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Second Coming Collection

The Second Coming, a concept deeply rooted in religious beliefs, has been depicted through various forms of art throughout history

Background imageSecond Coming Collection: Last Judgement, Novgorod Icon (tempera on wood)

Last Judgement, Novgorod Icon (tempera on wood)
3469089 Last Judgement, Novgorod Icon (tempera on wood) by Russian School (15th century); 162x115 cm; Tretyakov Gallery, Moscow

Background imageSecond Coming Collection: Last Judgment, 1607. Creator: Willem van Swanenburg

Last Judgment, 1607. Creator: Willem van Swanenburg
Last Judgment, 1607. From Thronus Justitiae, pl. 13

Background imageSecond Coming Collection: The Resurrection of Christ, illustration from Festkalender

The Resurrection of Christ, illustration from Festkalender
AFC215875 The Resurrection of Christ, illustration from Festkalender published in Leipzig c.1910 (colour litho) by Thoma, Hans (1839-1924); Private Collection; German, out of copyright

Background imageSecond Coming Collection: Last Judgement, detail (fresco)

Last Judgement, detail (fresco)
3736127 Last Judgement, detail (fresco) by Procaccini, Camillo (c.1560-1629); Chiesa di San Prospero, Reggio Emilia, Emilia Romagna, Italy; (add.info.: Basilica di San Prospero)

Background imageSecond Coming Collection: Last Judgement, detail (fresco)

Last Judgement, detail (fresco)
3736130 Last Judgement, detail (fresco) by Procaccini, Camillo (c.1560-1629); Chiesa di San Prospero, Reggio Emilia, Emilia Romagna, Italy; (add.info.: Basilica di San Prospero)

Background imageSecond Coming Collection: Angels playing music, detail of the Last Judgement (fresco)

Angels playing music, detail of the Last Judgement (fresco)
3736132 Angels playing music, detail of the Last Judgement (fresco) by Procaccini, Camillo (c.1560-1629); Chiesa di San Prospero, Reggio Emilia, Emilia Romagna

Background imageSecond Coming Collection: Last Judgement, detail (fresco)

Last Judgement, detail (fresco)
3736121 Last Judgement, detail (fresco) by Procaccini, Camillo (c.1560-1629); Chiesa di San Prospero, Reggio Emilia, Emilia Romagna, Italy; (add.info.: Basilica di San Prospero)

Background imageSecond Coming Collection: Angels playing music, detail of the Last Judgement (fresco)

Angels playing music, detail of the Last Judgement (fresco)
3736133 Angels playing music, detail of the Last Judgement (fresco) by Procaccini, Camillo (c.1560-1629); Chiesa di San Prospero, Reggio Emilia, Emilia Romagna

Background imageSecond Coming Collection: Last Judgement, detail (fresco)

Last Judgement, detail (fresco)
3736125 Last Judgement, detail (fresco) by Procaccini, Camillo (c.1560-1629); Chiesa di San Prospero, Reggio Emilia, Emilia Romagna, Italy; (add.info.: Basilica di San Prospero)

Background imageSecond Coming Collection: Last Judgement, detail (fresco)

Last Judgement, detail (fresco)
3736122 Last Judgement, detail (fresco) by Procaccini, Camillo (c.1560-1629); Chiesa di San Prospero, Reggio Emilia, Emilia Romagna, Italy; (add.info.: Basilica di San Prospero)

Background imageSecond Coming Collection: The Last Judgment, c. 1540 (fresco)

The Last Judgment, c. 1540 (fresco)
3472324 The Last Judgment, c.1540 (fresco) by Buonarroti, Michelangelo (1475-1564); 1, 370x1, 220 cm; Vatican Museums and Galleries, Vatican City; (add.info.: In Christian belief)

Background imageSecond Coming Collection: Last Judgment, c. 1500 (oil on panel)

Last Judgment, c. 1500 (oil on panel)
3709964 Last Judgment, c.1500 (oil on panel) by German School, (15th century); 149x175 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: Christ on a rainbow with Mary and John the Baptist)

Background imageSecond Coming Collection: Window depicting the Apostles and others at the Second Coming of Christ

Window depicting the Apostles and others at the Second Coming of Christ
2921839 Window depicting the Apostles and others at the Second Coming of Christ, 1470-1500 (detail of 2921838) (stained glass) by French School, (15th century); Eglise Saint Martin

Background imageSecond Coming Collection: Last Judgement, c. 1435 (tempera on oak)

Last Judgement, c. 1435 (tempera on oak)
JLJ4690625 Last Judgement, c.1435 (tempera on oak) by Lochner, Stephan (fl.1442-1451); Wallraf Richartz Museum, Cologne, Germany; (add.info)

Background imageSecond Coming Collection: Window depicting the Second Coming of Christ, 1470-1500 (detail of 2921838

Window depicting the Second Coming of Christ, 1470-1500 (detail of 2921838
2921840 Window depicting the Second Coming of Christ, 1470-1500 (detail of 2921838) (stained glass) by French School, (15th century); Eglise Saint Martin, Vatteville-la-Rue, France; French

Background imageSecond Coming Collection: The River of Paradise, no. 82 from The Apocalypse of Angers, 1373-87 (tapestry)

The River of Paradise, no. 82 from The Apocalypse of Angers, 1373-87 (tapestry)
XIR83995 The River of Paradise, no.82 from The Apocalypse of Angers, 1373-87 (tapestry) by Bataille, Nicolas (fl. 1363-1400); Musee des Tapisseries, Angers, France; French, out of copyright

Background imageSecond Coming Collection: The Last Judgement (stained glass)

The Last Judgement (stained glass)
PC344946 The Last Judgement (stained glass) by French School, (13th century); Saint-Etienne Cathedral, Bourges, France; French, out of copyright

Background imageSecond Coming Collection: Second Coming Fifth Patriarch mid-1300s Yintuoluo

Second Coming Fifth Patriarch mid-1300s Yintuoluo
The Second Coming of the Fifth Patriarch, c. mid-1300s. Yintuoluo (Chinese). Section of a handscroll mounted as a hanging scroll

Background imageSecond Coming Collection: Lorenzo Dow, 1834 (engraving)

Lorenzo Dow, 1834 (engraving)
XOS1765611 Lorenzo Dow, 1834 (engraving) by American School, (19th century); Private Collection; (add.info.: Lorenzo Dow (1777-1834) American preacher of the Second Great Awakening

Background imageSecond Coming Collection: The Five Foolish Virgins, illustration from The Parables of Our Lord and Saviour

The Five Foolish Virgins, illustration from The Parables of Our Lord and Saviour
XJF441946 The Five Foolish Virgins, illustration from The Parables of Our Lord and Saviour Jesus Christ, 1864 (engraving) by Millais

Background imageSecond Coming Collection: Shakers: United Society of Believers in Christs Second Appearance

Shakers: United Society of Believers in Christs Second Appearance. Members of the community going to dinner, each carrying their own typical, simple Shaker chair


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The Second Coming, a concept deeply rooted in religious beliefs, has been depicted through various forms of art throughout history. One such representation is the Novgorod Icon, a mesmerizing tempera on wood masterpiece that captures the essence of this divine event. In the Last Judgement fresco, every intricate detail tells a story. The faces of those being judged reflect fear and anticipation as they await their fate. Angels playing music surround them, creating an ethereal atmosphere that resonates with both hope and trepidation. As we delve deeper into the fresco's details, we witness souls pleading for mercy while others are cast aside to face eternal damnation. This powerful imagery reminds us of our mortality and urges us to live virtuously in preparation for this ultimate reckoning. Moving beyond frescoes, we encounter another striking portrayal: an oil-on-panel painting from 1500 depicting the Last Judgment. Here, vibrant colors bring forth intense emotions as Christ sits upon his throne surrounded by angels and saints. The Resurrection of Christ illustration further amplifies this sentiment by showcasing His triumphant return after conquering death itself. A window adorned with depictions of Apostles witnessing the Second Coming serves as a reminder that even those closest to Jesus will bear witness to this awe-inspiring event. Their expressions capture astonishment mixed with reverence as they comprehend the magnitude of what unfolds before them. Throughout these artworks, one common thread prevails - humanity's profound fascination with eschatology and its longing for redemption. The Second Coming represents not only an end but also a new beginning; it symbolizes justice prevailing over injustice and offers solace to those who have endured suffering. Whether painted or carved in wood or captured through other artistic mediums, these representations serve as visual reminders that life is transient and our actions hold consequences beyond earthly existence. They implore us to reflect upon our choices today so that when faced with judgment tomorrow, we may find ourselves worthy of eternal bliss.