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Royal Academicians Collection

"Exploring the Artistic Legacy of Royal Academicians

Background imageRoyal Academicians Collection: The Lighthouse of Newlyn, Cornwall, 1893 (oil on canvas)

The Lighthouse of Newlyn, Cornwall, 1893 (oil on canvas)
3327178 The Lighthouse of Newlyn, Cornwall, 1893 (oil on canvas) by Forbes, Stanhope Alexander (1857-1947) ; 290x225 cm; Manchester Art Gallery

Background imageRoyal Academicians Collection: Lady with a Red Hat, 1918 (oil on canvas)

Lady with a Red Hat, 1918 (oil on canvas)
GLS219806 Lady with a Red Hat, 1918 (oil on canvas) by Strang, William (1859-1921); 102.9x77.5 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageRoyal Academicians Collection: Thomas Day (oil on canvas)

Thomas Day (oil on canvas)
701604 Thomas Day (oil on canvas) by Wright of Derby, Joseph (1734-97); Manchester Art Gallery, UK; (add.info.: Thomas Day (22 June 1748 - 28 September 1789) was a British author and abolitionist

Background imageRoyal Academicians Collection: A Swiss Alpine Valley, c.1843 (watercolour on paper)

A Swiss Alpine Valley, c.1843 (watercolour on paper)
7528584 A Swiss Alpine Valley, c.1843 (watercolour on paper) by Turner, Joseph Mallord William (1775-1851); 29x22 cm; Gallery Oldham, UK; (add.info.: A Swiss Alpine Valley (possibly St Gothard)

Background imageRoyal Academicians Collection: Lugger and Hog boat, Brighton, 1824 (charcoal on paper)

Lugger and Hog boat, Brighton, 1824 (charcoal on paper)
7528531 Lugger and Hog boat, Brighton, 1824 (charcoal on paper) by Constable, John (1776-1837); 26x18 cm; Gallery Oldham, UK; (add.info)

Background imageRoyal Academicians Collection: Lucerne [or Lucerne near Altdorf], date unknown (watercolour on paper)

Lucerne [or Lucerne near Altdorf], date unknown (watercolour on paper)
7528527 Lucerne [or Lucerne near Altdorf], date unknown (watercolour on paper) by Turner, Joseph Mallord William (1775-1851); 37x23 cm; Gallery Oldham

Background imageRoyal Academicians Collection: Country Cross, c.1850 (watercolour on paper)

Country Cross, c.1850 (watercolour on paper)
7528524 Country Cross, c.1850 (watercolour on paper) by Turner, Joseph Mallord William (1775-1851); 24x16 cm; Gallery Oldham, UK; (add.info.: From the Charles Lees Collection By J.M.W)

Background imageRoyal Academicians Collection: Water Lane, Stratford St.Mary, 1831 (watercolour on paper)

Water Lane, Stratford St.Mary, 1831 (watercolour on paper)
7528536 Water Lane, Stratford St.Mary, 1831 (watercolour on paper) by Constable, John (1776-1837); 23x18 cm; Gallery Oldham

Background imageRoyal Academicians Collection: Summer Landscape (oil on canvas)

Summer Landscape (oil on canvas)
3076391 Summer Landscape (oil on canvas) by East, Alfred (1844-1913); Private Collection

Background imageRoyal Academicians Collection: London Bridges, pub.1924 (etching)

London Bridges, pub.1924 (etching)
5051354 London Bridges, pub.1924 (etching) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: London Bridges, pub)

Background imageRoyal Academicians Collection: Under Brooklyn Bridge, pub 1921 (etching)

Under Brooklyn Bridge, pub 1921 (etching)
5051350 Under Brooklyn Bridge, pub 1921 (etching) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: Under Brooklyn Bridge)

Background imageRoyal Academicians Collection: Portrait of Lady Selina Meade (1797-1872) (oil on canvas)

Portrait of Lady Selina Meade (1797-1872) (oil on canvas)
8610238 Portrait of Lady Selina Meade (1797-1872) (oil on canvas) by Lawrence, Thomas (1769-1830); 76.5 x 63.5 cm; Private Collection; (add.info.: half-length, in an ivory satin dress)

Background imageRoyal Academicians Collection: Cock Point, near Folkestone, 1833 (watercolour on paper)

Cock Point, near Folkestone, 1833 (watercolour on paper)
7528535 Cock Point, near Folkestone, 1833 (watercolour on paper) by Constable, John (1776-1837); 20.5x12 cm; Gallery Oldham

Background imageRoyal Academicians Collection: Convent at Villa Giulia, Lake Como, date unknown (watercolour on paper)

Convent at Villa Giulia, Lake Como, date unknown (watercolour on paper)
7528528 Convent at Villa Giulia, Lake Como, date unknown (watercolour on paper) by Turner, Joseph Mallord William (1775-1851); 34x23.5 cm; Gallery Oldham

Background imageRoyal Academicians Collection: Blackfriars Cross, Hereford (A Monument), 1792-1795 (watercolour on paper)

Blackfriars Cross, Hereford (A Monument), 1792-1795 (watercolour on paper)
7528526 Blackfriars Cross, Hereford (A Monument), 1792-1795 (watercolour on paper) by Turner, Joseph Mallord William (1775-1851); 25x17 cm; Gallery Oldham

Background imageRoyal Academicians Collection: Castle, date unknown (watercolour and pencil on paper)

Castle, date unknown (watercolour and pencil on paper)
7528525 Castle, date unknown (watercolour and pencil on paper) by Turner, Joseph Mallord William (1775-1851); 23x16.5 cm; Gallery Oldham, UK; (add.info.: From the Charles Lees Collection By J.M.W)

Background imageRoyal Academicians Collection: Mary, Queen of James II, leaving England (print)

Mary, Queen of James II, leaving England (print)
7419987 Mary, Queen of James II, leaving England (print) by Opie, John (1761-1807) (after); (add.info.: Mary, Queen of James II, with the infant James Francis Edward Stuart, Prince of Wales)

Background imageRoyal Academicians Collection: 2 knights dispute over the Immaculate Conception, 1877 (print)

2 knights dispute over the Immaculate Conception, 1877 (print)
JAB4121350 2 knights dispute over the Immaculate Conception, 1877 (print) by Unknown Artist, (19th century); (add.info.: 2 knights dispute over the Immaculate Conception)

Background imageRoyal Academicians Collection: Sunday Evening, pub.1926 (etching)

Sunday Evening, pub.1926 (etching)
5051358 Sunday Evening, pub.1926 (etching) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: Sunday Evening, pub)

Background imageRoyal Academicians Collection: A Valley in the South Downs, pub.1925 (etching)

A Valley in the South Downs, pub.1925 (etching)
5051356 A Valley in the South Downs, pub.1925 (etching) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: A Valley in the South Downs, pub)

Background imageRoyal Academicians Collection: Brighton Beach with a Rainbow: Colliers Unloading, c.1792 (watercolour on paper)

Brighton Beach with a Rainbow: Colliers Unloading, c.1792 (watercolour on paper)
7528530 Brighton Beach with a Rainbow: Colliers Unloading, c.1792 (watercolour on paper) by Constable, John (1776-1837); 25.5x17 cm; Gallery Oldham

Background imageRoyal Academicians Collection: Edmund Burke (1729-1797)

Edmund Burke (1729-1797)
863403 Edmund Burke (1729-1797) by Reynolds, Joshua (1723-92) (after); (add.info.: Edmund Burke (1729-1797) Anglo-Irish orator, political philosopher and writer, member of the Whig political party

Background imageRoyal Academicians Collection: A Young Man, 1815 (oil on canvas)

A Young Man, 1815 (oil on canvas)
NGW238921 A Young Man, 1815 (oil on canvas) by Ward, James (1769-1859); 61.2x51.1 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageRoyal Academicians Collection: Fighting Horses, 1808 (oil on canvas)

Fighting Horses, 1808 (oil on canvas)
NGW238920 Fighting Horses, 1808 (oil on canvas) by Ward, James (1769-1859); National Museum Wales; National Museums & Galleries of Wales

Background imageRoyal Academicians Collection: On the Llugwy below Capel Curig (oil on canvas)

On the Llugwy below Capel Curig (oil on canvas)
NGW344309 On the Llugwy below Capel Curig (oil on canvas) by Leader, Benjamin Williams (1831-1923); 125.7x176.2 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageRoyal Academicians Collection: A Surrey landscape (oil on canvas)

A Surrey landscape (oil on canvas)
NGW388572 A Surrey landscape (oil on canvas) by Dicksee, Frank (1853-1928); 43.2x52.8 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageRoyal Academicians Collection: Mountainous Landscape with Town in Valley, c.1840 (graphite & grey wash on paper)

Mountainous Landscape with Town in Valley, c.1840 (graphite & grey wash on paper)
XYC201202 Mountainous Landscape with Town in Valley, c.1840 (graphite & grey wash on paper) by Turner, Joseph Mallord William (1775-1851); 23.6x29.4 cm; Yale Center for British Art

Background imageRoyal Academicians Collection: South Porch and Tower of an Unidentified Church, c.1790-95 (pencil on laid paper)

South Porch and Tower of an Unidentified Church, c.1790-95 (pencil on laid paper)
XYC205239 South Porch and Tower of an Unidentified Church, c.1790-95 (pencil on laid paper) by Turner, Joseph Mallord William (1775-1851); 20.8x12.9 cm; Yale Center for British Art

Background imageRoyal Academicians Collection: James Boswell (1740 - 1795)

James Boswell (1740 - 1795)
2603691 James Boswell (1740 - 1795) by Reynolds, Joshua (1723-92) (after); (add.info.: James Boswell (1740 - 1795) Scottish diarist

Background imageRoyal Academicians Collection: Angel's Heads - A Child's Portrait study in different views. Oil painting by English painter Sir

Angel's Heads - A Child's Portrait study in different views. Oil painting by English painter Sir Joshua
JLJ4707135 Angel's Heads - A Child's Portrait study in different views. Oil painting by English painter Sir Joshua Reynolds (1723 - 1792) in 1786/1787. Image date: circa 1910

Background imageRoyal Academicians Collection: Sinister Paris Night, pub.1929 (etching)

Sinister Paris Night, pub.1929 (etching)
5051359 Sinister Paris Night, pub.1929 (etching) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: Sinister Paris Night, pub)

Background imageRoyal Academicians Collection: Sussex Downs, pub.1926 (etching)

Sussex Downs, pub.1926 (etching)
5051357 Sussex Downs, pub.1926 (etching) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: Sussex Downs, pub)

Background imageRoyal Academicians Collection: The Connoisseur, pub.1922 (etching)

The Connoisseur, pub.1922 (etching)
5051352 The Connoisseur, pub.1922 (etching) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: The Connoisseur, pub)

Background imageRoyal Academicians Collection: Looking Through Brooklyn Bridge, pub.1921 (etching)

Looking Through Brooklyn Bridge, pub.1921 (etching)
5051351 Looking Through Brooklyn Bridge, pub.1921 (etching) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: Looking Through Brooklyn Bridge, pub)

Background imageRoyal Academicians Collection: Portrait of Mrs Carnac by Sir Joshua Reynolds

Portrait of Mrs Carnac by Sir Joshua Reynolds
3524256 Portrait of Mrs Carnac by Sir Joshua Reynolds by Reynolds, Joshua (1723-92); (add.info.: Portrait of Mrs Carnac by Sir Joshua Reynolds (1723-1792) English portrait painter

Background imageRoyal Academicians Collection: Portrait of Lady Selina Meade (1797-1872) (oil on canvas)

Portrait of Lady Selina Meade (1797-1872) (oil on canvas)
8610239 Portrait of Lady Selina Meade (1797-1872) (oil on canvas) by Lawrence, Thomas (1769-1830); 76.5 x 63.5 cm; Private Collection; (add.info.: half-length, in an ivory satin dress)

Background imageRoyal Academicians Collection: Bellinzona - The Bridge over Ticino, c.1843 (watercolour on paper)

Bellinzona - The Bridge over Ticino, c.1843 (watercolour on paper)
7528529 Bellinzona - The Bridge over Ticino, c.1843 (watercolour on paper) by Turner, Joseph Mallord William (1775-1851); 33x23 cm; Gallery Oldham

Background imageRoyal Academicians Collection: Portrait of Mrs. Elizabeth Karnak by Joshua Reynolds

Portrait of Mrs. Elizabeth Karnak by Joshua Reynolds
3524249 Portrait of Mrs. Elizabeth Karnak by Joshua Reynolds by Reynolds, Joshua (1723-92); (add.info.: Portrait of Mrs. Elizabeth Karnak by Joshua Reynolds (1723-1792) English portrait painter

Background imageRoyal Academicians Collection: Portrait of Master Philip Yorke by Sir Joshua Reynolds

Portrait of Master Philip Yorke by Sir Joshua Reynolds
3524217 Portrait of Master Philip Yorke by Sir Joshua Reynolds by Reynolds, Joshua (1723-92); (add.info.: Portrait of Master Philip Yorke by Sir Joshua Reynolds (1723-1792) English painter

Background imageRoyal Academicians Collection: Sketch of two ships on a catalogue page, c.1823 (pencil on paper)

Sketch of two ships on a catalogue page, c.1823 (pencil on paper)
XYC203470 Sketch of two ships on a catalogue page, c.1823 (pencil on paper) by Turner, Joseph Mallord William (1775-1851); 22.5x42.9 cm; Yale Center for British Art, Paul Mellon Collection, USA

Background imageRoyal Academicians Collection: Sir Charles Blunt (b.1775) Hunting the Boar and Escaping from the Tiger

Sir Charles Blunt (b.1775) Hunting the Boar and Escaping from the Tiger: a study for one of a set of four paintings
XYC216259 Sir Charles Blunt (b.1775) Hunting the Boar and Escaping from the Tiger: a study for one of a set of four paintings made in 1815 (pencil heightened with white on grey paper) by Ward

Background imageRoyal Academicians Collection: A Thatched Shelter Suspended from a Tree (pencil & black ink on paper)

A Thatched Shelter Suspended from a Tree (pencil & black ink on paper)
XYC216256 A Thatched Shelter Suspended from a Tree (pencil & black ink on paper) by Ward, James (1769-1859); 17.8x11.4 cm; Yale Center for British Art, Paul Mellon Collection, USA

Background imageRoyal Academicians Collection: In the Fields of June, 1914 (oil on canvas)

In the Fields of June, 1914 (oil on canvas)
NGW184214 In the Fields of June, 1914 (oil on canvas) by Clausen, George (1852-1944); 183x213.7 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageRoyal Academicians Collection: John Orlando Parry (oil on millboard)

John Orlando Parry (oil on millboard)
NGW340999 John Orlando Parry (oil on millboard) by Maclise, Daniel (Croquis, Alfred) (1806-70); 20.4x15.5 cm; National Museum Wales; (add.info.: Parry (1810-79) was a Welsh actor, pianist, artist

Background imageRoyal Academicians Collection: Sir Arthur Davies Owen, Knight, 1816 (oil on board)

Sir Arthur Davies Owen, Knight, 1816 (oil on board)
NGW388563 Sir Arthur Davies Owen, Knight, 1816 (oil on board) by Hoppner, John (1758-1810); 124.2x97.2 cm; National Museum Wales; (add.info)

Background imageRoyal Academicians Collection: The Little Smithy, 1894 (oil on canvas)

The Little Smithy, 1894 (oil on canvas)
NGW390190 The Little Smithy, 1894 (oil on canvas) by Forbes, Stanhope Alexander (1857-1947) ; 61.3x77.2 cm; National Museum Wales; National Museums & Galleries of Wales ; © Estate of Alexander

Background imageRoyal Academicians Collection: Portrait of Richard B. Sheridan

Portrait of Richard B. Sheridan
864201 Portrait of Richard B. Sheridan by Reynolds, Joshua (1723-92) (after); (add.info.: Richard Brinsley Sheridan (1751-1816) Anglo-Irish dramatist and Whig politician



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"Exploring the Artistic Legacy of Royal Academicians: A Glimpse into Masterpieces" Step into a world of artistic brilliance as we delve into the captivating works of renowned Royal Academicians. From the enchanting "Lady with a Red Hat, 1918 (oil on canvas)" to the mesmerizing "The Lighthouse of Newlyn, Cornwall, 1893 (oil on canvas), " these masterpieces transport us to different eras and evoke a myriad of emotions. One cannot help but be captivated by Ellen Terry's timeless beauty in her portrait from circa 1864. Painted delicately on strawboard using oil paints, this piece immortalizes her grace and allure for generations to admire. Intriguingly, another rendition titled "Lady with a Red Hat, 1918 (oil on canvas) (see also 219806)" showcases an artist's unique interpretation through vibrant colors and intricate brushstrokes. This artwork invites viewers to unravel its hidden stories and contemplate its symbolism. Venturing further into nature's embrace, we encounter "The Vale of Llangollen (pen & brown ink on paper). " With every stroke of pen capturing picturesque landscapes in Wales, this piece transports us to serene realms where tranquility reigns supreme. Traveling across continents brings us closer to Malta's charm depicted in Catherine Greene's masterpiece from 1769. Through skillful use of oil paints on canvas, she immortalizes Malta's rich history and culture while leaving room for our imagination to wander within its depths. As we journey through time and space within artistry’s realm, Hampstead Heath beckons us with its scenic allure portrayed in "Hampstead Heath Looking Toward Harrow, " created around 1821. The fusion between oil paint applied meticulously onto paper then mounted onto canvas creates an ethereal ambiance that captures nature’s essence flawlessly. Meanwhile, "La Pensee" from 1880 mesmerizes us with its enigmatic beauty.