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Sans Personne Collection

"Sans Personne: A Visual Journey through Time and Space" Step into the enchanting Chiesa Parrochiale in Montesano, Apulia, Italy, where a captivating painting awaits

Background imageSans Personne Collection: Painting in the Chiesa Parrochiale, Montesano, Apulia, Italy, Europe

Painting in the Chiesa Parrochiale, Montesano, Apulia, Italy, Europe

Background imageSans Personne Collection: Euphorbe small cypers (Euphorbia cyparissias). Lithograph from 'Afbeelding der Artseny-Gewassen'

Euphorbe small cypers (Euphorbia cyparissias). Lithograph from "Afbeelding der Artseny-Gewassen" by Johannes
FLO4735992 Euphorbe small cypers (Euphorbia cyparissias). Lithograph from "Afbeelding der Artseny-Gewassen" by Johannes Zorn (1739-1799), Netherlands, 1796

Background imageSans Personne Collection: Lycopod in clubs or officinal lycopod (Lycopodium clavatum). Lithograph from 'Afbeelding der

Lycopod in clubs or officinal lycopod (Lycopodium clavatum). Lithograph from "Afbeelding der
FLO4737331 Lycopod in clubs or officinal lycopod (Lycopodium clavatum). Lithograph from "Afbeelding der Artseny-Gewassen" by Johannes Zorn (1739-1799), Netherlands, 1796

Background imageSans Personne Collection: Tamarindus indica. Lithograph from 'Afbeelding der Artseny-Gewassen' by Johannes Zorn (1739-1799)

Tamarindus indica. Lithograph from "Afbeelding der Artseny-Gewassen" by Johannes Zorn (1739-1799)
FLO4735572 Tamarindus indica. Lithograph from "Afbeelding der Artseny-Gewassen" by Johannes Zorn (1739-1799), Netherlands, 1796. Tamarind tree, Tamarindus indica

Background imageSans Personne Collection: Bearberry, Arctostaphylos uva-ursi. Handcoloured lithograph by Hanhart after a botanical

Bearberry, Arctostaphylos uva-ursi. Handcoloured lithograph by Hanhart after a botanical illustration by David Blair
FLO4983427 Bearberry, Arctostaphylos uva-ursi. Handcoloured lithograph by Hanhart after a botanical illustration by David Blair from Robert Bentley and Henry Trimen's Medicinal Plants, London

Background imageSans Personne Collection: Lie-bane or stavesacre, Delphinium staphisagria. Chromolithograph after a botanical illustration

Lie-bane or stavesacre, Delphinium staphisagria. Chromolithograph after a botanical illustration from Hermann Adolph
FLO4992778 Lie-bane or stavesacre, Delphinium staphisagria. Chromolithograph after a botanical illustration from Hermann Adolph Koehler's Medicinal Plants, edited by Gustav Pabst, Koehler

Background imageSans Personne Collection: Kintaikyo Bridge near Miyajima (Itsuku shima) - Japan 1880-1910

Kintaikyo Bridge near Miyajima (Itsuku shima) - Japan 1880-1910
CSO4981228 Kintaikyo Bridge near Miyajima (Itsuku shima) - Japan 1880-1910 -; (add.info.: Kintaikyo Bridge near Miyajima (Itsuku shima) - Japan 1880-1910 -); Photo © DDF

Background imageSans Personne Collection: Shiraito Waterfalls near Mount Fuji - Shiraito waterfall at Fujiyama - Japan 1880-1910 - Hand

Shiraito Waterfalls near Mount Fuji - Shiraito waterfall at Fujiyama - Japan 1880-1910 - Hand coloured photo
CSO4980036 Shiraito Waterfalls near Mount Fuji - Shiraito waterfall at Fujiyama - Japan 1880-1910 - Hand coloured photo; (add.info)

Background imageSans Personne Collection: Nishi Otani Santuary Bridge, Kyoto - Spectacle bridge of Otani

Nishi Otani Santuary Bridge, Kyoto - Spectacle bridge of Otani, Kioto - Japan 1880-1910 - Hand coloured photo
CSO4980360 Nishi Otani Santuary Bridge, Kyoto - Spectacle bridge of Otani, Kioto - Japan 1880-1910 - Hand coloured photo; (add.info.: Nishi Otani Santuary Bridge, Kyoto - Spectacle bridge of Otani)

Background imageSans Personne Collection: View of O Jigoku (Great Hell), Great Valley with Hot Springs

View of O Jigoku (Great Hell), Great Valley with Hot Springs, Hakone - View O Jigoku or great boiling springs
CSO4980307 View of O Jigoku (Great Hell), Great Valley with Hot Springs, Hakone - View O Jigoku or great boiling springs, Hakone - Japan 1880-1910 - Hand coloured photo; (add.info)

Background imageSans Personne Collection: Silver banksia, Banksia marginata. Australia. Handcoloured copperplate engraving by George Cooke

Silver banksia, Banksia marginata. Australia. Handcoloured copperplate engraving by George Cooke after George Loddiges
FLO4666004 Silver banksia, Banksia marginata. Australia. Handcoloured copperplate engraving by George Cooke after George Loddiges from Conrad Loddiges' Botanical Cabinet, Hackney

Background imageSans Personne Collection: Red campion, Silene dioica, and white behmen, Centaurea behen

Red campion, Silene dioica, and white behmen, Centaurea behen. Handcoloured woodblock engraving of a botanical
FLO4667830 Red campion, Silene dioica, and white behmen, Centaurea behen. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557

Background imageSans Personne Collection: Corncockle, Agrostemma githago, and woundwort, Stachys heraclea

Corncockle, Agrostemma githago, and woundwort, Stachys heraclea. Handcoloured woodblock engraving of a botanical
FLO4667118 Corncockle, Agrostemma githago, and woundwort, Stachys heraclea. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt

Background imageSans Personne Collection: Dyer's weed or German greenweed, Genista germanica. Handcoloured woodblock engraving of a

Dyer's weed or German greenweed, Genista germanica. Handcoloured woodblock engraving of a botanical illustration
FLO4667438 Dyer's weed or German greenweed, Genista germanica. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557

Background imageSans Personne Collection: Seaweed without coral bark 1, and smaller seaweed with yellow coral bark 2

Seaweed without coral bark 1, and smaller seaweed with yellow coral bark 2
FLO4652482 Seaweed without coral bark 1, and smaller seaweed with yellow coral bark 2. Handcoloured copperplate engraving after an illustration by Christian Nicolaus Kleemann from Georg Wolfgang

Background imageSans Personne Collection: Melaleuch with thyme leaf - thyme leaved melaleuca, Melaleuca thymifolia

Melaleuch with thyme leaf - thyme leaved melaleuca, Melaleuca thymifolia. Handcoloured botanical engraving by Weddell
FLO4579066 Melaleuch with thyme leaf - thyme leaved melaleuca, Melaleuca thymifolia. Handcoloured botanical engraving by Weddell from John Sims' Curtis's Botanical Magazine, Couchman, London

Background imageSans Personne Collection: Purple mangosteen tree, flower, leaf and fruit, Garcinia mangostana 1, and rattan tree

Purple mangosteen tree, flower, leaf and fruit, Garcinia mangostana 1, and rattan tree, Calamus rotang
FLO4574542 Purple mangosteen tree, flower, leaf and fruit, Garcinia mangostana 1, and rattan tree, Calamus rotang, branch and leaf 2, and " dragon's blood" fruit 3

Background imageSans Personne Collection: Bleaching equipment, 18th century, with bucking tub of lye and tank of oxy-muriatic acid (chlorine)

Bleaching equipment, 18th century, with bucking tub of lye and tank of oxy-muriatic acid (chlorine)
FLO4592375 Bleaching equipment, 18th century, with bucking tub of lye and tank of oxy-muriatic acid (chlorine). Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham

Background imageSans Personne Collection: Coach suspension: view of the fore wheels of a crane-necked carriage and Mr

Coach suspension: view of the fore wheels of a crane-necked carriage and Mr
FLO4591221 Coach suspension: view of the fore wheels of a crane-necked carriage and Mr. Jacobs' contrivance for the forewheels of a coach

Background imageSans Personne Collection: Engine for cutting the Screw of Jesse Ramsden (1735-1800)'s circular dividing engine, 1773

Engine for cutting the Screw of Jesse Ramsden (1735-1800)'s circular dividing engine, 1773
FLO4592358 Engine for cutting the Screw of Jesse Ramsden (1735-1800)'s circular dividing engine, 1773. Copperplate engraving by Wilson Lowry after John Farey from Abraham Rees' Cyclopedia or

Background imageSans Personne Collection: Cutting engine by the ingenious mechanic and clockmaker Samuel Rehe (1735-1799) of London

Cutting engine by the ingenious mechanic and clockmaker Samuel Rehe (1735-1799) of London, 18th century
FLO4592272 Cutting engine by the ingenious mechanic and clockmaker Samuel Rehe (1735-1799) of London, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham

Background imageSans Personne Collection: Electrical equipment, 18th century. Medical machine for electrifying the teeth, thunder house

Electrical equipment, 18th century. Medical machine for electrifying the teeth, thunder house, torpedo, brush
FLO4592222 Electrical equipment, 18th century. Medical machine for electrifying the teeth, thunder house, torpedo, brush, and connecting frame of the Teylerian battery

Background imageSans Personne Collection: Different types of chains and clay mills. Copperplate engraving by Wilson Lowry after a drawing by

Different types of chains and clay mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr
FLO4591196 Different types of chains and clay mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr

Background imageSans Personne Collection: Electrical machines, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees'

Electrical machines, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal
FLO4592169 Electrical machines, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees

Background imageSans Personne Collection: Machinery for making cutlery: troughs of a grinding mill, fongs for pressing knife handles

Machinery for making cutlery: troughs of a grinding mill, fongs for pressing knife handles
FLO4592064 Machinery for making cutlery: troughs of a grinding mill, fongs for pressing knife handles, pressing vice and spring drill

Background imageSans Personne Collection: Dividing and cutting engines with diagonal motion. Copperplate engraving by Duncan after a drawing

Dividing and cutting engines with diagonal motion. Copperplate engraving by Duncan after a drawing by J
FLO4591122 Dividing and cutting engines with diagonal motion. Copperplate engraving by Duncan after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts

Background imageSans Personne Collection: Plans and sections through canal locks and gates, 18th century

Plans and sections through canal locks and gates, 18th century. Copperplate engraving by Wilson Lowry from Abraham
FLO4591823 Plans and sections through canal locks and gates, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts

Background imageSans Personne Collection: Apparatus for the distillation of pyroligneous acid or wood vinegar, early 19th century

Apparatus for the distillation of pyroligneous acid or wood vinegar, early 19th century
FLO4590895 Apparatus for the distillation of pyroligneous acid or wood vinegar, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by William Thomson from Abraham Rees'

Background imageSans Personne Collection: Elevation and section of a blast furnace works with water regulator, early 19th century

Elevation and section of a blast furnace works with water regulator, early 19th century
FLO4590819 Elevation and section of a blast furnace works with water regulator, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by David Mushet from Abraham Rees'

Background imageSans Personne Collection: Block machinery or lathe at Portsmouth naval docks, early 19th century

Block machinery or lathe at Portsmouth naval docks, early 19th century. Copperplate engraving by Wilson Lowry after a
FLO4590681 Block machinery or lathe at Portsmouth naval docks, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal

Background imageSans Personne Collection: Gas lights by Samuel Clegg (1781-1861), John Stancliffe and Benjamin Cooke

Gas lights by Samuel Clegg (1781-1861), John Stancliffe and Benjamin Cooke
FLO4591045 Gas lights by Samuel Clegg (1781-1861), John Stancliffe and Benjamin Cooke. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr

Background imageSans Personne Collection: Cannon-boring machinery, 18th century. Copperplate engraving by Wilson Lowry after a drawing by

Cannon-boring machinery, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr
FLO4591794 Cannon-boring machinery, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts

Background imageSans Personne Collection: Cannon-boring machinery, 18th century. Copperplate engraving by Wilson Lowry after a drawing by

Cannon-boring machinery, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr
FLO4591786 Cannon-boring machinery, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts

Background imageSans Personne Collection: Types of hygrometers, 18th century, to measure moisture content

Types of hygrometers, 18th century, to measure moisture content. Jean-Andre De Luc's whalebone hygrometer
FLO4591669 Types of hygrometers, 18th century, to measure moisture content. Jean-Andre De Luc's whalebone hygrometer, and others by Horace-Benedict de Saussure, Benjamin Meggot Forster

Background imageSans Personne Collection: Oil lamps designed by Aime Argand, Mr. Kier, and a rolling lamp in a gyro

Oil lamps designed by Aime Argand, Mr. Kier, and a rolling lamp in a gyro
FLO4591487 Oil lamps designed by Aime Argand, Mr. Kier, and a rolling lamp in a gyro. Copperplate engraving by Wilson Lowry after a drawing by J

Background imageSans Personne Collection: Winches, pulleys and other machinery, early 19th century. Copperplate engraving by Wilson Lowry

Winches, pulleys and other machinery, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by J
FLO4591468 Winches, pulleys and other machinery, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by J

Background imageSans Personne Collection: Water-powered flour mill designed by John Smeaton, 1781. Copperplate engraving by Wilson Lowry

Water-powered flour mill designed by John Smeaton, 1781. Copperplate engraving by Wilson Lowry after a drawing by J
FLO4591408 Water-powered flour mill designed by John Smeaton, 1781. Copperplate engraving by Wilson Lowry after a drawing by J

Background imageSans Personne Collection: Log wood mill for processing timber. Copperplate engraving by Wilson Lowry after a drawing by J

Log wood mill for processing timber. Copperplate engraving by Wilson Lowry after a drawing by J
FLO4591386 Log wood mill for processing timber. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts

Background imageSans Personne Collection: Daniel Masere's original suspension pulley and fire escape machine simplified by Mr

Daniel Masere's original suspension pulley and fire escape machine simplified by Mr
FLO4591200 Daniel Masere's original suspension pulley and fire escape machine simplified by Mr. Forster, painter's easel and indigo mills

Background imageSans Personne Collection: Man applying electrostatic charge to his leg and shoulders using Edward Nairne (1726-1806)'s machine

Man applying electrostatic charge to his leg and shoulders using Edward Nairne (1726-1806)'s machine
FLO4592177 Man applying electrostatic charge to his leg and shoulders using Edward Nairne (1726-1806)'s machine, and details of Rev. William Pearson's portable machine

Background imageSans Personne Collection: Plate coinage equipment and copying machines. Copperplate engraving by Wilson Lowry after a

Plate coinage equipment and copying machines. Copperplate engraving by Wilson Lowry after a drawing by J
FLO4591146 Plate coinage equipment and copying machines. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts

Background imageSans Personne Collection: Plans and sections of a carding machine, used for preparing fibers in cotton manufacture

Plans and sections of a carding machine, used for preparing fibers in cotton manufacture, 18th century
FLO4591970 Plans and sections of a carding machine, used for preparing fibers in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by James Burton from Abraham

Background imageSans Personne Collection: Drawing instruments including John Farey (1766-1826)'s elliptograph for drawing ellipses

Drawing instruments including John Farey (1766-1826)'s elliptograph for drawing ellipses and Sir Howard Douglas
FLO4591904 Drawing instruments including John Farey (1766-1826)'s elliptograph for drawing ellipses and Sir Howard Douglas (1776-1861) reflecting protractor in the form of a sextant

Background imageSans Personne Collection: Burnet-saxifrage, Pimpinella saxifraga. Handcoloured copperplate engraving from Dr

Burnet-saxifrage, Pimpinella saxifraga. Handcoloured copperplate engraving from Dr
FLO4564330 Burnet-saxifrage, Pimpinella saxifraga. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse

Background imageSans Personne Collection: Spotted Hail or Large Hail - Lithograph by F. Guimpel, extracted from medical botany by Friedrich

Spotted Hail or Large Hail - Lithograph by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes
FLO4642039 Spotted Hail or Large Hail - Lithograph by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Hemlock

Background imageSans Personne Collection: Knot, Calidris canutus. Illustration copied from George Edwards

Knot, Calidris canutus. Illustration copied from George Edwards. Handcoloured copperplate engraving from " The
FLO4641371 Knot, Calidris canutus. Illustration copied from George Edwards. Handcoloured copperplate engraving from " The Naturalist's Pocket Magazine," Harrison, London

Background imageSans Personne Collection: Ground ivy, Glechoma hederacea (terrestrial ivy) Handcoloured copperplate engraving after a

Ground ivy, Glechoma hederacea (terrestrial ivy) Handcoloured copperplate engraving after a drawing by James Sowerby
FLO4699797 Ground ivy, Glechoma hederacea (terrestrial ivy) Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1801.; (add.info.: Ground ivy)

Background imageSans Personne Collection: The Tuber of China. Chinese tuberose, Polianthes tuberosa. Handcoloured etching from Pierre Joseph

The Tuber of China. Chinese tuberose, Polianthes tuberosa. Handcoloured etching from Pierre Joseph Buchoz 'Precious
FLO4597051 The Tuber of China. Chinese tuberose, Polianthes tuberosa. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful



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"Sans Personne: A Visual Journey through Time and Space" Step into the enchanting Chiesa Parrochiale in Montesano, Apulia, Italy, where a captivating painting awaits. The absence of human figures allows our imagination to wander freely amidst the strokes of the artist's brush. Embark on exhilarating excursions to the Atlantic Ocean islands with a vintage poster from early 20th century Noirmoutier. As we gaze at this artwork devoid of people, we can almost feel the salty breeze caressing our faces and hear the crashing waves against rugged shores. Witness history unfold as deputies unite in protest against a tax on parliamentary allowances in an evocative illustration from 1933's National Assembly. In this moment captured without individuals present, one can sense their collective determination echoing through time. Discover serenity within the walls of Chateau de Petrarque in Vaucluse through a delicate watercolor painting. Absent are any signs of human presence, allowing us to immerse ourselves fully in its tranquil beauty. Marvel at nature's delicate artistry as apple blossoms come alive on canvas through vibrant watercolors. This depiction devoid of people invites us to appreciate nature's splendor independently and revel in its ephemeral charm. Dive deep into underwater realms with "Sea Fish, " a mesmerizing watercolor masterpiece from c. 1907. Here, sans personne takes us beneath oceanic depths where marine life dances gracefully without human interference. Transport yourself back centuries ago with an interior view of Carcassonne city depicted in c. 1904 watercolor painting. The absence of individuals enables us to envision medieval streets bustling with activity long before our time. Delve into ethereal waters teeming with jellyfish through another captivating c. 1901 watercolor creation. Without anyone present, these translucent creatures seem alluringly otherworldly as they glide effortlessly across paper.