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Seeress Collection

"The Seeress

Background imageSeeress Collection: Miss Lenormand in prison (litho) (b / w photo)

Miss Lenormand in prison (litho) (b / w photo)
CHT266907 Miss Lenormand in prison (litho) (b/w photo) by Champion, A (19th century); Bibliotheque Nationale, Paris, France; (add.info)

Background imageSeeress Collection: The Crystal Ball (oil on board)

The Crystal Ball (oil on board)
Ma198357 The Crystal Ball (oil on board) by Bell, Robert Anning (1863-1933); Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageSeeress Collection: The Sibyls of Tibur, Delphi, Cumae and Hellespont, Carafa Chapel

The Sibyls of Tibur, Delphi, Cumae and Hellespont, Carafa Chapel
703025 The Sibyls of Tibur, Delphi, Cumae and Hellespont, Carafa Chapel, Santa Maria sopra Minerva, Rome (fresco) by Capponi, (Raffaelo del Garbo) (1476-1524); Santa Maria sopra Minerva, Rome

Background imageSeeress Collection: A seated Sibyl accompanied by a putto holding up a large inscribed tablet

A seated Sibyl accompanied by a putto holding up a large inscribed tablet
CTS366737 A seated Sibyl accompanied by a putto holding up a large inscribed tablet (pen & brown ink with wash on paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666)

Background imageSeeress Collection: Vault of the Presbytery with the Cimmerian Sybil, Santa Maria del Popolo, Rome, c

Vault of the Presbytery with the Cimmerian Sybil, Santa Maria del Popolo, Rome, c
703073 Vault of the Presbytery with the Cimmerian Sybil, Santa Maria del Popolo, Rome, c.1484-92 (fresco) by Pinturicchio, Bernardino di Betto (c.1452-1513); Santa Maria del Popolo, Rome

Background imageSeeress Collection: The History of Mother Shipton, illustration from Chap-books of the Eighteenth

The History of Mother Shipton, illustration from Chap-books of the Eighteenth
489607 The History of Mother Shipton, illustration from Chap-books of the Eighteenth Century by John Ashton, pub. 1882 (litho) by English School

Background imageSeeress Collection: The Fortune Teller (oil on canvas)

The Fortune Teller (oil on canvas)
WAG292716 The Fortune Teller (oil on canvas) by Rippingille, Edward Villiers (1798-1859); 29.3x35.6 cm; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; English

Background imageSeeress Collection: Gabriel Cornelius Ritter von Max (1840-1915). The Seeress of

Gabriel Cornelius Ritter von Max (1840-1915). The Seeress of
Gabriel Cornelius Ritter von Max (1840-1915). Austrian painter, born in Prague. The Seeress of Prevorst (Frederica Hauffe). Oil on canvas, 1892. National Gallery in Prague. Czech Republic

Background imageSeeress Collection: WOLWA

WOLWA
The WOLWA is a female shaman or seeress who is consulted by those seeking to learn the likely outcome of their enterprise, project or undertaking

Background imageSeeress Collection: Friederike Hauffe

Friederike Hauffe
FRIEDERIKE HAUFFE The Seeress of Prevorst German countrywoman, patient of Justinus Kerner, who displayed remarkable psychic phenomena Date: 1801 - 1829

Background imageSeeress Collection: Mother Shipton, engraved by John Scott, 1804 (engraving)

Mother Shipton, engraved by John Scott, 1804 (engraving)
XJF354232 Mother Shipton, engraved by John Scott, 1804 (engraving) by Ouseley, William (1769-1842) (after); Private Collection; (add.info)

Background imageSeeress Collection: The Empress Josephine reveals the prophesy made to her by Marie Anne Adelaide Le

The Empress Josephine reveals the prophesy made to her by Marie Anne Adelaide Le
XJF323073 The Empress Josephine reveals the prophesy made to her by Marie Anne Adelaide Le Normand at the time of her divorce from Napoleon I in 1809, 1821 (litho) by Ribault

Background imageSeeress Collection: The Libyan Sibyl, after Michelangelo Buonarroti (pierre noire & red chalk on paper)

The Libyan Sibyl, after Michelangelo Buonarroti (pierre noire & red chalk on paper)
XIR346685 The Libyan Sibyl, after Michelangelo Buonarroti (pierre noire & red chalk on paper) by Rubens, Peter Paul (1577-1640); 52x34 cm; Louvre (Cabinet de dessins), Paris

Background imageSeeress Collection: The Cumaean Sibyl, after Michelangelo Buonarroti (1475-1564) (pierre noire & red

The Cumaean Sibyl, after Michelangelo Buonarroti (1475-1564) (pierre noire & red
XIR346680 The Cumaean Sibyl, after Michelangelo Buonarroti (1475-1564) (pierre noire & red chalk on paper) by Rubens, Peter Paul (1577-1640); 45.5x40 cm; Louvre (Cabinet de dessins), Paris

Background imageSeeress Collection: The Eritrean Sibyl (oil on canvas)

The Eritrean Sibyl (oil on canvas)
XIR222473 The Eritrean Sibyl (oil on canvas) by Finsonius or Finson, Louis (1580-1617) (attr. to); Musee des Beaux-Arts, Caen, France; Flemish, out of copyright

Background imageSeeress Collection: Emperor Augustus (63-14 BC) and the Tiburtine Sibyl, from the Mirror of Salvation Altarpiece, c

Emperor Augustus (63-14 BC) and the Tiburtine Sibyl, from the Mirror of Salvation Altarpiece, c
XIR219666 Emperor Augustus (63-14 BC) and the Tiburtine Sibyl, from the Mirror of Salvation Altarpiece, c.1435 (oil on panel) by Witz, Konrad (1400/10-44/6); 103x83 cm; Musee des Beaux-Arts, Dijon

Background imageSeeress Collection: Kassandra, c. 1895 (marble)

Kassandra, c. 1895 (marble)
XKH152500 Kassandra, c.1895 (marble) by Klinger, Max (1857-1920); 62x31x27 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Background imageSeeress Collection: Odin Consults a Wolwa

Odin Consults a Wolwa
Odin consults a wolwa, a seeress who can tell him his destiny


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"The Seeress: Unveiling the Mysteries of Prognostications" Step into the enigmatic world of seers and fortune tellers as depicted by Gabriel Cornelius Ritter von Max (1840-1915). In his captivating artwork, he brings to life the ancient art of divination and clairvoyance. In "The Seeress of Prognostications, 1521, " an intriguing engraving takes us back in time, where a mystical figure gazes into a crystal ball, unraveling secrets yet to be revealed. The black and white photo adds an air of mysticism to this timeless piece. Another remarkable litho captures Miss Lenormand in prison. Despite her confinement, her powers remain intact as she peers into the future with unwavering determination. This monochromatic photograph intensifies the atmosphere surrounding her prophetic abilities. Max's oil painting "The Crystal Ball" mesmerizes viewers with its vivid colors and intricate details. A seeress delicately holds a crystal ball, peering deep within its depths to unlock hidden truths that lie beyond ordinary perception. Venturing further into history, we encounter "The Sibyls of Tibur, Delphi, Cumae and Hellespont" adorning the Carafa Chapel. Each seated sibyl is accompanied by a putto holding an inscribed tablet—a testament to their divine wisdom passed down through generations. Moving on to Santa Maria del Popolo in Rome, we discover the Cimmerian Sybil residing within the vaulted presbytery. Her presence evokes both awe and reverence as she imparts prophecies from realms unknown. "The Fortune Teller, " portrayed in oil on canvas by an anonymous artist, invites us into a bustling marketplace where seekers eagerly await their turn for enlightenment. The vibrant hues capture not only their anticipation but also reflect upon society's fascination with these mysterious figures.