Russian Theatre Collection

Costume design for the ballet The Rite of Spring (Le Sacre du Printemps) by I. Stravinski, 1930. Private Collection

The Girl. Costume design for the ballet The Rite of Spring (Le Sacre du Printemps) by I. Stravinsky, 1912. Found in the collection of the State Central A. Bakhrushin Theatre Museum, Moscow

Ultrafashionable lady. Costume design for the ballet The Rite of Spring (Le Sacre du Printemps) by I. Stravinsky, 1912. Found in the collection of the State Central A

Stage design for the theatre play The Lady of the Camellias by Alexandre Dumas, 1934. Found in the collection of the State Central A. Bakhrushin Theatre Museum, Moscow

Wall painting from the Cabaret "The comedian's rest home", 1916. Found in the collection of the State Central A. Bakhrushin Theatre Museum, Moscow

Stage design for the ballet The Rite of Spring (Le Sacre du Printemps) by I. Stravinsky. From a private collection

Ballet, 1910. Artist: Sudeykin, Sergei Yurievich (1882-1946)
Ballet, 1910. Found in the collection of the State Russian Museum, St. Petersburg

Salome. Costume design for the play Salome by O. Wilde, 1917. Artist: Exter
Salome. Costume design for the play Salome by O. Wilde, 1917. Found in the collection of the State Central A. Bakhrushin Theatre Museum, Moscow

Jews. Costume design for the theatre play Salome by O. Wilde, 1917. Artist: Exter
Jews. Costume design for the theatre play Salome by O. Wilde, 1917. Found in the collection of the State Central A. Bakhrushin Theatre Museum, Moscow

Portrait of the stage producer Vsevolod Meyerhold (1874-1940), 1925. Artist: Williams
Portrait of the stage producer Vsevolod Meyerhold (1874-1940), 1925. Found in the collection of the State Tretyakov Gallery, Moscow

Fourth female masker. Costume design for the theatre play Romeo and Julia by W. Shakespeare, 1921. Found in the collection of the State Central A. Bakhrushin Theatre Museum, Moscow

The Name day of the Director of Imperial Theatres, Mid of the 19th century. Found in the Collection of State Museum of Theatre and Music Art, St. Petersburg

Costume design for the ballet The Rite of Spring by I. Stravinsky. Adoration of the Earth (L Adoration), 1922. Private Collection

Stage design for the ballet The Little Humpbacked Horse by C. Pugni, 1939. Private Collection

Portrait of Vsevolod Meyerhold (1874-1940), 1913. Artist: Kulbin, Nikolai Ivanovich (1868-1917)
Portrait of Vsevolod Meyerhold (1874-1940), 1913. Private Collection

Portrait of the actress Alisa Koonen (1889-1974). Artist: Yakulov, Georgi Bogdanovich (1884-1928)
Portrait of the actress Alisa Koonen (1889-1974). Private Collection

Stage design for the play Salome by O. Wilde, 1912. Artist: Bakst, Leon (1866-1924)
Stage design for the play Salome by O. Wilde, 1912. From a private collection

The Great Sacrifice. Stage design for the ballet The Rite of Spring (Le Sacre du Printemps) by I. Stravinsky, 1910. Found in the collection of the State A. Radishchev Art Museum, Saratov

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Russian theatre has long been known for its stunning and innovative productions, captivating audiences with its unique blend of artistry and storytelling. From the exquisite costume designs for iconic ballets like The Rite of Spring by I. Stravinsky, to the elaborate stage sets that transport viewers into a world of fantasy and wonder, Russian theatre truly knows how to create a visual spectacle. One cannot help but be mesmerized by the intricate details in the costume design for The Rite of Spring. Whether it's the ethereal beauty of The Girl or the ultrafashionable lady, these costumes are works of art in their own right. Created by talented artists such as Roerich and Exter, they perfectly capture the essence and spirit of this groundbreaking ballet. The stage design for The Rite of Spring is equally impressive, transporting us to a world where nature reigns supreme. With every brushstroke, we are immersed in an enchanting landscape filled with vibrant colors and dynamic shapes, and is no wonder that this production continues to captivate audiences even after all these years. But Russian theatre goes beyond just ballet; it also encompasses plays like Salome by O. Wilde and Romeo and Juliet by W. Shakespeare. These productions push boundaries both visually and thematically, challenging societal norms while showcasing incredible talent on stage. Behind every successful production lies a visionary director like Vsevolod Meyerhold who revolutionized Russian theatre in the 20th century with his avant-garde approach to staging plays. His portrait serves as a reminder of his immense contribution to this art form. As we delve into the rich history of Russian theatre, we discover not only its artistic brilliance but also its cultural significance throughout time - from mid-19th-century celebrations honoring directors at Imperial Theatres to modern interpretations that continue to push boundaries today. Russian theatre is an amalgamation of creativity, passion, and innovation that leaves an indelible mark on anyone fortunate enough to witness its magic.