Rural Area Collection

A Red Legged Patridge and a Covey of Grey Patridges by Corn Stooks (pencil and w / c)
6448737 A Red Legged Patridge and a Covey of Grey Patridges by Corn Stooks (pencil and w/c) by Thorburn, Archibald (1860-1935); 22.8x36.8 cm; Private Collection; (add.info.: Thorburn)

Don Quixote by French artist Adrien Demont, 1851 - 1928. On display at the National Gallery of Victoria, Melbourne
7264860 Don Quixote by French artist Adrien Demont, 1851 - 1928. On display at the National Gallery of Victoria, Melbourne, Victoria, Australia

Dean and Adams Revolving Rifle (engraving)
7181498 Dean and Adams Revolving Rifle (engraving) by English School, (19th century); Private Collection; (add.info.: Dean and Adams Revolving Rifle)

By The Sea, 1881 (oil on canvas)
7063397 By The Sea, 1881 (oil on canvas) by Glendening, Alfred Augustus (1840-1921); Private Collection

LEON TOLSTOI LABOURANT, 1887 (oil on cardboard)
7215383 LEON TOLSTOI LABOURANT, 1887 (oil on cardboard) by Repin, Ilya Efimovich (1844-1930); Tretyakov Gallery, Moscow, Russia; (add.info.: 1887//Oil on cardboard At Iasnaya Polyana in August 1887)

A Picturesque Cottage, Warwickshire (pencil and w / c)
6867113 A Picturesque Cottage, Warwickshire (pencil and w/c) by Stannard, Henry John Sylvester (1870-1951); Private Collection

An Encounter on the Road, c. 1900 (oil on canvas)
5895234 An Encounter on the Road, c.1900 (oil on canvas) by Walbourn, Ernest (1872-1927); 61x91.5 cm; Private Collection; (add.info.: Walbourn, Ernest (1872-1927))

Church Pool, Bettws-y-coed (oil)
7064886 Church Pool, Bettws-y-coed (oil) by Parker, Henry (1858-1930); Private Collection

The fury of a swan (Colour Litho)
2809228 The fury of a swan (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The fury of a swan)

Mussolini, shirtless under the sun, threshed the wheat of Agro Pontino after twenty centuries... (colour litho)
2783813 Mussolini, shirtless under the sun, threshed the wheat of Agro Pontino after twenty centuries... (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: Mussolini)

Landscape with Cattle and Herdsman, 1810 (Watercolour)
7290978 Landscape with Cattle and Herdsman, 1810 (Watercolour) by Hills, Robert (1769-1844); 44.2x34.3 cm; Tyne & Wear Archives & Museums; (add.info)

Ben Nevis, 1891 (Watercolour and gouache)
7290955 Ben Nevis, 1891 (Watercolour and gouache) by Foster, Myles Birket (1825-99); 78.5x117.9 cm; Tyne & Wear Archives & Museums; (add.info.: Myles Birket Foster (1825-1899) Ben Nevis

Mountainous Landscape, late 19th century
7290941 Mountainous Landscape, late 19th century by Palmer, Henry Sutton (1854-1933); 52.9x76.8 cm; Tyne & Wear Archives & Museums; (add.info.: Harry S)

Lone St Mary s, 1900 (Watercolour on paper)
7290931 Lone St Mary s, 1900 (Watercolour on paper) by Scott, Tom (1854-1927); 37.4x54.7 cm; Tyne & Wear Archives & Museums; (add.info.: Tom Scott (1854-1927) Lone St Mary s

On the Emmet Burn, on the North Tyne, 1833 (Watercolour)
7290930 On the Emmet Burn, on the North Tyne, 1833 (Watercolour) by Swinburne, Julia (1796-1893); 14.7x19.1 cm; Tyne & Wear Archives & Museums; (add.info)

Milk Boy with Family Group, about 1840 (Watercolour and gouache)
7290923 Milk Boy with Family Group, about 1840 (Watercolour and gouache) by Parker, Henry Perlee (1795-1873); 29.1x43.1 cm; Tyne & Wear Archives & Museums; (add.info)

A Cullercoats Garden Overlooking The Sea (oil on board)
7291004 A Cullercoats Garden Overlooking The Sea (oil on board) by Slater, John Falconar (1857-1937); 58x76 cm; Tyne & Wear Archives & Museums; (add.info.: John F)

Sand dunes on the Conwy (Oil on canvas)
7291003 Sand dunes on the Conwy (Oil on canvas) by Leader, Benjamin Williams (1831-1923); 41x61 cm; Tyne & Wear Archives & Museums; (add.info.: [TWCMS : 2013.528] painting - Benjamin W)

Near Capel Currig, with a view of Mount Snowdon, Wales, about 1793-1830 (Watercolour)
7290949 Near Capel Currig, with a view of Mount Snowdon, Wales, about 1793-1830 (Watercolour) by Glover, John (1767-1849); 42.4x62.1 cm; Tyne & Wear Archives & Museums; (add.info)

The Old Mill, 1866-70 (pastel, ink and chalk on paper laid down on board)
5859957 The Old Mill, 1866-70 (pastel, ink and chalk on paper laid down on board) by Millet, Jean-Francois (1814-75); 39.8--48.2 cm; The Art Institute of Chicago, IL

Ravine Near Biskra, 1890-1900 (oil on canvas)
5859645 Ravine Near Biskra, 1890-1900 (oil on canvas) by Huguet, Victor-Pierre (1835-1902); 37.8--46.2 cm; The Art Institute of Chicago, IL, USA; (add.info.: Victor Pierre Huguet (1835-1902))

Summer (oil on canvas)
885105 Summer (oil on canvas) by Martinelli, Vincenzo (1737-1807); Pinacoteca Nazionale, Bologna, Italy; (add.info.: by Vincenzo Martinelli (1737- 1807))

Village on the Island of Ischia, c. 1826 (oil on paper on canvas)
7295246 Village on the Island of Ischia, c.1826 (oil on paper on canvas) by Norblin de la Gourdaine, Sebastien-Louis-Guillaume (1796-1884); 27 x 32.8 cm; National Gallery of Art, Washington DC

Bill Point on the Tyne, 1774 (Watercolour and pencil)
7290972 Bill Point on the Tyne, 1774 (Watercolour and pencil) by Beilby, William (1740-1819); 10.5x17 cm; Tyne & Wear Archives & Museums; (add.info)

The Thames at Barnes, about 1916-24 (Watercolour, glue and tempera)
7290954 The Thames at Barnes, about 1916-24 (Watercolour, glue and tempera) by Garside, Oswald (1879-1942); 49.6x65 cm; Tyne & Wear Archives & Museums; (add.info)

Window at Iden, 1927-29 (Watercolour)
7290944 Window at Iden, 1927-29 (Watercolour) by Nash, Paul (1889-1946); 30.5x23.4 cm; Tyne & Wear Archives & Museums; (add.info.: This watercolour shows the view from Nashs studio in Iden, Sussex)

On the Coquet, about 1902 (Watercolour)
7290927 On the Coquet, about 1902 (Watercolour) by Waterlow, Ernest Albert (1850-1919); 36.3x53.5 cm; Tyne & Wear Archives & Museums; (add.info.: Ernest Waterlow (1850-1919) On the Coquet

Ullswater, about 1842 (Watercolour and gouache)
7290937 Ullswater, about 1842 (Watercolour and gouache) by Richardson, Thomas Miles, II (1813-90); 50.8x84.1 cm; Tyne & Wear Archives & Museums; (add.info.: Thomas Miles Richardson junior, Ullswater)

Vignette ex libris (ex-libris) by Aubrey Beardsley (1872-1898)
7273850 Vignette ex libris (ex-libris) by Aubrey Beardsley (1872-1898) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Nude lying down (oil on canvas)
BRM349543 Nude lying down (oil on canvas) by Henner, Jean-Jacques (1829-1905); Private Collection; (add.info.: Nu couche; formerly in collection Brame & Lorenceau; )

A Military Convoy, 1516 (oil on cardboard)
904941 A Military Convoy, 1516 (oil on cardboard) by Meulen, Adam Frans van der (1632-90); 19x27 cm; Louvre, Paris, France; (add.info.: by Adam Frans van der Meulen (1632-90))

The Pretty Dove (oil on canvas)
904884 The Pretty Dove (oil on canvas) by Watteau, Louis Joseph (Watteau de Lille) (1731-98); 29x25 cm; Musee des Beaux-Arts, Valenciennes

Landscape with Castle and Bridge, about 1808-20 (Gouache and watercolour)
7290977 Landscape with Castle and Bridge, about 1808-20 (Gouache and watercolour) by Oldfield, John (1789-1863); 19.1x28.7 cm; Tyne & Wear Archives & Museums; (add.info)

Morpeth Bridge, about 1802 (Ink and watercolour)
7290951 Morpeth Bridge, about 1802 (Ink and watercolour) by Girtin, Thomas (1775-1802); 32.1x52.9 cm; Tyne & Wear Archives & Museums; (add.info.: Thomas Girtin (1775-1802) Morpeth Bridge

The Bridge (pencil, watercolour on paper)
7290948 The Bridge (pencil, watercolour on paper) by Hodgkins, Frances (1869-1947); 46.7x53.4 cm; Tyne & Wear Archives & Museums; (add.info.: Frances Hodgkins (1869-1947) The Bridge, pencil

Landscape with Figure on the Bank of a Pool (Watercolour, sepia and wash)
7290961 Landscape with Figure on the Bank of a Pool (Watercolour, sepia and wash) by Cozens, Alexander (1717-86); 26x32.5 cm; Tyne & Wear Archives & Museums; (add.info)

Barnard Castle, about 1835 (watercolour and gouache)
7290953 Barnard Castle, about 1835 (watercolour and gouache) by Gastineau, Henry (1791-1876); 49.4x73 cm; Tyne & Wear Archives & Museums; (add.info.: Henry Gastineau (about 1791-1876)

Conway Valley - Midday, 1932 (Watercolour and gouache)
7290933 Conway Valley - Midday, 1932 (Watercolour and gouache) by Rushton, George Robert (1868-1948); 58.2x80.1 cm; Tyne & Wear Archives & Museums; (add.info)

Bridge and Waterfall near Llyngwellyn, 1777 (Watercolour and ink)
7290929 Bridge and Waterfall near Llyngwellyn, 1777 (Watercolour and ink) by Towne, Francis (1740-1816); 27.8x43.5 cm; Tyne & Wear Archives & Museums; (add.info)

Master John Heathcote, c. 1771-72 (oil on canvas)
7296104 Master John Heathcote, c. 1771-72 (oil on canvas) by Gainsborough, Thomas (1727-88); 127 x 101.2 cm; National Gallery of Art, Washington DC, USA; (add.info.: by Thomas Gainsborough (1727-88))

View of La Cava, c. 1840 (oil on canvas)
7295253 View of La Cava, c.1840 (oil on canvas) by Lanoue, Felix Hippolyte (1812-72); 41 x 34 cm; National Gallery of Art, Washington DC, USA; (add.info.: by Felix Hippolyte Lanoue (1812-72))

Forest Scene, c. 1655 (oil on canvas)
7295173 Forest Scene, c.1655 (oil on canvas) by Ruisdael, Jacob Isaaksz. or Isaacksz. van (1628/9-82); 105.5 x 123.4 cm; National Gallery of Art, Washington DC

Landscape, c. 1670 (oil on canvas)
7295160 Landscape, c.1670 (oil on canvas) by Ruisdael, Jacob Isaaksz. or Isaacksz. van (1628/9-82); 53.2 x 60 cm; National Gallery of Art, Washington DC

Landscape, about 1760-1770 (Watercolour on paper)
7290975 Landscape, about 1760-1770 (Watercolour on paper) by Zuccarelli, Francesco (1702-88); 41.3x62.8 cm; Tyne & Wear Archives & Museums; (add.info.: Francesco Zuccarelli (1702-1788) Landscape

North Tyne, 1774 (Watercolour and pencil)
7290973 North Tyne, 1774 (Watercolour and pencil) by Beilby, William (1740-1819); 10.5x16 cm; Tyne & Wear Archives & Museums; (add.info.: William Beilby (1740- 1819) North Tyne

Hayfield, Widdington, about 1893 (Watercolour, gouache, and ink)
7290963 Hayfield, Widdington, about 1893 (Watercolour, gouache, and ink) by Clausen, George (1852-1944); 34.5x48 cm; Tyne & Wear Archives & Museums; (add.info.: George Clausen (1852-1944) Hayfield

Ruined Castle in a Landscape (Knaresborough Castle) (Watercolour on paper)
7290958 Ruined Castle in a Landscape (Knaresborough Castle) (Watercolour on paper) by Evans, Bernard Walter (1848-1922); 41.4x76.1 cm; Tyne & Wear Archives & Museums; (add.info)

A Welsh Village - Evening, about 1890-1910 (Watercolour and gouache)
7290952 A Welsh Village - Evening, about 1890-1910 (Watercolour and gouache) by Ghent, Peter (1856-1911); 60.8x91.8 cm; Tyne & Wear Archives & Museums; (add.info)

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"Captivating Rural Landscapes: A Glimpse into Tranquility" Immerse yourself in the serene beauty of rural areas through a collection of captivating artworks. "By The Sea, 1881" transports us to a peaceful coastal village, where waves gently caress the shore and seagulls soar above. Adrien Demont's "Don Quixote" painting takes us on an imaginative journey as we witness the iconic character's adventures amidst rustic surroundings. In "A Picturesque Cottage, Warwickshire, " delicate watercolors bring to life a charming countryside dwelling nestled among lush greenery. Meanwhile, "An Encounter on the Road" captures a fleeting moment between two travelers in an idyllic setting, their paths intersecting amidst rolling hills and vibrant foliage. The enchanting allure of nature is further revealed in "Church Pool, Bettws-y-coed, " where shimmering waters reflect the surrounding landscape with ethereal grace. In contrast, "The fury of a swan" lithograph showcases both the beauty and power found within these rural realms. Moving beyond artistry, we glimpse historical significance in Mussolini's depiction threshing wheat under the sun in Agro Pontino after centuries have passed – symbolizing resilience and connection to land. "Landscape with Cattle and Herdsman" invites us into pastoral scenes filled with grazing animals guided by their caretakers against breathtaking backdrops. Ben Nevis' majestic presence dominates his eponymous artwork while evoking awe-inspiring mountainous landscapes that captivate our imagination. Amidst this picturesque scenery lies St Mary's Church standing alone but resiliently rooted within its surroundings - depicted beautifully in watercolor strokes from 1900. Lastly, we are transported to North Tyne's Emmet Burn through intricate watercolor brushwork capturing its tranquil flow amid untouched wilderness.