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Seraphs Collection (page 10)

"Seraphs: Divine Messengers in Art and Mythology" Step into the world of seraphs, celestial beings depicted throughout history as messengers of God

Background imageSeraphs Collection: Portrait of Giovanni Lanfranco, Italian painter of the Baroque period, 1582-1647

Portrait of Giovanni Lanfranco, Italian painter of the Baroque period, 1582-1647
6338781 Portrait of Giovanni Lanfranco, Italian painter of the Baroque period, 1582-1647 by Corner, John (fl.1788-1825); (add.info.: Portrait of Giovanni Lanfranco)

Background imageSeraphs Collection: Annunciation, XV century

Annunciation, XV century
6255439 Annunciation, XV century by Liberatore, Niccolo di (c.1425-1502); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: Foligno, Palazzo Trinci: Annunciazione)

Background imageSeraphs Collection: Detail of vault: The angel guarantees the offspring to Joachim and Anne, 1424

Detail of vault: The angel guarantees the offspring to Joachim and Anne, 1424
6253776 Detail of vault: The angel guarantees the offspring to Joachim and Anne, 1424 by Nelli, Ottaviano (c.1370-c.1444); Palazzo Trinci, Foligno, Umbria

Background imageSeraphs Collection: Annunciation, detail, 1468-69 (fresco)

Annunciation, detail, 1468-69 (fresco)
6204106 Annunciation, detail, 1468-69 (fresco) by Lippi, Filippo (c.1406-69); Duomo, Cathedral of S. Maria Assunta, Spoleto, Italy; (add.info.: Presbytery, tholobate)

Background imageSeraphs Collection: Virgin and Child with Two Angels Painting by Andrea dell aste (15th century) Museo Diocesano

Virgin and Child with Two Angels Painting by Andrea dell aste (15th century) Museo Diocesano, Genes, Italy
LRI4701566 Virgin and Child with Two Angels Painting by Andrea dell aste (15th century) Museo Diocesano, Genes, Italy by Andrea dell Asta (15th century); Museo Diocesano, Genoa, Liguria

Background imageSeraphs Collection: Virgin with Roses (oil on canvas, 16th-17th century)

Virgin with Roses (oil on canvas, 16th-17th century)
LRI4691593 Virgin with Roses (oil on canvas, 16th-17th century) by Nucci, Avanzino (c.1552-1629); Basilica di Sant Agostino, Rome

Background imageSeraphs Collection: Appearance of the Lord on the clouds, surrounded by angels, has his enemies who conspute him

Appearance of the Lord on the clouds, surrounded by angels, has his enemies who conspute him
JLJ4688104 Appearance of the Lord on the clouds, surrounded by angels, has his enemies who conspute him. Miniature in " Beatus de Liebana

Background imageSeraphs Collection: God and two angels, detail of Coronation of Mary, 1468-69 (fresco)

God and two angels, detail of Coronation of Mary, 1468-69 (fresco)
6204142 God and two angels, detail of Coronation of Mary, 1468-69 (fresco) by Lippi, Filippo (c.1406-69); Duomo, Cathedral of S

Background imageSeraphs Collection: Saints and angels, detail of Coronation of Mary, 1468-69 (fresco)

Saints and angels, detail of Coronation of Mary, 1468-69 (fresco)
6204121 Saints and angels, detail of Coronation of Mary, 1468-69 (fresco) by Lippi, Filippo (c.1406-69); Duomo, Cathedral of S

Background imageSeraphs Collection: Nativity, detail, 1468-69 (fresco)

Nativity, detail, 1468-69 (fresco)
6204105 Nativity, detail, 1468-69 (fresco) by Lippi, Filippo (c.1406-69); Duomo, Cathedral of S. Maria Assunta, Spoleto, Italy; (add.info.: Presbytery, tholobate)

Background imageSeraphs Collection: Nativity, 1468-69 (fresco)

Nativity, 1468-69 (fresco)
6204103 Nativity, 1468-69 (fresco) by Lippi, Filippo (c.1406-69); Duomo, Cathedral of S. Maria Assunta, Spoleto, Italy; (add.info.: Presbytery, tholobate)

Background imageSeraphs Collection: An Allegory of Fame, 1660-70 (oil on canvas)

An Allegory of Fame, 1660-70 (oil on canvas)
6200287 An Allegory of Fame, 1660-70 (oil on canvas) by Troppa, Girolamo (1636-56); 99.1x140 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums

Background imageSeraphs Collection: Madonna with Infant Jesus and Saints, 1550

Madonna with Infant Jesus and Saints, 1550
2384620 Madonna with Infant Jesus and Saints, 1550 by Tintoretto, Jacopo Robusti (1518-94); Galleria e Museo Estense, Modena, Italy; (add.info.: Modena)

Background imageSeraphs Collection: Death of Adonis from the ceiling of the Room of Adonis, Rocca dei Rossi, San Secondo, Parma

Death of Adonis from the ceiling of the Room of Adonis, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384731
2384732 Death of Adonis from the ceiling of the Room of Adonis, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384731 by Samacchini, Orazio (1532-1577) (attr.to); Rocca dei Rossi

Background imageSeraphs Collection: Jacobs dream, Byzantine mosaic, Old Testament cycle-Abraham, byzantine mosaic

Jacobs dream, Byzantine mosaic, Old Testament cycle-Abraham, byzantine mosaic, XII-XIII century (mosaic)
6166367 Jacobs dream, Byzantine mosaic, Old Testament cycle-Abraham, byzantine mosaic, XII-XIII century (mosaic) by Byzantine, (12th-13th century); Duomo (Cattedrale di Santa Maria Nuova), Monreale

Background imageSeraphs Collection: 'Assumption of the Virgin'and 'the Virgin Mary dropping the girdle or Holy Belt to St

"Assumption of the Virgin"and "the Virgin Mary dropping the girdle or Holy Belt to St
5051400 " Assumption of the Virgin" and " the Virgin Mary dropping the girdle or Holy Belt to St. Thomas ", Detail of Christ carrying the Virgin Mary to the sky

Background imageSeraphs Collection: The Agony in the Garden (Christ on the Mount of Olives), 1597-98 (oil on canvas)

The Agony in the Garden (Christ on the Mount of Olives), 1597-98 (oil on canvas)
ALM403364 The Agony in the Garden (Christ on the Mount of Olives), 1597-98 (oil on canvas) by Cesari, Giuseppe (Cavalier d Arpino) (1568-1640); 53x76.2 cm; Allen Memorial Art Museum, Oberlin College

Background imageSeraphs Collection: The Archangel Saint Michael - Painting by Juan de Espinal (1714-1783), Oil On Canvas, ca

The Archangel Saint Michael - Painting by Juan de Espinal (1714-1783), Oil On Canvas, ca
LSE4317683 The Archangel Saint Michael - Painting by Juan de Espinal (1714-1783), Oil On Canvas, ca. 1780 - Museum of Fine Arts of Seville, Spain by Espinal

Background imageSeraphs Collection: the choir, Cathedral of Our Lady of Bayeux

the choir, Cathedral of Our Lady of Bayeux
7134949 the choir, Cathedral of Our Lady of Bayeux by Panchet, Frederic (called Bellerose) (1812-1895); Bayeux, Normandy, France; (add.info)

Background imageSeraphs Collection: Adoration of the Shepherds, 1584 (oil on canvas)

Adoration of the Shepherds, 1584 (oil on canvas)
ALG267780 Adoration of the Shepherds, 1584 (oil on canvas) by Procaccini, Camillo (c.1560-1629); 306x202 cm; Pinacoteca Nazionale, Bologna, Italy; (add.info.: Nativite; Adorazione dei Pastori; )

Background imageSeraphs Collection: Annunciation, Oratory of the Crucifix, last quarter of the XIII century (fresco)

Annunciation, Oratory of the Crucifix, last quarter of the XIII century (fresco)
6263042 Annunciation, Oratory of the Crucifix, last quarter of the XIII century (fresco) by Italian School, (13th century); Abbey of Saint Severo & Martirio, Orvieto, Umbria

Background imageSeraphs Collection: Madonna with Child and six angels holding a curtain, detail (marble, bronze, polychromy)

Madonna with Child and six angels holding a curtain, detail (marble, bronze, polychromy, gold and glass paste)
6263002 Madonna with Child and six angels holding a curtain, detail (marble, bronze, polychromy, gold and glass paste) by Italian School, (14th century); Museo dell Opera del Duomo (MODO), Orvieto

Background imageSeraphs Collection: The Sand Fairy, from the picture by Louise Jacobs from the book Princess Marie-Joses Childrens Book

The Sand Fairy, from the picture by Louise Jacobs from the book Princess Marie-Joses Childrens Book
2607891 The Sand Fairy, from the picture by Louise Jacobs from the book Princess Marie-Joses Childrens Book, published 1916 (colour litho) by Jacobs

Background imageSeraphs Collection: The Expulsion of Adam and Eve (oil on canvas)

The Expulsion of Adam and Eve (oil on canvas)
ALG167501 The Expulsion of Adam and Eve (oil on canvas) by Cesari, Giuseppe (Cavalier d Arpino) (1568-1640); 75x84 cm; Galleria Sabauda, Musei Reali di Torino, Turin, Piedmont, Italy

Background imageSeraphs Collection: A Choir of Angels, fragment, probably of the Nativity (oil on gold panel)

A Choir of Angels, fragment, probably of the Nativity (oil on gold panel)
7085088 A Choir of Angels, fragment, probably of the Nativity (oil on gold panel) by Master of the Lindau Lamentation (fl.1400-24); Private Collection

Background imageSeraphs Collection: Angel, detail of Coronation of Mary, 1468-69 (fresco)

Angel, detail of Coronation of Mary, 1468-69 (fresco)
6204114 Angel, detail of Coronation of Mary, 1468-69 (fresco) by Lippi, Filippo (c.1406-69); Duomo, Cathedral of S. Maria Assunta, Spoleto, Italy; (add.info.: Presbytery, apse bowl-shaped vault)

Background imageSeraphs Collection: Archangel Gabriele holding the lily, symbol of purity, detail of the Annunciation, 1468-69 (fresco)

Archangel Gabriele holding the lily, symbol of purity, detail of the Annunciation, 1468-69 (fresco)
6204113 Archangel Gabriele holding the lily, symbol of purity, detail of the Annunciation, 1468-69 (fresco) by Lippi, Filippo (c.1406-69); Duomo, Cathedral of S

Background imageSeraphs Collection: Annunciation, 1468-69 (fresco)

Annunciation, 1468-69 (fresco)
6204111 Annunciation, 1468-69 (fresco) by Lippi, Filippo (c.1406-69); Duomo, Cathedral of S. Maria Assunta, Spoleto, Italy; (add.info.: Presbytery, tholobate)

Background imageSeraphs Collection: Silver Altar of Saint James the Major. Detail of the antependium with stories of the New Testament

Silver Altar of Saint James the Major. Detail of the antependium with stories of the New Testament
LRI4585145 Silver Altar of Saint James the Major. Detail of the antependium with stories of the New Testament, Travel of the Magi and pious women, 1287 -1456 by Ognabene

Background imageSeraphs Collection: Sculpted architrave over the main portal, 1019-1020

Sculpted architrave over the main portal, 1019-1020
LRI4723051 Sculpted architrave over the main portal, 1019-1020 by Romanesque, (11th century); Church of Saint-Genis-des-Fontaines

Background imageSeraphs Collection: The judgment of Paris. 17th century (painting)

The judgment of Paris. 17th century (painting)
LRI4699508 The judgment of Paris. 17th century (painting) by Cervetto, Giovanni Paolo (1630-1657); Collezione numismatica Banca Carige, Genoa

Background imageSeraphs Collection: Putti (Monochrome painting, after 1783)

Putti (Monochrome painting, after 1783)
LRI4696241 Putti (Monochrome painting, after 1783) by Ratti, Carlo Giuseppe (1737-1795); Palazzo Ducale, Genova, Italy; (add.info)

Background imageSeraphs Collection: Episode of the life of Saint John Evangelist: 'Saint John a Patmos'(Life of St John evangelist)

Episode of the life of Saint John Evangelist: "Saint John a Patmos"(Life of St John evangelist)
LRI4693425 Episode of the life of Saint John Evangelist: " Saint John a Patmos" (Life of St John evangelist, St John in Patmos)

Background imageSeraphs Collection: Representation of Saint Andre and Saint Benedict of Nursie (Painting, 17th century)

Representation of Saint Andre and Saint Benedict of Nursie (Painting, 17th century)
LRI4581282 Representation of Saint Andre and Saint Benedict of Nursie (Painting, 17th century) by Cesari, Giuseppe (Cavalier d Arpino) (1568-1640); Sant Andrea Apostolo, Arpino

Background imageSeraphs Collection: Annunciation - Painting, 1470-1471

Annunciation - Painting, 1470-1471
LRI4579406 Annunciation - Painting, 1470-1471 by Martini, Francesco di Giorgio (1439-1502); Pinacoteca Nazionale, Siena, Tuscany

Background imageSeraphs Collection: Annonciation Low marble relief by Antonio Amadeo (1447-1522) from the Church of San Lorenzo de

Annonciation Low marble relief by Antonio Amadeo (1447-1522) from the Church of San Lorenzo de Cremone. Diameter 55 cm
JLJ4578760 Annonciation Low marble relief by Antonio Amadeo (1447-1522) from the Church of San Lorenzo de Cremone. Diameter 55 cm

Background imageSeraphs Collection: Tile depicting 'Jesus Nativity'(scene of the New Testament), 1185-86 (bronze)

Tile depicting "Jesus Nativity"(scene of the New Testament), 1185-86 (bronze)
6166501 Tile depicting " Jesus Nativity" (scene of the New Testament), 1185-86 (bronze) by Pisano, Bonanno (12th century); Duomo (Cattedrale di Santa Maria Nuova), Monreale, Sicily

Background imageSeraphs Collection: Tile depicting 'Annunciation'(scene of the New Testament), 1185-86 (bronze)

Tile depicting "Annunciation"(scene of the New Testament), 1185-86 (bronze)
6166499 Tile depicting " Annunciation" (scene of the New Testament), 1185-86 (bronze) by Pisano, Bonanno (12th century); Duomo (Cattedrale di Santa Maria Nuova), Monreale, Sicily

Background imageSeraphs Collection: Tile depicting 'Abraham and three Angels'(scene of the Old Testament), 1185-86 (bronze)

Tile depicting "Abraham and three Angels"(scene of the Old Testament), 1185-86 (bronze)
6166490 Tile depicting " Abraham and three Angels" (scene of the Old Testament), 1185-86 (bronze) by Pisano, Bonanno (12th century); Duomo (Cattedrale di Santa Maria Nuova), Monreale

Background imageSeraphs Collection: The punishment of Sodom (Lot and the two angels), Byzantine mosaic, XII-XIII century

The punishment of Sodom (Lot and the two angels), Byzantine mosaic, XII-XIII century, on the counter-facade (mosaic)
6166321 The punishment of Sodom (Lot and the two angels), Byzantine mosaic, XII-XIII century, on the counter-facade (mosaic) by Byzantine

Background imageSeraphs Collection: L adoration des mages. The Adoration of the Magi. Peinture du maitre du chateau de Lichtenstein

L adoration des mages. The Adoration of the Magi. Peinture du maitre du chateau de Lichtenstein
FIA5370862 L adoration des mages. The Adoration of the Magi. Peinture du maitre du chateau de Lichtenstein, peintre autrichien (actif de 1430 a 1450), vers 1440. Huile sur bois

Background imageSeraphs Collection: Annunciation (wood)

Annunciation (wood)
6262942 Annunciation (wood) by Italian School, (15th century); Museo dell Opera del Duomo (MODO), Orvieto, Umbria, Italy; (add.info.: Annunciation, wooden sculpture from the choir of the Duomo)

Background imageSeraphs Collection: Detail of the archangel Gabriel from the Annunciation (wood and polychromy)

Detail of the archangel Gabriel from the Annunciation (wood and polychromy)
6262937 Detail of the archangel Gabriel from the Annunciation (wood and polychromy) by Italian School, (15th century); Museo dell Opera del Duomo (MODO), Orvieto, Umbria

Background imageSeraphs Collection: Christ in Piety between two Adoring Angels, 1480-90 (bas-relief polychrome glazed terracotta)

Christ in Piety between two Adoring Angels, 1480-90 (bas-relief polychrome glazed terracotta)
6366118 Christ in Piety between two Adoring Angels, 1480-90 (bas-relief polychrome glazed terracotta) by Della Robbia, Andrea (1435-1525/28); Santa Croce, Florence

Background imageSeraphs Collection: Baroncelli Polyptych with the Coronation of the Virgin, Saints in Glory and Angels playing Music

Baroncelli Polyptych with the Coronation of the Virgin, Saints in Glory and Angels playing Music, the Bardi Chapel
6365952 Baroncelli Polyptych with the Coronation of the Virgin, Saints in Glory and Angels playing Music, the Bardi Chapel by Giotto di Bondone (c.1266-1337) & Gaddi, Taddeo (c.1300-66); Santa Croce

Background imageSeraphs Collection: Allegory on the accession to the throne of Emperor Alexander I par Avril, Jean-Jacques (1744-1831)

Allegory on the accession to the throne of Emperor Alexander I par Avril, Jean-Jacques (1744-1831)
FIA5404333 Allegory on the accession to the throne of Emperor Alexander I par Avril, Jean-Jacques (1744-1831). Copper engraving, 1805, State History Museum, Moscow by Avril

Background imageSeraphs Collection: La mere de dieu Pecherskaya. Peinture de Fyodor Nikonovsky (actif fin 18e siecle)

La mere de dieu Pecherskaya. Peinture de Fyodor Nikonovsky (actif fin 18e siecle), tempera sur bois, 1790
FIA5376999 La mere de dieu Pecherskaya. Peinture de Fyodor Nikonovsky (actif fin 18e siecle), tempera sur bois, 1790. Art russe, 18e siecle, icone traditionnelle. State Art Museum, Irkoutsk (Russie)

Background imageSeraphs Collection: La visite de Venus (Aphrodite) a Vulcain (Hephaistos) (The visit of Venus to Vulcan)

La visite de Venus (Aphrodite) a Vulcain (Hephaistos) (The visit of Venus to Vulcan)
FIA5365905 La visite de Venus (Aphrodite) a Vulcain (Hephaistos) (The visit of Venus to Vulcan). Peinture de Pieter Thies (1624-1677 ou 1679). Huile sur toile, 118, 8 x157 cm



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"Seraphs: Divine Messengers in Art and Mythology" Step into the world of seraphs, celestial beings depicted throughout history as messengers of God. From religious paintings to tapestries and engravings, these ethereal creatures have captivated artists and believers alike. In "Our Lady of the Rosary, " an oil on canvas masterpiece, seraphs surround the Virgin Mary with their radiant presence. Their wings shimmering with heavenly light, they symbolize divine protection and guidance. Another poignant portrayal is found in "The Stoning of St. Stephen. " As St. Stephen faces martyrdom by stoning, a seraph hovers above him, offering solace amidst his suffering. This painting by Annibale Carracci captures the spiritual strength that angels provide during times of persecution. Traveling to London in 1888 through an engraving titled "The City Road, " we witness a scene where two angels guide travelers towards Islington's iconic Angel statue. These guardian figures remind us that even amidst bustling city life, seraphs watch over us from above. "Gloria in excelsis Deo" showcases a chromolithograph capturing angelic voices singing praises to God. Seraphic choirs are often associated with this hymn of joyous adoration, reminding us of their role as intermediaries between heaven and earth. In biblical tales like "Jacob Wrestling with the Angel, " we encounter another facet of seraphic encounters – their ability to challenge and transform human lives through divine intervention. This colored engraving depicts Jacob's struggle as he wrestles against an angel sent by God himself. "The Death of Adam, " part of the Legend of the True Cross cycle fresco completed in 1464, portrays Adam's passing surrounded by mourning cherubim and serene seraphs who carry his soul towards eternal rest. Here we see how these celestial beings accompany humanity even beyond earthly existence.