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Egon Schiele, a renowned Austrian artist of the early 20th century, captivated audiences with his provocative and emotive artworks. From his Seated Female Nude with Raised Arm (Gertrude Schiele) to his Kneeling Nude with Raised Hands (Self-Portrait), Schiele fearlessly explored the human form in all its vulnerability and strength. In Moa, 1911, we witness Schiele's ability to capture movement and grace in his depiction of a dancer. The watercolor technique he employed adds an ethereal quality to this piece, enhancing its captivating allure. Schiele's Sunflower from 1909-1910 showcases his talent for still life compositions. With meticulous attention to detail, he brings life to these seemingly ordinary objects, infusing them with vibrant colors and textures that demand our attention. The intimacy between two women is beautifully portrayed in Two Women Embracing from 1913. Through bold lines and expressive brushstrokes, Schiele captures their connection on canvas—a testament to his ability to convey complex emotions through art. Not limited solely to figurative works, it also delved into self-portraiture as seen in Self-portrait as Saint Sebastian. This poster for one of his exhibitions at the Arnot Gallery in 1915 reveals both vulnerability and strength as he portrays himself bound by arrows—an allegory for suffering endured by artists. Edith Schiele in Striped Dress, Seated offers a glimpse into the artist's personal life. The subject is Edith Harms—Schiele's muse and eventual wife—who exudes confidence even while seated. This portrait serves as a testament to their deep connection and mutual artistic inspiration. Still Life with Books (Schiele's Desk) depicts the artist's workspace—a reflection of his creative process. Amidst scattered books lie brushes waiting patiently for use; it is here where imagination flourishes and ideas come to life.