Fraud Blocker Skip to main content

Serenading Collection

"Melodies of Love: Serenading the Heart" A young couple on a romantic greetings card, their eyes locked in a tender embrace as sweet melodies fill the air

Background imageSerenading Collection: Musicians in the snow on a Christmas card

Musicians in the snow on a Christmas card, about to have something poured on them from a jug. circa 1890s

Background imageSerenading Collection: Young couple on a romantic greetings card

Young couple on a romantic greetings card, sitting on a vine branch -- With affection and regard. Date: circa 1890s

Background imageSerenading Collection: Over There, c.1770-1959 (print)

Over There, c.1770-1959 (print)
3672390 Over There, c.1770-1959 (print) by Leo Feist, Inc. (1897-1934); Newberry Library, Chicago, Illinois, USA; (add.info.: James Francis Driscoll collection of historical American sheet music)

Background imageSerenading Collection: The suicide. 1834 (engraving)

The suicide. 1834 (engraving)
7147161 The suicide. 1834 (engraving) by Bayard, Emile Antoine (1837-91); Private Collection; (add.info.: The suicide. Song by french poet Beranger. ( 1780-1857 ) Design by Emile Bayard

Background imageSerenading Collection: A school teacher. 1834 (engraving)

A school teacher. 1834 (engraving)
7147157 A school teacher. 1834 (engraving) by Crepon, L. (19th century); Private Collection; (add.info.: A school teacher. Song by Pierre Jean de Beranger ( 1780-1857 ) Design by L

Background imageSerenading Collection: Child of the West, A Highland Ballad, c.1770-1959 (print)

Child of the West, A Highland Ballad, c.1770-1959 (print)
3671835 Child of the West, A Highland Ballad, c.1770-1959 (print) by Hewitt, John Hill (1801-90); Newberry Library, Chicago, Illinois

Background imageSerenading Collection: The Good Pope: Time, 1836 (illustration)

The Good Pope: Time, 1836 (illustration)
7485453 The Good Pope: Time, 1836 (illustration) by Grandville (Jean Ignace Isidore Gerard) (1803-47); (add.info.: Le Bon Pape: Le Temps)

Background imageSerenading Collection: Firth & Halls Occasional Selections of Celebrated Duets for Two Performers on One Piano Forte

Firth & Halls Occasional Selections of Celebrated Duets for Two Performers on One Piano Forte, c.1770-1959 (print)
3672031 Firth & Halls Occasional Selections of Celebrated Duets for Two Performers on One Piano Forte, c.1770-1959 (print) by Firth, Hall & Pond (1833-1847); Newberry Library, Chicago, Illinois

Background imageSerenading Collection: From The Trinity Church, 1898 (painting)

From The Trinity Church, 1898 (painting)
7432284 From The Trinity Church, 1898 (painting) by Backer, Harriet (1845-1932); 1908 cm; Private Collection; (add.info.: Harriet Backer (1845-1932)); Photo © O. Vaering

Background imageSerenading Collection: Fill up Your Stein, 1905 (print)

Fill up Your Stein, 1905 (print)
3673901 Fill up Your Stein, 1905 (print) by Leo Feist, Inc. (1897-1934); Newberry Library, Chicago, Illinois, USA; (add.info.: James Francis Driscoll collection of historical American sheet music)

Background imageSerenading Collection: The Dying Girl to her Lover! Fare thee well Love!, c.1770-1959 (print)

The Dying Girl to her Lover! Fare thee well Love!, c.1770-1959 (print)
3671819 The Dying Girl to her Lover! Fare thee well Love!, c.1770-1959 (print) by Firth, Hall & Pond (1833-1847); Newberry Library, Chicago, Illinois

Background imageSerenading Collection: The Sleepy Town Express, c.1770-1959 (print)

The Sleepy Town Express, c.1770-1959 (print)
3673329 The Sleepy Town Express, c.1770-1959 (print) by Leo Feist, Inc. (1897-1934); Newberry Library, Chicago, Illinois, USA; (add.info)

Background imageSerenading Collection: The old bachelor, 1836 (illustration)

The old bachelor, 1836 (illustration)
7485443 The old bachelor, 1836 (illustration) by Grandville (Jean Ignace Isidore Gerard) (1803-47); (add.info.: The old bachelor)

Background imageSerenading Collection: Scottish Musical Review (planographic print, lithograph, paper)

Scottish Musical Review (planographic print, lithograph, paper)
7443877 Scottish Musical Review (planographic print, lithograph, paper) by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums, UK; (add.info.: PRINTS Scottish musical review Mackintosh)

Background imageSerenading Collection: The whiskey war in Ohio. Women singing hymns at the door of a cabaretier to force him to close shop

The whiskey war in Ohio. Women singing hymns at the door of a cabaretier to force him to close shop
5313575 The whiskey war in Ohio. Women singing hymns at the door of a cabaretier to force him to close shop, 19th century (engraving) by American School

Background imageSerenading Collection: Time, 1836 (illustration)

Time, 1836 (illustration)
7485448 Time, 1836 (illustration) by Grandville (Jean Ignace Isidore Gerard) (1803-47); (add.info.: Le Temps: illustration by Grandville (Jean Ignace Isidore Gerard) (1803-1847)

Background imageSerenading Collection: A holy man. 1866 (engraving)

A holy man. 1866 (engraving)
7147159 A holy man. 1866 (engraving) by Bayard, Emile Antoine (1837-91); Private Collection; (add.info.: A holy man. Song by Beranger, french poet ( 1780-01857 ) Design by E

Background imageSerenading Collection: Scottish Musical Review (planographic print, lithograph, paper)

Scottish Musical Review (planographic print, lithograph, paper)
7443876 Scottish Musical Review (planographic print, lithograph, paper) by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums

Background imageSerenading Collection: Keep Away From the Fellow Who Owns An Automobile, 1912 (print)

Keep Away From the Fellow Who Owns An Automobile, 1912 (print)
3672557 Keep Away From the Fellow Who Owns An Automobile, 1912 (print) by Waterson, Berlin & Snyder Co. (early 20th century); Newberry Library, Chicago, Illinois

Background imageSerenading Collection: Child Piper

Child Piper
Silhouette. Child with a pipe serenading a bird. Artist: HGC Marsh Lambert Date: circa 1921

Background imageSerenading Collection: 3672029

3672029

Background imageSerenading Collection: 3673713

3673713

Background imageSerenading Collection: 3671972

3671972

Background imageSerenading Collection: 3671999

3671999

Background imageSerenading Collection: 3673953

3673953

Background imageSerenading Collection: 3671842

3671842

Background imageSerenading Collection: 7378206

7378206

Background imageSerenading Collection: Title page. 1880 (engraving)

Title page. 1880 (engraving)
7312543 Title page. 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info.: Title page. in "Songs and rounds from childhood)

Background imageSerenading Collection: He gladly follows the course of his beautiful destinies. (verses 13 and 14), 1880 (engraving)

He gladly follows the course of his beautiful destinies. (verses 13 and 14), 1880 (engraving)
7312540 He gladly follows the course of his beautiful destinies. (verses 13 and 14), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Background imageSerenading Collection: Malbrough for our defeats was sung like that. (verse 7), 1880 (engraving)

Malbrough for our defeats was sung like that. (verse 7), 1880 (engraving)
7312530 Malbrough for our defeats was sung like that. (verse 7), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Background imageSerenading Collection: Madame sees her page, all in black. (verse 3), 1880 (engraving)

Madame sees her page, all in black. (verse 3), 1880 (engraving)
7312526 Madame sees her page, all in black. (verse 3), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info.: Madame sees her page, all in black)

Background imageSerenading Collection: Malbrough is going to war. (verse 1), 1880 (engraving)

Malbrough is going to war. (verse 1), 1880 (engraving)
7312523 Malbrough is going to war. (verse 1), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info.: Malbrough is going to war)

Background imageSerenading Collection: Dagobert is seven years old, he is teething. Later, thanks to Saint Eloi

Dagobert is seven years old, he is teething. Later, thanks to Saint Eloi, he would do his job as king very well
7312520 Dagobert is seven years old, he is teething. Later, thanks to Saint Eloi, he would do his job as king very well. (verse 7), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Background imageSerenading Collection: Dagobert puts his panties on backwards. Saint Eloi tells him that his panties are bad

Dagobert puts his panties on backwards. Saint Eloi tells him that his panties are bad. (verse 1), 1880 (engraving)
7312513 Dagobert puts his panties on backwards. Saint Eloi tells him that his panties are bad. (verse 1), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Background imageSerenading Collection: Couples 1 to 3, 1880 (engraving)

Couples 1 to 3, 1880 (engraving)
7312512 Couples 1 to 3, 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info.: Couplets 1 to 3 in "Songs and rounds from childhood)

Background imageSerenading Collection: A blacksmith shapes a crown for the young King Dagobert, 1880 (engraving)

A blacksmith shapes a crown for the young King Dagobert, 1880 (engraving)
7312511 A blacksmith shapes a crown for the young King Dagobert, 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Background imageSerenading Collection: The Duke puts himself at the head of his guards and walks against the Tower. 1880 (engraving)

The Duke puts himself at the head of his guards and walks against the Tower. 1880 (engraving)
7312509 The Duke puts himself at the head of his guards and walks against the Tower. 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Background imageSerenading Collection: Three scenes from 'The tower, take care' with the lyrics. 1880 (engraving)

Three scenes from "The tower, take care" with the lyrics. 1880 (engraving)
7312502 Three scenes from "The tower, take care" with the lyrics. 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Background imageSerenading Collection: from the song 'La Mere Michel', 1880 (engraving)

from the song "La Mere Michel", 1880 (engraving)
7312499 from the song "La Mere Michel", 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info)

Background imageSerenading Collection: Lustucur's proposal satisfies the cat who jumps into the arms of his mistress

Lustucur's proposal satisfies the cat who jumps into the arms of his mistress. (verse 7), 1880 (engraving)
7312497 Lustucur's proposal satisfies the cat who jumps into the arms of his mistress. (verse 7), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Background imageSerenading Collection: The nurses bandage his leg and put his arm back on (verse 7), 1880 (engraving)

The nurses bandage his leg and put his arm back on (verse 7), 1880 (engraving)
7312485 The nurses bandage his leg and put his arm back on (verse 7), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Background imageSerenading Collection: Guilleri climbs up a tree to see his dogs run (verse 2), 1880 (engraving)

Guilleri climbs up a tree to see his dogs run (verse 2), 1880 (engraving)
7312479 Guilleri climbs up a tree to see his dogs run (verse 2), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Background imageSerenading Collection: from the song 'Au clair de la Lune', 1880 (engraving)

from the song "Au clair de la Lune", 1880 (engraving)
7312476 from the song "Au clair de la Lune", 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info)

Background imageSerenading Collection: Arlequin and Leandre drink and sing while mocking Pierrot (verse 8), 1880 (engraving)

Arlequin and Leandre drink and sing while mocking Pierrot (verse 8), 1880 (engraving)
7312473 Arlequin and Leandre drink and sing while mocking Pierrot (verse 8), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Background imageSerenading Collection: A partridge is roasting in the chimney, but Pierrot does not want to share with Arlequin

A partridge is roasting in the chimney, but Pierrot does not want to share with Arlequin (verses 3 and 4)
7312468 A partridge is roasting in the chimney, but Pierrot does not want to share with Arlequin (verses 3 and 4), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Background imageSerenading Collection: Arlequin seeks a cottage, a basket in his arm (couplets 1 and 2), 1880 (engraving)

Arlequin seeks a cottage, a basket in his arm (couplets 1 and 2), 1880 (engraving)
7312467 Arlequin seeks a cottage, a basket in his arm (couplets 1 and 2), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Background imageSerenading Collection: As soon as he learned, he knew how to read and write. (verses 9 and 10), 1880 (engraving)

As soon as he learned, he knew how to read and write. (verses 9 and 10), 1880 (engraving)
7312538 As soon as he learned, he knew how to read and write. (verses 9 and 10), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Background imageSerenading Collection: He was angry so we could see him angry. (verses 7 and 8), 1880 (engraving)

He was angry so we could see him angry. (verses 7 and 8), 1880 (engraving)
7312536 He was angry so we could see him angry. (verses 7 and 8), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18



All Professionally Made to Order for Quick Shipping

"Melodies of Love: Serenading the Heart" A young couple on a romantic greetings card, their eyes locked in a tender embrace as sweet melodies fill the air. Musicians braving the snow on a Christmas card, serenading with enchanting tunes that warm even the coldest of nights. The child piper mesmerizes all with his innocent yet captivating music, weaving dreams and fantasies into reality. Kenny Meadows' illustration from Cymbeline transports us to an early morning scene where Imogen is awakened by a beautiful song at Cloten's request - "Hark hark the lark. " Another masterpiece by Kenny Meadows depicts musicians playing outside Imogen's bedroom, their harmonies gently coaxing her out of slumber at Cloten's behest. In this timeless tale, serenades become whispers of affection and declarations of love that transcend time and place. Let your heart dance to the rhythm of these melodic gestures captured in stunning illustrations - moments frozen in time but forever alive with passion. From 1840 to present day, serenading remains an art form cherished for its ability to express emotions words often fail to convey. As we turn each page adorned with delicate engravings from 1880, we are reminded that serenades have long been used as tokens of adoration throughout history. Join us on this journey through musical courtship; let your soul be stirred by these heartfelt compositions that celebrate love in all its forms.