collection: Carle Van Loo and his family, 1760 (oil on canvas)

Carle Van Loo and his family, 1760 (oil on canvas)
7422983 Carle Van Loo and his family, 1760 (oil on canvas) by Loo, Louis Michel van (1707-71); Musee et Domaine National de Versailles et de Trianon, Versailles

Background imageSeveral Persons Collection: The Blockmaker's Shop (oil on canvas)

The Blockmaker's Shop (oil on canvas)
WAG17605 The Blockmaker's Shop (oil on canvas) by Cooke, John Percy (1870-1944); Wolverhampton Art Gallery, West Midlands, UK; (add.info.: by John Percy Cooke)

Background imageSeveral Persons Collection: Horace Wells proceed with the extraction of a tooth in front of his students in 1844 (engraving)

Horace Wells proceed with the extraction of a tooth in front of his students in 1844 (engraving)
JAB4121336 Horace Wells proceed with the extraction of a tooth in front of his students in 1844 (engraving) by Unknown Artist

Background imageSeveral Persons Collection: Cruz Bay; Cinnamon Bay, Danish West Indies (U.S. Virgin Islands), 1851 (oil on canvas)

Cruz Bay; Cinnamon Bay, Danish West Indies (U.S. Virgin Islands), 1851 (oil on canvas)
7443713 Cruz Bay; Cinnamon Bay, Danish West Indies (U.S. Virgin Islands), 1851 (oil on canvas) by Melbye, Fritz Siegfried Georg (1826-69); 40.6 x 55.9 cm; Private Collection; (add.info)

Background imageSeveral Persons Collection: Kitchen at Mount Vernon, 1857 (oil on canvas)

Kitchen at Mount Vernon, 1857 (oil on canvas)
7444457 Kitchen at Mount Vernon, 1857 (oil on canvas) by Johnson, Eastman (1824-1906); 35.6 x 53.3 cm; Private Collection; (add.info.: By Eastman Johnson); Photo © Christie's Images

Background imageSeveral Persons Collection: The Graham Children, 1742 (oil on canvas)

The Graham Children, 1742 (oil on canvas)
LRI4353677 The Graham Children, 1742 (oil on canvas) by Hogarth, William (1697-1764); 160-181 cm; National Gallery, London, UK; (add.info.: Painting by William Hogarth); Luisa Ricciarini

Background imageSeveral Persons Collection: Iskandar (Alexander) and the talking tree, Folio from a Shahnama (Book of kings)

Iskandar (Alexander) and the talking tree, Folio from a Shahnama (Book of kings) by Firdawsi (died 1020)
7487875 Iskandar (Alexander) and the talking tree, Folio from a Shahnama (Book of kings) by Firdawsi (died 1020); recto (opaque w/c, ink and gold on paper) by Persian School

Background imageSeveral Persons Collection: The Tour de Saint-Jacques, before reconstruction, 1836 (w/c on paper)

The Tour de Saint-Jacques, before reconstruction, 1836 (w/c on paper)
XIR240998 The Tour de Saint-Jacques, before reconstruction, 1836 (w/c on paper) by Boys, Thomas Shotter (1803-74); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageSeveral Persons Collection: The Concorde Bridge seen from Queen's Course, 1833 (w/c)

The Concorde Bridge seen from Queen's Course, 1833 (w/c)
902367 The Concorde Bridge seen from Queen's Course, 1833 (w/c) by Boys, Thomas Shotter (1803-74); 15.5x24.8 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageSeveral Persons Collection: The Valley Market, c.1815 (oil on canvas)

The Valley Market, c.1815 (oil on canvas)
899403 The Valley Market, c.1815 (oil on canvas) by Senave, Jacques Albert (1758-1829); 38.5x52.5 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: By Jacques Albert Senave)

Background imageSeveral Persons Collection: Mademoiselle Delong de Geneve, Monsieur Philippe and Monsieur de Texier (w/c)

Mademoiselle Delong de Geneve, Monsieur Philippe and Monsieur de Texier (w/c)
896341 Mademoiselle Delong de Geneve, Monsieur Philippe and Monsieur de Texier (w/c) by Carmontelle, Louis Carrogis (1717-1806); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageSeveral Persons Collection: View of the Cours la Reine, c.1828 (oil on canvas)

View of the Cours la Reine, c.1828 (oil on canvas)
904160 View of the Cours la Reine, c.1828 (oil on canvas) by Gudin, Jean Antoine Theodore (1802-80); 45.5 x 63.3 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageSeveral Persons Collection: Hotel Cluny, exterior of the court, 1839 (litho)

Hotel Cluny, exterior of the court, 1839 (litho)
904098 Hotel Cluny, exterior of the court, 1839 (litho) by Boys, Thomas Shotter (1803-74); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: By Thomas Shotter Boys)

Background imageSeveral Persons Collection: The Pavillon de Flore, c.1835 (w/c)

The Pavillon de Flore, c.1835 (w/c)
902374 The Pavillon de Flore, c.1835 (w/c) by Boys, Thomas Shotter (1803-74); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: By Thomas Shotter Boys)

Background imageSeveral Persons Collection: Hotel de Sens, rue du Figuier, c.1833 (pencil & w/c)

Hotel de Sens, rue du Figuier, c.1833 (pencil & w/c)
902369 Hotel de Sens, rue du Figuier, c.1833 (pencil & w/c) by Boys, Thomas Shotter (1803-74); 29.8x23 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageSeveral Persons Collection: The Quay of the Tuileries and the Pont Royal, c.1780 (oil on canvas)

The Quay of the Tuileries and the Pont Royal, c.1780 (oil on canvas)
901827 The Quay of the Tuileries and the Pont Royal, c.1780 (oil on canvas) by Noel, Alexandre Jean (1752-1834); 64.5 x 85 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageSeveral Persons Collection: Prouvaires street and the Saint-Eustache church (w/c)

Prouvaires street and the Saint-Eustache church (w/c)
902373 Prouvaires street and the Saint-Eustache church (w/c) by Boys, Thomas Shotter (1803-74); 25.7x13.3 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageSeveral Persons Collection: The Concorde Bridge seen from the terrace of the Tuileries, 1833 (w/c)

The Concorde Bridge seen from the terrace of the Tuileries, 1833 (w/c)
902366 The Concorde Bridge seen from the terrace of the Tuileries, 1833 (w/c) by Boys, Thomas Shotter (1803-74); 25.7x19.7 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageSeveral Persons Collection: Port Saint-Bernard seen from the Arsenal, 1752 (oil on canvas)

Port Saint-Bernard seen from the Arsenal, 1752 (oil on canvas)
902394 Port Saint-Bernard seen from the Arsenal, 1752 (oil on canvas) by Raguenet, Jean-Baptiste (1715-93); 57.4 x 94.7 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageSeveral Persons Collection: The archbishop's palace seen from the left bank, 1756 (oil on canvas)

The archbishop's palace seen from the left bank, 1756 (oil on canvas)
902388 The archbishop's palace seen from the left bank, 1756 (oil on canvas) by Raguenet, Nicolas (fl.1750-75); 47x83 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris



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"Captivating Moments in Art: A Glimpse into the Lives of Several Persons" Step back in time and immerse yourself in the diverse stories captured by renowned artists throughout history. From the grandeur of ancient Rome to bustling 19th-century landscapes, these artworks offer a window into the lives of several individuals who shaped their respective eras. "The Continence of Scipio, c. 1706 (oil on canvas)" transports us to an age when honor and self-control were revered virtues. Witness Scipio's moral dilemma as he resists temptation, showcasing his strength of character. In "Making the Shoreham Railroad, c. 1840 (w/c on paper), " we witness the collaborative efforts of numerous workers striving towards progress. Their determination and sweat lay the foundation for a transformative transportation system that would shape communities for generations. "The Bishop of Tournai receiving the tithe of beer in Tournai, 15th century (engraving)" offers a glimpse into religious customs intertwined with daily life centuries ago. Experience this unique moment as beer is presented as an offering to support church activities. Let your gaze wander across "By The Sea, 1881 (oil on canvas), " where several figures find solace amidst crashing waves and endless horizons. Each person carries their own story; perhaps they seek refuge or contemplate life's mysteries along this serene coastline. "The Plum Pudding in Danger or State Epicures taking un Petit Souper, 1805 (engraving)" invites you to join a lively gathering filled with laughter and indulgence. Observe how various personalities converge around culinary delights during this extravagant feast. Marvel at architectural splendor through "St. Clement Danes Church, Strand, 1817 (engraving). " This sacred place brings together countless individuals seeking solace within its hallowed walls—a testament to human spirituality spanning centuries. Through "The Parable of the Talents, c.