School Of Barbizon Collection

Barbizon, Monument de Rousseau et Millet (engraving)
8637707 Barbizon, Monument de Rousseau et Millet (engraving) by French School, (19th century) (after); Private Collection; (add.info.: Barbizon, Monument de Rousseau et Millet)

View of Venice: The Piazzetta Seen from the Riva degli Schiavoni, 1835-45 (oil on canvas)
8682927 View of Venice: The Piazzetta Seen from the Riva degli Schiavoni, 1835-45 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 46.7 x 68.6 cm; Norton Simon Museum, Pasadena, CA

Jean Baptiste Camille Corot (1796-1875) French painter (engraving)
1746838 Jean Baptiste Camille Corot (1796-1875) French painter (engraving); Photo: Tallandier

Landscape, c.1860 (w/c and gouache with pen and brown ink and graphite)
XOS5884001 Landscape, c.1860 (w/c and gouache with pen and brown ink and graphite) by Diaz de la Pena, Narcisse Virgile (1807-76); 15x22.8 cm; Cleveland Museum of Art, OH

The Pond (oil on canvas)
NGW185776 The Pond (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); National Museum Wales; National Museums & Galleries of Wales

Fisherman Moored at a Bank (oil on canvas)
NGW185777 Fisherman Moored at a Bank (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 33x46.7 cm; National Museum Wales; National Museums & Galleries of Wales

Castel Gandolfo, Dancing Tyrolean Shepherds, 1855-60 (oil on canvas)
NGW184243 Castel Gandolfo, Dancing Tyrolean Shepherds, 1855-60 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 49.2x65.5 cm; National Museum Wales; National Museums & Galleries of Wales

Distant View of Corbeil, Morning, c.1870 (oil on canvas)
NGW238952 Distant View of Corbeil, Morning, c.1870 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 25.1x33.9 cm; National Museum Wales; National Museums & Galleries of Wales

The Bathers, after 1847 (oil on wood)
XOS5886599 The Bathers, after 1847 (oil on wood) by Diaz de la Pena, Narcisse Virgile (1807-76); 21.8x32.6 cm; Cleveland Museum of Art, OH, USA; (add.info.: by Narcisse Diaz de la Pena)

Path Near the Pond of Vipers, Fontainebleau Forest, c. 1860s (oil on wood panel)
XOS5886600 Path Near the Pond of Vipers, Fontainebleau Forest, c. 1860s (oil on wood panel) by Diaz de la Pena, Narcisse Virgile (1807-76); 26.7x36.2 cm; Cleveland Museum of Art, OH

Sunset: Figures Under Trees (oil on canvas)
MAN62914 Sunset: Figures Under Trees (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 33.8x43.8 cm; Manchester Art Gallery

Interrupted reading, 1870 (oil on canvas)
JLJ4685730 Interrupted reading, 1870 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 92x65 cm; The Art Institute of Chicago, IL, USA; (add.info.: Interrupted reading)

Willows and Farmhouse at Sainte-Catherine-les-Arras, 1871 (oil on fabric)
XOS5886597 Willows and Farmhouse at Sainte-Catherine-les-Arras, 1871 (oil on fabric) by Corot, Jean Baptiste Camille (1796-1875); 59.4x72.1 cm; Cleveland Museum of Art, OH

Young Woman Leaning on a Cushion, c. 1870-72 (oil on canvas)
7316592 Young Woman Leaning on a Cushion, c.1870-72 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 41x35 cm; Nasjonalmuseet, Oslo, Norway; (add.info.: by Camille Corot (1796-1875))

The Velino Above the Cascade of Terni, 1826 (oil on paper laid on canvas)
7316324 The Velino Above the Cascade of Terni, 1826 (oil on paper laid on canvas) by Corot, Jean Baptiste Camille (1796-1875); 24x39.2 cm; Nasjonalmuseet, Oslo

Souvenir of Terracina, 1864 (oil on canvas)
7300199 Souvenir of Terracina, 1864 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 66.4 -- 81.2 cm; National Gallery of Art, Washington DC, USA

The Old Mill, 1866-70 (pastel, ink and chalk on paper laid down on board)
5859957 The Old Mill, 1866-70 (pastel, ink and chalk on paper laid down on board) by Millet, Jean-Francois (1814-75); 39.8--48.2 cm; The Art Institute of Chicago, IL

Landscape, Woods (#13) c. 1880 (graphite on paper)
7276750 Landscape, Woods (#13) c. 1880 (graphite on paper) by Bannister, Edward Mitchell (1833-1901); 19.05x26.67 cm; Amistad Research Center, New Orleans, LA, USA; (add.info.: An impressionistic)

Landscape with Log on the Beach (#40), c. 1880 (watercolor on paper)
7276738 Landscape with Log on the Beach (#40), c. 1880 (watercolor on paper) by Bannister, Edward Mitchell (1833-1901); 15.24x24.77 cm; Amistad Research Center, New Orleans, LA

Landscape (#1) c. 1880s (graphite on paper)
7276734 Landscape (#1) c. 1880s (graphite on paper) by Bannister, Edward Mitchell (1833-1901); 16.51x24.13 cm; Amistad Research Center, New Orleans, LA, USA; (add.info.: An impressionistic, realist)

Newport, Rhode Island (#13B) c. 1880s (graphite on paper)
7276733 Newport, Rhode Island (#13B) c. 1880s (graphite on paper) by Bannister, Edward Mitchell (1833-1901); 13.97x21.59 cm; Amistad Research Center, New Orleans, LA

Landscape, Rowboat and Cows (#57) C. 1880 (graphite on paper)
7276731 Landscape, Rowboat and Cows (#57) C. 1880 (graphite on paper) by Bannister, Edward Mitchell (1833-1901); 13.97x22.86 cm; Amistad Research Center, New Orleans, LA

Landscape w / Dock, Sea and Beach (#18), c. 1880 (watercolor on paper)
7276745 Landscape w/Dock, Sea and Beach (#18), c. 1880 (watercolor on paper) by Bannister, Edward Mitchell (1833-1901); 13.02x24.77 cm; Amistad Research Center, New Orleans, LA

Landscape with Cattle, 1880 (oil on board)
7276741 Landscape with Cattle, 1880 (oil on board) by Bannister, Edward Mitchell (1833-1901); 24.13x35.56 cm; Amistad Research Center, New Orleans, LA, USA; (add.info.: An impressionistic, realist)

Landscape with Path (#51), c. 1880s (charcoal on paper)
7276753 Landscape with Path (#51), c. 1880s (charcoal on paper) by Bannister, Edward Mitchell (1833-1901); 22.23x21.59 cm; Amistad Research Center, New Orleans, LA

Three Figures, Women in Bed (#66), c 1880s (graphite on paper)
7276749 Three Figures, Women in Bed (#66), c 1880s (graphite on paper) by Bannister, Edward Mitchell (1833-1901); 19.69x21.59 cm; Amistad Research Center, New Orleans, LA

Landscape, Woods (#36) c. 1880s (graphite on paper)
7276732 Landscape, Woods (#36) c. 1880s (graphite on paper) by Bannister, Edward Mitchell (1833-1901); 16.51x22.86 cm; Amistad Research Center, New Orleans, LA, USA; (add.info.: An impressionistic)

Landscape with Woods, c. 1880s (graphite on paper)
7276751 Landscape with Woods, c. 1880s (graphite on paper) by Bannister, Edward Mitchell (1833-1901); Amistad Research Center, New Orleans, LA, USA; (add.info.: An impressionistic, realist)

Landscape with roof tops behind trees (#49) c. 1880s (graphite on paper)
7276752 Landscape with roof tops behind trees (#49) c. 1880s (graphite on paper) by Bannister, Edward Mitchell (1833-1901); 13.34x20.96 cm; Amistad Research Center, New Orleans, LA

Lady with Bouquet, 1885 (oil on canvas)
7276743 Lady with Bouquet, 1885 (oil on canvas) by Bannister, Edward Mitchell (1833-1901); 85.09x59.69 cm; Amistad Research Center, New Orleans, LA, USA; (add.info.: An impressionistic)

Landscape, 1883 (watercolor on paper)
7276742 Landscape, 1883 (watercolor on paper) by Bannister, Edward Mitchell (1833-1901); 25.4x33.02 cm; Amistad Research Center, New Orleans, LA, USA; (add.info.: An impressionistic, realist)

Landscape with Dock and Water (#37), c. 1880 (watercolor on paper)
7276740 Landscape with Dock and Water (#37), c. 1880 (watercolor on paper) by Bannister, Edward Mitchell (1833-1901); 16.84x24.45 cm; Amistad Research Center, New Orleans, LA

Landscape with Four Cows, c. 1880s (charcoal on paper)
7276739 Landscape with Four Cows, c. 1880s (charcoal on paper) by Bannister, Edward Mitchell (1833-1901); 14.61x21.59 cm; Amistad Research Center, New Orleans, LA

Cows in Landscape, 1880 (oil on canvas)
7276730 Cows in Landscape, 1880 (oil on canvas) by Bannister, Edward Mitchell (1833-1901); 40.01x59.69 cm; Amistad Research Center, New Orleans, LA, USA; (add.info.: An impressionistic, realist)

View of Genoa, 1834 (oil on paper mounted on canvas)
5859747 View of Genoa, 1834 (oil on paper mounted on canvas) by Corot, Jean Baptiste Camille (1796-1875); 29.5--41.7 cm; The Art Institute of Chicago, IL

Souvenir of the Environs of Lake Nemi, 1865 (oil on canvas)
5861080 Souvenir of the Environs of Lake Nemi, 1865 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 98.4--134.3 cm; The Art Institute of Chicago, IL

Bathing Nymphs and Child, 1855-60 (oil on canvas)
5863030 Bathing Nymphs and Child, 1855-60 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 82.6x100.3 cm; The Art Institute of Chicago, IL

Peasant leading her cow and sheep to the fields, 1863 (pastel)
BRM347373 Peasant leading her cow and sheep to the fields, 1863 (pastel) by Millet, Jean-Francois (1814-75); Private Collection

Landscape, 1864 (black & white chalks on paper)
XIR384516 Landscape, 1864 (black & white chalks on paper) by Corot, Jean Baptiste Camille (1796-1875); Private Collection

Le Bois de L Ermite, 1858 (cliche-verre in bistre-brown on wove paper)
996304 Le Bois de L Ermite, 1858 (cliche-verre in bistre-brown on wove paper) by Corot, Jean Baptiste Camille (1796-1875); 16.6x22.8 cm; Art Gallery of Ontario, Toronto

After the Rain, c. 1850 (oil on canvas)
3526179 After the Rain, c.1850 (oil on canvas) by Rousseau, Theodore (1812-67); 78.74x146.05 cm; Corcoran Collection, National Gallery of Art, Washington D.C. USA; French, out of copyright

The late M Corot, French Painter (engraving)
1611654 The late M Corot, French Painter (engraving) by English School, (19th century); Private Collection; (add.info.: The late M Corot, French Painter)

A Path among the Rocks, c. 1861 (oil on wood)
3493225 A Path among the Rocks, c.1861 (oil on wood) by Rousseau, Pierre Etienne Theodore (1812-67); 38.1x60 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

The Edge of the Woods at Monts-Girard, Fontainebleau Forest, 1852-54 (oil on wood)
XOS1127616 The Edge of the Woods at Monts-Girard, Fontainebleau Forest, 1852-54 (oil on wood) by Rousseau, Theodore (1812-67); 80x122 cm; Metropolitan Museum of Art, New York, USA; French

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The School of Barbizon, a group of 19th-century French painters, revolutionized the art world with their innovative approach to landscape painting. Their works captured the beauty and tranquility of nature in a way that had never been done before. "The Bathers, " painted after 1847 by an unknown artist from the School of Barbizon, showcases the artists' mastery in capturing the human form amidst a serene natural setting. The soft brushstrokes and warm colors evoke a sense of calmness and harmony. "Path Near the Pond of Vipers, Fontainebleau Forest, " created in the 1860s on wood panel, transports viewers into an enchanting woodland scene. The play between light and shadow creates depth and adds an ethereal quality to this captivating piece. In "Sunset: Figures Under Trees, " we witness how these artists skillfully depicted light filtering through foliage. The vibrant hues used to portray figures under trees create a mesmerizing effect that draws us into their world. "Castel Sant'Angelo, Rome, " painted in 1835 on canvas, demonstrates how members of the they were not limited to landscapes alone. This stunning architectural portrayal captures both grandeur and serenity simultaneously. One cannot discuss this school without mentioning its exploration of mythology as seen in "Silene Satyre. " Painted in 1838 on canvas, it depicts Silenus - father figure to Dionysus - with intricate details that bring ancient tales back to life. "Interrupted Reading, " completed in 1870 on canvas during tumultuous times for France, reflects both personal introspection and societal unrest through its intimate depiction of a woman lost deep within her thoughts amidst chaos outside her window. Orpheus bringing Eurydice back from the dead is another mythological masterpiece by these talented artists. Painted on canvas in 1861, it portrays Orpheus's desperate attempt at rescuing his beloved, capturing the emotional intensity of the narrative.