Satin Collection (page 9)

Girl Standing before a Mirror, 1668. Creator: Gaspar Netscher
Girl Standing before a Mirror, 1668

Womans Magua (Semiformal Domestic Short Robe), China, 1880 / 1900
Womans Magua (Semiformal Domestic Short Robe), China, 1880/1900, Qing dynasty (1644-1911)

Womans Majia (Semiformal or Informal Domestic Vest), China, Qing dynasty (1644-1911), 1870/90

Panel in Japanese Style, Lyon, 19th century. Creator: Tassinari et Chatel
Panel in Japanese Style, Lyon, 19th century

Pendants (For Bed Curtains), China, Qing dynasty (1644-1911), 1736 / 95. Creator: Unknown
Pendants (For Bed Curtains), China, Qing dynasty (1644-1911), 1736/95

Panel from a Skirt, China, 18th century. Creator: Unknown
Panel from a Skirt, China, 18th century

Panel (Dress Fabric), China, 1880 / 90, Qing dynasty(1644-1911). Creator: Unknown
Panel (Dress Fabric), China, 1880/90, Qing dynasty(1644-1911)

Fragment (Dress Fabric), China, Qing dynasty (1644-1911), 1800 / 25. Creator: Unknown
Fragment (Dress Fabric), China, Qing dynasty (1644-1911), 1800/25

Fragment, China, 17th century. Creator: Unknown
Fragment, China, 17th century

Jinbaori, Japan, early 18th century. Creator: Unknown
Jinbaori, Japan, early 18th century. Jinbaori were sleeveless jackets worn by samurai. The garment has a rear vent so it could be worn over armour, and while the wearer was on horseback

Panel (Furnishing Fabric), China, Qing dynasty (1644-1911), 1750 / 1800. Creator: Unknown
Panel (Furnishing Fabric), China, Qing dynasty (1644-1911), 1750/1800

Fragment (For a Curtain), China, Qing dynasty (1644-1911), 1675 / 1725. Creator: Unknown
Fragment (For a Curtain), China, Qing dynasty (1644-1911), 1675/1725

Fukusa (Gift Cover), Japan, Appliqued fabric: Edo period (1615-1868), late 18th century Mounting fabric: Meiji period (1868-1912), 1868/83

Fragment, Japan, Meiji period (1868-1912), 1875 / 1900. Creator: Unknown
Fragment, Japan, Meiji period (1868-1912), 1875/1900

Panel, Japan, 1894, Meiji period (1868-1912). Creator: Unknown
Panel, Japan, 1894, Meiji period (1868-1912)

Kesa, Japan, 17th century, Edo period (1615-1868). Creator: Unknown
Kesa, Japan, 17th century, Edo period (1615-1868)

Fragment, Japan, 18th century, Edo period (1615-1868). Creator: Unknown
Fragment, Japan, 18th century, Edo period (1615-1868)

Mizuhiki (Temple Banner), Japan, Edo period (1615-1868), 1668 / 1703. Creator: Unknown
Mizuhiki (Temple Banner), Japan, Edo period (1615-1868), 1668/1703

Fragment, Japan, 19th century. Creator: Unknown
Fragment, Japan, 19th century

Uchishiki (Altar Cloth), Japan, Meiji period (1868-1912), 1870 / 90. Creator: Unknown
Uchishiki (Altar Cloth), Japan, Meiji period (1868-1912), 1870/90

Fragment, Japan, 18th century. Creator: Unknown
Fragment, Japan, 18th century

Ohi (Stole), Japan, Early or mid-19th century, Late Edo period (1789-1868). Creator: Unknown
"hi (Stole), Japan, Early or mid-19th century, Late Edo period (1789-1868)

Kesa, Japan, Early or mid-19th century, Edo period (1789-1868). Creator: Unknown
Kesa, Japan, Early or mid-19th century, Edo period (1789-1868)

Fragment, Japan, 18th / 19th century, Edo period (1615-1868) / Meiji period (1868-1912)
Fragment, Japan, 18th/19th century, Edo period (1615-1868)/ Meiji period (1868-1912)

Womans Vest, China, Qing dynasty (1644-1911), 1800 / 25. Creator: Unknown
Womans Vest, China, Qing dynasty (1644-1911), 1800/25

Kesa, Japan, Late 18th or early 19th century, Late Edo period (1789-1868)

Fragment, Japan, Edo period (1615-1868), 1675 / 1725. Creator: Unknown
Fragment, Japan, Edo period (1615-1868), 1675/1725

Embroidered Purse, c. 1941. Creator: Isabella Ruth Doerfler
Embroidered Purse, c. 1941

Satin gown worn by opera singers Marian Anderson and Denyce Graves
This pale bronze gown was designed by costumier Barbara Karinska and worn by Marion Anderson, then later altered and worn by Denyce Graves

Teal blue dress and cropped jacket designed by Ann Lowe, 1950s. Creator: Unknown
Ann Cole Lowe (1898-1981) was the first African American to become a noted fashion designer. Teal blue floral brocade dress (.1) and cropped jacket (.2) worn by Florance Colgate Rumbough Trevor

Toe shoe and tights worn by Ingrid Silva of Dance Theatre of Harlem, 2013-2014
Brazilian ballet dancer Ingrid Silva (born c1988) performs with the Dance Theatre of Harlem in New York City. Skin tone pointe shoes for black

Merveilleuse playing a guitar, 1800 (handcoloured copperplate engraving)
5986561 Merveilleuse playing a guitar, 1800 (handcoloured copperplate engraving) by French School, (19th century); (add.info.: Merveilleuse playing a guitar, 1800)

The Birthday, (oil on canvas)
989586 The Birthday, (oil on canvas) by Reggianini, Vittorio (1858-1938); 66x91.5 cm; Private Collection; (add.info.: The Birthday. Vittorio Reggianini (1858-1938). Oil on canvas

The New Dress, 1888 (oil on panel)
989391 The New Dress, 1888 (oil on panel) by Carpentier, Evariste (1845-1922); 61x48.6 cm; Private Collection; (add.info.: The New Dress. Evariste Carpentier (1845-1922). Oil on panel

Portrait of a lady, said to be Isabella Courtenay (oil on canvas)
746382 Portrait of a lady, said to be Isabella Courtenay (oil on canvas) by Hudson, Thomas (1701-79); 127x101.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Portrait of Jean-Louis de Roll-Montpellier (oil on canvas)
745465 Portrait of Jean-Louis de Roll-Montpellier (oil on canvas) by Rigaud, Hyacinthe Francois (1659-1743); 91.4x73.7 cm; Private Collection; Photo eChristies Images; French, out of copyright

Portrait of a Lady, Possibly the Duchess of Ancaster, Three-Quarter Length
652138 Portrait of a Lady, Possibly the Duchess of Ancaster, Three-Quarter Length, as a Shepherdess, in a White Satin Dress and Bonnet, in a Landscape, (oil on canvas) by Jervas

A Lady in an Interior, in a Yellow Satin Dress, with a Globe on a Table Beside her
827642 A Lady in an Interior, in a Yellow Satin Dress, with a Globe on a Table Beside her, Mourning the Absence of her Husband, (oil on panel, unframed) by Gorp

The Poetry Reading, (oil on canvas)
827334 The Poetry Reading, (oil on canvas) by Reggianini, Vittorio (1858-1938); 71.5x96.8 cm; Private Collection; (add.info.: The Poetry Reading. Vittorio Reggianini (1858-1938). Oil on canvas

Maria Josepha of Saxony, Dauphine of France, 1749 (pastel on paper)
4071454 Maria Josepha of Saxony, Dauphine of France, 1749 (pastel on paper) by Liotard, Jean-Etienne (1702-89); 41x32.5 cm; Rijksmuseum, Amsterdam

Portrait of Mary Stuart, Wife of Prince William III, c. 1683 (oil on canvas)
3545940 Portrait of Mary Stuart, Wife of Prince William III, c. 1683 (oil on canvas) by Netscher, Caspar (1639-84); 80.5x63.5 cm; Rijksmuseum, Amsterdam

Motor Coat of Grey Squirrel, lined with paler shade of satin (b / w photo)
3639564 Motor Coat of Grey Squirrel, lined with paler shade of satin (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Motor Coat of Grey Squirrel)

Visiting Coat of very fine Russian Sable, with long tie attached, lined with softest ivory satin (b / w photo)
3639560 Visiting Coat of very fine Russian Sable, with long tie attached, lined with softest ivory satin (b/w photo) by English Photographer

Restaurant Cloak of Embroidered Silver Net over grey chiffon and satin, trimmed with fine chinchilla (b / w photo)
3639551 Restaurant Cloak of Embroidered Silver Net over grey chiffon and satin, trimmed with fine chinchilla (b/w photo) by English Photographer

Portrait of Lady Frances Cranfield, Lady Buckhurst, later Countess of Dorset, c
3934322 Portrait of Lady Frances Cranfield, Lady Buckhurst, later Countess of Dorset, c.1637-50 (oil on canvas) by Dyck, Anthony van (1599-1641); 186x110.4 cm; eThe Devonshire Collections

Frances Holburne nee Ball, c. 1760 (oil on canvas)
3727699 Frances Holburne nee Ball, c.1760 (oil on canvas) by Reynolds, Joshua (1723-92) (follower of); 63.5x76.2 cm; The Holburne Museum, Bath

Emily Vanderbilt Sloane Hammond, 1894 (oil on canvas)
3518737 Emily Vanderbilt Sloane Hammond, 1894 (oil on canvas) by Carolus-Duran, Charles Emile Auguste (1837-1917); 101x67.3 cm; Shelburne Museum, Vermont

Lampas textile panel, 1550-99 (lampas, red warp-faced satin ground with pattern formed by
5938073 Lampas textile panel, 1550-99 (lampas, red warp-faced satin ground with pattern formed by silk wefts of light blue)

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"Satin: A Timeless Elegance Unveiled" Step into a world where satin weaves tales of empowerment, glamour, and beauty. From the Suffragette W. S. P. U Badge and Ribbon symbolizing women's fight for equality to ABBA's mesmerizing performance at Wembley in 1979, it has adorned moments that transcend time. Just like Flora MacDonald, the Scottish Jacobite heroine who fearlessly stood up for her beliefs, satin exudes confidence and strength. It drapes over David Wright's reclining woman in black lingerie with an air of mystery and allure, capturing the essence of femininity. In an Art Deco Wedding setting, satin takes center stage as it glimmers under soft lights. Like Wagner's German Mag captivated by its lustrous charm, Elizabeth I herself embraced this luxurious fabric during her reign as Queen of England and Ireland. As couples exchange vows while Signing the Register or on their Royal Wedding day in 1947 - bride and bridesmaid dresses swathed in exquisite satiny splendor - they create memories that will last a lifetime. Just like Magdalen Aston portrayed by John Michael Wright or Diana gracefully donning a Satin gown by Reville; these iconic figures epitomize gracefulness intertwined with opulence. Satin transcends fashion trends; it is timeless elegance personified. Whether it be suffrage movements or legendary performances on grand stages like ABBA at Wembley Stadium – satin remains an enduring symbol of style and sophistication throughout history.