Seductress Collection

Girl with a Basket, c.1910 (oil on canvas)
AGR251745 Girl with a Basket, c.1910 (oil on canvas) by Szankowski, Boleslaw (1873-1953); 79x100 cm; Private Collection; Agra Art, Warsaw, Poland.

Judith (oil on panel)
471178 Judith (oil on panel) by Massys or Metsys, Jan (1509-75); 115x80 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Crab and Lobster (colour litho)
979739 Crab and Lobster (colour litho) by Ehrenberger, Ludwig Lutz (1878-1950); Private Collection; (add.info.: Crab and Lobster.); © Look and Learn

Fashionable Jockeyship, published by Hannah Humphrey, 1796 (coloured engraving)
NCO189709 Fashionable Jockeyship, published by Hannah Humphrey, 1796 (coloured engraving) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Gimpelfang (colour litho)
979732 Gimpelfang (colour litho) by Ehrenberger, Ludwig Lutz (1878-1950); Private Collection; (add.info.: Gimpelfang.); © Look and Learn

Joseph and Potiphars Wife (oil on canvas)
862741 Joseph and Potiphars Wife (oil on canvas) by Bassetti, Marcantonio (1586-1630) (studio of); 119.2x154.7 cm; Private Collection; Photo © Christies Images

Madam wanton
LLM455787 Madam wanton by English School, (19th century); Private Collection; (add.info.: Madam wanton. Illustration from Pilgrims Progress and other works by John Bunyan (James Sangster, c 1860)

Circe (colour litho)
979734 Circe (colour litho) by Ehrenberger, Ludwig Lutz (1878-1950); Private Collection; (add.info.: Circe.); © Look and Learn

Look thou not down but up, Illustration from Rabbi Ben Ezra by Robert Browning (colour litho)
IL370466 Look thou not down but up, Illustration from Rabbi Ben Ezra by Robert Browning (colour litho) by Partridge, Bernard John (1861-1945); Private Collection; (add.info)

Armida Encounters the Sleeping Rinaldo, 1742 / 45. Creator: Giovanni Battista Tiepolo
Armida Encounters the Sleeping Rinaldo, 1742/45

Delilah and the Philistines (oil on canvas)
878380 Delilah and the Philistines (oil on canvas) by Constant, Jean Joseph Benjamin (1845-1902); 150.5x99.7 cm; Private Collection; (add.info)

Circe (oil on paper laid down on canvas)
CH469046 Circe (oil on paper laid down on canvas) by Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64); 41.1x32.9 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Salome Posed Seductively in a Revealing Costume, 1906 (silver print photograph)
2622088 Salome Posed Seductively in a Revealing Costume, 1906 (silver print photograph) by French Photographer (20th century); Private Collection; (add.info)

Le Sphinx Parisien, c. 1880 (oil on panel)
CLK339862 Le Sphinx Parisien, c.1880 (oil on panel) by Stevens, Alfred Emile (1823-1906); 27.3x17 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; Belgian

Samson and Delilah (oil on canvas)
REV346182 Samson and Delilah (oil on canvas) by Pina, Jose Salome (1830-1909); Museo Nacional de Arte, Mexico City, Mexico; (add.info)

Costume design for a Dancing Girl (colour litho)
STC133622 Costume design for a Dancing Girl (colour litho) by Bakst, Leon (1866-1924); Private Collection; (add.info.: possibly for the Dance of the Seven Veils ;)

Redheaded Girl in Evening Dress, 1918 (oil on canvas)
BRN158976 Redheaded Girl in Evening Dress, 1918 (oil on canvas) by Modigliani, Amedeo (1884-1920); 116.2x73 cm; The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; Italian

A dandy being courted by two masked women, from the series Le Bon Genre
CHT187106 A dandy being courted by two masked women, from the series Le Bon Genre (hand-coloured engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Phryne at the Festival of Poseidon in Eleusin (oil on canvas)
BAL264702 Phryne at the Festival of Poseidon in Eleusin (oil on canvas) by Siemieradzki, Henryk (1843-1902); State Russian Museum, St. Petersburg, Russia; Polish, out of copyright

Samson and Delilah, c. 1621 (oil on canvas)
499718 Samson and Delilah, c.1621 (oil on canvas) by Honthorst, Gerrit van (1590-1656); 158.4x122.5 (framed) 139.7x177.8 (unframed) cm; Cleveland Museum of Art, OH

The Siren, c. 1900 (oil on canvas)
NUL121285 The Siren, c.1900 (oil on canvas) by Waterhouse, John William (1849-1917); 81x53 cm; Private Collection; English, out of copyright

Safie, 1900 (oil on canvas)
BAL15465 Safie, 1900 (oil on canvas) by Wontner, William Clark (1857-1930); 127.5x96 cm; Private Collection; (add.info.: One of the Three Ladies of Baghdad)

The Mermaid, song illustration from Pan-Pipes, A Book of Old Songs
DGC452042 The Mermaid, song illustration from Pan-Pipes, A Book of Old Songs, Newly Arranged and with Accompaniments by Theo

Fanny Cornforth, Study for Joan of Arc (pencil on paper)
1202915 Fanny Cornforth, Study for Joan of Arc (pencil on paper) by Rossetti, Dante Gabriel Charles (1828-82); 38.9x35.6 cm; Fitzwilliam Museum, University of Cambridge

The Village Coquette (oil on canvas)
1249196 The Village Coquette (oil on canvas) by Lance, George (1802-64); 110.5x86 cm; Private Collection; Photo eChristies Images; English, out of copyright

Phryne Seducing the Philosopher Xenokrates, 1794 (oil on canvas)
CH249871 Phryne Seducing the Philosopher Xenokrates, 1794 (oil on canvas) by Kauffmann, Angelica (1741-1807); 43x47.5 cm; Private Collection; (add.info.: known for her beauty)

Samson and Delilah (w / c)
PWI82610 Samson and Delilah (w/c) by Moreau, Gustave (1826-98); Musee Gustave Moreau, Paris, France; ePeter Willi; French, out of copyright

Salammbo, 1921 (oil on canvas)
MIB104747 Salammbo, 1921 (oil on canvas) by Tanoux, Henri Adrien (1865-1923); 74x100 cm; Private Collection; (add.info.: heroine of a romantic novel set in Carthage by Flaubert;)

Joseph and Potiphars Wife, 1634 (etching)
5981345 Joseph and Potiphars Wife, 1634 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 9.5x11.9 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Joseph and Potiphars Wife [Gen)

Imaginary Portrait of Cecile de Volanges in Choderlos de Lacloss
1217608 Imaginary Portrait of Cecile de Volanges in Choderlos de Lacloss Liaisons dangereuses, 1934 (graphite and red chalk and watercolours with stump)

Seduction Seducing Seductress Seducer Temptress
A Seduction. A man and a woman in a sensual situation. After a work by an unidentified late 17th century artist

Isabel Jeans - the subtle art of vamping
Isabel Jeans (1891 1985), British actress of stage and screen pictured at the time she was appearing in a play, Cobra, at the Garrick Theatre in London in which she played a wife intent on seducing

The Temptation of St. Anthony, 1883 (oil on canvas)
XIR243451 The Temptation of St. Anthony, 1883 (oil on canvas) by Khnopff, Fernand (1858-1921); Private Collection; (add.info.: La Tentation de Saint Antoine; ); Belgian, out of copyright

Mr Donald and Lady Idina Haldeman
The notorious Lady Idina Sackville with her fourth husband, Mr Donald Haldeman. Date: 1930

Costume design for Salome in Dance of the Seven Veils, 1909 (w / c)
BAL75814 Costume design for Salome in Dance of the Seven Veils, 1909 (w/c) by Bakst, Leon (1866-1924); 46.5x29.9 cm; Tretyakov Gallery, Moscow, Russia; Russian, out of copyright

Costume design for Delilah from the opera Samson and Delilah by Charles
XZO76998 Costume design for Delilah from the opera Samson and Delilah by Charles Camille Saint-Saens (1835-1921) (w/c) by French School, (19th century); Bibliotheque de l Opera Garnier, Paris

Florizel and Perdita (engraving)
KW282169 Florizel and Perdita (engraving) by English School, (18th century); Private Collection; (add.info.: satirical cartoon depicting the Prince of Wales (1762-1830)

Delilah (oil on canvas)
XIR247764 Delilah (oil on canvas) by Moreau, Gustave (1826-98); 80 x 63.5 cm; Musee Gustave Moreau, Paris, France; (add.info.: Dalila; wife of the Philistine Samson; ); French, out of copyright

Joseph and the Wife of Potiphar, c. 1649 (oil on canvas)
XIR224305 Joseph and the Wife of Potiphar, c.1649 (oil on canvas) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 134x162 cm; J & M Ringling Museum of Art, Sarasota, Florida

Rinaldo and Armida, from Gerusalemme Liberata by Torquato Tasso (1544-95)
XIR218789 Rinaldo and Armida, from Gerusalemme Liberata by Torquato Tasso (1544-95) (oil on canvas) by Favanne, Henri Antoine de (1668-1752); Hotel de Ville, Versailles, France; French

Rinaldo Abandoning Armida, detail of Armida, from Gerusalemme Liberata by Torquato Tasso
XIR218788 Rinaldo Abandoning Armida, detail of Armida, from Gerusalemme Liberata by Torquato Tasso (1544-95), 1757 (fresco) by Tiepolo

Odalisque (oil on canvas)
XIR202028 Odalisque (oil on canvas) by Delacroix, Ferdinand Victor Eugene (1798-1863); 24x32.5 cm; Louvre, Paris, France; French, out of copyright

Armida Abducting theSleeping Rinaldo, from Gerusalemme Liberata by Torquato Tasso
XIR218785 Armida Abducting theSleeping Rinaldo, from Gerusalemme Liberata by Torquato Tasso (1544-95) 1979 (fresco) (detail) by Tiepolo

Rinaldo Enchanted by Armida, from Gerusalemme Liberata by Torquato Tasso
XIR218783 Rinaldo Enchanted by Armida, from Gerusalemme Liberata by Torquato Tasso (1544-95) 1757 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Valmarana ai Nani, Vicenza

Delilah (w / c on paper)
XIR208579 Delilah (w/c on paper) by Moreau, Gustave (1826-98); 25x17.5 cm; Musee Gustave Moreau, Paris, France; French, out of copyright

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In a world of art and literature, the seductress captivates hearts and minds with her irresistible allure. From the enchanting gaze of Judith in the mesmerizing oil on panel painting to the vibrant colors of Crab and Lobster captured in a lithograph, she weaves her spell effortlessly. Even in the realm of fashion, her influence is undeniable. The publication "Fashionable Jockeyship" showcases her power as she commands attention with every stride. And who can resist the tantalizing charm depicted in Gimpelfang's colorful lithograph? Throughout history, tales have been told about these captivating women. Joseph and Potiphar's Wife reveal how temptation knows no bounds while Madam Wanton embodies desire unleashed. Circe, with her bewitching powers portrayed in yet another lithograph, reminds us that even gods can fall under her spell. But it is Cleopatra who reigns supreme as the ultimate seductress. In scenes from Anthony and Cleopatra by William Shakespeare or waiting for Mark Antony's visit, she exudes sensuality and power like no other. Her beauty immortalized not only on canvas but also through black-and-white photography. Yet amidst this alluring world lies cautionary tales too - Tantalus' eternal longing serves as a reminder that indulgence may lead to perpetual dissatisfaction. And Rabbi Ben Ezra urges us to look beyond earthly desires towards higher aspirations. As we delve into Giovanni Battista Tiepolo's masterpiece depicting Armida encountering Sleeping Rinaldo, we witness an encounter between passion and vulnerability - a testament to both love's intoxication and its potential consequences. The seductress remains an enigma throughout time - simultaneously fascinating and dangerous; she lures us into exploring our deepest desires while reminding us of their repercussions.