Settler Collection (page 5)

Possibly: New settler shows fish he caught... Priest River Valley, Bonner County, Idaho, 1939. Creator: Dorothea Lange
[Untitled, possibly related to: New settler shows fish he caught this morning. He " likes it fine here." Priest River Valley, Bonner County, Idaho]

New settler shows fish he caught this morning, Priest River Valley, Bonner County, Idaho, 1939. Creator: Dorothea Lange
New settler shows fish he caught this morning. He " likes it fine here." Priest River Valley, Bonner County, Idaho

Type barn, characteristic of Idaho, on farm of older settler, Boundary County, Idaho, 1939. Creator: Dorothea Lange
Type barn, characteristic of Idaho, on farm of older settler. Boundary County, Idaho

Cut-over landscape, approaching winter rain, showing settler s... Boundary County, Idaho, 1939. Creator: Dorothea Lange
Cut-over landscape, approaching winter rain, showing settlers shack on poor sandy soil. Boundary County, Idaho

Early settler of the valley, Priest River Valley, Bonner County, Idaho, 1939. Creator: Dorothea Lange
Early settler of the valley. He came in 1916. Priest River Valley, Bonner County, Idaho

New settler shows fish he caught... Priest River Valley, Bonner County, Idaho, 1939. Creator: Dorothea Lange
New settler shows fish he caught this morning. He " likes it fine here." Priest River Valley, Bonner County, Idaho

The barn of an older settler on established farm, Boundary County, Idaho, 1939. Creator: Dorothea Lange
The barn of an older settler on established farm. Boundary County, Idaho

Charlie Carlock, aged thirty-six, the spokesman for the group... Gem County, Idaho, 1939. Creator: Dorothea Lange
Charlie Carlock, aged thirty-six, the spokesman for the group who form the co-operative. He is a descendant of the early Squaw Creek Valley settlers. Ola self-help sawmill co-op. Gem County, Idaho

Roy Carlock, member of Ola self-help sawmill co-op... Gem County, Idaho, 1939. Creator: Dorothea Lange
Roy Carlock, member of Ola self-help sawmill co-op, in front of his new house. He is one of the best hunters in the community and keeps his larder supplied with game during the hunting season

Brigham Young, from Living Biographies of Religious Leaders
3960998 Brigham Young, from Living Biographies of Religious Leaders by Ross, Gordon (1872-1946); (add.info.: Brigham Young, 1801-1877)

Penns Treaty with the Indians (Furnishing Fabric), London, c. 1785. Creator: Unknown
Penns Treaty with the Indians (Furnishing Fabric), London, c. 1785. Quaker leader Penn in a meeting with Native Americans. After an engraving by John Hall after a painting by Benjamin West

Fragment Entitled "William Penns Treaty with the Indians", England, c. 1785
Fragment Entitled " William Penns Treaty with the Indians", England, c. 1785. Quaker leader Penn in a meeting with Native Americans

New Years Day in Old New York, from "The Graphic"Christmas Number, December
New Years Day in Old New York, from " The Graphic" Christmas Number, December 2, 1882

Illustration of American Indians giving English settlers baskets of food
17th century, agreement, american culture, basket, captain john smith, caucasian appearance, chief, colonisation, communication, explorer, food and drink, giving, history, indoors, mediation

Chief of the Taensa Indians Receiving La Salle, 1847 / 8 (oil on canvas)
4073428 Chief of the Taensa Indians Receiving La Salle, 1847/8 (oil on canvas) by Catlin, George (1796-1872); 42x60.3 cm; National Gallery of Art, Washington DC

William Blackstones house, Boston (engraving)
3644176 William Blackstones house, Boston (engraving) by American School, (19th century); Private Collection; (add.info.: William Blackstones house, Boston)

Sir Richard Saltonstall, English settler in Massachusetts (engraving)
3626274 Sir Richard Saltonstall, English settler in Massachusetts (engraving) by American School, (19th century); Private Collection; (add.info.: Sir Richard Saltonstall (1586-1661)

A Home in the Wilderness, 1870 (colour lithograph)
3704173 A Home in the Wilderness, 1870 (colour lithograph) by Currier, N. (1813-88) and Ives, J.M. (1824-95); Metropolitan Museum of Art, New York, USA; American, out of copyright

Across the Continent: Westward the Course of the Empire Takes its Way
3704136 Across the Continent: Westward the Course of the Empire Takes its Way, 1868 (hand-coloured lithograph) by Currier, N. (1813-88) and Ives, J.M

A Good Change, published by Currier & Ives, c. 1863 (colour litho)
3710009 A Good Change, published by Currier & Ives, c.1863 (colour litho) by Tait, Arthur Fitzwilliam (1819-1905) (after); Private Collection; American, out of copyright

The Plantation, c. 1825 (oil on wood)
3614002 The Plantation, c.1825 (oil on wood) by American School, (19th century); 48.6x74.9 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

The Puritan, 1883-86 (bronze)
3614055 The Puritan, 1883-86 (bronze) by Saint-Gaudens, Augustus (1848-1907); 77.5 high cm; Metropolitan Museum of Art, New York, USA; (add.info.: Chester W)

Brook Trout Fishing, pub. 1862, Currier & Ives (colour litho)
3471060 Brook Trout Fishing, pub. 1862, Currier & Ives (colour litho) by American School, (19th century); Private Collection; The Stapleton Collection; American, out of copyright

Peaceable Kingdom, c. 1830-32 (oil on canvas)
5667150 Peaceable Kingdom, c.1830-32 (oil on canvas) by Hicks, Edward (1780-1849); 45.4 x 60.6 cm; Metropolitan Museum of Art, New York

Wells Fargo Express, 1890 (b / w photo)
5042929 Wells Fargo Express, 1890 (b/w photo) by Grabill, John C. H. (fl. late 19th century); Private Collection; (add.info)

La Salle Taking Possession of the land at the Mouth of the Arkansas, March 10th 1682
5857888 La Salle Taking Possession of the land at the Mouth of the Arkansas, March 10th 1682, 1847-48 (oil on canvas) by Catlin, George (1796-1872); 37.8x56.4 cm; National Gallery of Art

The Settling Family Attacked by Savages, engraved by George Keating (1762-1842) (aquatint
STC90417 The Settling Family Attacked by Savages, engraved by George Keating (1762-1842) (aquatint) by Singleton, Henry (1766-1839) (after); Private Collection; The Stapleton Collection; English

Guarding a farm against an Indian attack, after an illustration by Howard Pyle (litho)
PNP367763 Guarding a farm against an Indian attack, after an illustration by Howard Pyle (litho) by American School; Private Collection; Peter Newark Pictures; American, out of copyright

Winnig s, Wairau, N. Z. April 1851 (w / c on paper)
622683 Winnig s, Wairau, N.Z. April 1851 (w/c on paper) by Gold, Charles Emilius (1803-71); 17.5x26.4 cm; Private Collection; (add.info.: A settlers hut in the Wairau Valley)

Evangeline, 1858 (oil on canvas)
TW426909 Evangeline, 1858 (oil on canvas) by Emmerson, Henry Hetherington (1831-95); 106.7x158 cm; Laing Art Gallery, Newcastle-upon-Tyne

What a prairie town looks like, a corner of Lloydminster (colour litho)
2810338 What a prairie town looks like, a corner of Lloydminster (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info.: What a prairie town looks like)

Ships that transport thousands of families to Libya set sail from Genoa, where modern homes and vast... (colour litho)
2783846 Ships that transport thousands of families to Libya set sail from Genoa, where modern homes and vast... (colour litho) by Beltrame

Marquette Descending the Mississippi River, 1914 (screen print)
3036030 Marquette Descending the Mississippi River, 1914 (screen print) by American School, (20th century); (add.info.: Vintage illustration of Father Jacques Marquette greeting a Native American)

Messrs Arthurs Sheep Station, with one of the volcanic wells
STC255043 Messrs Arthurs Sheep Station, with one of the volcanic wells. Mount Schank in the distance - early morning, from South Australia Illustrated

Conestoga Wagon (wood & canvas)
PNP246221 Conestoga Wagon (wood & canvas) by American School, (18th century); Private Collection; (add.info.: designed to travel through bad conditions and rivers;)

Building the Northern Pacific Railroad, from Harpers Weekly
PNP246927 Building the Northern Pacific Railroad, from Harpers Weekly, 17th July 1875 (engraving) by American School, (19th century); Private Collection; Peter Newark American Pictures; American

Union Pacific Railroad Poster, c. 1880 (colour litho)
PNP246282 Union Pacific Railroad Poster, c.1880 (colour litho) by American School, (19th century); Private Collection; (add.info)

McCormicks New Reaper, 1888 (engraving)
PNP246259 McCormicks New Reaper, 1888 (engraving) by American School, (19th century); Private Collection; Peter Newark American Pictures; American, out of copyright

Typical prairie sodhouse, Wichita County, Kansas, c. 1880 (b / w photo)
PNP246249 Typical prairie sodhouse, Wichita County, Kansas, c.1880 (b/w photo) by American Photographer, (19th century); Private Collection; Peter Newark American Pictures; American, out of copyright

Typical pioneers covered wagon (b / w photo)
PNP246226 Typical pioneers covered wagon (b/w photo) by American Photographer, (19th century); Private Collection; Peter Newark American Pictures; American, out of copyright

The Prairie Schooner (b / w photo)
PNP246220 The Prairie Schooner (b/w photo) by American Photographer, (19th century); Private Collection; (add.info.: designed to travel through bad conditions;)

Australian prospector, c. 1880s (sepia photo)
STC172390 Australian prospector, c.1880s (sepia photo) by Australian School, (19th century); Private Collection; (add.info)

The Puritan, 1899 (dark brown / black patinated bronze)
NYH154533 The Puritan, 1899 (dark brown/black patinated bronze) by Saint-Gaudens, Augustus (1848-1907); 77.5x45.7x33 cm; Collection of the New-York Historical Society

Peaceable Kingdom (oil on canvas)
CH376768 Peaceable Kingdom (oil on canvas) by Hicks, Edward (1780-1849); Private Collection; (add.info.: memorial to William Penns treaty with Native americans; William Penn (1644-1718)

Father Hennepin leaving the Mississippi to Join la Salle, May 8th 1680
5857891 Father Hennepin leaving the Mississippi to Join la Salle, May 8th 1680, 1847-48 (oil on canvas) by Catlin, George (1796-1872); 37.8x56.4 cm; National Gallery of Art, Washington DC

Father Hennepin and Companions Passing Lovers Leap, April 1680
5858116 Father Hennepin and Companions Passing Lovers Leap, April 1680, 1847-48 (oil on canvas) by Catlin, George (1796-1872); 37.8 x56.2 cm; National Gallery of Art, Washington DC

Gold placer mining, Rockerville, 1889 (b / w photo)
5042936 Gold placer mining, Rockerville, 1889 (b/w photo) by Grabill, John C. H. (fl. late 19th century); Private Collection; (add.info.: Spriggs)

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"Journey of the Settlers: From Mayflower to Temple" Embarking on a treacherous voyage, the Pilgrims aboard the Mayflower set sail across stormy seas in 1620. Their destination? The shores of Plymouth, Massachusetts, where they hoped to find religious freedom and a new beginning. After enduring months at sea, their weary eyes finally caught sight of land as they made their historic landing at Plymouth Rock. Facing harsh winters and uncertain futures, these brave settlers persevered. They built homes from scratch and forged relationships with the native Wampanoag tribe. In 1621, after a bountiful harvest, they gathered for what would become known as "The First Thanksgiving, " expressing gratitude for survival and newfound friendships. Not all settlements were met with such harmony though. Anne Hutchinson's trial in Boston in 1637 highlighted tensions within Puritan society as she challenged traditional beliefs. Despite her eventual banishment from Massachusetts Bay Colony, Hutchinson became an emblem of individualism and religious dissent. Meanwhile, further south in Hartford, Connecticut, another group of settlers established themselves in 1636 - laying the foundation for one of America's oldest cities. These pioneers sought refuge from political and religious persecution while striving to build a community based on democratic principles. As time went on, more colonies emerged throughout America's vast landscape. Colonial Savannah bloomed along Georgia's coast during the 1700s - its cobblestone streets witnessing trade and cultural exchange between European colonists and indigenous peoples. In Utah during the mid-1800s, Mormons carved out their own destiny by cutting stone for their temple amidst rugged landscapes. Their perseverance mirrored that of earlier settlers who had braved unknown territories centuries before them. From sea voyages to court trials; from shared feasts to city foundations; each chapter tells a unique story about those who dared to venture into uncharted lands seeking freedom or opportunity – the settlers who shaped America's diverse tapestry.