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Semi Circular Collection

"Embracing Elegance: The Allure of Semi-Circular Designs" Step into the world of art and design, where the beauty of semi-circular shapes captivates our senses

Background imageSemi Circular Collection: Florida, Miami, Villa Vizcaya, Vizcaya Museum and Gardens, Urn and Semi-Circular pool

Florida, Miami, Villa Vizcaya, Vizcaya Museum and Gardens, Urn and Semi-Circular pool

Background imageSemi Circular Collection: Ophelia, 1852 (oil on canvas)

Ophelia, 1852 (oil on canvas)
MAN62947 Ophelia, 1852 (oil on canvas) by Hughes, Arthur (1832-1915); 68.7x123.8 cm; Manchester Art Gallery, UK; (add.info)

Background imageSemi Circular Collection: Library side table and pier table

Library side table and pier table
6339888 Library side table and pier table by British School, (18th-19th century); (add.info.: Library side table and pier table)

Background imageSemi Circular Collection: George III marquetry demi-lune commode, c. 1760-79 (satinwood, amaranth & tulipwood)

George III marquetry demi-lune commode, c. 1760-79 (satinwood, amaranth & tulipwood)
CH421590 George III marquetry demi-lune commode, c.1760-79 (satinwood, amaranth & tulipwood) by Chippendale, Thomas (1718-79) (attr.to); 84.5x119x58 cm; Private Collection; (add.info)

Background imageSemi Circular Collection: George III inlaid side cabinet, c. 1780 (mahogany & tulipwood) (see also 441547)

George III inlaid side cabinet, c. 1780 (mahogany & tulipwood) (see also 441547)
CH441548 George III inlaid side cabinet, c.1780 (mahogany & tulipwood) (see also 441547) by English School, (18th century); 87.5x122x55.5 cm; Private Collection; (add.info)

Background imageSemi Circular Collection: The Goose Girl, c. 1895 (gouache, w / c & crayon on paper)

The Goose Girl, c. 1895 (gouache, w / c & crayon on paper)
475952 The Goose Girl, c.1895 (gouache, w/c & crayon on paper) by Pissarro, Camille (1830-1903); 34.6x54.6 cm; Private Collection; (add.info.: La Femme aux Oies); Photo eChristies Images; French

Background imageSemi Circular Collection: Design for a fan with sunburst, lilies, and irises, late 19th - mid 20th century

Design for a fan with sunburst, lilies, and irises, late 19th - mid 20th century
3702684 Design for a fan with sunburst, lilies, and irises, late 19th - mid 20th century (w/c & gold paint over graphite on paper) by Mucha

Background imageSemi Circular Collection: Six-Post Canopy Bed, Ming Dynasty (wood)

Six-Post Canopy Bed, Ming Dynasty (wood)
704639 Six-Post Canopy Bed, Ming Dynasty (wood) by Chinese School (17th century); Minneapolis Institute of Arts, MN, USA; (add.info)

Background imageSemi Circular Collection: Colonial window (stained glass)

Colonial window (stained glass)
829338 Colonial window (stained glass) by Mexican School; Merida, Yucatan State, Mexico; Mexican, out of copyright

Background imageSemi Circular Collection: Viva Paris. Pierre Cardins suit in white wool gabardine (by Fournier

Viva Paris. Pierre Cardins suit in white wool gabardine (by Fournier) single-breasted with an officer collar and a front panel of semi-circular cutouts

Background imageSemi Circular Collection: Detail of a Louis XVI commode, c. 1770-75 (ormolu mounted tulipwood, fruitwood, sycamore

Detail of a Louis XVI commode, c. 1770-75 (ormolu mounted tulipwood, fruitwood, sycamore
714754 Detail of a Louis XVI commode, c.1770-75 (ormolu mounted tulipwood, fruitwood, sycamore, amaranth & mother of pearl) (see also 714753-55) by Birckle

Background imageSemi Circular Collection: Pair of George III tea-tables, possibly Irish, c. 1780 (black & gold Japanned

Pair of George III tea-tables, possibly Irish, c. 1780 (black & gold Japanned
3056799 Pair of George III tea-tables, possibly Irish, c.1780 (black & gold Japanned and polychrome decorated wood) (see also 3056800-803) by English School

Background imageSemi Circular Collection: George III inlaid side cabinet, c. 1780 (mahogany & tulipwood) (see also 441548)

George III inlaid side cabinet, c. 1780 (mahogany & tulipwood) (see also 441548)
CH441547 George III inlaid side cabinet, c.1780 (mahogany & tulipwood) (see also 441548) by English School, (18th century); 87.5x122x55.5 cm; Private Collection; (add.info)

Background imageSemi Circular Collection: Chart showing the ranks and heraldic symbols of the British aristocracy (colour litho)

Chart showing the ranks and heraldic symbols of the British aristocracy (colour litho)
6030576 Chart showing the ranks and heraldic symbols of the British aristocracy (colour litho) by English School, (19th century); Private Collection; (add.info)

Background imageSemi Circular Collection: Roman siege engines

Roman siege engines: shelter for sappers digging a tunnel, Vineae 1, semi-circular shelter Pluteus 2, shelter Testudo with battering ram Aries 3, shelter on rolling cylinders Musculus 4

Background imageSemi Circular Collection: The Goose Girl, 1890 (gouache on silk)

The Goose Girl, 1890 (gouache on silk)
475541 The Goose Girl, 1890 (gouache on silk) by Pissarro, Camille (1830-1903); 29.2x59.4 cm; Private Collection; (add.info.: La Gardeuse d Oies); Photo eChristies Images; French, out of copyright

Background imageSemi Circular Collection: An allegory of rain, painted as fan (oil on canvas)

An allegory of rain, painted as fan (oil on canvas)
CH438744 An allegory of rain, painted as fan (oil on canvas) by Beraud, Jean (1849-1935); 39.5x55.4 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageSemi Circular Collection: George III marquetry demi-lune commode, c. 1760-79 (satinwood, amaranth & tulipwood)

George III marquetry demi-lune commode, c. 1760-79 (satinwood, amaranth & tulipwood)
CH421591 George III marquetry demi-lune commode, c.1760-79 (satinwood, amaranth & tulipwood) by Chippendale, Thomas (1718-79) (attr.to); 84.5x119x58 cm; Private Collection; (add.info)

Background imageSemi Circular Collection: George III marquetry demi-lune commode, c. 1760-79 (satinwood, amaranth & tulipwood)

George III marquetry demi-lune commode, c. 1760-79 (satinwood, amaranth & tulipwood)
CH421589 George III marquetry demi-lune commode, c.1760-79 (satinwood, amaranth & tulipwood) by Chippendale, Thomas (1718-79) (attr.to); 84.5x119x58 cm; Private Collection; (add.info)

Background imageSemi Circular Collection: View of the Baptistry of St. Jean (photo)

View of the Baptistry of St. Jean (photo)
NUL265649 View of the Baptistry of St. Jean (photo) by French School; Poitiers, Vienne, France; (add.info.: one of the oldest Christian monuments extant in France; earliest sections date to c.356;)

Background imageSemi Circular Collection: View of the Baptistry of St. Jean (photo)

View of the Baptistry of St. Jean (photo)
NUL265648 View of the Baptistry of St. Jean (photo) by French School; Poitiers, Vienne, France; (add.info.: one of the oldest Christian monuments extant in France; earliest sections date to c.356;)

Background imageSemi Circular Collection: One of a pair of George III double gateleg games tables, c

One of a pair of George III double gateleg games tables, c
CH441550 One of a pair of George III double gateleg games tables, c.1780 (sycamore & tulipwood) (see also 441549) by English School

Background imageSemi Circular Collection: An amphitheatre (pen & ink on paper)

An amphitheatre (pen & ink on paper)
CTS407564 An amphitheatre (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

Background imageSemi Circular Collection: Peasants gathering grass, 1885 (gouache, chalk & pencil on paper)

Peasants gathering grass, 1885 (gouache, chalk & pencil on paper)
CH451425 Peasants gathering grass, 1885 (gouache, chalk & pencil on paper) by Pissarro, Camille (1830-1903); Private Collection; (add.info)

Background imageSemi Circular Collection: One of a pair of George III tea-tables, possibly Irish, c

One of a pair of George III tea-tables, possibly Irish, c
3056800 One of a pair of George III tea-tables, possibly Irish, c.1780 (black & gold Japanned and polychrome decorated wood) (see also 3056799-803) by English School

Background imageSemi Circular Collection: One of a pair of George III tea-tables, possibly Irish, c

One of a pair of George III tea-tables, possibly Irish, c
3056801 One of a pair of George III tea-tables, possibly Irish, c.1780 (black & gold Japanned and polychrome decorated wood) (see also 3056799-803) by English School

Background imageSemi Circular Collection: View into the Exedra at Chiswick (pen & ink with brown wash on paper)

View into the Exedra at Chiswick (pen & ink with brown wash on paper)
908590 View into the Exedra at Chiswick (pen & ink with brown wash on paper) by Kent, William (1684-1748); 29x40.3 cm; eThe Devonshire Collections

Background imageSemi Circular Collection: Detail of a Louis XVI commode, c. 1770-75 (ormolu mounted tulipwood, fruitwood, sycamore

Detail of a Louis XVI commode, c. 1770-75 (ormolu mounted tulipwood, fruitwood, sycamore
714755 Detail of a Louis XVI commode, c.1770-75 (ormolu mounted tulipwood, fruitwood, sycamore, amaranth & mother of pearl) (see also 714753-54) by Birckle

Background imageSemi Circular Collection: Louis XVI commode, c. 1770-75 (ormolu mounted tulipwood, fruitwood, sycamore

Louis XVI commode, c. 1770-75 (ormolu mounted tulipwood, fruitwood, sycamore
714753 Louis XVI commode, c.1770-75 (ormolu mounted tulipwood, fruitwood, sycamore, amaranth & mother of pearl) (see also 714754-55) by Birckle

Background imageSemi Circular Collection: Pair of George III double gateleg games tables, c. 1780 (sycamore & tulipwood

Pair of George III double gateleg games tables, c. 1780 (sycamore & tulipwood
CH441549 Pair of George III double gateleg games tables, c.1780 (sycamore & tulipwood) (see also 441550) by English School

Background imageSemi Circular Collection: View of the West apse and the apsidiole (photo)

View of the West apse and the apsidiole (photo)
XIR162671 View of the West apse and the apsidiole (photo) by French School; Baptistry of St. Jean, Poitiers, France; (add.info)

Background imageSemi Circular Collection: Lindisfarne Priory, West Front, c. 1916 (charcoal on card)

Lindisfarne Priory, West Front, c. 1916 (charcoal on card)
1763643 Lindisfarne Priory, West Front, c.1916 (charcoal on card) by Oliver, Daniel (1830-1916); Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; British, out of copyright

Background imageSemi Circular Collection: Composition Sketch for an Unexecuted Mural (oil on panel)

Composition Sketch for an Unexecuted Mural (oil on panel)
884767 Composition Sketch for an Unexecuted Mural (oil on panel) by Watts, George Frederic (1817-1904); 23.8x54 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageSemi Circular Collection: 20085777

20085777
USA Nevada Las Vegas Ballys Hotel and Casino Las Vegas Nevada USA Travel Tourism Holiday Vacation Explore Recreation Leisure Sightseeing Tourist Attraction Tour Destination Trip Ballys Ballys Bally

Background imageSemi Circular Collection: Bartholomew Fair, 1824 (hand-coloured aquatint engraving)

Bartholomew Fair, 1824 (hand-coloured aquatint engraving)
495524 Bartholomew Fair, 1824 (hand-coloured aquatint engraving) by English School, (19th century); Private Collection; (add.info.: Unmounted fan leaf showing a view of Bartholomew Fair from 1721)

Background imageSemi Circular Collection: Baalbek, Lebanon - Circular Exedra of the Grand Court

Baalbek, Lebanon - Circular Exedra of the Grand Court. An Exedra is a room, portico, or arcade with a bench or seats where people may converse (especially in ancient Roman and Greek buildings)

Background imageSemi Circular Collection: Italy. Pompeii. The Great Theatre. 2nd AD. Panoramic

Italy. Pompeii. The Great Theatre. 2nd AD. Panoramic. Seating area (Cavea), orchestra, and portico of Gladiators

Background imageSemi Circular Collection: Italy. Pompeii. Small Theatre or odeon. 1st century B. C

Italy. Pompeii. Small Theatre or odeon. 1st century B. C
Italy. Pompeii. Small Theatre or odeon. 1st century B.C. It shows the typical design of the Greek theatre with its structure embanked in the natural slope of the terrain

Background imageSemi Circular Collection: Church of the Assumption of Our Lady (13th century). Cubillo

Church of the Assumption of Our Lady (13th century). Cubillo
Church of the Assumption of Our Lady (13th century). Mudejar Romanesque style. Apse. Cubillo de Uceda. Castile-La Mancha. Spain

Background imageSemi Circular Collection: Monastery of Sant Cugat. Catalonia. Spain

Monastery of Sant Cugat. Catalonia. Spain
Art romanesque. The Royal Benedictine Monastery of Sant Cugat. I was build betwenn the IX and XIV centuries. View of the apsis. Sant Cugat del Valles. Barcelona Province. Catalonia. Spain

Background imageSemi Circular Collection: Three Virtues Raphael ca 1665 Pen brown ink wash

Three Virtues Raphael ca 1665 Pen brown ink wash
Artokoloro

Background imageSemi Circular Collection: Life drawing class, 1739 (engraving) (b / w photo)

Life drawing class, 1739 (engraving) (b / w photo)
XJF366902 Life drawing class, 1739 (engraving) (b/w photo) by Italian School, (18th century); Private Collection; Italian, out of copyright

Background imageSemi Circular Collection: PEDRET, Master of (12th century). Apse from Santa

PEDRET, Master of (12th century). Apse from Santa Maria d Aneu. end 11th c. On the semicircular wall elements of the visions of Isaiah and Ezekiel are synthesized

Background imageSemi Circular Collection: PEDRET, Master of (12th century)

PEDRET, Master of (12th century). Apse from Santa Maria d Aneu. 11th c. On the semicircular wall elements of

Background imageSemi Circular Collection: Brownstone Thatches

Brownstone Thatches

Background imageSemi Circular Collection: Ear anatomy

Ear anatomy. Historical anatomical artwork of a human ear. The main diagram (centre) shows the outer ear (pinna, left) and the internal structure of the ear (moving left-right): the ear canal

Background imageSemi Circular Collection: Brain nausea reflex

Brain nausea reflex. Artwork of the location in the brain of the area responsible for the various nausea reflexes, and some of the causes

Background imageSemi Circular Collection: Saxon sundial

Saxon sundial. Vertical semicircular sundial over a doorway in the south wall of a church. This sundial has been dated between 1055 and 1064 AD and is one of the oldest sundials in Britain



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"Embracing Elegance: The Allure of Semi-Circular Designs" Step into the world of art and design, where the beauty of semi-circular shapes captivates our senses. From Ophelia's melancholic portrayal in John Everett Millais' 1852 masterpiece to the majestic Circular Exedra of Baalbek in Lebanon, these curved forms leave a lasting impression. Intricate craftsmanship takes center stage with the Library side table and pier table, showcasing meticulous detailing that adds sophistication to any space. The George III marquetry demi-lune commode exudes opulence with its satinwood, amaranth, and tulipwood composition, while the George III inlaid side cabinet boasts mahogany and tulipwood for a timeless appeal. Artistic expression finds its place within semi-circular designs as well. "The Goose Girl, " rendered by an unknown artist around 1895 using gouache, watercolor, and crayon on paper, captures a moment frozen in time. A fan adorned with sunburst motifs alongside lilies and irises showcases late 19th to mid-20th-century creativity at its finest. Travel back through history with the Six-Post Canopy Bed from Ming Dynasty China. Its wooden frame envelops you in comfort while adding an air of grandeur to your bedroom sanctuary. Meanwhile, colonial stained glass windows infuse spaces with vibrant hues that dance playfully when touched by sunlight. Fashion meets architectural elegance as Pierre Cardin presents his white wool gabardine suit crafted by Fournier - a testament to Parisian style that never fails to impress. Delve further into French allure with a detailed look at a Louis XVI commode featuring ormolu-mounted tulipwood, fruitwood, and sycamore materials. Lastly but not leastly are two enchanting tea-tables possibly hailing from Ireland during George III's reign.