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Score Collection (page 13)

"Score: A Melodic Tapestry of Triumphs and Tales" In the world of music, a score is not merely a collection of notes on paper; it encapsulates emotions, narratives

Background imageScore Collection: Figures of musicians

Figures of musicians
3567534 Figures of musicians by Abate, Nicolo dell (c.1509-71); Galleria e Museo Estense, Modena, Italy; (add.info.: ARTIST: dell Abate, Niccolo Date of Artwork: 1540 Location: Modena)

Background imageScore Collection: Illuminated initial with the figure of Saint Michael Archangel defeating the demons (Corale 5, c)

Illuminated initial with the figure of Saint Michael Archangel defeating the demons (Corale 5, c)
3565252 Illuminated initial with the figure of Saint Michael Archangel defeating the demons (Corale 5, c. 105v), for choir book 5 of Santa Maria degli Angeli by Torelli

Background imageScore Collection: Illuminated initial with Christ in glory (Corale 39, c. 1v), work for choir book 39 of Santa Maria

Illuminated initial with Christ in glory (Corale 39, c. 1v), work for choir book 39 of Santa Maria degli Angeli
3565249 Illuminated initial with Christ in glory (Corale 39, c. 1v), work for choir book 39 of Santa Maria degli Angeli from the church of San Pancrazio in Florence by Camaldolese

Background imageScore Collection: Frontispiece of the German Requiem by Johannes Brahms (1833 - 1897) (litho)

Frontispiece of the German Requiem by Johannes Brahms (1833 - 1897) (litho)
GIA3526008 Frontispiece of the German Requiem by Johannes Brahms (1833 - 1897) (litho) by German School, (19th century); Private Collection; eGiancarlo Costa; German, out of copyright

Background imageScore Collection: Mary, Mary, Quite Contrary, Flowers detail, 1886 (stained glass)

Mary, Mary, Quite Contrary, Flowers detail, 1886 (stained glass)
3475494 Mary, Mary, Quite Contrary, Flowers detail, 1886 (stained glass) by Holmes Jewitt, Edward (1849-1929); Pownall Hall Farm, Wilmslow, Cheshire

Background imageScore Collection: A globe, a casket of jewels and medallions, books, a hurdy-gurdy, a bagpipe, a lute

A globe, a casket of jewels and medallions, books, a hurdy-gurdy, a bagpipe, a lute
3474614 A globe, a casket of jewels and medallions, books, a hurdy-gurdy, a bagpipe, a lute, a violin, an upturned silver tazza and roemer, a nautilus shell, a recorder, a shawm

Background imageScore Collection: Sheet music of the Opening of 'Manfred'(opus 115

Sheet music of the Opening of "Manfred"(opus 115
LRI3515872 Sheet music of the Opening of " Manfred" (opus 115) by German composer Robert Schumann (print) by German School; Private Collection; (add.info)

Background imageScore Collection: Musical Score for the Quest avventura aria

Musical Score for the Quest avventura aria
LRI2909804 Musical Score for the Quest avventura aria, in the The Barber of Seville (ink on paper) by Rossini, Gioachino (1792-1868); Museo internazionale e biblioteca della musica, Bologna

Background imageScore Collection: Gioachino Rossini, 19th Century Italian composer, and music from his opera William Tell

Gioachino Rossini, 19th Century Italian composer, and music from his opera William Tell (chromolitho)
668990 Gioachino Rossini, 19th Century Italian composer, and music from his opera William Tell (chromolitho) by French School, (19th century); Private Collection; (add.info.: Gioachino Rossini)

Background imageScore Collection: Muscical score for The Escort Galop by Charles Godfrey (colour litho)

Muscical score for The Escort Galop by Charles Godfrey (colour litho)
607335 Muscical score for The Escort Galop by Charles Godfrey (colour litho) by Concanen, Alfred (1835-86); Private Collection; (add.info)

Background imageScore Collection: Musical score for The Royal Horse Guards Quadrilles (colour litho)

Musical score for The Royal Horse Guards Quadrilles (colour litho)
604120 Musical score for The Royal Horse Guards Quadrilles (colour litho) by English School, (19th century); Private Collection; (add.info.: Musical score for The Royal Horse Guards Quadrilles)

Background imageScore Collection: Miss Murray Louise Todd, 1915-6 (silver gelatin print)

Miss Murray Louise Todd, 1915-6 (silver gelatin print)
MNY381597 Miss Murray Louise Todd, 1915-6 (silver gelatin print) by Byron Company (fl.1890-1942); 25.4x20.3 cm; Museum of the City of New York, USA; eMuseum of the City of New York; American

Background imageScore Collection: Woman teaching a blind young man to play the violin at the New York Association for

Woman teaching a blind young man to play the violin at the New York Association for
MNY380976 Woman teaching a blind young man to play the violin at the New York Association for the Blind, 111 East 59th Street, New York

Background imageScore Collection: Dr. Arne, 1784 (hand-coloured engraving)

Dr. Arne, 1784 (hand-coloured engraving)
DEC418546 Dr. Arne, 1784 (hand-coloured engraving) by Humphrey, William (c.1740-c.1810) (after); 16.9x10.6 cm; Gerald Coke Handel Collection, Foundling Museum

Background imageScore Collection: Thomas Saunders Dupuis, c. 1800 (stipple engraving)

Thomas Saunders Dupuis, c. 1800 (stipple engraving)
DEC418542 Thomas Saunders Dupuis, c.1800 (stipple engraving) by English School, (18th-19th century); 33.9x25.5 cm; Gerald Coke Handel Collection, Foundling Museum

Background imageScore Collection: Since First I Saw Your Face, song illustration from Pan-Pipes

Since First I Saw Your Face, song illustration from Pan-Pipes
DGC452052 Since First I Saw Your Face, song illustration from Pan-Pipes, A Book of Old Songs, Newly Arranged and with Accompaniments by Theo

Background imageScore Collection: Black-Eyed Susan, song illustration from Pan-Pipes

Black-Eyed Susan, song illustration from Pan-Pipes
DGC452040 Black-Eyed Susan, song illustration from Pan-Pipes, A Book of Old Songs, Newly Arranged and with Accompaniments by Theo

Background imageScore Collection: The Three Ravens, song illustration from Pan-Pipes

The Three Ravens, song illustration from Pan-Pipes
DGC452029 The Three Ravens, song illustration from Pan-Pipes, A Book of Old Songs, Newly Arranged and with Accompaniments by Theo

Background imageScore Collection: My Lodging is on the Cold Ground, songrillustration from Pan-Pipes

My Lodging is on the Cold Ground, songrillustration from Pan-Pipes
DGC452014 My Lodging is on the Cold Ground, songrillustration from Pan-Pipes, A Book rf Old Songs, Newly Arranged and with Accompaniments by Theo

Background imageScore Collection: The Passionate Shepherd to his Love, song illustration from Pan-Pipes

The Passionate Shepherd to his Love, song illustration from Pan-Pipes
DGC452004 The Passionate Shepherd to his Love, song illustration from Pan-Pipes, A Book of Old Songs, Newly Arranged and with Accompaniments by Theo

Background imageScore Collection: Benjamin Cooke (engraving)

Benjamin Cooke (engraving)
DEC418540 Benjamin Cooke (engraving) by Skelton, William (1763-1848); 29.4x22.9 cm; Gerald Coke Handel Collection, Foundling Museum

Background imageScore Collection: Historiated letter depicting an assembly of apostles, early 14th (vellum)

Historiated letter depicting an assembly of apostles, early 14th (vellum)
MMT215673 Historiated letter depicting an assembly of apostles, early 14th (vellum) by French School, (14th century); Musee Marmottan Monet, Paris, France; French, out of copyright

Background imageScore Collection: The Virgin of the Angels (oil on canvas)

The Virgin of the Angels (oil on canvas)
XOT351186 The Virgin of the Angels (oil on canvas) by Sartorio, Giulio Aristide (1860-1932); diam:123 cm; Private Collection; (add.info.: La Vergine degli Angeli; ); Italian, out of copyright

Background imageScore Collection: Presentation of the chasuble to St. Ildefonso by Virgin Mary (oil on panel)

Presentation of the chasuble to St. Ildefonso by Virgin Mary (oil on panel)
REV345929 Presentation of the chasuble to St. Ildefonso by Virgin Mary (oil on panel) by Spanish School, (15th century); Museo Colegiata San Cosme y San Damian, Covarrubias

Background imageScore Collection: Music score for Salvage Corps Galop bys Hayes (coloured engraving)

Music score for Salvage Corps Galop bys Hayes (coloured engraving)
584878 Music score for Salvage Corps Galop bys Hayes (coloured engraving) by English School, (19th century); Private Collection; (add.info)

Background imageScore Collection: Musical score: Covent Garden in the Morning (colour litho)

Musical score: Covent Garden in the Morning (colour litho)
584837 Musical score: Covent Garden in the Morning (colour litho) by Concanen, Alfred (1835-86); Private Collection; (add.info.: Musical score: Covent Garden in the Morning, sung by the great Vange)

Background imageScore Collection: Musical score: On Greenwich Park, set by Mr Jackson (engraving)

Musical score: On Greenwich Park, set by Mr Jackson (engraving)
586029 Musical score: On Greenwich Park, set by Mr Jackson (engraving) by English School, (19th century); Private Collection; (add.info.: Musical score: On Greenwich Park)

Background imageScore Collection: Marriotts Cremorne Quadrill, musical score (colour litho)

Marriotts Cremorne Quadrill, musical score (colour litho)
584611 Marriotts Cremorne Quadrill, musical score (colour litho) by Concanen, Alfred (1835-86); Private Collection; (add.info.: Marriotts Cremorne Quadrill, musical score)

Background imageScore Collection: Marriotts Jogalong Boys Polka, musical score (colour litho)

Marriotts Jogalong Boys Polka, musical score (colour litho)
584606 Marriotts Jogalong Boys Polka, musical score (colour litho) by Concanen, Alfred (1835-86); Private Collection; (add.info.: Marriotts Jogalong Boys Polka, musical score)

Background imageScore Collection: First page of musical score from the opera Olivo e Pasquale

First page of musical score from the opera Olivo e Pasquale
LRI2607253 First page of musical score from the opera Olivo e Pasquale, by Gaetano Donizetti (ink on paper) by Italian School

Background imageScore Collection: Page of musical score from Act I of the opera Olivo e Pasquale

Page of musical score from Act I of the opera Olivo e Pasquale
LRI2607252 Page of musical score from Act I of the opera Olivo e Pasquale, by Gaetano Donizetti (ink on paper) by Italian School

Background imageScore Collection: Ludwig van Beethoven by a River (coloured engraving)

Ludwig van Beethoven by a River (coloured engraving)
REV116732 Ludwig van Beethoven by a River (coloured engraving) by German School, (18th century); Beethoven Haus, Bonn, Germany; German, out of copyright

Background imageScore Collection: Music sheet from Compositione di Meser Vincenzo Capirola

Music sheet from Compositione di Meser Vincenzo Capirola
NBY259419 Music sheet from Compositione di Meser Vincenzo Capirola composed by Vincenzo Capirola (1474-1548) (colour litho) by Italian School, (16th century); Newberry Library, Chicago, Illinois

Background imageScore Collection: Frontispiece from The Continental Harmony, a collection of hymns by William

Frontispiece from The Continental Harmony, a collection of hymns by William
AQS257137 Frontispiece from The Continental Harmony, a collection of hymns by William Billings (1746-1800) published 1794 (litho) by American School, (18th century); American Antiquarian Society

Background imageScore Collection: Men playing billiards, from the Encyclopedie des Sciences et Metiers

Men playing billiards, from the Encyclopedie des Sciences et Metiers
STC243956 Men playing billiards, from the Encyclopedie des Sciences et Metiers by Denis Diderot (1713-84) published c.1770 (engraving) by French School

Background imageScore Collection: Gradual, featuring historiated initial I depicting Saint John the Evangelist, c

Gradual, featuring historiated initial I depicting Saint John the Evangelist, c
MMT290398 Gradual, featuring historiated initial I depicting Saint John the Evangelist, c.1315 (vellum) by Florentine School, (14th century); 47x33.5 cm; Musee Marmottan Monet, Paris

Background imageScore Collection: Title page of the Scherzi Musicali by Claudio Monteverdi (1567-1643

Title page of the Scherzi Musicali by Claudio Monteverdi (1567-1643
XIR287057 Title page of the Scherzi Musicali by Claudio Monteverdi (1567-1643) 1615 (engraving) (b/w photo) by Italian School, (17th century); Musee de la Musique - Cite de la Musique, Paris

Background imageScore Collection: Mu Ms 168, p. 301: Page from the Fitzwilliam Virginal, and anthology of 16th

Mu Ms 168, p. 301: Page from the Fitzwilliam Virginal, and anthology of 16th
FIT277700 Mu Ms 168, p.301: Page from the Fitzwilliam Virginal, and anthology of 16th and early 17th century keyboard music (ink on paper) by English School

Background imageScore Collection: Championship Soccer board game (mixed media)

Championship Soccer board game (mixed media)
NFM315548 Championship Soccer board game (mixed media) by European; National Football Museum, Manchester, UK; eNational Football Museum; out of copyright

Background imageScore Collection: Portrait of George Frederick Handel (1685-1759) c. 1736 (oil on canvas)

Portrait of George Frederick Handel (1685-1759) c. 1736 (oil on canvas)
DEC84586 Portrait of George Frederick Handel (1685-1759) c.1736 (oil on canvas) by Hudson, Thomas (1701-79) (school of); 121.8x97.8 cm; Gerald Coke Handel Collection, Foundling Museum

Background imageScore Collection: Portrait of Giusto Ferdinando Tenducci (c. 1735-90), Italian castrato

Portrait of Giusto Ferdinando Tenducci (c. 1735-90), Italian castrato
DEC84560 Portrait of Giusto Ferdinando Tenducci (c.1735-90), Italian castrato, engraved by William Dickinson (1746-1823), 1782 (engraving) by Beach

Background imageScore Collection: Allegorical study for a memorial print of Handel (oil on canvas)

Allegorical study for a memorial print of Handel (oil on canvas)
DEC84556 Allegorical study for a memorial print of Handel (oil on canvas) by Cipriani, Giovanni Battista (1727-85); 62.2x41.9 cm; Gerald Coke Handel Collection, Foundling Museum

Background imageScore Collection: Portrait of George Frederick Handel (1685-1759) with a copy of the Messiah, c

Portrait of George Frederick Handel (1685-1759) with a copy of the Messiah, c
DEC84554 Portrait of George Frederick Handel (1685-1759) with a copy of the Messiah, c.1749 (oil on canvas) by English School, (18th century); 20x16.5 cm; Gerald Coke Handel Collection

Background imageScore Collection: Portrait of Emma Thursby (1845-1931), 1879 (oil on canvas)

Portrait of Emma Thursby (1845-1931), 1879 (oil on canvas)
NYH154279 Portrait of Emma Thursby (1845-1931), 1879 (oil on canvas) by Healy, George Peter Alexander (1813-1894); 172.7x109.2 cm; Collection of the New-York Historical Society

Background imageScore Collection: The Duet (oil on canvas)

The Duet (oil on canvas)
Ma181763 The Duet (oil on canvas) by Sant, James (1820-1916); 76.2x63.5 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageScore Collection: The Recital (oil on canvas)

The Recital (oil on canvas)
SIM133296 The Recital (oil on canvas) by Reggianini, Vittorio (1858-1938); 84.5x124.5 cm; Private Collection; eJulian Simon Fine Art Ltd; Italian, out of copyright

Background imageScore Collection: Two Girls Singing (oil on canvas)

Two Girls Singing (oil on canvas)
CRD126495 Two Girls Singing (oil on canvas) by Costa, Giovanni (Nino) (1826-1903); 101.6x127 cm; Croydon Art Collection, Museum of Croydon, UK; eCroydon Art Collection; Italian, out of copyright

Background imageScore Collection: Portrait of Giovanni Paisiello (1782-1840) engraved by Vincent Aloja (engraving)

Portrait of Giovanni Paisiello (1782-1840) engraved by Vincent Aloja (engraving)
CBF171200 Portrait of Giovanni Paisiello (1782-1840) engraved by Vincent Aloja (engraving) by Italian School, (19th century); The Cobbe Collection Trust



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"Score: A Melodic Tapestry of Triumphs and Tales" In the world of music, a score is not merely a collection of notes on paper; it encapsulates emotions, narratives, and timeless masterpieces. From the enchanting melodies of Giacomo Puccini's "Madame Butterfly" to the heart-wrenching arias in "La Boheme Opera Score, " these scores transport us to ethereal realms where passion and artistry intertwine. But scores extend beyond opera houses and concert halls. They find their place in history as well. Just like Bach's Prelude Score resonates with harmonious precision, Jackie Robinson's legacy echoes through time. As he fearlessly stole home under catcher Andy Seminick's tag during that fateful game against the Philadelphia Phillies in 1950, Robinson etched his name into baseball lore forever. Edward Elgar composed more than just musical notes; his Salut D'Amour score became an emblem of affectionate sentiments shared between lovers. Similarly, when France clashed with Ireland on the rugby field, their fierce rivalry was transcribed onto a different kind of score—one filled with tackles, tries, and triumphs and can also be wielded as tools for propaganda or calls for peace. Soviet propaganda posters declaring "We want Peace" carried messages that reverberated far beyond their visual impact. Meanwhile, cricketing records from 1932 remind us how numbers can immortalize sporting achievements while Wagner's compositions echo alongside Balestrieri's craftsmanship. Even great composers themselves have been captured within scores—Beethoven immortalized by Jk Stieler’s portrait while Schubert breathed life into Goethe’s chilling tale through his Erlkonig composition. Finally, we witness George Mutch scoring for Preston North End at the FA Cup Final—a momentous occasion etched into football folklore forevermore.