Fraud Blocker Skip to main content

Sash Collection (page 16)

"Sash: A Symbol of Power, Influence, and Legacy" Throughout history, the sash has been worn by individuals who have left an indelible mark on society

Background imageSash Collection: Queen Victoria at Court, 1838 (w / c with gum arabic)

Queen Victoria at Court, 1838 (w / c with gum arabic)
619252 Queen Victoria at Court, 1838 (w/c with gum arabic) by Waterford, Louisa Anne, Marchioness of (1818-91); 20.3x12.7 cm; Private Collection; (add.info)

Background imageSash Collection: James Stuart (1612-55) 1st Duke of Richmond (oil on canvas)

James Stuart (1612-55) 1st Duke of Richmond (oil on canvas)
HLK143665 James Stuart (1612-55) 1st Duke of Richmond (oil on canvas) by Dyck, Anthony van (1599-1641); By kind permission of the Earl of Leicester and the Trustees of the Holkham Estate; Flemish

Background imageSash Collection: Portrait of a Boy, 1643 (oil on panel)

Portrait of a Boy, 1643 (oil on panel)
KSG153830 Portrait of a Boy, 1643 (oil on panel) by Cuyp, Jacob Gerritsz (1594-1651); 69x49.5 cm; Private Collection; Dutch, out of copyright

Background imageSash Collection: The Chevalier St. George, Commonly Called The Pretender

The Chevalier St. George, Commonly Called The Pretender
XJF137989 The Chevalier St. George, Commonly Called The Pretender (1688-1766) (engraving) (b/w photo) by English School, (19th century); Private Collection; English, out of copyright

Background imageSash Collection: Standing figure of a Mughal prince, from the Small Clive Album, c

Standing figure of a Mughal prince, from the Small Clive Album, c
STC140516 Standing figure of a Mughal prince, from the Small Clive Album, c.1630-40 (gouache & w/c on paper) by Mughal School, (17th century); Victoria & Albert Museum, London

Background imageSash Collection: Portrait bust of the Holy Roman Emperor Charles V (1500-58) (bronze)

Portrait bust of the Holy Roman Emperor Charles V (1500-58) (bronze)
XAM198138 Portrait bust of the Holy Roman Emperor Charles V (1500-58) (bronze) by Leoni, Leone (1509-90); Kunsthistorisches Museum, Vienna, Austria; Ali Meyer; Italian, out of copyright

Background imageSash Collection: Robertine Tourteau, Marquise d Orvilliers (1772-1862) 1790 (oil on canvas)

Robertine Tourteau, Marquise d Orvilliers (1772-1862) 1790 (oil on canvas)
XIR192884 Robertine Tourteau, Marquise d Orvilliers (1772-1862) 1790 (oil on canvas) by David, Jacques Louis (1748-1825); 131x98 cm; Louvre, Paris

Background imageSash Collection: Queen Victoria (1819-1901) (litho) (b / w photo)

Queen Victoria (1819-1901) (litho) (b / w photo)
ILN197650 Queen Victoria (1819-1901) (litho) (b/w photo) by English School, (19th century); The Illustrated London News Picture Library, London, UK; English, out of copyright

Background imageSash Collection: George II (1683-1760) (oil on canvas)

George II (1683-1760) (oil on canvas)
HSC198852 George II (1683-1760) (oil on canvas) by Knapton, George (1698-1778); Bank of England, London, UK; Photo eHeini Schneebeli; English, out of copyright

Background imageSash Collection: Queen Victoria (1819-1901) at the Opera (oil on canvas)

Queen Victoria (1819-1901) at the Opera (oil on canvas)
FC12286 Queen Victoria (1819-1901) at the Opera (oil on canvas) by Parris, Edmund Thomas (1793-1873) (after); FORBES Magazine Collection, New York, USA; eForbes Magazine Collection; English

Background imageSash Collection: Young Girl with a Dog, 1776

Young Girl with a Dog, 1776
RAF63500 Young Girl with a Dog, 1776 by Hone, Nathaniel (1718-84); Private Collection; Photo eRafael Valls Gallery, London, UK; Irish, out of copyright

Background imageSash Collection: Girl in a Blue Dress by a Table of Sweetmeats (oil on canvas)

Girl in a Blue Dress by a Table of Sweetmeats (oil on canvas)
RAF69237 Girl in a Blue Dress by a Table of Sweetmeats (oil on canvas) by Carnicero, Antonio (1748-1814); Private Collection; Photo eRafael Valls Gallery, London, UK; Spanish, out of copyright

Background imageSash Collection: Portrait of a lady holding a fan, 1898

Portrait of a lady holding a fan, 1898
GG80894 Portrait of a lady holding a fan, 1898 by Aviat, Jules-Charles (b.1844); Private Collection; Photo eGavin Graham Gallery, London, UK; French, out of copyright

Background imageSash Collection: Grand Duke Nicholas Nikolaevich of Russia

Grand Duke Nicholas Nikolaevich of Russia (1856-1918), Russian General, Commander-in-Chief of the Russian Army. Date: circa 1913-1914

Background imageSash Collection: Vice-Admiral Kato Tomosaburo of Japan

Vice-Admiral Kato Tomosaburo of Japan (1861-1923), Commander-in-Chief of the Japanese First Fleet, cabinet minister, and later 12th Prime Minister of Japan. Date: circa 1913-1914

Background imageSash Collection: Paul Pau, French General

Paul Pau, French General
Paul Pau (1848-1932), French General. Date: circa 1913-1914

Background imageSash Collection: Joseph Joffre, French General

Joseph Joffre, French General
Joseph Joffre (1852-1931), French General, Commander-in-Chief of the French Army. Date: circa 1913-1914

Background imageSash Collection: Portrait of Tsarevitch Alexei Nikolaevich

Portrait of Tsarevitch Alexei Nikolaevich
BAL283534 Portrait of Tsarevitch Alexei Nikolaevich; by Pass, Israel Abramovich (1868 - after 1920); State Museum Tsarskoye Selo, St

Background imageSash Collection: Illustration for St. Valentines Day 1902 (w / c on paper)

Illustration for St. Valentines Day 1902 (w / c on paper)
XCF282035 Illustration for St. Valentines Day 1902 (w/c on paper) by Greenaway, Kate (1846-1901); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageSash Collection: General Sir WF Williams, 1856 (b / w photo)

General Sir WF Williams, 1856 (b / w photo)
NAM280942 General Sir WF Williams, 1856 (b/w photo) by English Photographer, (19th century); National Army Museum, London; (add.info.: Sir William Fenwick Williams (1800-83)

Background imageSash Collection: Queen Victoria, 1843 (oil on canvas)

Queen Victoria, 1843 (oil on canvas)
DON279039 Queen Victoria, 1843 (oil on canvas) by Fowler, William (fl.1825-67); height:76.2 cm; His Grace The Duke of Norfolk, Arundel Castle; (add.info.: Victoria (1819-1901)

Background imageSash Collection: Miniature of James Stuart, the Old Pretender, c. 1700

Miniature of James Stuart, the Old Pretender, c. 1700
DON279001 Miniature of James Stuart, the Old Pretender, c.1700 by Artaud, Jacques Antoine (fl.1700); His Grace The Duke of Norfolk

Background imageSash Collection: Jean Theurel (1699-1807) (oil on canvas)

Jean Theurel (1699-1807) (oil on canvas)
XIR244145 Jean Theurel (1699-1807) (oil on canvas) by Vestier, Antoine (1740-1824); Musee des Beaux-Arts, Tours, France; (add.info.: medal of the Legion of Honour; oldest French soldier; ); French

Background imageSash Collection: Cover of La Vie Parisienne, woman seated on the barrel of a gun, January 16th 1915 (litho)

Cover of La Vie Parisienne, woman seated on the barrel of a gun, January 16th 1915 (litho)
DGC308169 Cover of La Vie Parisienne, woman seated on the barrel of a gun, January 16th 1915 (litho) by French School, (20th century); Private Collection; Prismatic Pictures

Background imageSash Collection: Ottoline Morrells dress (silk)

Ottoline Morrells dress (silk)
FMB329183 Ottoline Morrells dress (silk) by English School; Fashion Museum Bath; (add.info.: Lady Ottoline Morrell (1873-1938)

Background imageSash Collection: Portrait of Ferdinand Guillemardet, 1798 (engraving)

Portrait of Ferdinand Guillemardet, 1798 (engraving)
REV326164 Portrait of Ferdinand Guillemardet, 1798 (engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imageSash Collection: Rough-Rider Macnamara, 5th (Princess Charlotte of Wales s) Dragoon Guards (b / w photo)

Rough-Rider Macnamara, 5th (Princess Charlotte of Wales s) Dragoon Guards (b / w photo)
NAM261015 Rough-Rider Macnamara, 5th (Princess Charlotte of Wales s) Dragoon Guards (b/w photo) by Cundall, Joseph (1818-95) & Howlett, Robert (1831-58); National Army Museum

Background imageSash Collection: Oliver Cromwell (1599-1658) c. 1650 (engraving) (b / w photo)

Oliver Cromwell (1599-1658) c. 1650 (engraving) (b / w photo)
TPG210673 Oliver Cromwell (1599-1658) c.1650 (engraving) (b/w photo) by Irish School, (17th century); Private Collection; (add.info)

Background imageSash Collection: Highland Dress (b / w photo)

Highland Dress (b / w photo)
WPU260737 Highland Dress (b/w photo) by New Zealander Photographer (19th century); Waipu Museum, Northland, New Zealand; eWaipu Museum; New Zealander, out of copyright

Background imageSash Collection: Portrait of Charles Maurice de Talleyrand-Perigord (1754-1838

Portrait of Charles Maurice de Talleyrand-Perigord (1754-1838
CHT177248 Portrait of Charles Maurice de Talleyrand-Perigord (1754-1838) early 19th century (oil on canvas) by Gerard, Francois Pascal Simon, Baron (1770-1837); Musee de la Ville de Paris

Background imageSash Collection: Long live the Republic and the Peace, c. 1795-99 (coloured woodblock engraving)

Long live the Republic and the Peace, c. 1795-99 (coloured woodblock engraving)
CHT173594 Long live the Republic and the Peace, c.1795-99 (coloured woodblock engraving) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageSash Collection: Portrait of Caballero Teodoro de Croix (1730-92) Viceroy of Peru and Chile (oil on canvas

Portrait of Caballero Teodoro de Croix (1730-92) Viceroy of Peru and Chile (oil on canvas
MAE181388 Portrait of Caballero Teodoro de Croix (1730-92) Viceroy of Peru and Chile (oil on canvas) by Spanish School, (18th century); Chateau Franc-Waret, Ardennes

Background imageSash Collection: Leopold II (1835-1909) c. 1866-67 (oil on canvas)

Leopold II (1835-1909) c. 1866-67 (oil on canvas)
PLT238242 Leopold II (1835-1909) c.1866-67 (oil on canvas) by Belgian School, (19th century); Musee de la Dynastie, Brussels

Background imageSash Collection: Caricature of English costumes, circa 1814

Caricature of English costumes, circa 1814. Men and women in ill-fitting, badly shaped dresses, hats and coats. Handcoloured engraving from Pierre de la Mesangeres Le Bon Genre, Paris, 1817

Background imageSash Collection: Portrait of a Lady (oil on canvas)

Portrait of a Lady (oil on canvas)
TW426649 Portrait of a Lady (oil on canvas) by Nicholls, Charles Wynne (1831-1903); 42.6x30.9 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; English

Background imageSash Collection: Festive costume of Conrad Pistor of the Kremer Guild, 1588

Festive costume of Conrad Pistor of the Kremer Guild, 1588
Festive costume of Conrad Pistor of the Kremer Guild in 1588, with his coat of arms with ploughshare, indicating blacksmith. From an Aschaffenburg guild book

Background imageSash Collection: Lady Dufferin as Vicereine of India, c. 1884-88 (b / w photo)

Lady Dufferin as Vicereine of India, c. 1884-88 (b / w photo)
495557 Lady Dufferin as Vicereine of India, c.1884-88 (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Hariot Georgina Hamilton-Temple-Blackwood)



All Professionally Made to Order for Quick Shipping

"Sash: A Symbol of Power, Influence, and Legacy" Throughout history, the sash has been worn by individuals who have left an indelible mark on society. From Queen Elizabeth II, the beloved monarch of the United Kingdom and Commonwealth, to influential figures like Gen C Gordon and Col Lith, this accessory holds great significance. In 1953, Queen Elizabeth II donned her coronation robes with a majestic sash draped across her shoulder. The artist Sterling Henry Nahum Baron captured this iconic moment that symbolized her reign as a powerful leader. The suffragette movement led by Pankhurst in Manchester Docks fought tirelessly for women's rights. Their determination was embodied in their symbolic sashes proudly displayed during protests. Mustafa Kemal Ataturk, known as the father of modern Turkey, wore a sash that represented his vision for progress and reform. Similarly, Reza Shah Pahlavi of Iran used his regal sash to signify authority during his transformative rule. Even fictional characters found themselves adorned with significant sashes. In Hannah Humphrey's depiction of "The King of Brobdingnag" from Gulliver's Travels published in 1803, we see how even imaginary realms recognize the power behind this accessory. The military also embraces the importance of tradition and honor through their use of ceremonial sashes. As they celebrate the birthday of their queen or pay homage to Field Marshal Lord Roberts' leadership during South Africa's conflicts in 1902 - these symbols serve as reminders of duty and loyalty. Portraits throughout history capture distinguished individuals wearing magnificent sashes; Nelson exuding bravery on panel canvas or Queen Victoria radiating elegance circa 1880 – all showcasing how these adornments elevate one's stature. Lastly but not leastly is Princess Elizabeth herself before she ascended to become Queen Elizabeth II.