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Scotland Scotish Collection

"Exploring the Rich Heritage of Scotland

Background imageScotland Scotish Collection: North Berwick, on the Firth of Forth (engraving)

North Berwick, on the Firth of Forth (engraving)
1595369 North Berwick, on the Firth of Forth (engraving) by English School, (19th century); Private Collection; (add.info.: North Berwick, on the Firth of Forth)

Background imageScotland Scotish Collection: Loch Coruisk, Isle of Skye, 1832 (watercolour and pencil on paper)

Loch Coruisk, Isle of Skye, 1832 (watercolour and pencil on paper)
7528566 Loch Coruisk, Isle of Skye, 1832 (watercolour and pencil on paper) by Robson, George Fennel (1788-1833); 45x30 cm; Gallery Oldham

Background imageScotland Scotish Collection: A Red Legged Patridge and a Covey of Grey Patridges by Corn Stooks (pencil and w / c)

A Red Legged Patridge and a Covey of Grey Patridges by Corn Stooks (pencil and w / c)
6448737 A Red Legged Patridge and a Covey of Grey Patridges by Corn Stooks (pencil and w/c) by Thorburn, Archibald (1860-1935); 22.8x36.8 cm; Private Collection; (add.info.: Thorburn)

Background imageScotland Scotish Collection: Dumfries: High Street from South (b / w photo)

Dumfries: High Street from South (b / w photo)
7167987 Dumfries: High Street from South (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: High Street from South)

Background imageScotland Scotish Collection: Lady with a Red Hat, 1918 (oil on canvas)

Lady with a Red Hat, 1918 (oil on canvas)
GLS219806 Lady with a Red Hat, 1918 (oil on canvas) by Strang, William (1859-1921); 102.9x77.5 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageScotland Scotish Collection: On the Allan Water, at Dunblane (b / w photo)

On the Allan Water, at Dunblane (b / w photo)
7198767 On the Allan Water, at Dunblane (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: On the Allan Water, at Dunblane)

Background imageScotland Scotish Collection: Drum Castle (b / w photo)

Drum Castle (b / w photo)
7191227 Drum Castle (b/w photo) by Porter, James (1874-1937); Private Collection; (add.info.: Drum Castle. Illustration for Porters Views of Aberdeen and District (James Porter, Aberdeen, c 1905)

Background imageScotland Scotish Collection: Cruden Bay Hotel (b / w photo)

Cruden Bay Hotel (b / w photo)
7191191 Cruden Bay Hotel (b/w photo) by Porter, James (1874-1937); Private Collection; (add.info.: Cruden Bay Hotel. Illustration for Porters Views of Aberdeen and District (James Porter, Aberdeen)

Background imageScotland Scotish Collection: Inverary Castle, Argyll, Scotland. 1880 (engraving)

Inverary Castle, Argyll, Scotland. 1880 (engraving)
7234758 Inverary Castle, Argyll, Scotland. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); Private Collection; (add.info.: Inverary Castle, Argyll, Scotland)

Background imageScotland Scotish Collection: Glasgow: Broomielaw Bridge (litho)

Glasgow: Broomielaw Bridge (litho)
7181093 Glasgow: Broomielaw Bridge (litho) by English School, (19th century); Private Collection; (add.info.: Broomielaw Bridge. Illustration for The Cabinet Album of Glasgow, c 1895)

Background imageScotland Scotish Collection: Dunkeld (engraving)

Dunkeld (engraving)
7163806 Dunkeld (engraving) by English School, (19th century); Private Collection; (add.info.: Dunkeld. Illustration for The Scots Worthies edited by J A Wylie (William Mackenzie)

Background imageScotland Scotish Collection: The Herds O Aberdeen (oil on canvas)

The Herds O Aberdeen (oil on canvas)
7064100 The Herds O Aberdeen (oil on canvas) by Breanski, Alfred de (1852-1928); 61x91.5 cm; Private Collection; English, out of copyright

Background imageScotland Scotish Collection: Dhu Loch near Balmoral (oil on canvas)

Dhu Loch near Balmoral (oil on canvas)
7064114 Dhu Loch near Balmoral (oil on canvas) by Breanski, Alfred de (1852-1928); 61x91.5 cm; Private Collection; English, out of copyright

Background imageScotland Scotish Collection: The Forth Bridge (engraving)

The Forth Bridge (engraving)
1623795 The Forth Bridge (engraving) by English School, (19th century); Private Collection; (add.info.: The Forth Bridge. Illustration for The Illustrated London News, 28 January 1882)

Background imageScotland Scotish Collection: Thomas Chalmers. Portrait. (print)

Thomas Chalmers. Portrait. (print)
7419869 Thomas Chalmers. Portrait. (print) by Geddes, Andrew (1783-1844) (after); (add.info.: Thomas Chalmers, 1780 to 1847)

Background imageScotland Scotish Collection: View from Fort Augustus, Caledonian Canal, c.1830 (watercolour on paper)

View from Fort Augustus, Caledonian Canal, c.1830 (watercolour on paper)
7528565 View from Fort Augustus, Caledonian Canal, c.1830 (watercolour on paper) by Robson, George Fennel (1788-1833); 26.5x25 cm; Gallery Oldham

Background imageScotland Scotish Collection: Child of the West, A Highland Ballad, c.1770-1959 (print)

Child of the West, A Highland Ballad, c.1770-1959 (print)
3671835 Child of the West, A Highland Ballad, c.1770-1959 (print) by Hewitt, John Hill (1801-90); Newberry Library, Chicago, Illinois

Background imageScotland Scotish Collection: Ixias, 1904 (pencil, watercolour, paper)

Ixias, 1904 (pencil, watercolour, paper)
7443874 Ixias, 1904 (pencil, watercolour, paper) by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums, UK; (add.info.: PR.1969.12.b DRAWINGS drawing; watercolour IXIAS Mackintosh)

Background imageScotland Scotish Collection: Scottish Musical Review (planographic print, lithograph, paper)

Scottish Musical Review (planographic print, lithograph, paper)
7443877 Scottish Musical Review (planographic print, lithograph, paper) by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums, UK; (add.info.: PRINTS Scottish musical review Mackintosh)

Background imageScotland Scotish Collection: Montezuma II made prisoner by hernan Cortes in 1519, 19th century (lithograph)

Montezuma II made prisoner by hernan Cortes in 1519, 19th century (lithograph)
ELD4918779 Montezuma II made prisoner by hernan Cortes in 1519, 19th century (lithograph) by Reid, Stephen (1873-1948); (add.info)

Background imageScotland Scotish Collection: Pencil sketch of old buildings, probably in Glasgow (pencil, paper)

Pencil sketch of old buildings, probably in Glasgow (pencil, paper)
7443875 Pencil sketch of old buildings, probably in Glasgow (pencil, paper) by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums, UK; (add.info.: PR.1969.12 DRAWINGS Mackintosh)

Background imageScotland Scotish Collection: Scottish Musical Review (planographic print, lithograph, paper)

Scottish Musical Review (planographic print, lithograph, paper)
7443876 Scottish Musical Review (planographic print, lithograph, paper) by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums

Background imageScotland Scotish Collection: House At Corner Of Mcleod Street, 1889 (pencil, paper)

House At Corner Of Mcleod Street, 1889 (pencil, paper)
7443873 House At Corner Of Mcleod Street, 1889 (pencil, paper) by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums

Background imageScotland Scotish Collection: Glengary Loch, date unknown (watercolour on paper)

Glengary Loch, date unknown (watercolour on paper)
7528538 Glengary Loch, date unknown (watercolour on paper) by Varley, John (1778-1842); 44.5x21 cm; Gallery Oldham, UK; (add.info)

Background imageScotland Scotish Collection: Interior of Glasgow School of Art, library, Scotland, UK (photo)

Interior of Glasgow School of Art, library, Scotland, UK (photo)
BAL23701 Interior of Glasgow School of Art, library, Scotland, UK (photo) by Mackintosh, Charles Rennie (1868-1928); (add.info.: built 1897-1909 by Charles Rennie Mackintosh, (1868-1928))

Background imageScotland Scotish Collection: Eliza Pringle, Mrs Archibald Tod of Drygrange (oil on canvas)

Eliza Pringle, Mrs Archibald Tod of Drygrange (oil on canvas)
NGW342610 Eliza Pringle, Mrs Archibald Tod of Drygrange (oil on canvas by Raeburn, Henry (1756-1823); 76x62.2 cm; National Museum Wales; (add.info)

Background imageScotland Scotish Collection: Lady with a Red Hat, 1918 (oil on canvas) (see also 219806)

Lady with a Red Hat, 1918 (oil on canvas) (see also 219806)
5052831 Lady with a Red Hat, 1918 (oil on canvas) (see also 219806) by Strang, William (1859-1921); 102.9x77.5 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageScotland Scotish Collection: James Gregory (1638-75), Scottish mathematician and astronomer

James Gregory (1638-75), Scottish mathematician and astronomer, from Crabb's Historical Dictionary, pub
4071120 James Gregory (1638-75), Scottish mathematician and astronomer, from Crabb's Historical Dictionary, pub. 1825 (print) by Unknown Artist

Background imageScotland Scotish Collection: Light fitting, used in the Chinese Room at the Ingram Street Tea Rooms (pierced copper)

Light fitting, used in the Chinese Room at the Ingram Street Tea Rooms (pierced copper)
GLS314106 Light fitting, used in the Chinese Room at the Ingram Street Tea Rooms (pierced copper) by Mackintosh, Charles Rennie (1868-1928); Art Gallery and Museum, Kelvingrove, Glasgow

Background imageScotland Scotish Collection: High-backed Chair (oak)

High-backed Chair (oak)
694078 High-backed Chair (oak) by Mackintosh, Charles Rennie (1868-1928); Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Background imageScotland Scotish Collection: Ingram Chair (oak)

Ingram Chair (oak)
694079 Ingram Chair (oak) by Mackintosh, Charles Rennie (1868-1928); Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; (add.info)

Background imageScotland Scotish Collection: Faded roses, 1905 (w/c on paper)

Faded roses, 1905 (w/c on paper)
3550993 Faded roses, 1905 (w/c on paper) by Mackintosh, Charles Rennie (1868-1928); 27.2x28 cm; Glasgow Museums, UK; (add.info.: Watercolour composition showing group of blue faded flowers)

Background imageScotland Scotish Collection: COSTUME: dress, Lanvin, Jeanne, France, Paris (place associated), c. 1923 (silk crepe, net)

COSTUME: dress, Lanvin, Jeanne, France, Paris (place associated), c. 1923 (silk crepe, net)
3548237 COSTUME: dress, Lanvin, Jeanne, France, Paris (place associated), c. 1923 (silk crepe, net) by Lanvin, Jeanne (1867-1946); 84x126x86 cm; Glasgow Museums

Background imageScotland Scotish Collection: Domino Clock, c. 1917 (ebonised wood with ivory and plastic inlay)

Domino Clock, c. 1917 (ebonised wood with ivory and plastic inlay)
3551055 Domino Clock, c.1917 (ebonised wood with ivory and plastic inlay) by Mackintosh, Charles Rennie (1868-1928); 25.5x13x12.8 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageScotland Scotish Collection: Light fitting

Light fitting
3551050 Light fitting by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums, UK; (add.info.: Basket type lampshade with wall fitting. ); © CSG CIC Glasgow Museums Collection

Background imageScotland Scotish Collection: COSTUME: dress, Lanvin, Jeanne, France, Paris (place associated), c. 1923 (silk crepe, net)

COSTUME: dress, Lanvin, Jeanne, France, Paris (place associated), c. 1923 (silk crepe, net)
3548243 COSTUME: dress, Lanvin, Jeanne, France, Paris (place associated), c. 1923 (silk crepe, net) by Lanvin, Jeanne (1867-1946); 84x126x86 cm; Glasgow Museums

Background imageScotland Scotish Collection: COSTUME: dress, Lanvin, Jeanne, France, Paris (place associated), c. 1923 (silk crepe, net)

COSTUME: dress, Lanvin, Jeanne, France, Paris (place associated), c. 1923 (silk crepe, net)
3548238 COSTUME: dress, Lanvin, Jeanne, France, Paris (place associated), c. 1923 (silk crepe, net) by Lanvin, Jeanne (1867-1946); 84x126x86 cm; Glasgow Museums

Background imageScotland Scotish Collection: Light fitting with a wooden pagoda top, from the Chinese Room at the Ingram Street Tea Rooms (wood)

Light fitting with a wooden pagoda top, from the Chinese Room at the Ingram Street Tea Rooms (wood)
GLS314107 Light fitting with a wooden pagoda top, from the Chinese Room at the Ingram Street Tea Rooms (wood) by Mackintosh, Charles Rennie (1868-1928); 24.8x15x15 cm; Art Gallery and Museum

Background imageScotland Scotish Collection: Panel from the Ingram Street Tea Rooms (lead panel with aluminium finish)

Panel from the Ingram Street Tea Rooms (lead panel with aluminium finish)
GLS314103 Panel from the Ingram Street Tea Rooms (lead panel with aluminium finish) by Mackintosh, Charles Rennie (1868-1928); 124.5x30.5 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageScotland Scotish Collection: The Village of La Lagonne (w/c on paper)

The Village of La Lagonne (w/c on paper)
GLS314110 The Village of La Lagonne (w/c on paper) by Mackintosh, Charles Rennie (1868-1928); 45.7x45.7 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageScotland Scotish Collection: Domino Clock, 1917 (ebonised wood with ivory and plastic inlay)

Domino Clock, 1917 (ebonised wood with ivory and plastic inlay)
GLS219816 Domino Clock, 1917 (ebonised wood with ivory and plastic inlay) by Mackintosh, Charles Rennie (1868-1928); 25.5x13x12.8 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageScotland Scotish Collection: A Southern Port (w/c on paper)

A Southern Port (w/c on paper)
GLS224047 A Southern Port (w/c on paper) by Mackintosh, Charles Rennie (1868-1928); Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Background imageScotland Scotish Collection: Grey Iris, 1855 (w/c on paper)

Grey Iris, 1855 (w/c on paper)
GLS314094 Grey Iris, 1855 (w/c on paper) by Mackintosh, Charles Rennie (1868-1928); 41.5x36 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Background imageScotland Scotish Collection: Part Seen, Imagined Part, 1896 (pencil & w/c on tracing paper)

Part Seen, Imagined Part, 1896 (pencil & w/c on tracing paper)
GLS219817 Part Seen, Imagined Part, 1896 (pencil & w/c on tracing paper) by Mackintosh, Charles Rennie (1868-1928); 39x19.5 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageScotland Scotish Collection: Port Vendres, 1856 (w/c on paper)

Port Vendres, 1856 (w/c on paper)
GLS314095 Port Vendres, 1856 (w/c on paper) by Mackintosh, Charles Rennie (1868-1928); Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Background imageScotland Scotish Collection: Pinks (w/c on paper)

Pinks (w/c on paper)
GLS219860 Pinks (w/c on paper) by Mackintosh, Charles Rennie (1868-1928); 49x49 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Background imageScotland Scotish Collection: Poster advertising the Scottish Musical Review, 1896 (colour litho)

Poster advertising the Scottish Musical Review, 1896 (colour litho)
GLS314113 Poster advertising the Scottish Musical Review, 1896 (colour litho) by Mackintosh, Charles Rennie (1868-1928); Art Gallery and Museum, Kelvingrove, Glasgow

Background imageScotland Scotish Collection: The Herring Market at Sea (On Loch Fyne, Argyll), 1884 (oil on canvas)

The Herring Market at Sea (On Loch Fyne, Argyll), 1884 (oil on canvas)
7265448 The Herring Market at Sea (On Loch Fyne, Argyll), 1884 (oil on canvas) by Hunter, Colin (1841-1904); 108.3x183.5 cm; Manchester Art Gallery



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"Exploring the Rich Heritage of Scotland: From Art to Architecture" Immerse yourself in the captivating world of Scotland through a collection of diverse and enchanting glimpses into its history. Step back in time with "Lady with a Red Hat, 1918, " an exquisite oil painting that portrays the elegance and grace of Scottish women during that era. The vibrant red hat adds a touch of allure, capturing the essence of Scottish fashion. Travel further into history as you discover Drum Castle, frozen in time within a black and white photograph. This ancient fortress stands proudly amidst lush greenery, whispering tales from centuries past. Cruden Bay Hotel emerges from another monochromatic image, evoking nostalgia for grandeur seaside retreats. Its timeless charm invites you to imagine long summer days spent by the rugged Scottish coastline. Journey to Inverary Castle in Argyll, where an engraving transports you to 1880. Marvel at this architectural gem nestled among picturesque landscapes—a testament to Scotland's rich cultural heritage. Glasgow's Broomielaw Bridge comes alive through lithography—an iconic symbol connecting bustling city life with serene river views. Feel the energy pulsating through this vital artery bridging past and present. "The Herds O Aberdeen" captures rural beauty on canvas—rolling hills dotted with majestic cattle embodying Scotland's agricultural legacy. Let your imagination roam freely across these vast landscapes. The Forth Bridge enchants us through an intricate engraving—a marvel of engineering spanning over turbulent waters. It stands as a testament to human ingenuity against nature's might. Dunkeld reveals itself through delicate engravings—its charming streets lined with historic buildings beckoning visitors to explore its quaint corners steeped in tradition. "Dhu Loch near Balmoral" immerses us in nature's tranquility—an idyllic scene captured on canvas where shimmering waters reflect towering mountains adorned by lush forests. Lose yourself in the serenity of this Scottish paradise.