Saadi Collection

Single Leaf of a Portrait of Shah Abbas I, Painting: 18th century; Calligraphy: 1582-1583. Creator: Unknown
Single Leaf of a Portrait of Shah Abbas I, 18th century. According to the inscription in the upper panel of this manuscript leaf

Judge (Qazi) of Hamadan in a Drunken State, a scene from the Gulistan of Sa di, about 1550

Chained Prisoners are Brought Before a King, a scene from the Gulistan of Sa di, c. 1550

A Polo Game: Page from a Kulliyyat (Collected Works) of Sa di, Safavid dynasty, c. 1585
A Polo Game: Page from a Kulliyyat (Collected Works) of Sa di, Safavid dynasty (1501-1722), 16th century, c. 1585

The Illuminated Border of Animals, double page from a copy of the Gulistan of Sa di, Safavid dynasty (1501-1722), 16th century

Illuminated Bookbinding of the Gulistan of Sa di, 17th century. Creator: Unknown
Illuminated Bookbinding of the Gulistan of Sa di, 17th century

Tomb of the Persian poet Saadi in the Iranian city of Shiraz (engraving)
3647862 Tomb of the Persian poet Saadi in the Iranian city of Shiraz (engraving) by German School, (19th century); Private Collection; (add.info)

The Persian poet Saadi (engraving)
3647889 The Persian poet Saadi (engraving) by German School, (19th century); Private Collection; (add.info.: The Persian poet Saadi (1210-c1292)

Bustan of Sa di, detail (pen & ink with gold on paper)
2919714 Bustan of Sa di, detail (pen & ink with gold on paper) by Persian School, (18th century); 14x290 cm; The University of St

Bustan of Sa di, detail (pen & ink with gold on paper)
2919705 Bustan of Sa di, detail (pen & ink with gold on paper) by Persian School, (18th century); 14x290 cm; The University of St

Bustan of Sa di, detail (pen & ink with gold on paper)
2919704 Bustan of Sa di, detail (pen & ink with gold on paper) by Persian School, (18th century); 14x290 cm; The University of St

Lamp Stand, Iran, A. H. 1027-29 / A. D 1617-18. Creator: Unknown
Lamp Stand, Iran, A.H. 1027-29/A.D 1617-18. Safavid lamp stand with verses in Persian nasta liq script from Sa`dis " The Moth and the Candle"

Engraved Lamp Stand with Interlocking Circles, Iran, probably 16th century. Verses embody spiritual metaphors. I said to the candle: " What is this moth around your face

Engraved Lamp Stand with Chevron Pattern, Iran, dated A. H. 986 / A. D. 1578-79
Engraved Lamp Stand with Chevron Pattern, Iran, dated A.H. 986/ A.D. 1578-79. Lyrical verses from the Bustan (Orchard) of Sa di

Engraved Lamp Stand with a Cylindrical Body, Iran, second half 16th century. Safavid lamp stand with inscriptions in Persian nasta liq script

Bustan (Orchard) of Sa di, dated A. H. 936 / A. D. 1529 with later additions
Bustan (Orchard) of Sa di, dated A.H. 936/ A.D. 1529 with later additions

King Salih of Syria Entertaining Two Dervishes, Folio from a Bustan (Orchard) of Sa di, 17th century

A Religious Devotee Summoned to Pray for the Kings Recovery, Folio from a Bustan (Orchard) of Sa di, 17th century

A Fire-Worshipper Received at the Board of Abraham the Patriarch, Folio from a Bustan (Orchard) of Sa di, 17th century

Interior Reception, Folio 36r from a Bustan of Sa di, ca. 1525-35. Creator: Shaikh Zada
Interior Reception, Folio 36r from a Bustan of Sa di, ca. 1525-35

Illuminated Frontispiece of a Bustan of Sa di, dated A. H. 920 / A. D. 1514
Illuminated Frontispiece of a Bustan of Sa di, dated A.H. 920/ A.D. 1514

Leaf of Calligraphy from Poems by Sa di, 16th century. Creator: Unknown
Leaf of Calligraphy from Poems by Sa di, 16th century

Page of Calligraphy from an Anthology of Poetry by Sa di and Hafiz, late 15th century

Saadi in a Rose Garden, 1645. Artist: Govardhan
Saadi in a Rose Garden, 1645. From a manuscript of the Gulistan (Rose Garden), by Saadi. Saadi (c1184-c1292) was a Persian poet of the 13th century

Saadi and his mother. Ab?-Muhammad Muslih al-D?n bin Abdall?h Sh?r?z?, aka Saadi and Saadi of Shiraz, c. 1210 - c
Saadi and his mother. Ab?-Muhammad Muslih al-D?n bin Abdall?h Sh?r?z?, aka Saadi and Saadi of Shiraz, c.1210 - c.1292. Persian poet. After a 18th century Indian miniature

Sadi / Saadi / Asiatique
MOSHARREF OD-DIN IBN MOSLEH OD-DIN SADI or SaDI Persian poet Date: ?1213 - 1292

Tomb of poet Saadi, Shiraz, Iran
The Tomb of Saadi is a tomb and mausoleum dedicated to the Persian poet Saadi in the Iranian city of Shiraz

SaDI (c1184-1291). Real name, Muslih-ud-Din. Persian poet. Saadi with his mother. Indian miniature, 18th century

SaDI: BUSTAN MANUSCRIPT. Persian manuscript, early 16th century, of the Bustan (1257) by Saadi

Tomb of Saadi, Shiraz, Iran, Middle East

All Professionally Made to Order for Quick Shipping

Saadi, the renowned Persian poet and philosopher, continues to captivate us with his timeless works. In one scene from the Gulistan of Sa di, we witness a peculiar sight - a Judge (Qazi) of Hamadan in a Drunken State. This unexpected portrayal challenges our perceptions of authority and reminds us that even those in power are not immune to human flaws. Another captivating moment from the Gulistan brings forth chained prisoners before a King. The tension is palpable as their fate hangs in the balance. Saadi's words remind us of the fragility of life and how circumstances can change in an instant. Intriguingly, it also transports us to a Polo Game through his Kulliyyat (Collected Works). We can almost hear the thundering hooves and feel the excitement as players compete for victory on horseback. It serves as a metaphor for life's struggles and teaches us about resilience and determination. The beauty within Saadi's works extends beyond mere words; it manifests itself visually too. The illuminated border featuring animals showcases intricate artistry that complements his profound verses perfectly. Similarly, an unknown creator has adorned an exquisite bookbinding with illuminations dedicated to Gulistan of Sa di – truly capturing its essence. As we delve deeper into Saadi's world, we encounter his final resting place - the Tomb of Persian poet Saadi in Shiraz. Engraved with elegance, this monument stands as a testament to his enduring legacy. Moving away from visuals tied directly to him or his works, we come across depictions himself - captured forever by engravings that immortalize his visage throughout history. Returning once more to his literary contributions, Bustan offers glimpses into various aspects of life through pen & ink illustrations embellished with gold details – each stroke breathing life into every scene depicted. Delving further into Iranian artistry inspired by Saadi’s words, we discover a Lamp Stand from the 17th century.